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Hal
BANJO
Orchestra
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BEETHOVEN L.V. - LEONORE OUVERTURE N°3 - SCORE
Orchestra
Barenreiter
Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of t...
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Beethoven, Ludwig vanLeonore Overture for Orchestra no. 3- The most popular of the ?Leonore? overtures- Based on the G. Henle Complete Edition of the ?Works of Ludwig van Beethoven?- Orchestral parts in an enlarged format (25.5 cm x 32.5 cm)Of the four overtures that Beethoven composed for his only opera, the ?Leonore Overture? No. 3 is the most popular. The first reviewer found fault with it for its ?incessant dissonances and overblown fluttering of the violins? (Wiener Theater-Zeitung, 1806), but it soon became famous as ?one of the most imposing, difficult, yet richest and strangest of compositions? (Allgemeine Musikalische Zeitung, 1810). This version of the ?Leonore Overture? quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire.The editor has devoted herself to the complex genesis of the various ?Leonore Overture? versions, in particular the question whether the trumpet call in measures 272?277 and 294?299 should be played by one or two instruments. The edition is based on the Complete Edition of the ?Works of Ludwig van Beethoven? issued by the G. Henle publishing company. / Grand format / Barenreiter
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Caprice No. 5 Zürcher Art (DUBUGNON RICHARD)
Orchestra
[Score]
Peters
Par DUBUGNON RICHARD. Caprice No.5 ‘Zürcher Art’ is the fifth work in a ser...
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Par DUBUGNON RICHARD. Caprice No.5 ‘Zürcher Art’ is the fifth work in a series of short orchestral concert openers by Richard Dubugnon. Written as a set of variations on a single theme, the 12-minute work was commissioned by Tonhalle-Gesellschaft Zürich AG, Sinfonieorchester Basel and Fondation du Septembee Musical Montruex-Vevey. It is dedicated to Paavo Järvi and the musicians of the Tonhalle Orchestra, who premiered the piece on 24 September 2021. The full score (EP 73612) is available for sale as part of the Peters Contemporary Library. The performance material can be hired. / Date parution : 2022-03-15/ Répertoire / Orchestre
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Beethoven L. (van) - The Nine Symphonies - Coffret De 9 Conducteurs De Poche
Orchestra
[Score]
Barenreiter
The scores and performing material to this most famous symphony cycle enjoy the ...
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The scores and performing material to this most famous symphony cycle enjoy the unabashed praise of conductors, performers and critics around the world. This edition can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and in the new cycle conducted by Claudio Abbado and the Berlin Philharmonic just released by Deutsche Grammophon. The reference set of Beethoven?s Symphonies is available at an affordable price to every student, conductor and Beethoven fan.
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Symphonie Nr. 1 (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. Between 1996 and 2000 Bärenreiter published scholarly...
(+)
Par BEETHOVEN LUDWIG VAN. Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven 's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No. 9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of theBeethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and complete performance material to Beethoven's Nine Symphonies are available for sale./ Répertoire / Orchestre
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Symphonie Nr. 5 (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. Format 22. 5 x 16. 5cm The scores and performing mater...
(+)
Par BEETHOVEN LUDWIG VAN. Format 22. 5 x 16. 5cm The scores and performing material to this most famous symphony cycle enjoy the unabashed praise of conductors, performers and critics around the world. This edition can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and in the new cycle conducted by Claudio Abbado and the Berlin Philharmonic from Deutsche Grammophon. The study scores of Beethoven 's Symphonies are available at an affordable price to every student, conductor and Beethoven fan./ Répertoire / Orchestre
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Symphonie Nr. 1 (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. Between 1996 and 2000 Bärenreiter published scholarly...
(+)
Par BEETHOVEN LUDWIG VAN. Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven 's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony (No. 9) which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication of the Beethoven Symphonieswhich can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale./ Répertoire / Orchestre
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Symphonie Nr. 3 'Eroica' (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. Format 22. 5 x 16. 5cm The scores and performing mater...
(+)
Par BEETHOVEN LUDWIG VAN. Format 22. 5 x 16. 5cm The scores and performing material to this most famous symphony cycle enjoy the unabashed praise of conductors, performers and critics around the world. This edition can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and in the new cycle conducted by Claudio Abbado and the Berlin Philharmonic from Deutsche Grammophon. The study scores of Beethoven 's Symphonies are available at an affordable price to every student, conductor and Beethoven fan./ Répertoire / Orchestre
20.10 EUR - Sold by LMI-partitions
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Symphonie Nr. 8 In F-Dur (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. Format 22. 5 x 16. 5cm The scores and performing mater...
(+)
Par BEETHOVEN LUDWIG VAN. Format 22. 5 x 16. 5cm The scores and performing material to this most famous symphony cycle enjoy the unabashed praise of conductors, performers and critics around the world. This edition can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and in the new cycle conducted by Claudio Abbado and the Berlin Philharmonic from Deutsche Grammophon. The study scores of Beethoven ’s Symphonies are available at an affordable price to every student, conductor and Beethoven fan./ Répertoire / Orchestre
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Symphonie Nr. 6 'Pastorale' (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Pastorale. Par BEETHOVEN LUDWIG VAN. Format 22. 5 x 16. 5cm The scores and perfo...
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Pastorale. Par BEETHOVEN LUDWIG VAN. Format 22. 5 x 16. 5cm The scores and performing material to this most famous symphony cycle enjoy the unabashed praise of conductors, performers and critics around the world. This edition can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and in the new cycle conducted by Claudio Abbado and the Berlin Philharmonic from Deutsche Grammophon. The study scores of Beethoven ’s Symphonies are available at an affordable price to every student, conductor and Beethoven fan./ Répertoire / Orchestre
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Symphonie Nr. 7 (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. The scores and performing material to this most famous...
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Par BEETHOVEN LUDWIG VAN. The scores and performing material to this most famous symphony cycle enjoy the unabashed praise of conductors, performers and critics around the world. This edition can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and in the new cycle conducted by Claudio Abbado and the Berlin Philharmonic from Deutsche Grammophon. The study scores of Beethoven's Symphonies are available at an affordable price to every student, conductor and Beethoven fan./ Répertoire / Orchestre
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Symphonie Nr. 4 (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. Format 22. 5 x 16. 5cm The scores and performing mater...
(+)
Par BEETHOVEN LUDWIG VAN. Format 22. 5 x 16. 5cm The scores and performing material to this most famous symphony cycle enjoy the unabashed praise of conductors, performers and critics around the world. This edition can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and in the new cycle conducted by Claudio Abbado and the Berlin Philharmonic from Deutsche Grammophon. The study scores of Beethoven ’s Symphonies are available at an affordable price to every student, conductor and Beethoven fan./ Répertoire / Orchestre
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Symphonie Nr. 2 (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. The scores and performing material to this most famous...
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Par BEETHOVEN LUDWIG VAN. The scores and performing material to this most famous symphony cycle enjoy the unabashed praise of conductors, performers and critics around the world. This edition can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and in the new cycle conducted by Claudio Abbado and the Berlin Philharmonic from Deutsche Grammophon. The study scores of Beethoven 's Symphonies are available at an affordable price to every student, conductor and Beethoven fan./ Répertoire / Orchestre
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Symphonie Nr. 9 (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. With final chorus 'An die Freude' (Ode to Joy) Between...
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Par BEETHOVEN LUDWIG VAN. With final chorus 'An die Freude' (Ode to Joy) Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven's Symphonies culminating in the Choral Symphony which came down to us in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widelyused publication of the Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and complete performance material to Beethoven’s Nine Symphonies are available for sale. Full score & performance material (BA9009), study score format 22. 5 x 16. 5cm (TP909) & vocal score (BA9009-90) available for sale/ Répertoire / Orchestre
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Schlußchor (Finale) 'An Die Freude' Aus Symphonie Nr. 9 (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. With final chorus 'An die Freude' (Ode to Joy) Between...
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Par BEETHOVEN LUDWIG VAN. With final chorus 'An die Freude' (Ode to Joy) Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven 's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven 's Symphonies culminating in the Choral Symphony (No. 9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers andcritics alike and has become the most widely used publication of the Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and complete performance material to Beethoven ’s Nine Symphonies are available for sale./ Répertoire / Orchestre
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Symphonie Nr. 2 (BEETHOVEN LUDWIG VAN)
Orchestra
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. Between 1996 and 2000 Bärenreiter published scholarly...
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Par BEETHOVEN LUDWIG VAN. Between 1996 and 2000 Bärenreiter published scholarly-critical editions of Beethoven 's Nine Symphonies edited by the first class musicologist Jonathan Del Mar. The editorial process was a huge undertaking because of the complex source situation regarding Beethoven 's Symphonies culminating in the Choral Symphony (No. 9) which came down to the publisher in nearly 20 different sources. So it was not surprising that Bärenreiter's new Urtext edition caused a considerable stir in the music world. Since publication, Del Mar's edition enjoys the unabashed praise of conductors, performers and critics alike and has become the most widely used publication ofthe Beethoven Symphonies which can be heard not only every day in concert halls, but also on CD recordings by John Eliot Gardiner, David Zinman, Jos van Immerseel and Claudio Abbado. Full scores, study scores and complete performance material to Beethoven ’s Nine Symphonies are available for sale./ Répertoire / Orchestre
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Oration (Score) (BRIDGE FRANK)
Orchestra
[Sheet music]
Faber Music Limited
Par BRIDGE FRANK. 'The individual emotional quality and organic structure of Ora...
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Par BRIDGE FRANK. 'The individual emotional quality and organic structure of Oration place it high in Bridge's output and indeed in British music of the first half of this century. . .a profound work. . .'Music and Letters (Trevor Bray), April 1981/ Répertoire / Conducteur
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Messiah (Messias)
Orchestra
[Sheet music]
Barenreiter
Facsimile of the autograph score in the British Library, London. Par HAENDEL GEO...
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Facsimile of the autograph score in the British Library, London. Par HAENDEL GEORG FRIEDRICH. The first performance of George Frideric Handel’s oratorio “Messiah” on 13 April 1742 in Dublin aroused unqualified rapture. A newspaper report a few days later declared that it combined “the Sublime, the Grand, and the Tender”. Its success has remained undiminished ever since, and the “Messiah” has taken its place in musical life. In 2009, to mark the 250th anniversary of Handel’s death, the British Library and Bärenreiter joined forces and made the autograph score of the “Messiah” available to the public in a meticulously reproduced, lavishly published facsimile. The renowned Handel scholar Donald Burrows introduces the characteristics of Handel’smanuscript, describes the history of the work’s composition, and explains the differences between later versions of the “Messiah”, as reflected in the conducting scores. A two-page sketch from the Fitzwilliam Museum Cambridge completes the publication. Facsimile of the autograph in the British Library. 282 + 2 pages of facsimile and 55 pages of introduction (English/German/Japanese) half-linen, hardback / Oratorio / Répertoire / Divers
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Jacques Offenbach: Les Contes D'Hoffmann (OFFENBACH JACQUES)
Orchestra
[Sheet music]
Dover Publications
Par OFFENBACH JACQUES. This is the last of nearly 100 operettas created by Frenc...
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Par OFFENBACH JACQUES. This is the last of nearly 100 operettas created by French composer Jacques Offenbach, a native of Germany whose works were most prominent in the latter half of the nineteenth century. His three-act drama Les Contes d'Hoffmann (The Tales of Hoffmann), which includes a prologue and epilogue, recounts dramatic stories of passion, murder, and revenge. Left incomplete at the composer's death, the operetta debuted in 1881 and remains popular to this day for its many memorable melodies. A masterpiece of French Romanticism, Les Contes d'Hoffmann embodies Offenbach's wish to transcend the limitations of his popular operettas and achieve success among the lofty heights of grand opera. This imaginative score presents an artful blend of fantasy, emotion, and the supernatural as well as elements of satire and the grotesque. Hoffmann, the narrator and protagonist, relates three stories to his drinking companions. The tales concern Olympia, who is revealed as a mechanical doll- Antonia, a gifted vocalist in danger of singing herself to death- and Giulietta, a Venetian courtesan who uses a magic mirror to purloin others' reflections. Reproduced from an authoritative score, this edition offers musicians and music lovers a modestly priced edition of Offenbach's enduring work./ Répertoire / Orchestre
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Small Pieces Composed In Homage To The Saxon Court
Orchestra
Schott
Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented...
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Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score
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Mozart W.a. - Eine Kleine Nachtmusik Kv 525 - Facsimile
Orchestra
[Facsimile]
-
Easy
Barenreiter
“Eine kleine Nachtmusik” “... written with ease, but skillfully refined”...
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“Eine kleine Nachtmusik” “... written with ease, but skillfully refined” “Eine kleine NachtMusick” is how Mozart entered the Serenade in G major in his personal catalogue of works on 10 August 1787. It was written without any known incentive or commission during the time that Mozart was composing “Don Giovanni”, a time when he was celebrating his greatest success as an opera composer. The work is one of the jewels of Mozart’s output, combining bright radiance and a natural simplicity with brilliant refinement. Similarly, the autograph manuscript of this perfect masterpiece is captivating because of its balanced clarity and beautiful handwriting. The manuscript was inaccessible to the public for almost half a century, but now Bärenreiter has received exclusive permission to produce a new facsimile of Mozart’s original. The edition reproduces the facsimile pages as individual sheets and leaves, reflecting the way the original copy has survived. These pages – in high-quality colour printing, each trimmed individually – are presented in a handsome box. This is accompanied by a booklet with an introductory text by Wolfgang Rehm including information on the genesis of the composition and the various aspects of the autograph manuscript. “The fact that it’s all over town does not alter anything in the quality of this occasional piece written with ease but skillfully refined.” (Wolfgang Hildesheimer) BÄRENREITER FACSIMILE The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: - a facsimile in high-quality colour printing - scholarly commentary •Facsimile of the autograph score KV 525 •Introduction: •I. 1787: The work. Its background, genesis, significance and impact •II. The Autograph. Its clear, its twisted paths •Notes and References •Einführung: •I. 1787: Das Werk. Sein Umfeld, seine Entstehung, Bedeutung und Wirkung •II. Das Autograph. Seine eindeutigen, seine verschlungenen Pfade •Anmerkungen •Watermark No. 55 •Facsimile of the autograph fragment KV 525a Edition no.: BVK 2282 ISBN: 9783761822821 Volume / Series: Documenta musicologica II/46 / Bärenreiter Facsimile Editor: Rehm, Wolfgang Language(s) of work: German, English Product format: Facsimile Binding: in a case Pages / Format: 38 S. - 25,4 x 34,0 cm
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Peer Gynt Suites Nos. 1 And 2 (GRIEG EDVARD)
Orchestra
[Sheet music]
Dover Publications
Par GRIEG EDVARD. Deux suites orchestrales qui sont des agrafes du répertoire, ...
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Par GRIEG EDVARD. Deux suites orchestrales qui sont des agrafes du répertoire, y compris les favoris familiers tels que Morning Mood, Danse d'Anitra, et dans le hall du roi des montagnes. Les musiciens et les mélomanes apprécieront d'avoir ces scores préférés en un seul volume à portée de main. Reproduit à partir d'une édition foi./ Répertoire / Orchestre
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Sinfonia N. 7 Op. 95 A Mag. (BEETHOVEN LUDWIG VAN)
Orchestra
[Study Score / Miniature]
Dover Publications
Par BEETHOVEN LUDWIG VAN. Renowned for its celebrated slow movement, Symphony No...
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Par BEETHOVEN LUDWIG VAN. Renowned for its celebrated slow movement, Symphony No. 7 in A Major, Op. 92 is one of his most popular works. Written in 1812, at the peak of his power, it demonstrates the mastery of a mature artist in complete control of his craft. Reprinted here from the authoritative Litolff edition, this work appears in full score, with bar-numbered movements and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom, at home, or in the concert hall/ Répertoire / Partition de Poche
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Leonore Overture No. 3 (BEETHOVEN LUDWIG VAN)
Orchestra
[Score]
Barenreiter
Par BEETHOVEN LUDWIG VAN. Of the four overtures that Beethoven composed for his ...
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Par BEETHOVEN LUDWIG VAN. Of the four overtures that Beethoven composed for his only opera, the “Leonore Overture” No. 3 is the most popular. The first reviewer found fault with it for its “incessant dissonances and overblown fluttering of the violins” (Wiener Theater-Zeitung, 1806), but it soon became famous as “one of the most imposing, difficult, yet richest and strangest of compositions” (Allgemeine Musikalische Zeitung, 1810). This version of the “Leonore Overture” quickly established itself independently of the stage in the concert hall and has found a lasting place in the symphonic repertoire./ Répertoire / Orchestre
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Peer Gynt Suite Selections (F/O)
Orchestra
Alfred Publishing
Featuring 'Morning Mood' and 'In the Hall of the Mountain King,' this authentic-...
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Featuring 'Morning Mood' and 'In the Hall of the Mountain King,' this authentic-sounding arrangement includes 6/8 time, legato, staccato and marcato styles, frequent doublings, a wide variety of dynamic markings, and one the most famous accelerandos ever written! (5:00) / Orchestre
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Stravinsky, Igor : Petrouchka (1947)
Orchestra
[Sheet music]
Schott
One of the most famous ballet scores of the twentieth century. Completed in 1911...
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One of the most famous ballet scores of the twentieth century. Completed in 1911, Petrouchka was the second of Stravinsky's great ballets and is equally at home in the concert hall as in the theatre. Now published in The Masterworks Library: Landmark 20th century works from the Boosey
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Symphony #5 C Minor Op. 67 Editor: Jens Dufner
Orchestra
G. Henle
Beethoven is presumed to have completed his 5th Symphony in early 1808- today, i...
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Beethoven is presumed to have completed his 5th Symphony in early 1808- today, it is one of the most famous works of classical music of all. Its nickname 'Fate Symphony? was given to it posthumously by Beethoven's biographer Anton Schindler- a title which no longer plays a role in modern-day Beethoven scholarship. Based on the recently published musical text of the Beethoven Complete Edition and supplied with a new preface by editor Jens Dufner, one of the most vibrant and stimulating orchestral works of the standard repertoire is now available in a practical format for travel, study or the concert hall. / Conducteur De Poche
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Khorovod (Score) (ANDERSON JULIAN)
Orchestra
[Sheet music]
Faber Music Limited
Par ANDERSON JULIAN. Full Score for Julian Anderson's Khorovod for fifteen playe...
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Par ANDERSON JULIAN. Full Score for Julian Anderson's Khorovod for fifteen players. The title is the Russian for 'round dance'. The first performance was given by the London Sinfonietta, conducted by Markus Stenz, in the Barbican Hall, London, on 6 December 1994./ Répertoire / Conducteur
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1812 Overture, Marche Slave And Francesca Da Rimini (TCHAIKOVSKI PIOTR ILITCH)
Orchestra
[Sheet music]
Dover Publications
Par TCHAIKOVSKI PIOTR ILITCH. Autorité éditions russes de trois piliers concer...
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Par TCHAIKOVSKI PIOTR ILITCH. Autorité éditions russes de trois piliers concert-hall: le '1812' Overture, Op.. 31, entre le plus aimé de toutes les compositions classiques, l'esclave très populaire Marche, op. 32, et Francesca da Rimini, op. 32, un poème symphonique poignante et dramatique, considérée comme l'une des plus belles oeuvres du compositeur./ Répertoire / Orchestre
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Sinfonietta
Orchestra
[Sheet music]
Boosey and Hawkes
Composée en 1991, cette commission London Sinfonietta a été exécuté par ell...
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Composée en 1991, cette commission London Sinfonietta a été exécuté par elles de mai 1992, lors de la Queen Elizabeth Hall, Londres. Sécable 'pour orchestre ou orchestre de chambre' l'instrumentation comprend flûte alto / piccolo, cor anglais, E clarinette / basse clarinette en mi bémol, saxophone soprano, contrebasson, cor, trompette piccolo, trombone, tuba, percussions, harpe, piano et cordes. / Orchestre
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Laniakea (PEPIN CAMILLE)
Orchestra
[Sheet music]
Jobert
Par PEPIN CAMILLE. Lorsque l'on m'a demandé d'écrire une ouverture pour la sé...
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Par PEPIN CAMILLE. Lorsque l'on m'a demandé d'écrire une ouverture pour la série 'Roulement de timbales', j'ai immédiatement eu à l'esprit quelque chose de vaste et puissant. J'ai alors pensé à la récente découverte de Laniakea, ce superamas de galaxies comptant parmi les plus grandes structures de l'Univers. Découvert en 2014 par Hélène Courtois (1), Laniakea signifie 'paradis céleste incommensurable' en hawaïen. A l'intérieur de ce superamas, les galaxies sont en mouvement et convergent vers un même point appelé le Grand Attracteur. Il faut imaginer des courants de galaxies dont toute la matière se déverse au même endroit - comme au coeur d'une vallée - à une vitesse folle de 630 km/s. Immensité, mouvement, vitesse, lumière... ont été les mots qui m'ont guidée en composant. Ce scénario d'un horizon céleste si grand est une source d'inspiration foisonnante de couleurs pour mon imaginaire d'orchestratrice ! J'ai donc eu l'envie de trouver des résonances musicales à ce monde fascinant de l'infiniment grand. Comme la Symphonie n°103 de Haydn, Laniakea s'ouvre sur un roulement de timbales. Il reviendra durant la pièce sous différents formes : parfois 'à nu', parfois en fond sonore ou encore en relais avec la grosse caisse. Laniakea se présente comme une fresque cosmique articulée en trois épisodes précédés d'une introduction et achevés par une coda. Puissante et majestueuse, l'introduction présente un thème aux cuivres et aux cloches sur un roulement de timbales. Les cordes constituent un 'mur du son' résonnant et vibrant. La matière se transforme progressivement. Les bois se fondent dans les cordes et deviennent liquides. Le thème de cuivres se déployant sur cette texture miroitante devient de plus en plus doux, finit par se dissoudre et laisse place à la lumière. La première grande partie commence par un motif de hautbois, glockenspiel et harmoniques de cordes aiguës : autant de particules lumineuses tentant de percer dans ce ciel immense. Le vibraphone et les bois créent une nappe réverbérante et contribuent à donner à ce passage une couleur céleste et scintillante. La texture devient plus rythmique avec la naissance d'un motif tournoyant et répétitif aux altos. Dans cet épisode hypnotique, le thème de l'introduction est rappelé aux cloches et aux cors. Il s'intensifie. La matière se répand. Glockenspiel et harmoniques - touches lumineuses - sont nimbés de vent stellaire avec le roulement de cymbale suspendue. Un thème plus lyrique et envoûtant apparaît aux violoncelles. Il sera présenté avec différentes couleurs en passant aux violons puis aux altos. L'apparition du glissando mib-ré aux trombones est un signal : nous passons progressivement dans la seconde partie. Le motif rythmique s'éteint et la matière devient de plus en plus nébuleuse. Dans cette partie plus sombre, ce demi-ton est omniprésent : glissé aux cors, en harmoniques chez les cordes, plaintif chez les bois. Ici, j'ai voulu exprimer le mystère de ce Grand Attracteur, de ce glissement vertigineux de matière happée par le vide. Les amas en apesanteur deviennent de plus en plus épais et s'enrichissent. La matière finit par gronder et donne naissance à un passage flottant, brumeux et plus lyrique. Une quinte grave et mystérieuse aux trombones annonce la fin de cette partie. Les trompettes nous rappellent le thème de cuivres de l'introduction. A leurs impulsions correspondent des échos dans les bois - comme la queue d'une étoile filante qui brille encore après son passage. Le dernier épisode est une danse cosmique lumineuse et festive, teintée de couleurs célestes. J'ai imaginé un ballet hypnotique de nuées d'étoiles nimbées de poussière stellaire. Pour créer ce halo lumineux, j'ai animé les fonds par des croches répétées en guise de tenues et de légers soufflets pour leur donner de la vie. En composant, j'ai également eu à l'esprit certaines textures des jeux d'orgue. Cette danse est basée sur un motif rythmique en boucle qui voyage entre les groupes : un ballet étourdissant et hypnotique d'étoiles se déplaçant à des vitesses hallucinantes. Il aboutit à un premier climax lyrique et flamboyant. Un dernier pas de deux d'étoiles se poursuit et exulte en s'embrasant dans un grand crescendo de lumière. Un roulement de timbales soudain nous ramène à l'immensité et la puissance initiales. Cette grande coda nous rappelle que Laniakea est un horizon céleste immense que nous ne pouvons appréhender. Au loin, la lumière s'éteint progressivement. La matière se désagrège et finit par se perdre dans l'espace. Camille Pepin / Date parution : 2020-08-21/ Répertoire / Orchestre
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