Compositeur(s): Gaël QUEFFURUS, Willy DENZEY, Géraldine DELACOUX and René DE WAEL / Piano Et Chant

Vocal Score based on the Urtext of the New Bach Edition (English/German) Organ Chorus I and Organ Chorus II available Edition : Piano Reduction/Vocal Score Editor : Dürr, Alfred;Schneider, Max Binding : paperbound Instrumentation : Soprano solo, Alto solo, 2 Tenor solo, 2 Bass solo, 2 Mixed Choir-SATB, 2 Orchestra Duration : >99',59''

Compositeur(s): Loïc et Cyril MAHE, Karim BOUYADEL, Humphrey MILONDO / Piano Et Chant

One of the highlights from Rodgers and Hamemrstein's landmark musical The Sound Of Music. Arranged for 2-Part Choir and Piano accompaniment by Clay Warnick.

Musical Scene Study-The Rodgers & Hammerstein Musical Scene Study Guide is the first book of its kind featuring both comic and dramatic scenes and songs from ten R&H musicals (Oklahoma! Carousel Allegro South Pacific The King and I Me and Juliet Flower Drum Song The Sound of Music State Fair and Cinderella) for the purpose of musical scene study work. It contains a total of twenty-two scenes organized by the number of men and women in each scene. Each scene includes: An introduction to the musical from which it is taken a description of the characters involved in the scene and a note about the preceding dramatic circumstance of the scene. The dialogue stage directions and piano/vocal score for the song(s) included in the scene. The Rodgers & Hammerstein Musical Scene Study Guide is an essential tool for any and all serious musical theatre students – from high school college and university to community theatre and professional training programs. It is also a must-have for all levels of music and drama teachers as well as vocal and acting coaches. This invaluable book belongs on the shelf in every high school college and university drama department and in any theatre dedicated to developing the talents of its musical theatre performers. It is the perfect tool with which to study character development lyric analysis and musicality whether for auditions or performance.

South Pacific has timeless magic as evidenced by the seven Tony Awards for the latest production including Best Musical Revival. This deluxe souvenir songbook showcases the 2008 revival with 11 full-color pages including seven pages of production photos plus an article by Ted Chapin president of the Rodgers & Hammerstein Organization.

Vol.1 Premières Mélodies. Par FAURE GABRIEL. Gabriel FAURE est né à Pamiers (Ariège), le 12 mai 1845. Ses dons précoces pour la musique lui permirent d'entrer dès l'âge de neuf ans à la célèbre Ecole Niedermeyer fondée à Paris pour former les organistes et les maîtres de chapelle : durant une dizaine d'années, il y reçut un enseignement de grande qualité, axé principalement sur l'étude de la musique sacrée et des grands chefs-d'oeuvre classiques, auxquels l'initia notamment Camille Saint-Saëns, son professeur de piano. Dès sa sortie de l'Ecole, Fauré entama une brillante carrière d'organiste. En 1896, il succéda à Théodore Dubois à l'orgue de la Madeleine et fut nommé professeur de composition au Conservatoire : il y eut pour élèves Ravel, Koechlin, Enesco, Schmitt. Entre-temps, il avait rencontré Liszt à Weimar et s'était initié à l'art de Wagner dont il ne subit pas véritablement l'influence. Appelé en 1905 à la direction du Conservatoire de Paris, après la démission de Théodore Dubois, membre de l'Institut, critique musical, Fauré vécut ses dernières années dans l'isolement, frappé par une irréversible surdité qui le contraignit à démissionner du Conservatoire en 1920. Il est mort à Paris, le 4 novembre 1924. La musique de ce compositeur quelquefois incompris et qui toucha à presque tous les genres (hormis l'orgue), se révèle d'une grande subtilité. Ennemi de l'emphase, Fauré a mis un contrepoint élégant, une écriture harmonique très personnelle, des inflexions imprévues et le secret de sa sensibilité musicale peu commune au service d'une oeuvre variée et d'une extrême qualité./ Répertoire / Chant et Piano

Messiah occupies a unique position in Handel’s work. Even if it does not represent the absolute zenith several other oratorios could challenge it in this respect its strongly universal character and directness of expression which appeal to men of all creeds make it the most renowned work in the whole of the composer’s monumental output.That this oratorio is unquestionably a work of individual character is shown by all its features: its material which presents liturgical traditions alongside popular elements; its structure which combines an ever-changing variety of elements from opera cantata concerto and anthem; its musicalorganization which at once unifies and dramatically juxtaposes the various styles. All are united in an extraordinary manner with great artistry most accomplished technique and superb invention.Urtext of the Halle Handel EditionFull score and performance material (BA4012) vocal score (BA4012-73 English; BA4012-90 English-German) and study score format 22.5 x 16.5cm (TP175) available for sale.

The Lord is My Shepherd is best known as the theme tune to the award-winning BBC TV series The Vicar of Dibley. Warm and melodious Goodall’s setting of Psalm 23 is deservedly well loved by choirs and congregations everywhere. This accessible two-part arrangement offers simple harmonisation and a supportive piano/organ accompaniment ideal for budding upper-voice choirs.The Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of composers and includes both lighter and more challenging contemporary works offering a thrilling array of varied styles.