Par MRUTZEK RALF. Une collection de chansons traditionnelles de blues et de la musique gospel, ainsi que plusieurs chansons de folk irlandais arrangés pour guitare solo fingerstyle en notation standard et en tablature. Les arrangements comprennent des chansons connues ainsi que quelques qui ont été presque oublié, dont les mélodies sont marquées par une beauté intemporelle qui les a aidés à survivre pendant de nombreuses décennies. Outre la notation standard et tablature, cueillette et grattant les patrons offrent des méthodes supplémentaires de l'accompagnement. Sur le CD, toutes les chansons ont été enregistrées avec un arrangement complet et plusieurs ont même une version vocale ainsi. / Niveau : Débutant à Intermédiaire / Folk - Solos / Tablatures / Guitare Tablatures

Presents the Contradanzas Habaneras of Manuel Saumell (1817-1870) who has been called a 'Pioneer of the Cuban danza.' Originally written for the piano this collection of contradanzas is a good example of Saumell’sinnate sensitivity to the rhythms characteristic of Cuban Music. Written in standard notation and tablature.

A travers cette méthode d'apprentissage Guitare vous aurez tous les éléments pour pouvoir maitriser votre instrument. Cet ouvrage Irish Traditionnal Guitar Accompaniment Tab Cd a été écrit par Auteurs Divers et éditée par les éditions ID Music sous la référence WM1310CD. / Guitare / Partition Cd

Par SANTA-CRUZ ANTONIO DE. Merci de rendre accessible au plus grand nombre cette musique rare : une des tablatures les plus difficiles à lire d'un répertoire injustement méconnu. Les textures évanescentes et allusives de la guitare baroque sont ici traduites avec talent dans une partition claire et généreuse pour la guitare moderne. / Classique / Tablatures / Guitare Tablatures

Par KIRTLEY PAT. World itinérante fingerstyle guitariste Pat Kirtley présente 17 accords de guitare solo des airs traditionnels irlandais, dont quelques compositions originales dans la même veine, par lui-même, Pierre Bensusan et Duck Baker. Comme toutes les mélodies dans cet enregistrement de 1997 ont été disposées en ajustements apportés altérées (DADGAD, EADEAE ou DADEAD), chacun semble en notation standard et en tablature avec notes de performance perspicaces. En général, ces transcriptions d'album de Pat Kirtley du même titre sont extrêmement précises - la rousse Boy, cependant, a joué en duo avec Steve recteur sur l'album - apparaît comme un arrangement solo dans ce livre. Recommandé pour les intermédiaires au joueur avancé, l'auteur concerne des notes de performance perspicaces pour chaque morceau. / Niveau : Intermédiaire à Avancé / Celtic/Irish - Solos / Tablatures / Guitare Tablatures

The ragtime and early jazz music pioneers during the first decades of the last century didn???t know that the sounds they created would echo in the music that people loved for years to come. They started an American music traditionthat is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist I never thought that playing back-up in a jazz band was for me. I???d rather do something with thesesongs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music with a steady left hand playing bass notes and chords togetherwith the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classicalragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all thenotes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make myarrangements not too difficult to play so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though is to make the tune soundlike Guitar music not Piano music played on the Guitar.

This superb DVD is a new and unique way to have fun study and jam all at the same time. The DVD contains three top quality backing tracks and can be approached in two ways first you can 'JAM' with the tracks flying solo experimenting with different ideas licks and solos. Alternatively you can trade solos with George drawing inspiration from the ideas and techniques used in his solos.Each track has three performances from George working across three levels of difficulty. Although the solos are improvised he has taken care to go for a basic intermediate and advanced level for each track. All the solos are transcribed and are available in PDF form along with thelessons. On screen graphics with chords and scales are provided when it's your turn to jam.This tutorial is an exciting way to interact with George while learning new licks and phrases performed in a real musical environment. This DVD is designed to be an enjoyable musical experience for everyone. Whether your style you will find this tutorial fun and inspiring. Enjoy!Features:â?¢ 3 tracks each played at 3 difficulty levelsâ?¢ on screen diagrams for chords and scalesâ?¢ backing tracksâ?¢ lesson notesâ?¢ full downloadable tab book

A Quick and Easy Introduction for Beginners-Teach yourself to play authentic blues Guitar with this book and video set. Each music example in Teach Yourself To Play Blues Guitar is taught and performed on video by author and blues historian Dave Rubin. You'll learn many tips techniques and tools of the trade along the way as you hone your burgeoning blues bravado. No music reading is required. Each example is notated in an easy-to-understand rhythm tab format and demonstrated on video. The price of this book includes access to video lessons online for download or streaming using the unique code supplied inside the book.

With Transcriptions From A Drop Of The Pure. Par BAUGHMAN STEVE. Traditionally the role of the guitar in Celtic music has been confined to accompaniment of lead instruments or a vocalist. In this book Steve Baughman suggests ways to break free of this mold, allowing the guitarist to internalize techniques that make the expression of Celtic melodies a pleasant endeavor. Divided into two sections, the book covers melodic and percussive expressive techniques. Written in standard notation and tablature. Audio available online. / Niveau : DĂ©butant / Celtic/Irish - Methods / Tablatures / Guitare Tablatures

Par COULTER WILLIAM. Cela très attendu livre présente des mélodies irlandais préférés dans superbes arrangements de fingerstyle qui mélangent influences traditionnelles et modernes. La majorité des airs est effectuée avec la guitare en DADGAD ou DGDGBD de réglage. L'auteur propose un article d'introduction sur fingerstyle technique ainsi que des notes de programmes informatifs et ses réflexions sur la musique irlandaise d'accompagnement. Dans la notation et tablature. / Niveau : Intermédiaire / Celtic/Irish - Solos / Tablatures / Guitare Tablatures