Within Three-Part Harmony. Par HAAGE JOHANNES. This book focuses on the intersection of melody and harmony. While valuable for all instrumental and choral composers and arrangers, it specifically explores ways to move melodic voices independently within three-part harmony on the guitar. All you need to benefit from this book is the ability to read standard notation on the guitar. Working through this book will improve fretboard knowledge and help you write better melody-chord arrangements.For the first time in print, VOICE MOTION presents a condensed, comprehensive list of all the possible ways for three voices to move in 2nds or 3rds within the context of common 7-note or heptatonic scales. With graphic illustrations that instantly reveal the nature of the motion (see front cover), the versatility of this list is unparalleled in modern music publishing.VOICE MOTION contains not only the essential list of all possible moves, in close and open (drop-2) voicing, but also:Begins with a complete course on diatonic three-voice chords and continues with a structured presentation of the ways to move voices within them.Introduces a unique harmonic toolbox which can be used at any stage of a musician?s personal artistic development.Provides an overview of heptatonic harmony and melodic movement which can be used when writing for or playing three voices in any harmonic situation.Vastly expands the reader?s chord vocabulary while demonstrating a clear method for learning to move any harmonic voice independently, in any inversion.Definitively explores all relevant heptatonic scales, their modes and three-part chord structures as well as presenting many examples, exercises and etudes to demonstrate their practical application.Presents a fretboard diagram and C major diatonic and chromatic scale exercises in notation and tab to clarify note locations on the guitar.Offers a special section applying the book?s principles to keyboard instruments.Includes access to online audio of select exercises and etudes plus three of the author?s original compositions demonstrating the techniques shown in this 316-page book. / Date parution : 2022-09-20/ Etude / Guitare

Par BOLING MARK. Pianistes sont les principales sources d'inspiration pour de nouveaux développements dans la compilation de la guitare jazz. Pourtant les guitaristes ont été lents à développer un vocabulaire comping avec sophistication harmonique, voiceleading subtil et rythmique de la flexibilité au niveau des meilleurs pianistes contemporaines. Cet ouvrage vise à remédier à la situation en articulant un vocabulaire comping dans le contexte de six des airs plus souvent jouées dans le jazz : 12-bar blues, les changements de rythme, blues mineur, une mélodie modale et un couple de normes. Les comps sont écrites en notation et tablature et comprennent des rythmes avec mouvement avant, chords construits en quatrième intervalles voicings structure constante parallèle, polychords, barre oblique chords, etc.. Le focus est sur l'élaboration d'une approche contemporaine de la rythmique, phrasé, voicings chord, voiceleading, substitution de la corde et reharmonization. Un enregistrement de CD ainsi que de jouer de la guitare comps avec basse et batterie aide à obtenir les sons et les rythmes dans votre oreille. La théorie de la façon dont les concepts comping sont appliqués... / Niveau : Intermédiaire à Avancé / Jazz - Rhythm/Backup / Recueil / Guitare

A dozen of the most beautiful traditional melodies from the British Isles and North America are arranged here as concert pieces, with rich harmonies and variations. Carefully voiced and fingered for fluidity and effectiveness, the collection offers a wide range of style and expression. 'Barbara Allen” and 'The Three Ravens” are strongly influenced by the Elizabethan lute tradition, while 'John Riley” and 'Come All Ye Fair and Tender Ladies” have a more contemporary feel. 'Black Is the Color of My True Love's Hair” and 'Lament for Owen Roe O'Neill” are studies in somber intensity, the modal 'She Moved Through the Fair” sounds the ancient connectionbetween Arabic and Celtic music, and 'Banks of the Ohio” provides an interlude of gentle bluegrass swing, with a hint of gospel. / Niveau : Intermédiaire / Classique / Recueil / Guitare Classique

Media Type : Book/CD Set Level : Intermediate Musical Genre : Brazilian Number of pages : 32 As one can easily imagine, it would be very hard for a guitar student to start reading the scores of the traditional choro repertoire, most of them with large number of technical difficulties. It would be much better if they could start with some easier pieces - of intermediate level - in order to be presented to the choro language in a more gradual and appropriate manner. That is the main goal of this book. It has 13 studies (in the 13 more commonly used keys for the choro guitar) written in a reduced form and in the principal stylistic choro variants: besides real choros, there are polkas, maxixes, Brazilian tangos and xotis. The more used and characteristic rhythmical figurations are present in each of the studies as the principal. Also aiming at the simplification of execution, all studies were composed with only two voices (melody and bass) and with no chords (although harmonies are quite evident due to the choro melodic particularities). A CD with all 13 studies is included.

The Complete Guitar Player Acoustic Songbook features a huge collection of 50 acoustic hits from all genres for Guitar. Each song includes full lyrics and Guitar chords as well as strumming and picking patterns, making this perfect for the aspiring acoustic Guitarist.Every song included in this Guitar songbook is a bona fide acoustic classic, perfect for singalongs at parties or just a strum on a summer's day in the park. Songs like Hey, Soul Sister by Train, Wonderwall by Oasis and Ho Hey by The Lumineers represent the best in unplugged and fun chill-out music. The book is designed to be accessible and enjoyable, showcasing the best songs by the best songwriters like Bob Dylan, Mumford and Sons, The Beatles and Adele. Songs from the past and the present are included, so there will be something for everyone in this acoustic songbook.Each song has been carefully arranged for Guitar and Voice, including the melody, lyrics and Guitar chord shapes. Not only this, but there are also suggested strumming or picking patterns to help you nail the exact sound of the song straight away. This acoustic Guitar songbook is ideal for beginners and intermediate Guitarists looking to expand their repertoire with acoustic songs new and old, whereas absolute beginners new to the Guitar might find that the four books of the famous Complete Guitar Player series by Russ Shipton will help them out with the basics. With these 50 acoustic Guitar songs, you'll be singing, strumming and fingerpicking your way through the folk, pop and rock canon in no time at all. The Complete Guitar Player Acoustic Songbook would make a stellar addition to any guitarist's bookshelf, and every one of these great songs will make sure that everyone is singing along. / Guitare

Par VIC JURIS. When Mel Bay Records launched Guitar Sessions, Vic Juris was one of the artists recruited to provide a distinctive flavor to the jazz-oriented label. A Second Look features Jay Anderson on bass, Tim Horner on drums, and Dave Liebman on tenor and soprano sax. The masterful juxtaposition of nylon-string acoustic and electric guitars adds an engaging range of voices to standards and originals, including Barney K., So In Love, All the Things You Are, Shades of Jazz, Very Early, For Brian, Table for One, and Indian Summer. Vic Juris Guitar Sessions Record Interview / Niveau : Débutant à Intermédiaire / Jazz - Solos / Accessoire / Guitare

Mauro Giuliani is considered today to have been the most important guitarist-composer of the early nineteenth century. Not only was Giuliani the foremost player of his day: his fame reached far beyond the realm of guitar enthusiasts, earning him a place among the musical élite as a complete, versatile musician. Even so, by the end of the nineteenth century he was largely forgotten and his music managed to retain little more than a marginal presence in the repertory of the great guitarists of the early twentieth century. The current revitalization of his work owes its origins to the monumental research begun by Thomas Heck in 1971 and continued by Ruggero Chiesa, Mario Torta, Marco Riboni, and Gerhard Pen. Thanks to the dedication of these scholars, Giuliani's music has progressively returned to its erstwhile prominence in the performing repertory. Giuliani wrote some 230 works, of which 150 carry opus numbers. They consist above all of pieces for solo guitar and a considerable quantity of chamber music for guitar and violin, flute, piano, or voice, as well as three guitar concertos. Based on the texts of the first published editions, the pieces in this collection have been revised only with the addition of fingering (according to the technique documented in Giuliani's method (Studio per la chitarra opus 1) and his Esercizio per la chitarra contenente 24 pezzi della maggiore difficoltà, diversi preludi passaggi ed assolo opus 48, published by Steiner in 1813) and the correction of obvious typographical errors. / 1 Ou 2 Guitare(s)

Par WILLMOTT BRET. This is a very comprehensive text that combines theory, harmony and voicing material with emphasis placed on voice leading. Although this book's primary focus is on four-note chord voicings on the middle strings of the guitar, much of the knowledge conveyed here can be appreciated and used by all jazz musicians, not only guitarists. Topics covered include: Tensions, Voice Leading Chord Scales, Enharmonic Chordal Substitutions, Fourth Voicings, Chromatic Guide Lines, Triad Over Bass Voicings, and much more! The best part of this book, however, is the unique and practical way the author takes modern harmonic concepts and shows you how to apply them in real music situations! Written for the intermediate to advanced music theory enthusiast who wishes to master this facet of music. / Niveau : Intermédiaire à Avancé / All Styles - Theory and Harmony / Etude / Guitare

Par BECK JOE. Guitar legend Joe Beck lays out his concepts for solo jazz guitar in this educational and performance DVD. Using the tunes Ghost of a Chance, Come Rain or Come Shine, I Got Rhythm, Video Blues and East of the Sun. Joe demonstrates these concepts: Harmonizing melodies Voice leading Contrary Motion Chord Substitutions Cadences Pedal Tones and more A candid interview also sheds light on some of Joe Beck's musical and professional philosophies. This DVD provides an opportunity for guitarists to learn the tricks of the trade from someone who has done it all. / Niveau : Débutant à Intermédiaire / Jazz - Improvisation / Accessoire / Guitare

Media Type : Book Level : Intermediate-Advanced Musical Genre : Jazz Number of pages : 264 This book of twenty compositions spans an approximately 20-year period of writing. They can all be found on one or another of Ben's four solo releases: Flux, Dust, Excavation, and Oceana. It reflects a broad sample of work involving the exploration of various harmonic, technical, and textural elements of the guitar. There are 6 solo pieces, as well as pieces for trio and quartet, with voice being the 4th instrument. The pieces were chosen for the particular technical challenges they present to the performer. Some unusual fingering techniques are employed, as well as alternate tunings. Standard notation only.

Russ Shipton. Shows exactly what chords are needed to both play and arrange songs. Contains the most used chords in the principal guitar keys, photos and diagrams to illustrate each chord and instructions on how to transpose with a capo for adjusting a key to your voice. / Guitare (Avec Grilles D'Accords)

Comping In The Freddie Green Style. Par CHRISTIANSEN COREY. Every jazz guitarist needs to be familiar with the accompaniment style of Freddie Green. Freddie Green was the guitarist for the Count Basie orchestra for decades and his sound and comping technique were defining aspects of this legendary group. Four-to-the-bar strumming, essential chord voicings and voice leading ideas are covered in this informative 58-minute DVD and accompanying chart. A must have for any aspiring rhythm guitarist. / Niveau : Intermédiaire / Jazz - Rhythm/Backup / Accessoire / Guitare

Par BRIEZ PASCAL. Enfin une méthode pour apprendre toutes les techniques et s?entraîner en 'Live' sur des bandes VOICE UP Cette méthode complète avec une présentation claire et aérée vous permettra tout d?abord de découvrir, comprendre et jouer la majorité des accords et des styles d?accompagnement (jeu en battements, fingerpicking) et de nombreux effets comme le Bend, le Hammer, le Slide, le Pulling Off ou encore le Palm Mute. Vous pourrez également visualiser des Tutos vidéos et faire vos premières armes grâce aux bandes audio VOICE UP. Les bandes audio «VOICE UP» sont incluses dans le CD et grâce à ces aides bien précieuses, vous allez pouvoir accompagner de VRAIES VOIX enregistrées dans un studio professionnel. Grâce au jeu en «live» vous découvrirez avec plaisir, facilement et progressivement plusieurs styles de musique que vous mettrez en pratique sur des chansons très connues. En solo ou dans le cadre d?un cours de musique, vous allez ainsi compléter, enrichir votre façon de jouer, découvrir le jeu en groupe et l?accompagnement, efficacement et surtout ... tout simplement !./ Méthode / Guitare

Begin your journey to improv mastery and finding your own musical voice! Each étude is based on a standard chord progression and centered on one left-hand position. Everything is carefully crafted to improve playing technique, reading and improv chops of the beginning guitarist, and to increaase awareness on melody, harmony and rhythm. The accompanying CD features the author's recorded demos of all 12 études, as well as dozens of musical examples. / Guitare tablatures / Cherry Lane