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ACCORDION
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CHOIR - VOC…
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DOBRO - GUI…
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ELECTRONIC …
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6 Sonates Pour Le Clavecin Ou Le Piano Forte, Oeuvre V - 6 Sonatas For The Harpsichord Or Piano Forte, Opera XVII
Harpsichord
Anne Fuzeau Productions
Six sonates pour le clavecin ou le piano forte. Oeuvre V - - Editions : (c.1766)...
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Six sonates pour le clavecin ou le piano forte. Oeuvre V - - Editions : (c.1766)Six sonatas for the harpsichord or piano forte. Opera XVII - Edition : Londres, s.d. = (c.1779)Présentation par Jeanne Roudet : introduction - éléments d'interprétation (ornementation, dynamique) - appendice 1 (erreurs et approximations) - appendice 2 (aménagements proposés).Ces sonates peuvent être interprétées aussi bien sur un clavecin que sur un piano forte. / Clavecin Et Piano-Forte / 136 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5
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Fourteen Sonatas (SOLER ANTONIO)
Harpsichord
[Sheet music]
Faber Music Limited
Par SOLER ANTONIO. Soler (1729-83) was one of the outstanding keyboard composers...
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Par SOLER ANTONIO. Soler (1729-83) was one of the outstanding keyboard composers of 18th-century Spain. His sonatas show great brilliance and originality, many of them influenced by the characteristic colours of Iberian popular music. This edition offers a selection of 14 of the best sonatas from the set given by the composer to Viscount Fitzwilliam in 1772, as well as editorial notes from Kenneth Gilbert. **ABRSM selected piece (Piano 2019-2020): Sonata in D minor, R. 25Â / Piano Music / Recueil / Clavecin
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SCARLATTI D. - SONATES VOL.X (K.458 - K.506)
Harpsichord
Heugel
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard ...
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Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this tenth volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The tenth volume, comprising Sonatas 458-506,includes the popular and recognisable Sonata in F minor (K. 466). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royalfamilies, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Clavecin / Heugel
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SCARLATTI D. - SONATES VOL.XI (K.507 - K.555)
Harpsichord
Heugel
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard ...
(+)
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eleventh and final volume is indispensableto performers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The eleventh volume, comprising Sonatas 507-55,includes the popular and recognisable Sonata in E major (K. 531). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of two royalfamilies, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Partitions classique / Piano - instruments à clavier / Clavecin / HEUGEL
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Domenico Scarlatti: Sonate per clavicembalo - Volume 10: Harpsichord:
Harpsichord
Ricordi
Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The...
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Essercizi per gravicembalo - A cura di M. Moiraghi (supervisione E. Fadini). The 10th volume of Domenico Scarlatti?s Sonate per clavicembalo represents a crucial landmark of this series, i.e. the thirty Essercizi per gravicembalo (London, 1738-39) at the heart of the composer?s production. For a long time, the style of these sonatas and their role in the history of keyboard music has been debated. But nobody had ever examined thoroughly the key aspects of textual criticism, intended not only as a detailed reconstruction of the text, but as a philological study with a full scope. This volume is the first step in such direction. The musical text of this edition is the result of a systematic comparison of all the eighteenth century printed and manuscript sources preserving Scarlatti?s treasured Essercizi. In some cases, the edition presents an alternative version of the same sonata, based on the sources? examination and sometimes showing an intricate web of authorial variants. The detailed Critical Notes take into account all the variants handed down by the sources. Many topics are discussed in the rich Introduction, first and foremost the historical context and the genesis of Scarlatti?s sonatas. Furthermore, other important topics are investigated, such as: the relationship between the Essercizi and the rival Londonese edition by Roseingrave: the role and chronology of the contemporary French editions, known under the name of Boivin: the early interventions of anonymous performers.
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Domenico Scarlatti: Sonates Choisies Pour Clavier Vol. 1: Piano: Instrumental
Harpsichord
Heugel
facile - easy - leicht-Italian composer Domenico Scarlatti (1685-1757) is well-...
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facile - easy - leicht-Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this first volume of Selected Sonatas is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portugueseroyal families. The first volume of Selected Sonatas compiled by Kenneth Gilbert includes many of the popular and recognised sonatas. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.
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SCARLATTI D. - SONATES VOL.II (K.53 - K.103)
Harpsichord
Heugel
talian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard c...
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talian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this second volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti\'s Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The second volume, comprising Sonatas 53-103,includes the popular and recognised Sonatas in F minor (K. 69) and B minor (K. 87). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in theservice of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Partitions classique / Piano - instruments à clavier / Clavecin / HEUGEL
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SCARLATTI D. - SONATES VOL.IX (K.408 - K.457)
Harpsichord
Heugel
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard ...
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Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this ninth volume is indispensable toperformers of the genre. Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much ofScarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royal families. The ninth volume, comprising Sonatas 408-457,includes many of the popular and recognised Sonatas in a variety of keys. Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day, so much so that he was employed in the service of tworoyal families, his Sonatas are composed with much experience, understanding and expertise, creating an essential addition to the repertoire of all Keyboard players of the Baroque genre. / Clavecin / Heugel
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SCARLATTI D. - SONATES VOL.VIII (K.358 - K.407)
Harpsichord
Heugel
Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard ...
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Italian composer, Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day, and it is for this reason that this eighth volumeis indispensable to performers of the genre.Originally composed for the Harpsichord, Organ or early Pianoforte, the Sonatas display the riveting use of discords and unconventional modulations toremote keys. It is also thought that much of Scarlatti's Keyboard music contains influences of Iberian music, considering that he spent much of his working life in the service of the Spanish and Portuguese royalfamilies.The eighth volume, comprising Sonatas 358-407, includes the popular and recognised Sonatas in B minor (K. 377) and E major (K. 380). Bearing in mind that Domenico Scarlatti was a highly competentand popular Keyboard player in his day, so much so that he was employed in the service of two royal families, his Sonatas are composed with much experience, understanding and expertise, creating an essentialaddition to the repertoire of all Keyboard players of the Baroque genre. / Clavecin / Heugel
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Paradies Pietro Domenico - Sonata For Harpsichord Band 1 - Harpsichord (piano)
Harpsichord
Schott
Sonatas 1 - 6 Instrumentation : harpsichord (piano) Date of Publications : 15/0...
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Sonatas 1 - 6 Instrumentation : harpsichord (piano) Date of Publications : 15/07/1971 Number of Pages : 48 Arranger : Ruf, Hugo / Bemmann, Hans Series : Piano music pre-classicism
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Domenico Scarlatti: 60 Sonate per clavicembalo: Harpsichord
Harpsichord
Ricordi
antologia dall'edizione critica di Emilia Fadini-This Anthology offers a wide se...
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antologia dall'edizione critica di Emilia Fadini-This Anthology offers a wide selection of Sonatas by Domenico Scarlatti taken from the complete critical edition edited by Emilia Fadini for Casa Ricordi since 1978.The sonatas have been chosen according to their level of difficulty (from Easy-Intermediate to Intermediate) and in some cases their popularity with performers.The anthology furthermore represents a vast choice of the genres and styles present in the complete corpus of Scarlatti???s sonatas (Capricci Gavottes Menuets Fugues).A valuable opportunity for every keyboard player to approach the work of this great composer.
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12 Sonate per clavicembalo: Piano
Harpsichord
Ricordi
A cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes ...
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A cura di Cesare Fertonani-The series Eighteenth Century Italian Music includes compositions of special historical and musical significance. Each edition is based on the original sources to offer performers works that satisfy clear critical and musicological criteria. This anthology includes twelve harpsichord sonatas carefully selected from among those written by ten of the most important eighteenth-century Italian composers of keyboard music.
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SCARLATTI DOMENICO - SONATE PER CLAVICEMBALO - VOL. 10
Harpsichord
Ricordi
Édition critique de Emilia Fadini
Le 10e volume de la Sonate per clavicem...
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Édition critique de Emilia Fadini
Le 10e volume de la Sonate per clavicembalo de Domenico Scarlatti représente un jalon crucial de cette série, à savoir les trente Essercizi per gravicembalo (Londres, 1738-1739) au c?ur de la production du compositeur. Pendant longtemps, le style de ces sonates et leur rôle dans l'histoire de la musique pour clavier ont été débattus. Mais personne n'avait jamais examiné à fond les aspects clés de la critique textuelle, conçue non seulement comme une reconstruction détaillée du texte, mais comme une étude philologique avec une portée complète. Ce volume est le premier pas dans cette direction. Le texte musical de cette édition est le résultat d'une comparaison systématique de toutes les sources imprimées et manuscrites du XVIIIe siècle préservant les précieux Essercizi de Scarlatti. Dans certains cas, l'édition présente une version alternative de la même sonate, basée sur l'examen des sources et montrant parfois un réseau complexe de variantes d'auteur. Les Notes Critiques détaillées prennent en compte toutes les variantes transmises par les sources. De nombreux sujets sont abordés dans la riche Introduction, en premier lieu le contexte historique et la genèse des sonates de Scarlatti. Par ailleurs, d'autres thèmes importants sont investigués, tels que : la relation entre les Essercizi et l'édition londonienne rivale de Roseingrave : le rôle et la chronologie des éditions françaises contemporaines, connues sous le nom de Boivin : les premières interventions d'interprètes anonymes. / Partitions classique / Piano - instruments à clavier / Clavecin / RICORDI
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Johann Sebastian Bach: Suites Sonatas Capriccios Variations: Piano:
Harpsichord
[Sheet music]
G. Henle
En dehors des grands cycles (partitas suites anglaises et françaises) toute u...
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En dehors des grands cycles (partitas suites anglaises et françaises) toute une série d?autres suites pour clavier de Bach sont parvenues à la postérité ainsi que des sonates ou des mouve-ments de sonates isolés des variations et des morceaux désignés par le terme de capriccio. Aucun d?eux n?a atteint la notoriété des grands recueils cités plus haut. La plupart datent des années de jeunesse et de formation de Bach c?est-à -dire entre 1700 et 1710 et ne témoignent pas encore de la maîtrise ultérieure mais offrent cependant un immense plaisir de jeu. Deux morceaux sont des adaptations pour clavier des sonates pour violon en la mineur et Ut majeur de Bach. Ces adaptations ne sontpas de la main du compositeur mais peut-être de celle de son fils Wilhelm Friedemann. Elles doivent leur présence dans ce volume de l?édition Urtext à leur notoriété et à leur caractère gratifiant.
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SCARLATTI D. - SONATES VOL.VI (K.256 - K.305)
Harpsichord
Heugel
The sixth volume of the series of 12 Sonatas, this book contains the Sonatas K.2...
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The sixth volume of the series of 12 Sonatas, this book contains the Sonatas K.256 to K.305. Composed by Domenico Scarlatti, this edition by the harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged for Piano. Based onthe two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatrick, whose book can be considered an essential guide for this series. / Clavecin / Heugel
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SCARLATTI D. - SONATES VOL.III (K.104 - K.155)
Harpsichord
Heugel
The third volume of this series of 12 Sonatas, this book contains the Sonatas K....
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The third volume of this series of 12 Sonatas, this book contains the Sonatas K.104 to K.155. Composed by Domenico Scarlatti, this edition by the harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged for Piano. Basedon the two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatrick, whose book can be considered as an essential guide for this series. / Partitions classique / Piano - instruments à clavier / Clavecin / HEUGEL
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SCARLATTI D. - SONATES VOL.VII (K.306 - K.357)
Harpsichord
Heugel
The seventh volume of the series of twelve, Sonatas - Volume VII, LP. 37 feature...
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The seventh volume of the series of twelve, Sonatas - Volume VII, LP. 37 features the Sonatas K.306 to K.357. Composed by Domenico Scarlatti, this edition by the Harpsichordist Kenneth Gilbert regroups the 555 sonatas arranged forPiano. Based on the two sets of books discovered in Venice and in Parma, this edition still contains some of the annotations initially suggested by Kirkpatrick, whose book can be considered as an essential guide for this series. / Clavecin / Heugel
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Edwin McLean: Sonata No. 2 For Harpsichord: Harpsichord: Instrumental Work
Harpsichord
[Sheet music]
FJH
Here is a winning combination of old and new. This three-movement sonata contras...
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Here is a winning combination of old and new. This three-movement sonata contrasts the traditional sound of the harpsichord with tonality and syncopation's common to popular music and jazz. There are guitar-like moments in the first and third movements while the second alternates between the baroque and the modern. McLean brings all the character of the instrument to light.
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Carl Philipp Emanuel Bach: 6 Wurttembergischen Sonaten Wtq 49: Piano:
Harpsichord
Barenreiter
Die sechs Wurttembergischen Sonaten Wq 49
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Premier Livre De Pièces De Clavecin
Harpsichord
Anne Fuzeau Productions
Iere Suite :- Prélude- Les Giboulées de Mars- Les jumelles- 2è Partie- Les Am...
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Iere Suite :- Prélude- Les Giboulées de Mars- Les jumelles- 2è Partie- Les Amants Enchantés- Feste Sauvages- 1er Tambourin- 2è Tambourin- La Babillarde- Le CourierIIème Suite :- Le Grondeur- Badine- Les Idées Heureuses- Feste Millanoise- La Triomphante- 1er Menuet, 2è Menuet et 3è MenuetIIIème Suite :- Prélude- L'Héroïne Allemande- La Dégourdie- 2è, 3è et 4è Double- 5ème Double- Les Bostes de Sept Lieus- Les EtoilesIV Suite :- Les Fanatiques- Sarabande- La prise de Jéricho- Explication des passages difficils - a doiterOeuvre écrite pour clavecin seul. / Clavecin / 32 pages / niveau : 1 / Fac-Similés - Format: 21 X 29.7
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Blow J. - Twenty-five Harpsichord Pieces
Harpsichord
Stainer and Bell
Selected from Musica Britannica Volume 73. Edited by Robert Klakowich. Amateur a...
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Selected from Musica Britannica Volume 73. Edited by Robert Klakowich. Amateur and professional players with an interest in Baroque repertoire will welcome this generous selection of 25 harpsichord pieces by John Blow (1649-1708). Blow stands as the dominant figure of English harpsichord composition in the late seventeenth century, the master of an individual school that merged continental influences into a vigorous native tradition of keyboard writing. There are preludes, dances and grounds in this anthology, which is selected from Volume 73 of Musica Britannica, and also includes advice on ornamentation and a comprehensive editorial note. Along with its companion volume of 16 organ pieces, K43, this collection is an important addition to Stainer
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François Couperin: Pièces De Clavecin Vol.2: Harpsichord: Instrumental Work
Harpsichord
Heugel
The second volume of Couperin's Pieces for Harpsichord does not contain a date o...
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The second volume of Couperin's Pieces for Harpsichord does not contain a date of publication however it is thought to have been composed during 1716-1717 due to the address which the composer gave on his other Harpsichord compositions. Yet the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works have picturesque titles. Examples of this in his second volume of Pieces for Harpsichord include Le Moucheron (The Gnat) L'Adolescente (The Teenager) and La Fringante(The Elegant). Couperin's moods are expressed through choices of keys adventurous harmonies and discords. With a significant amount of variation and inspiration Pieces for Harpsichord are essential to the repertoire of aspiring players of the instrument.
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Lennox Berkeley: Suite For The Harpsichord: Harpsichord: Instrumental Work
Harpsichord
[Sheet music]
Chester
Suite For The Harpsichord is a work by Lennox Berkeley written whilst he was b...
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Suite For The Harpsichord is a work by Lennox Berkeley written whilst he was based in Paris and studying under Nadia Boulanger. The suite is a wonderful example of a work for Harpsichord writtenat the time of major revival for the instrument as well as the new style of composition Berkeley was discovering. The work is edited by Christopher D. Lewis and lasts around 14 minutes.
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François Couperin: Pieces De Clavin: Harpsichord: Instrumental Album
Harpsichord
Barenreiter
Second Livre Für Cembalo-Edited by Denis HerlinWith notes on performance practi...
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Second Livre Für Cembalo-Edited by Denis HerlinWith notes on performance practiceOnce again the French musicologist Denis Herlin who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus has presented an exemplary edition of a classic from the harpsichord repertoire.?Bärenreiter presents Book II of Couperin?s ?Pièces de clavecin? first published in 1717. In addition the eight preludes and one allemande from his treatise ?L?Art de toucher le clavecin? are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print most of which he unearthed himself ininternational libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword notes on historical performance practice a comprehensive glossary facsimile pages and a detailed Critical Commentary.Pioneering edition with the first-time evaluation of an extensive body of sourcesIncludes Couperin?s original expression markswith 8 Préludes and 1 Allemande from 'L'Art de toucher le clavecin' (1716 1717)
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Fata morgana (PIETILA ESA)
Harpsichord
[Sheet music]
Fennica Gehrman
Par PIETILA ESA. The title of Esa Pietilä?s solo harpsichord work Fata morgana ...
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Par PIETILA ESA. The title of Esa Pietilä?s solo harpsichord work Fata morgana (2019) refers to a special weather con-dition, which creates illusory effect of mirage-like fairy castle-like monuments in the horizon of the sea. The piece brings forth the frightening bass sonority on double manual, full size harpsichord and the brightness on the treble and makes a dialogue out of them. ?I got fasci-nated by the sonority, character and power of the low register sound on the instrument, es-pecially when used in non-traditional way and found some kind of especially delightful and outlandish cluster-mud and airy glimmering things which seem to play together?, the com-poser describes. The challenges of the piece lie in rhythmical ideas, which are surprisingly multi-faceted and in the short, improvised section. Duration: c. 6? / Date parution : 2022-05-31/ Répertoire / Clavecin
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6 Sonaten Fürs Clavier Mit Veränderten Reprisen. Berlin, 1760.
Harpsichord
Anne Fuzeau Productions
Edition : Berlin, G.L. Winter, 1760Présentation de Philippe Lescat : Elaboratio...
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Edition : Berlin, G.L. Winter, 1760Présentation de Philippe Lescat : Elaboration - Editions - Les variantes manuscrites - Bibliographie - Page de titre, dédicace et préface de la première édition française - Variantes. / Clavecin / 100 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5
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Balbastre C.b. - Pieces De Clavecin, D'orgue Et De Forte Piano
Harpsichord
Heugel
Pièces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C.B Ballastreis a sele...
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Pièces De Clavecin D'Orgue Et De Forte Piano - LP. 52 by C.B Ballastreis a selection of twenty-three pieces chosen by Alan Curtis that can be played by a Harpsichordist, an Organist or a Pianist with upper-intermediate to advanced skills but seem better suited for a Pianist. The twenty-three pieces are: - Fugue - La de Caze - La d?Héricourt - La Ségur - La Monmartel ou La Brunoy - La Boullongne - La Castelmore - La Courteille - La Bellaud - La Lamarck - La Berville - La Lugeac - La Suzanne - La Genty - La Malesherbe - La Berryer ou La Lamoignon - La Laporte - La Morisseau - Prélude - Fugue - Sonate en Quatuor, IV: Allegro / Andante Pastoralle / Allegro - La d?Esclignac - Marche des Marseillois et l?Air Ça ira C. B. Balbastre (1724-1799) is one of the most famous musicians of his era. He was a great composer who could play the Harpsichord, the Piano and the Organ.
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