Composer Richard Burchard toggles the verses of this beautiful piece between monophonic chant and homophonic chorales. The two styles meld together producing a piece that sounds both fresh and timeless. Richard's compositionalstyle is careful and profound. You can't rush through one of his pieces you want to linger and enjoy the richness he creates. Selected for the Bruce Rogers Choral series.

Your singers and audiences will love this barbershop arrangement with a bit of doo-wop flair! The #1 pop hit of 1980 by Queen will be a knock-out in performance!

#3 from The Greatest of These Eugene Rogers Choral Series-Number 3 from The Greatest of These (No. 1 Unseen and No. 2 Echoes) this movement is written on the virtue of love. Set in a repetitive trance-like exploration of personal experiences. The treatment of these motives creates an energized tone constantly and unexpectedly bubbling over the top of its secret confines as joy that cannot be contained.

Jean-Christophe Rosaz est un compositeur qui aime et honore les textes sacrés, Le Gloria pour voix d'hommes a capella est conçu pour mettre en valeur toutes les finesses de ce texte magnifique, Les rythmes collent irrésistiblement au texte - la polyphonie l'éclaire, le magnifie, en épousant les intentions avec efficacité, mais aussi une sorte de modestie, Une fois dépassées les réelles difficultés de mise en place, quand nous l'avons travaillé, puis donné en concert, nous avons senti, de façon plus ou moins consciente, que l'on nous invitait à nous mettre au service de quelque chose, de Quelqu'un? La musique, quand elle répond à une nécessité intérieure chez le compositeur, a ce pouvoir, Ce Gloria en est une convaincante illustration,Pierre Charoulet, Choeur d'hommes de Rouen, août 2012, 'J'ai étudié le conducteur, les parfums, les couleurs et les dynamiques qui ressortent de votre composition qui nécessite une certaine maturité du travail pour lui donner toute sa splendeur, J'ai aimé ce que vous avez écrit, J'y ai aussi retrouvé l'esprit de compositeurs que j'aime comme Franck, Reger et Ropartz,' Hugo GUTIERREZ, chef de choeur, 'Je croyais entendre les anges chanter Gloria' ,Un auditeur, / Choeur D'Hommes

The famed South African vocal group Ladysmith Black Mambazo led by Joseph Shabalala creates moments of transformative beauty with their unique sound and vivid imagery. Choirs will enjoy recreating this evocative work! Availableseparately: SATB TTBB. Duration: ca. 2:25.

Eugene Rogers Choral Series-Capturing the importance of the Greenfield poem and the dramatic story of Harriet Tubman's life Rollo Dilworth has crafted a powerful new spiritual. Tubman was often referred to as a conductor of the Underground Railroad and as the Moses of her people. In recognition of these titles musical themes from the spirituals If I Got My Ticket and Go Down Moses have been incorporated into the score.

#2 from The Greatest of These Eugene Rogers Choral Series-Number 2 from ?The Greatest of These? (No. 1 Unseen and No. 3 Flight) this movement is written on the virtue of hope. Using a rich yet simple harmonic palette that strives to create a sense of nostalgia. Hope here assures that in the darkest ofexperiences when all joy is but a distant flicker of light it serves as a spark for the immortal flame of life that can illuminate even from the deepest shadows.

See if you can keep a straight face as you sing these “serious” examples of fine choral literature! From the Turtle Creek Chorale Series comes a brilliant collection of settings of “Mary Had a LittleLamb.” Arranger Eric Lane Barnes presents a wonderful music history lesson with these marvelous tongue-in-cheek Lambscapes set in Gregorian chant baroque German classical and Italian operatic styles. For high schoolthrough adult choirs this humorous collection is a must!!!

The grandeur of Ralph Waldo Emerson's skyborn music text creates a canvas for Dan Forrest's magnificent sonorities in this superb selection for choir and soloist with piano or optional strings. Breathtaking in its beauty and imagery!

Jonathan Palant Choral Series-Drawing on the musical themes from the American Folk Song Boneparte's Retreat this arrangement is up beat and rhythmic. A fiddle melody is incorporated into the one piano four hands accompaniment while the singers create sounds of the style and period. Teaching strategies are included in the comprehensive page 2 Program Notes.

from the movie The Wedding Singer-This clever and charming song was featured in the film The Wedding Singer starring Adam Sandler. Aaron Dale's arrangement is simple easy to learn in just a few rehearsals and was recorded by 2008 International Quartet Champion O.C. Times on their Let's Fly album. Fun to sing for any show singing Valentine set or any environment where general crooning may be appropriate.

The Novello Barbershop series offers unaccompanied arrangements of a variety of well-loved songs from the 1940s to the 1970s.Arranger Nicholas Hare has endeavoured to share the interest among all the voice parts but each singer should be aware at all times of who has the melody so that it is allowed to stand out. A discreet use of soloists is often appropriate.Blend and balance of the harmony is another vital element in successful performance of this music and vibrato should be kept in check so that the chords are clean and perfectly in tune. The various vocalisations (ah ooh mm etc.) may be considered as suggestions only and variedaccording to the performance conditions.Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir) the songs are notated on two staves for easy Piano rehearsal.

The Novello Barbershop series offers unaccompanied arrangements of a variety of well-loved songs from the 1940s to the 1970s.Arranger Nicholas Hare has endeavoured to share the interest among all the voice parts but each singer should be aware at all times of who has the melody so that it is allowed to stand out. A discreet use of soloists is often appropriate.Blend and balance of the harmony is another vital element in successful performance of this music and vibrato should be kept in check so that the chords are clean and perfectly in tune. The various vocalisations (ah ooh mm etc.) may be considered as suggestions only and variedaccording to the performance conditions.Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir) the songs are notated on two staves for easy Piano rehearsal.Sing this Latin-American number with a strong sense of rhythm even in the smoother sections.