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Clavecin
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Pieces De Clavecin Lp54/Vol.1 (ANGLEBERT D' / GILBERT)
Clavecin
[Sheet music]
Heugel
Par ANGLEBERT D' / GILBERT. Jean-Henri d'Anglebert (1629-1691) was one of the fo...
(+)
Par ANGLEBERT D' / GILBERT. Jean-Henri d'Anglebert (1629-1691) was one of the foremost composers of Keyboard music of his day. Therefore, the collection of his works, Pieces for Harpsichord is essential to all players of early Baroque Keyboard music. D'Anglebert 's Pieces for Harpsichord represents some of the finest achievements of the French Harpsichord school and shows the composer's mastery of counterpoint as well as his ability to experiment with texture to achieve orchestral sonority. Moreover, d'Anglebert 's collection contains a table of ornaments which formed the basis of those of J. S. Bach and other significantcomposers. The first volume of Pieces for Harpsichord comprises four Harpsichord Suites composed by d'Anglebert, each of which consist of the usual dance movements together with transcriptions from Lully's operas. Furthermore, the three unmeasured preludes included in Suites one, two and three are truly remarkable examples of their kind. With a descriptive preface in French, English and German, volume one of d'Anglebert 's Pieces for Harpsichord is a sublime addition to the repertoire of early Baroque Keyboard music./ Recueil / Clavecin
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Apprendre A Toucher Le Clavecin Vol.1 (SIEGEL RICHARD)
Clavecin
[Sheet music + CD]
Heugel
Par SIEGEL RICHARD. Richard Siegel won prizes for the Harpsichord and Chamber Mu...
(+)
Par SIEGEL RICHARD. Richard Siegel won prizes for the Harpsichord and Chamber Music at the Paris Conservatoire before going on the win first prize in the 1977 International Harpsichord Competition. He has since recorded over 30 CDs and his passion for the instrument has been further apparent in his production of Apprendre à Toucher le Clavecin. As stated in the preface, the study of the Harpsichord has long been reserved, frequently dismissed as an 'old-fashioned' instrument. However, a recent rise in the popularity of early music has rekindled interest in the Harpsichord. In Apprendre à Toucher le Clavecin, volume 1 beingthe first of two helpful volumes to aid student's learning and progression, Siegel enables Harpsichord beginners to learn through repertoire pieces themselves, drawn from the Keyboard masters of the Baroque period. The pupil will be guided towards an understanding of technique and style suited to the Harpsichord. Furthermore, Apprendre à Toucher le Clavecin, which is accompanied by a CD, enables adults who learnt the instrument as a child to return to the instrument and have the instant feeling of making music./ Méthode / Clavecin
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John Blow: Twenty-Five Harpsichord Pieces: Harpsichord: Instrumental Album
Clavecin
[Sheet music]
Stainer and Bell
Selected from Musica Britannica Volume 73. Edited by Robert Klakowich.Amateur an...
(+)
Selected from Musica Britannica Volume 73. Edited by Robert Klakowich.Amateur and professional players with an interest in Baroque repertoire will welcome this generous selection of 25 harpsichord pieces by John Blow (1649-1708). Blow stands as the dominant figure of English harpsichord composition in the late seventeenth century the master of an individual school that merged continental influences into a vigorous native tradition of keyboard writing. There are preludes dances and grounds in this anthology which is selected from Volume 73 of Musica Britannica and also includes advice on ornamentation and a comprehensive editorial note. Along with its companionvolume of 16 organ pieces K43 this collection is an important addition to Stainer & Bell's landmark Early English Keyboard series.
8.75 GBP - Sold by Musicroom UK
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Henry Purcell: Miscellaneous Keyboard Pieces: Harpsichord or Piano: Instrumental
Clavecin
[Sheet music]
Stainer and Bell
Book 2 of Henry Purcell's Complete Harpsichord Works - contains a magnificent mi...
(+)
Book 2 of Henry Purcell's Complete Harpsichord Works - contains a magnificent miscellany of pieces edited by Howard Ferguson. Includes 18 pieces from The Second Part of Musick's Handmaid 1689; 6 pieces from A Choice Collection of Lessons 1696/99 and other pieces from various sources. Selected for the ABRSM examinations grades 4 and 5.
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