58 Essential Masterworks. Par . Featuring 58 carefully curated classical duets from elementary to intermediate, this 1 piano, 4 hands collection is a must-have for every piano studio. Features comb-binding for easy page turns. Includes works by Brahms, Czerny, Gurlitt, Lully, Schubert, Tchaikovsky, and many more. The graded pieces are presented in a progressive order from elementary through to intermediate level. The authentic repertoire is ideal for lessons and recitals, and every level includes a reference chart with the key, composer, and challenge elements listed for each piece. The Beckman/True Duo has been performing together since 2000 in national and international venues. Presenting both standard and contemporary works from 1900 to present day, their programs include music for duo pianos and piano duet. They have released multiple recordings and are also committed teachers who have taught workshops for experienced teachers and young musicians. They have adjudicated and performed in venues across the globe. / Date parution : 2021-12-09/ Recueil / 2 Pianos

Dániel Csengery (né en 1974) a écrit son trois mouvements Concertino en 2006. Il s'agit d'une composition sans soucis à consonance coloré avec des rythmes entraînants, Convient aux pianistes de niveau intermédiaire et des orchestres de jeunes. La partie d'alto peut également être joué par une troisième section de violon. La musique est disponible en deux versions: 14606A - Partition et parties, la réduction 14606B pour deux pianos / 2 Pianos

for the Left Hand for Piano and Orchestra Piano reduction and solo part-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’s evolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings (Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale

Greg Anderson et Elizabeth Joy Roe sont peut-être le duo le plus excitant jeune fonctionne aujourd'hui, offrant des concerts de musique classique adrenalized qui révolutionnent l'expérience duo de piano pour le 21e siècle. Décrit comme 'Fred Astaire et Ginger Rogers transposée de la piste de danse au clavier' (La Presse Southampton) et 'la synchronisation intense de génie' (ThirdCoast Digest), Greg et Liz apporter leur camaraderie joyeuse et artistique raffiné à la scène de concert, l'admiration des spectateurs du monde entier comme une équipe à quatre mains et deux pianos.Le Duos Anderson and Roe and Duets série met en scène les arrangements inspirants interprétée par le duo --- à partir des paramètres de mélodies lyriques précieux aux pots-pourris de musique de film populaire. Les pièces sont éditées avec doigté et d'autres directions qui facilitent répétitions et des représentations, en les rendant accessibles pour faire avancer les étudiants ainsi que pour les concertistes.Johann Sebastian Bach Passion selon saint Matthieu, considéré comme l'un des monuments de la littérature musicale, est rempli avec des niveaux multidimensionnels de symbolisme, de la compréhension théologique, et la perspicacité psychologique. Dans ce dispositif impressionnant pour deux pianos, quatre mains, cinq mouvements de l'oeuvre originale ont été soigneusement sélectionnés. Ensemble, ils conservent l'arc dramatique de l'histoire, mais rogner la musique vers le bas pour une durée plus approprié pour gérer la performance des récitals. Deux exemplaires requis. / 2 Pianos 4 Mains

Chopin ?crivit ses concertos pour piano vers 1829/1830. Ils constituent en quelque sorte ? la fois le point culminant et la fin de sa p?riode ?tudiante ? Varsovie. Les deux concertos sont des chefs-d??uvre pr?coces avec lesquels Chopin connut un grand succ?s lors de ses premi?res tourn?es de concert ? l??tranger. Leur popularit? reste d?ailleurs enti?re jusqu?? ce jour. L??tat des sources relatives au concerto en mi mineur est clair. Quasiment aucun mat?riel autographe n?a ?t? conserv?. En cons?quence l??dition urtext de la partie de soliste parue chez Henle s?appuie sur la premi?re ?dition de 1833 initi?e par Chopin. La r?duction pour piano des parties orchestrales se fondesur le mat?riel issu de l?entourage de Chopin ? l??dition Henle permet ainsi une ?tude authentique de cette pi?ce ma?tresse du r?pertoire des concertos pour piano!

Fantasie über das Rondo aus der Klaviersonate in A-Dur KV 331 von Wolfgang Amadeus Mozart. Par SAY FAZIL / CETINER YUDUM (Arr.). The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation. / Date parution : 2021-12-09/ Répertoire / 2 Pianos

There were two reasons behind Weber?s hesitation to perform his opus 79 known as 'Concert Piece' in public. As he wrote to the music journalist Friedrich Rochlitz experience had shown that concertos in minor keys were not aswell-received by the public. Furthermore he was worried that he would be misjudged as a 'musical charlatan' because while composing it he had had visions of a dramatic love story at the time of the crusades which had influencedthe character of the work. His concerns were superfluous; the effective virtuoso piece conquered the concert stages all over the world. It is now available for the first time as an Urtext edition. The world famous pianistMarc-André Hamelin provided the fingering.