The Carl Fischer Progressive Duets is a comprehensive publication of 52 graded duets that have been arranged or composed by Larry Clark. Larry has drawn on his extensive experience as a school music teacher and prominent composer/arranger to create a collection of duets that will be useful in a variety of performance situations. Playing duets is an excellent way for the student to build ensemble skills with a colleague or teacher.

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Capriccio (Hassler) * Chanson (de Sermisy) * Gigue A L'Angloise (Telemann) * Gigue (Purcell) * The Glendy Burk (Foster) * Intrada (Anonymous) * La Paix (Handel) * March (Bach) * Menuett (Mozart) * Mexican Folk Song (Traditional) * Minuet in C Minor (Bach) * Prelude & Fughetta (Snell) * Scherzino (Witthauer) * Scherzo (Haydn) * Serenade (Snell) * Swedish Folk Song (Traditional) * Three Dances for Two Flutes (Allegretto/Andante/Allegro) (Snell).

Flexible Duets In Jingle-Chris Gumbley (performer teacher and TV jingle composer) has written these nine 'Game Show' style jingles with flexibility in mind. The duets in this book may be played by 2 flutes or flute and Bb clarinet (see preface). Also: a saxophone book is available for any combination of saxophones which when combined with this book provide jingle style jazz duets for all sorts of permutations: flute and alto sax. tenor sax and clarinet etc.Grade: 3 - 6

Flute Friction is a series of flute duets in three books aimed at flautists from grade 1 to 8. 15 Flute duets. 10 Flute Trios.In this first book in the series ten flute trios are also included which teachers will find particularly profitable when working with small groups although the main emphasis in this series is on the interaction between two players similar in standard. In many cases each part is given equal importance so it is the ease with which players can shift from pole position to a more supporting role and back again that poses the principle challenge. Elsewhere the spoils are slightly less equitably carved up and again teachers willquickly gauge for themselves which pieces best suit the abilities and personalities of their students. If teachers can get their students to learn both parts in each piece then in a sense the books immediately double in value!I like to think of these pieces as being useful from a number of viewpoints and would suggest using them in a variety of ways not exclusively as light relief at the end of lessons. Duets are an excellent way of improving sight-reading to be sure as well as building confidence and assertiveness. But at least as importantly they nurture that most underestimated of skills listening without which musical accomplishment is doomed to certain failure. If the teacher is limited in pianistic ability then duets offer a much needed chance for students to play in a small ensemble setting which is the first stage to being able to 'hold a line' in a wind band or orchestra.Above all perhaps the sheer joy of being part of a 'winning team' can hardly be overestimated; played well a duet is greater than the sum of its parts and may well have the potential to please in a concert setting. The business of matching intonation is of course especially important in duets and similarly taking breaths in suitable places is critical to the way an audience understands the overall musical texture.Balance

The internationally acclaimed American flautist and teacher Mary Karen Clardy presents a cross-section of the duet repertoire from the 17th to 19th century. Her selection for this bumper collection includes works by Tele-mann Quantz W F Bach Devienne and Koehler. Background information on the composers and notes on interpretation are provided for each piece. This volume represents essential repertoire for all middle to advanced grade players.

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Air (Purcell) * Canon in A (Telemann) * Duet (Mozart) * Hornpipe (Purcell) * Le Petit Rien (Couperin) * Presto (Mozart) * Rondo (Mozart) * Sonatina (Pepusch) * Sonatine (Beethoven) * Sonatine (Haslinger) * Three Whimsies (Snell).

Für 2 Flöten. Par HOFFMEISTER FRANZ ANTON. Die drei Flötenduos op. 9 sind wie die 6 leichten brillanten Flötenduette op. 19 (20019 und 20042) überwiegend noch dem klassischen Geist verhaftet, auch wenn sich gerade in den langsamen Sätzen romantische Ansätze zeigen. Für dieLiebhaber des Duettspiels ist diese Musik eine wunderbare Entdeckung, voller melodischer Überraschungen stets auf einem spieltechnisch überschaubaren Niveau. Aufgrund der Länge der einzelnen Duette habe ich mich bei diesen 3 Duos für eine Ausgabe mit Partitur und Einzelstimmen entschieden, um sowohl dem Wunsch nach Partiturform, als auch einer ohne Unterbrechungen spielbaren Fassung durch Einzelstimmennachzukommen. Die Wendestellen wurden sorgfältig ausgewählt und in der Praxis erprobt und machen mitunter das Blättern mit der rechten Hand während des Spiels notwendig. / Niveau : 3 / Date parution : 1905-07-08/ Répertoire / 2 Flûtes Traversières

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Allegretto (Clementi) * Austrian Folk Song (Traditional) * Badinerie (Bach) * Cantabile (Telemann) * Chromatic Polka (Kohler) * Fireworks (Snell) * Fugue (Telemann) * La Coquette (Dandrieu) * The Nightingale Rag (Snell) * Pas de Deux (Snell) * Three Danish Folk Songs (Traditional) * Turkey in the Straw (American Traditional).

Edition : Paris, l'Auteur, Bayard, Leclerc, 1744.Ces trois recueils de pièces à deux flûtes seules, offrent un panorama de la musique du milieu du XVIIIe siècle en France, avec l'ajout de quelques airs étrangers. Les pièces sont de difficultés variées. Les phrasés sont très bien indiqués, et l'agrémentation, détaillée dans l'introduction, est très représentative du classicisme français. / 2 Flûtes Traversières / 96 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 31.5

25 Easy To Middle-Grade Duets From The Last Four Centuries. The flute duet has been a favourite combination for centuries resulting in many fine compositions and arrangements, not least of which were of many operatic overtures and arias - the pop music of the day - making these 'hits? available for people to play in their own home long before the gramophone was invented. 'Bühne Frei!? or 'Curtain Up!? (Book 1) is the latest release in the 'Magic Flute on Stage? series and celebrates this tradition of music making with the minimum of resources. It includes original pieces from Blavet and Berbuigier, operatic arias from Handel and Rossini, and arrangements of Bartok, all topped off with some jazzy pieces from that master of woodwind teaching, James Rae. Easy to intermediate level and ideal for teaching, relaxing or concerts and competitions. / Niveau : Facile / Recueil / 2 Flûtes Traversières

This series of duet books are ideal for learning whilst having fun in lessons. In volume 1 the pupil has a range of just two notes to start with and this extends systematically throughout the book.

Dans cette collection, le musicien de jazz britannique Leslie Searle présente ses propres compositions dans une variété des styles musicaux plus courants du jazz moderne et de la musique de danse. Avec le CD qui l'accompagne, contenant une version audio et play-le long de chaque pièce, vous / 2 Flûtes Traversières