This fun and easy bluegrass banjo book and CD takes you from the very beginning. Beginning with an introduction to the instrument the book teaches you basic banjo technique such as three-finger rolls how to read banjo chordcharts playing back up and hand placement setting the foundation for the repertoire found in the book. Featuring classics such as 'Boil Them Cabbage Down' 'Cripple Creek' and 'Tom Dooley' this book will get you playing in notime! Music presented in tablature.

With Online Audio-50 Tunes For Banjo contains a selection of Bluegrass Old Time and Celtic tunes for ensembles families and individuals. This book contains the same tunes as those found in the other 4 books of the series butthe tunes in this one are carefully arranged for the Banjo. The parts in this book range from beginner to advanced. Though many parts are arranged in standard 'Scruggs' style some are arranged in frailing or clawhammerstyle and many are arranged in melodic style. Where 'Scruggs' style is considered less melody / more finger roll pattern melodic style as the name implies is more melody / less finger roll pattern. Clawhammer style uses nofinger roll patterns; instead it is made up of a melody within a strumming rhythm pattern. This book includes access to online audio recordings of the tunes performed by a full band.

Description The non-jazz improvisation series is a concept that germinated in Dick Weissman's mind while he was attending music school. He wrote a 15-piece arrangement of the old square dance tune, Cripple Creek, and wanted the trombone to take a solo as part of the arrangement. When the trombonist kept playing a bebop solo that was totally unsuitable for the chart, Dick realized that - in addition to the many musicians who do not improvise - there are even jazz musicians who don't know how to improvise outside the limits of their own stylistic backgrounds. This book approaches the five-string banjo as a musical instrument freed from the prison of specific musical genres. Old-time music, clawhammer, bluegrass and many eclectic adaptations of the banjo are utilized to demonstrate a variety of musical styles. A number of the selections are in different tunings. All examples are written out in traditional and tablature notation.

Flathead 5 String Banjos Of The 1930s And 1940s-While Gibson produced literally thousands of banjos prior to WWII only a handful were made in the now most desirable configuration: the Original Flathead Five-String Mastertone. Since Earl Scruggs helped to make them the most sought-after banjos in the world over 60 years ago these instruments have amassed a cult-like following.These particular banjos featured a completely innovative design when the Gibson Company introduced them around 1930. They have since become the benchmark in design sound quality and just sheer power among banjo players. They have therefore also become the inspiration for nearly every successful 5-string banjo that has been manufactured for the pastfive decades.Like Martin Dreadnaught and Fender Stratocaster guitars the Gibson Mastertone Banjo has achieved an exalted status: It is appreciated far beyond its utilitarian purpose as a musical instrument and considered a truly original American art form. The Mastertone design and style are instantly recognizable by musicians and music lovers around the world even if imitated by other manufacturers.Of the 130 or so Original Flathead Five-String Mastertones known to exist 19 of the absolute best are featured here. The Scruggs Reno Jenkins Crowe Osborne Huber and Mills banjos are shown in all of their glory with details of their known histories and provenances as well as never-before-seen photos bills of sale factory shipping ledgers and other ephemera relating to these rare and highly desirable instruments.

Media Type : Book/CD Set Level : Beginning-Intermediate Musical Genre : Gospel-Old Time Number of pages : 112 This book presents 31 of the most-loved old-time gospel songs arranged in the three-finger style, complete with musical notation, banjo tablature, chords and lyrics. Each song is presented first as a beginner-intermediate arrangement, played in the first position in Scruggs style. Most songs are then presented in an up-the-neck arrangement. The CD features five-string banjo solos played in three-finger style and accompanied by guitar, mandolin and bass. This is a split-track recording, the lead banjo is on one channel and the accompaniment instruments on the other. The CD can be used as a solo recording, a teaching recording or a play-along recording.

Par NICKERSON ROSS. Principes fondamentaux de cinq chaîne livre de Ross Nickerson de Banjo, CD et DVD vous aidera commencer avec la technique de banjo solide Bluegrass correct. Tout est couvert en profondeur, démontré lentement pour vous et expliqué en détail. Le livre a des charges des conseils utiles sur toutes les bases de banjo et fonctionnalités facile à lire la tablature de musique avec la droite et de gauche de trouver des indications et accent marque pour les notes de la mélodie. Le CD audio contient toutes les leçons et chansons sont clairement démontrés à trois vitesses et sauvegarde des caractéristiques jouent également le long de pistes à la pratique avec. La qualité élevée de caractéristiques du DVD vidéo avec la technologie d'écran fractionné et facile à utiliser, cliquez sur par le biais de menus. Egalement inclus sur le DVD est une leçon de caractéristique spéciale sur le réglage du banjo changer une chaîne, mettant sur un bracelet, utilisant les pics, resserrement de la tête et autres bases importantes banjo. Le DVD a une option de menu ajouté pour défiler les chants aux lentes, moyennes ou rapides tempos séparément. / Niveau : Débutant / Bluegrass - Methods / Tablatures / Banjo Tablatures à 5 Cordes

Next page >> [ 1 ] [16] [31] [46] [61] [76] [91] [106] [121] [136] [151] ... [511] Eff ID instrument descr2 Image Medias Titre descr Auteur descr_uk prix Compo Best image width height url url uk Couverture Extrait Audio/Back cover Jeu date Select Vendeur 1758772 1758772 0 GUITARE METHODES : TECHNIQUES Guitare notes et tablatures Sub instrumentation... Intermédiaire Partition Accès audio Mel Bay Mel Bay 0 0 0

Away Down In The Alley Blues In G Go Back To Your No Good Man Stompin' 'Em Along Slow autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Guitar Of Lonnie Johnson: Guitar: Instrumental Tutor Langue: ID : MB98509M Cotage : MB98509M - Cotage Chercher Video (0) Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Extrait : Vide UK Auteurs Int. FR Auteurs FR. 15.99 Lonnie Johnson blended blues and jazz styles, performing with blues shouters like Bessie Smith and Texas Alexander on one hand, and Louis Armstrong and Duke Ellington on the other. Now learn essential exercises and tips as they are presented in this compilation of tunes by this legendary musician. As part of Stefan Grossman's Guitar Workshop Audio Series not only does this book contain valuable lessons, but as an added bonus, online audio recording containing three full hours of instruction featuring note-by-note, phrase-by-phrase instruction to make the style and technique of Lonnie Johnson something that anyone can learn. Master instructor Woody Mann teaches you step-by-step to play these selections: Away Down in the Alley, Woke Up This Morning With Blues in My Fingers, Go Back to Your No Good Man, Blues in G, and Stompin' 'Em Along Slow. Written in standard notation and tablature. Includes access to online audio. Prix MR FR 15.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(85f33a07-58ca-4384-9560-977cf3483e1d)ttid(3)url(https://www.musicroom.com/product/mb98509m/guitar-of-lonnie-johnson.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB98509M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758713 1758713 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare notes et tablatures Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 0 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Fingerpicking Guitar in the Dropped D Tuning: Guitar: Langue: ID : MB30731M Cotage : MB30731M - Cotage Chercher Video (0) Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Extrait : Vide UK Auteurs Int. FR Auteurs FR. 24.99 Fingerpicking Guitar in the Dropped D Tuning. I became aware of the Dropped D tuning in 1960. It literally exploded my playing. Just by lowering the sixth string down a tone ? from E to D, my guitar sounded so much fuller. The tuning seemed to open up the fingerboard whether playing in the Keys of D, G or A. An alternating bass sounded huge and dynamic. Over the last 60 years I, as well as guitar playing friends, have explored playing in Dropped D. From folk and gospel to blues and early jazz to Celtic melodies and O?Carolan compositions to original instrumental compositions. This collection covers a lot of musical terrain. There?s plenty of musical notes, styles, techniques in these pages. Travel slowly and try to absorb the arrangements one by one. The constant throughout is the Dropped D tuning. Includes access to online audio, Prix MR FR 24.99 0 0 https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1_mini.jpg 60 80 https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://pdt.tradedoubler.com/click?a(2949881)p(3125)product(da90b07f-89ce-4e2e-bf21-728e97f15938)ttid(3)url(https://www.musicroom.com/product/mb30731m/fingerpicking-guitar-in-the-dropped-d-tuning.aspx?clid=510) https://img.free-scores.com/IMAGES/vendeurs/Musicroom/img_MB30731M_1.jpg Voir couverture See cover Vide 0 2016-07-05 00:00:00 0 25 1758712 1758712 0 GUITARE FINGERSTYLE - FINGERPICKING Guitare seul et duo Sub instrumentation... Niveau... Partition Accès audio Mel Bay Mel Bay 0 0 0

autres styles : 12 0 Musicroom UK FS UK CD DVD VHS K7 Stefan Grossman: Folk Blues Fingerstyle Guitar: Guitar: Instrumental Album Langue: ID : MB30950M Cotage : MB30950M - Cotage Chercher Video (0) Folk Blues Fingerstyle Guitar. In Nashville, the studio guitarists joke that all the money is in the first five frets. It is those simple first position chords that make the hits. In this collection we will stay within these boundaries and explore fingerstyle folk, blues, gospel, and ragtime arrangements in the keys of A, C, D, E and G. All you need to know are basic chord fingerings for A, C, D, E, F and G. Tunes include: KEY of C Railroad Bill, Careless Love, I Am A Pilgrim, What A Friend We Have In Jesus, I?ll Fly Away, Troubles, Delia, C. C. Rider, Trouble In Mind KEY of G I?m Troubled, Easy Rider Blues, Try Me One More Time, I?m Wild About My Loving, I Couldn?t Help It, Ragged and Dirty KEY of D Take a Whiff On Me, C. C. Rider, Will The Circle Be Unbroken, Careless Love KEY of E, Oh, Mary Don?t You Weep, Crow Jane, I Shall Not Be Moved, Trouble In Mind, Careless Love, Betty

This book written for those with no prior musical experience is the definitive text for learning C-tuning concert or classic-style 5-string Banjo. Written by the late Frank Bradbury Mel Bay's Banjo Method provides athorough grounding in music theory and note reading along with a complete presentation of Mr. Bradbury's unique 5-string concert Banjo technique and outstanding solo and duet arrangements by various artists. The techniquedescribed here is radically different from that found in other books about the 5-string Banjo and no tablature is used. No plastic or metal picks are used on the right-hand fingers nor are the fingernails used but rather thebare fingertips. The hand positions recommended by Mr. Bradbury are not unlike those of a classical guitarist. All in all this is an uncommon but valid approach to solo Banjo technique. Includes access to online audio of selectpieces and exercises featuring Rob MacKillop.

The world of melodic jazz Banjo soloing is revealed in this comprehensive method which leads a student from basic intervals to advanced theoretical concepts and finally to a firm foundation in jazz fundamentals. Included areover 90 exercises and examples written in both tablature fingerings and standard music notation which show how scales and arpeggios are used and how they apply to real playing situations. Every five-string Banjoist can benefitfrom the information contained in this breakthrough volume whether they aspire to jazz or just want to find out more about the possibilities and structure of the Banjo.Starting with basic intervals 'Straight-Ahead Jazz for Banjo' shows the structure of all basic chord types and qualities and matches these to the scales that generate them. The book's basic concept model is to treat the five-string Banjo'spotential in an inclusive technical context so that the student can make use of open and fifth strings to create a smooth legato style. Each of the 90+ exercises are recorded with a metronome and progress to 16 additional examplesof original jazz phrases in a variety of keys. Topics include functional major and minor key harmony diminished and augmented scales and how they are used and the integration of altered scale substitutes in the art of jazzimprovisation. It stresses listening and learning in a logical structured manner with an example of a daily practice plan.The unique emphasis of the book is on the fingerings which make the instrument work for youtechnically and thus open up added possibilities for the development of a student's personal style. This long-awaited volume will surely bring new focus and perspective to any Banjo style and will be a classic reference for manynew generations of Banjoists. Includes access to online audio.