Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be

Don and Nancy's regal Easter Celebration! is another superb example of what's made their music so popular for so long. With stately elegance it will be learned easily offers nice harmonies with some soprano divisi includes several short a cappella lines which sound full and exciting contains a soprano descant and will sound great with either piano or organ accompaniment and even better with the use of one or two trumpets (optional). Use asan introit to Easter services or as an anthem; either way this joyful flourish captures the triumphant mood of the day.

Uses: General Concert Scripture: Psalm 57:8 - Psalm 108 Composed in a vigorous early American martial style this anthem exclaims the joy and power of music. With divisi in both men's and women's voices this will require an accomplished choir. Performed with the piano accompaniment this is a powerhouse. When performed with the brass and percussion (2 horns 3 trumpets 2 trombones tuba and 2 percussion players) this will be a tour de force.

Commissioned for a premiere performance at the Texas Music Educators' Association 2000 convention Joseph Martin's Come to the Music is alive and electric with driving rhythm memorable melodies mixed meter and joyful text. Optional percussion and piccolo accompaniment included at the back of the octavo enhance the medieval dance quality of this exciting piece. Score and parts for flute 1&2 (fl 2 dbl piccolo) oboe clarinet 1&2 bassoon horn 1&2 trumpets 1-3 trombone 1&2 tuba timpani percussion 1-3 harp piano violin 1&2 viola cello double bass.

Uses: General Lent Ash Wednesday Holy WeekScripture: I John 1:9; Psalm 51:10-12; Hebrews 8:12From the pages of concert music repertoire comes an adaptation that incorporates the power of theoriginal masterwork with the impact of a new sacred text. Contemplative in nature the cry for forgiveness and mercy rises like a prayer from the luxurious textures of the choral sonority. Linear voice leading gives thisthrough-composed anthem an organic quality flowing with emotion and religious devotion. A noble orchestration crowns the whole with dignity and nobility. Available separately: SATB Orchestration StudioTrax CD. (Orchestrationinstrumentation: Score & parts for flute 1&2 oboe clarinet 1&2 bassoon horn 1&2 trumpets 1-3 trombone 1-3 tuba timpani percussion 1&2 harp piano violin 1&2 viola cello double bass). Duration: ca. 4:47.

Uses: General Pentecost Evangelism Reformation Church AnniversaryScripture: I Corinthians 12:12-27; I Peter 2:9-10; Acts 20:28The last e-mail between two best friends J. Paul Williams and JosephMartin contained the text of this inspiring testimony of faith. Written for a church Paul served during the early days of his ministry this anthem was completed posthumously and represents the crowning effort for this popularwriting team. Strong arching melodic gestures sequence and crescendo lifting to the heights these words: “grace is our miracle we are your church O Christ.” Available separately: SATB StudioTrax CD (Accomp. SplitTrax Perf.) Orchestration (Score & Parts for Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn 1 & 2 Trumpets 1-3 Trombone 1 & 2 Bass Trombone/Tuba Timpani Percussion Harp Piano Violin 1 & 2 Viola Cello DoubleBass). Duration: ca. 3:53.

Uses: General Music Appreciation ConcertScripture: Psalm 66:4; James 5:13; Psalm 96:1Leaping joyfully from the score this music of unbridled energy calls the world to jubilant praise. Masterfullyamalgamating classic sacred poetry along with words from the Psalms this general use anthem is equally at home in the sanctuary or concert hall. Whether done with piano alone with brass and percussion or with the fullorchestration you will ignite the spirit of song in a bright new way with this amazing composition. Available separately: SATB SSAA StudioTrax CD (Accompaniment Split-Trax Performance) Brass & Percussion parts FullOrchestration CD-ROM (Score & parts for Flute 1&2 (Fl. 2 dbl. Piccolo) Oboe Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Violin Cello DoubleBass). Duration: ca. 2:39.

Uses: General All Saints Day ConcertScripture: Revelation 21:2; Ezra 1:1-4Beginning with the languid strains of a stunning low voice solo and incorporating the traditional spiritual “CityCalled Heaven ” this compelling anthem is a mixture of styles. The stately opening surrenders to a jazzy theme that is contagious in its “vibe” using the words almost as a rhythm instrument. The solo returns withchoral backup and the anthem ends with soulful exclamations celebrating the hope of heaven. Now available in three voicing options! Available separately: SATB TTBB SSAA Rhythm Pack (Guitar Bass Drums) StudioTrax CD(Accompaniment Split-Trax Performance) Orchestration (Score & parts for Flute 1&2 Clarinet 1&2 Bassoon Horn 1&2 Trumpets 1-3 Trombone 1&2 Bass Trombone/Tuba Drum Set Piano Violin 1&2 Violin Cello Double Bass).Duration: ca. 3:14.

Instrumental Accompaniment Set-Contents: Score 2 Flutes 2 Oboes 2 Bb Clarinets 2 Bassoons 2 Horns In F 2 Bb Trumpets 2 Trombones 2 Low Brass (3 Trombone or Bass Trombone and Tuba) Timpani and Strings The piano plays from the vocal score

Uses: General Concert FestivalScripture: Isaiah 6:3; Revelation 4:8-11; Philippians 2:11Carl Czerny is known primarily for his piano music and for his instruction by Beethoven. Now for the firsttime in print we present one of his important choral works of this notable classical composer. Soaring in glorious harmony this hidden gem deserves to be heard. Choirs of distinction will welcome this powerfully effectiveaddition to their repertoire. Available separately: SATB Orchestration CD-rom (Score & parts for 2 Oboes 2 Bassoons 2 Trumpets in C Bass Trombone Timpani 2 Violins Viola Cello and Double Bass). Duration: ca. 5:20.

A ballet in five movements for orchestra was commissioned by The Royal Opera House for Sir Kenneth MacMillan and The Royal Ballet. The first performance was given at The Royal Opera House on 19th March 1992.Scoring 4 FLUTES;2 OBOES; COR ANGLAIS; 2 CLARINETS IN BFLAT(2ND DOUBLING CLARINET IN E FLAT); BASS CLARINET IN B FLAT; 2 BASSOONS; CONTRA BASSOON; 4 HORNS IN F; 4 TRUMPETS IN C; 2 TROMBONES; 1 BASS TROMBONE; TUBA; HARP; CELESTA; TIMPANI; SOPRANOSTEEL PAN; PERCUSSION; STRINGS.The duration of this work is 34 minutes Conductor's score piano score and orchestral parts are available on hire.

Brass Trio with Piano - Grade 3-Scored for two Bb Trumpets (Cornets) and Horn Trombone or Baritone. Parts provided for F/Eb Horn and Baritone B.C./T.C.