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Nat Ayer
BANJO
Piano, Voice
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Heather Sorenson: The Prayer Project: Vocal: Vocal Collection
Piano, Voice
Shawnee Press
This long-awaited solo project featuring piano and vocal talents of the inimitab...
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This long-awaited solo project featuring piano and vocal talents of the inimitable Heather Sorenson is now a reality. A true concept album the book includes vocal solos a duet and piano solos all gathered around the spiritual discipline of prayer. Written in her characteristic singer/songwriter style this book is a treasure trove of emotive worship gold. Access to a thoughtful devotional guide especially coordinated to the album is included and a companion listening CD is available. Whether a musician or just a music lover The Prayer Project has something for everyone! Songs include: This I Pray Untitled (Prayer of Worship) The New Lord's Prayer So Be It (If You Never)(Prayer of Surrender) Morning Prayers (Prayer of New Beginnings) In This Hour (Prayer of Restored Fellowship) Be Thou My Vision (Prayer for Guidance) Lullaby Prayer (Prayer for Children) An Evening Prayer (Prayer of Thankfulness) Remembrance (Prayer of Remembering) Nearer My God to Thee (Prayer of Brokenness).
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Nat King Cole: Easy Keyboard Library: Nat King Cole: Electric Keyboard: Artist
Piano, Voice
-
Easy
Faber Music Limited
Twenty classic songs by the master of all crooners Nat King Cole for you to pl...
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Twenty classic songs by the master of all crooners Nat King Cole for you to play on the Keyboard. This selection of ballads and vintage favourites will bring warmth and nostalgia to the repertoire of any early keyboard player. All songs have been specially arranged with a simple melody line and full guide to playing all chords and accompaniment. Each song includes suggestions for appropriate accompaniment styles and Keyboard voice selection as well as full lyrics. Soon such memorable moments as Unforgettable When I Fall In Love and that all-time Christmas classic Chestnuts Roasting on an Open Fire will be at your fingertips!
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Jean Langlais: Three Prayers For Medium Voice and Organ: Voice: Vocal Album
Piano, Voice
Leduc, Alphonse
Composed in 1949 Jean Langlais' (1907-1991) Three Prayers op. 65 for Medium Voi...
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Composed in 1949 Jean Langlais' (1907-1991) Three Prayers op. 65 for Medium Voice and Organ – republished here in their complete version – can also be performed by a Choir in unison and accompanied by the Harmonium or Piano. While Marcel Dupré's training allowed Langlais to acquire brilliant virtuosity as an organist it was never an end in itself: for the composer the key word was simplicity. Testaments to a strong faith the Three Prayers reveal a sense of concision and a search for purity not incompatible with the sonic refinement of an intense expressiveness. TheAve verum which highlights the real presence of Christ during the Eucharist radiates a serene clarity. The Ave maris Stella alternates exaltation and appeasement ('Break the chains of guilt bring light to the blind'). The first two pieces use the French translation of the Latin liturgical text while the third – Tantum ergo – offers the two versions in alternation. The entire cycle expresses the fulfilment that is found in simplicity.
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The Complete Keyboard Player: Great Standards: Keyboard: Mixed Songbook
Piano, Voice
Amsco Wise Publications
This volume in the Complete Keyboard Player series features a great selection of...
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This volume in the Complete Keyboard Player series features a great selection of 16 vintage favourites arranged for electronic Keyboards and complete with lyrics fingering and chord symbols. Each songincludes a suggested voice rhythm and tempo.The Complete Keyboard Player: Great Standards includes the pieces Moonlight Serenade (Glenn Miller) Over The Rainbow (Judy Garland) EastOf The Sun (And West Of The Moon) (Frank Sinatra) Georgia On My Mind (Ray Charles) and more.
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Songs II GA/CE vol. 11 (SZYMANOWSKI KAROL)
Piano, Voice
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in ...
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Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano
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Jakob Lenz (RIHM WOLFGANG)
Piano, Voice
Universal Edition
Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera...
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Kammeroper Nr. 2. Par RIHM WOLFGANG. Chamber opera does not mean “little opera.” On the same scale as chamber music is to the symphony, it is rather the other way of talking onstage. The movable apparatus permits sophisticated voice-leading. A large ensemble demands simple conception to achieve the complexity it perhaps intends; this can be formulated more sharply and nuanced in a chamber ensemble. Therefore it is the subject which this type of presentation must sustain – or, better, provoke. Büchner’s Lenz is a description of the conditions within a process of collapse, moments of destruction already occurred but not yet accepted, evident in the points of contact with the environment. And it was those points of contact which Michael Fröhling attempted to reconstruct onstage. Lenz’s distraught state is always the same; only the proximity of the environment to that distraught state grows and ebbs. The musical consequence An hour of extreme chamber music results from this description: always bound for the main character – actually, not a commentary, but the main character himself as a multilayered level of action. Although Lenz acts on many levels – or tries to or believes he is – he has no room to manoeuvre. That is why he is also tightly interwoven in his sonic surroundings; the voices which only he hears are just as much himself as the two men with whom he foregathers (the liberal pragmatist Oberlin and the alert merchant who always “does the right thing” in every situation) – they evoke responses which he deeply desires. Omnipresent Friederike is just as much his inner world as Nature is – Nature, which he can no longer perceive unless it is personified, enlivened or dead. Therefore, the music’s task is both to motivate the “situation” (atmospherically) and to be the psychological constant (via a network of entangled references per se) in an action as it is played out. The compositional process December 1977 to June 1978 – a period identical to the stepwise understanding of an existence as that of Jakob Lenz. Yet the more the historical figure became precisely attendant in my intellect in terms of data and atmosphere, the more it retreated in favour of a cipher of disturbance as I began to understand Lenz. Thence the explanation for the failure of the attempts to approach him – including my attempt to interpret him via musical representation – because, essentially, Lenz himself is the failure. Only the naked stages of that failure remain portrayable, i.e. including the failure of those who wish to “help” Lenz, for example, while Lenz himself is already trapped inextricably in a state of complete destruction. I tried to compose my way into that situation as far as possible; the insistence of several rhythmic and harmonic configurations is the palpable expression of the main character’s ever-recurring rigidity. One sound pervades the entire work. The musical stage For me, this is a place where very magical and very human things take place. In Jakob Lenz, the human aspects often switch to magical ones, since the realism of a self-suasive, unhinged soul takes on surreal traits – or we simply cannot understand that otherwise except as not being real. A character like Jakob Lenz on the stage is complex due to the fact alone that it harbours many stages within itself, and music must represent those constantly present stages. I have tried to do so in the most direct way – by not cleanly separating the musical layers, but keeping them constantly in evidence until they must break forth, each in accord with its own dramaturgy. In an overview, the large form takes on aspects of a rondo, performed in overlapping layers – a type of rondo relief, since perspectives of psychological proximity and distance are indeed formulated musically as atmospheric relations. Above all: the thread on which Jakob Lenz hangs is the current onto the listeners’ hearts. Wolfgang Rihm (January 1979)/ Répertoire / Chant et Piano
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The Piano Treasury Of Golden Favorites
Piano, Voice
[Sheet music + CD]
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Intermediate
Amsco Wise Publications
Nb de Pages : 400 Niveau : Intermediaire Langue : Anglais
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Wherever You Are - Voice/Piano Version
Piano, Voice
Novello & Co Ltd.
Arrangement and nbsp - for and nbsp - voice and Piano accompaniment. Commissione...
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Arrangement and nbsp - for and nbsp - voice and Piano accompaniment. Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen. A favourite for the 2011 Christmas Number One, with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song, it's and nbsp - the biggest threat to X-Factor chart domination this year. The text is taken from poems, letters and prayers written by the Military Wives, selected and adapted by Paul Mealor, and a passage from the Book of John: Wherever you are, my love will keep you safe - My heart will build a bridge of light, across both time and space. Wherever you are, our hearts still beat as one, I hold you in my dreams each night, until your task is done. Light up the darkness, my wondrous star, Our hopes and dreams, my heart and yours, forever shining far. Light up the darkness, my prince of peace - May the stars shine all around you, may your courage never cease. Wherever I am, I will love you day by day, I will keep you safe, cling on to faith, along the dark, dark way. Wherever I am, I will hold on through the night - I will pray each day, a safe return, will look now to the light. Greater love hath no man than this, that a man lay down his life for his friends. John 15:13 / Voix Et Piano
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Paul Mealor: Wherever You Are: Voice: Vocal Score
Piano, Voice
[Sheet music]
Novello & Co Ltd.
Arrangement for voice and Piano accompaniment.Commissioned by Gareth Malone fo...
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Arrangement for voice and Piano accompaniment.Commissioned by Gareth Malone for Series Four of BBC TV's 'The Choir' and first performed by Malone and the Military Wives' choir as part of The Royal British Legion's Festival of Remembrance at the Royal Albert Hall on 12th November 2011 in the presence of Her Majesty The Queen.A favourite for the 2011 Christmas Number One with support from radio DJ Chris Evans who has suggested every choir in the country should sing this song it's the biggest threat to X-Factor chart domination this year.The text is taken from poems letters and prayers written by the Military Wives selectedand adapted by Paul Mealor and a passage from the Book of John:Wherever you are my love will keep you safe;My heart will build a bridge of light across both time and space.Wherever you are our hearts still beat as one I hold you in my dreams each night until your task is done.Light up the darkness my wondrous star Our hopes and dreams my heart and yours forever shining far.Light up the darkness my prince of peace;May the stars shine all around you may your courage never cease.Wherever I am I will love you day by day I will keep you safe cling on to faith along the dark dark way.Wherever I am I will hold on through the night;I will pray each day a safe return will look now to the light.Greater love hath no man than this that a man lay down his life for his friends.John 15:13
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Timeless Songs For Easy Piano: Piano: Mixed Songbook
Piano, Voice
[Sheet music]
-
Easy
Amsco Wise Publications
Certain songs have the tendency to become massive hits as soon as they are relea...
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Certain songs have the tendency to become massive hits as soon as they are released and continue to be hugely successful as they are covered or reworked or simply because they are perfect compositions. Timeless SongsFor Easy Piano collects 25 of these songs that have stood the test of time in easy Piano arrangement.The works included in this Easy Piano songbook are all examples of the kinds of brilliantmelodies sumptuous harmonies or poetic lyrics that have kept people listening for 50 years and more. Songs like At Last Blue Moon and Over The Rainbow will never go out of fashion simply because theyare universally loved. This makes the songs in this collection perfect for any beginner Piano player because all of these tunes are instantly recognisable and are sure to be crowd-pleasers with any audience.The simplifiedarrangements included in this Timeless Songs sheet music enable pianists of all abilities to easy play the all-time great songs as sung by performers like Etta James Billie Holiday and Frank Sinatra. Withchord names and helpful fingering suggestions throughout this songbook is the perfect introduction to popular songs for the Piano without intimidation.For a beginner who wants to learn to play some of the greatest songsever written this Timeless Songs For Easy Piano sheet music makes learning the best Piano standards simple.
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Children's Christmas Songbook
Piano, Voice
[Textbook]
-
Easy
Amsco Wise Publications
Une édition de couleur glorieux de ce titre Best-seller. Une pleine couleur col...
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Une édition de couleur glorieux de ce titre Best-seller. Une pleine couleur collection de musique, des histoires, des recettes, des métiers d'art et des poèmes qui capture parfaitement l'esprit traditionnel de Noël. Ce livre fabuleux pour la maison ou la salle de classe est rempli de * chansons saisonniers et les cantiques disposés pour voix et piano. * L'artisanat Noël avec des idées à faire vos propres décorations. * Recettes de Noël savoureux écrits spécialement pour les enfants * Jeux pour égayer votre Noël. Avec contes qui varient de Baboushka à The Night Before Christmas les paramètres imaginatives ne manquera pas d'enflammer les esprits des enfants et ils ne seront jamais loin des activités en ce moment festif. / Piano/Vocal/Guitare (PVG)
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Complete Piano Player All Time Favourites
Piano, Voice
[Sheet music]
-
Easy
Amsco Wise Publications
Arrangements faciles pour piano : partitions doigtées, paroles et accords
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Piano Treasury Of Hymns Cd
Piano, Voice
[Sheet music + CD]
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Intermediate
Amsco Wise Publications
The Piano Treasury of Hymns is designed to be the cornerstone of your personal m...
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The Piano Treasury of Hymns is designed to be the cornerstone of your personal music library. This tremendous collection contains 400 pages of the best-loved Christian hymns from Europe and America. From traditional favourites to contemporary worship songs, here you'll find the music that has inspired praise and worship for over four centuries. This sacred folio will provide years of enjoyment for everyone who loves the music of the church. Rediscover the beauty and power of the great songs that are a part of the fabric of the church and music history. / Piano
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Robert Schumann: Selected Songs For Solo Voice And Piano: Voice: Mixed Songbook
Piano, Voice
Dover Publications
Over 100 songs including 'Myrthen' 'Sechs Gedichte Von Reinick' 'Frauenliebe ...
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Over 100 songs including 'Myrthen' 'Sechs Gedichte Von Reinick' 'Frauenliebe und Leben' Breitkopf
19.30 GBP - Sold by Musicroom UK
Pre-shipment lead time:
In Stock
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Details
Details
The Piano Treasury Of Children?s Songs
Piano, Voice
[Sheet music + CD]
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Beginner
Amsco Wise Publications
Nb de Pages : 400 Niveau : Intermediaire Langue : Anglais
37.60 EUR - Sold by Note4Piano
Pre-shipment lead time:
3-10 days - In Stock Supplier
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