One of the world's most popular jazz etude books. Designed for sax but suitable for all instruments. This volume contains 20 advanced level solo-form etudes. Includes a play along CD suitable for Alto Sax (other instruments will have to transpose to use the CD). / Saxophone

Par ARMACOST TIM. The ultimate guide to playing saxophone, by NY jazz artist Tim Armacost ? for anyone from beginners to professionals. Rooted in practical skills and going far beyond theory, The Jazz Saxophone Book will improve your ability to construct beautiful, flowing solo lines. The book includes access to over 30 videos of the author demonstrating ideas in the book and hundreds of examples of solo phrases by the masters of jazz saxophone. For the beginning improviser, we cover: ? Creative ways to work on sound, time and building a jazz vocabulary ? Connecting your soloing with your internal singing voice ? Foundational jazz harmony - what you need to know! For intermediate players, the book offers: ? In-depth treatment of jazz harmony, with copious examples from the masters of the tradition ? Ideas for becoming a musical storyteller ? Skills needed to show up at a jam session and confi dently perform a tune For more advanced players, the book discusses: ? Using advanced harmony to build and release tension ? Taking jazz vocabulary, harmony and form into the realm of freedom ? How to practice efficiently to become a well-rounded, continually improving soloist / Date parution : 2022-04-26/ Méthode / Saxophone

Détails du produit d'occasion : Petite trace de café dans un des coins. Le produit n'est pas abimé, les partitions sont lisibles.1 seul produit disponibleDescriptif valable uniquement pour le modèle vendu neuf.In the last few years several publications have been devoted to advanced playing techniques for wind instruments in contemporary music. Despite this, players have continued to request a more comprehensive resource with a better systematic approach, using practical examples from the repertoire.Following the enormous success of books on oboe and flute techniques, which have quickly become standard reference works, two renowned authors have written a further volume in the series, now for saxophone. The book is intended for both performers and composers and therefore it was natural that two experts came together to work on it ? the saxophonist Marcus Weiss and the composer Giorgio Netti . The most important playing, fingering and technical possibilities in sound for soprano, alto, tenor and baritone saxophone are systematically explained. These techniques are illustrated with the help of appropriate examples and practice instructions, and at the same time any special notational features are explained. Links to sound clips on the internet specially compiled for this book enable players to compare their own results with Marcus Weiss?s recording.The book is an essential, practical performing tool for interpreters, teachers and composers.- Comprehensive, systematic description of all important playing techniques for contemporary music on the saxophone- Clear explanation of special tonal effects and practice tips to try out- With internet links to all important sound excerpts- Tried and tested on all common makes of soprano, alto, tenor and baritone saxophones- Text in two languages (Ger/Eng) / Saxophone / Barenreiter

Beginning intermediate Level Jazz Phrasing for Saxophone features ten melodic pieces which are easy to play, yet convey the essence of mainstream (Swing/Bebop/Bossa) jazz vocabulary. The pieces are catchy and melodic, demonstrating the use of sequence and voice-leading to make a musical statement. The book includes two play-along CDs (one for alto and one for tenor) featuring a world-class rhythm section, plus Greg Fishman demonstrating each piece. In addition, there are play-along tracks with just the rhythm section, so students have the option of playing along with Greg Fishman or with just the rhythm section. Jazz Phrasing for Saxophone is the prequel to Greg Fishman's more advanced books, Jazz Saxophone Etudes and Jazz Saxophone Duets, and will provide valuable insights into a melodic approach to jazz improvisation. This book is recommended for saxophonists of all levels who wish to improve their tone, articulation, phrasing, and understanding of thematic development.

Par HARRIS PAUL. More Graded Studies for Saxophone Book 2 brings together saxophone study repertoire spanning the entire spectrum of technique and providing a firm foundation for progress. Featuring core studies alongside specially composed pieces by Paul Harris, these comprehensive collections apply the Simultaneous Learning approach to instrumental technique. Book Two takes the student from intermediate to advanced level (approx. grades 6-8). The studies are arranged in order of increasing difficulty, according to a carefully planned technical progression and each study comes with a list of Simultaneous Learning musical ingredients for players to explore in preparation for the music./ Etude / Saxophone

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Evocations 1969. As with his other wind compositions, Evocations for Solo Saxophone was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and wenton to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Evocations is in four movements; 1) Peruvian, 2) Nigerian, 3) Cambodian. and 4) Scotsman. This Tomasi piece is suitable for advanced saxophonists, providing an exciting, alternative addition to the instrument's repertoire./ Répertoire / Saxophone en Mib

Par RAE JAMES. This album of Easy Studies for Saxophone is a 'user friendly' introduction to Jazz and Rock phrasing at an elementary level. The book is divided into two sections, Jazz and Rock. In the Jazz pieces, all quavers are to be played in swing time. In the Rock pieces they are as written, (straight). This book can be used as an ideal primer for the more advanced '20 Modern Studies' (UE18820) also in this series. / Niveau : Facile / Recueil / Saxophone

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ? Maintenance ? Reeds ? Mouthpieces ? Ligatures ? Sound ? Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW?s alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it?s all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here?s the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book?s 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn?t think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, ?Now the Fun Begins?. There are also interesting side comments we don?t often hear like: in the 70s so many young players like Ponzol were trying to get Trane?s recorded sound by working on metal Links because that?s what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn?t have as much spit in the sound for him. It?s interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I?ve never heard anyone else recommend these exercises and yet here they are in Peter?s book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So ?the circle is unbroken? LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.

A handy, accessible, thorough and convenient guide for saxophonists who want to get the most of out of their instrument. This Tipbook offers you a load of information, delivered at the right pace, including topics such as selecting and play-testing saxophones, buying mouthpieces, necks and reeds, maintenance and tuning as well as the history and the family of the instrument and a sax player's glossary. Written in collaboration with and proof read by musicians, teachers, technicians and other experts, for beginners, students and advanced players. / Saxophone

Book includes 12 Etudes and 2 CDs--an Alto Sax and Tenor Sax version, with each etude played by Greg Fishman, plus extra rhythm section tracks for extended blowing. Also includes: style and analysis section and detailed practice guide for intermediate, advanced and pro-level players.

Jazz Saxophone Etudes, Volume 3 features twelve melodic etudes for the advancing jazz saxophonist. These etudes focus primarily on medium tempos and demonstrate a melodic approach to soloing with authentic jazz vocabulary. The etudes are catchy, fun to play, and written idiomatically for the saxophone. Like all of Greg Fishman's books, all saxophonists (soprano/alto/tenor/bari) read the same written part, ensuring that the pieces lay perfectly on the horn, while the rhythm section transposes the accompaniment to accommodate the saxophonist's range. This book is the perfect follow-up for students who have completed Fishman's Jazz Phrasing for Beginners.

Un cours décrit d'étude visant à suivre des niveaux primaire et intermédiaires de n'importe quelle méthode d'enseignement, les méthodes avancées de Rubank sont considérés comme l'une des normes d'or d'étude instrumental avancée. Les unités conçu spécialement pour fournissent une une pédagogie complete: - échelles et tous arpèges de la major et minor keys sont couvertes dans le cours de deux-livre complet - mélodique interprétation dont 20++ concours niveau duos dans chaque livre - Solo de préparation Six concours niveau solos inclus - de l'Articulation des études spécialisées pour chaque instrument - exercices de doigté (bois), la flexibilité (laiton) et la friction (percussions) - ornementation tous types sont introduits générations de musiciens ont été enseignées avec les méthodes de Rubank - Joignez-vous à la tradition ! / Saxophone