The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was a knight who went to fight and defeat the dragon that had beenkilling the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far away from his home and now is lost. He roames around trying to findhis way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins in the festivities but after a long evening is once more leftalone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomes greatly disillusioned when there is none to be found. Inhis desperation the knight climbs the tower ready to jump off. Suddenly he hears a heavenly voice. Right before him is the most beautiful princess he has ever seen. She graciously thanks him for killing the dragon a spark ingnites between themand they build a life together and.... live happily ever after! Saskia Apon studied harp at Rotterdam School of music. With this instrument she rounded of her studies by passing with credit however it was her love of composition thatremained her focus. Self-taught she began composing at the age of nine. Since then she has written pieces for The Dutch Brass Quintet The Dutch Brass Ensemble The Rotterdam Trombone Quartet and the brass band quintet Brass Ability. Atpresent she is the in-house arranger for The Rotterdam Philarmonic Brass Ensemble. Besides the customary attention for the real splashworks she endeavours to add value to the melodic function of the brass wind instruments in her music. Hercompositions and arrangements can be found on many diverse Cds.The composition the Lonesome Knight was based on a fairytale. The piece was written by Saskia Apon for the National Brass Band Championships 2001. Once upon a time there was aknight who went to fight and defeat the dragon that had been killing the people of his town. There is a short but intense battle between the two and the knight is triumphant. However whilst persuing the dragon the knight has travelled far awayfrom his home and now is lost. He roames around trying to find his way home but exhausted and weary he falls to the ground. He awakens startled by a Giant and a group of Goblins who are celebrating the death of the dragon. The knight joins inthe festivities but after a long evening is once more left alone. The sun rises the following morning and he sees a castle on the horizon. He enthousiastcally ventures towards the castle in the hope of meeting other people. However he becomesgreatly disillusioned when there is n

The word ‘tsunami’ is of Japanese origin. When you look it up in a dictionary you will find that it means ‘a great sea wave produced by submarine earth movement or volcanic eruption’. A megatsunami is the superlative of this awesome expressionof power that nature can create and has catastrophic consequences. When Carl Wittrock completed this composition not many such big earth movements had occurred but since then we have become all too familiar with the disastrousconsequences which a tsunami may have. On the 26th of December 2004 a heavy seaquake took place near the Indonesian island of Sumatra. Tidal waves 10 meters in height ravaged the coastal regions of many countries for miles around. The tsunamitook the lives of thousands of people and destroyed many villages and towns. There are more areas which run the risk of being struck by a tsunami such as the island of La Palma one of the Canary Islands. This island is based on oceaniccrust at a fracture zone and as such is one of nature’s time bombs. The consequences of a natural calamity like a megatsunami are immense. In the case of La Palma the tidal wave will move in the direction of South America where it may reach 50km inland destroying everything on its way. In his composition Wittrock describes an ordinary day which will have an unexpected ending. Right from the beginning there seems to be something in the air the music creating an oppressiveatmosphere of impending disaster. Themes are interrupted broken off suddenly followed by silence suggesting the calm before the storm. Suddenly a short climax (glissandi in the trombone part) indicates the seaquake and the megatsunami isa fact. Hereafter follows a turbulent passage symbolising the huge rolling waves. After nature’s force has spent itself resignation sets in and the composition ends with a majestic ode to nature.

(Fulll Score). Par HAWES PATRICK. The medley is a 10-minute précis of the Symphony featuring some of the main themes arranged by Major Craig Hallatt of the Band of the Household Cavalry. As well as this version of the Medley for Brass Band there is also one for Wind/Military Band. Hire costs of a Full Score and Parts can be provided on request to andyberry@hawesmusic.com. / Date parution : 2022-10-12/ Répertoire / Brass Band

David Well composed 'Frida's Whiskers' in commemoration of his own cat who met an untimely end. Frida (whose real name was 'Godefrida van Coopersburg thoe Nieuwenhuys') was a lively creature who led a playful and uncomplicated life. She used to sleep in her basket for hours but when she woke up she upset the entire house and its furnishing. Curtains were inspected from top to bottom and flower pots fell from window-sills just like that! Outside in the open air she was in her element. She used to frolic bouncing into the air. After such playful moods she would return to her basket tired but satisfied where being the cleanly cat that shewas she subjected her entire body whiskers included to a thorough wash.

In Theme Park Fun! your orchestra pays a visit to an amusement park. During your visit you will experience some spectacular rides and attractions this theme park offers. The uniqueness of Theme Park Fun! is the interplay between music and(moving) images. Animations and illustrations support the visual composition (downloadable after ordering a set on www.gobelinmusic.com).Part 1: The Entrance & Parade [with animation]The opening of the park is a fact. A day fullof fun and pleasure awaits! You and the other visitors will be confronted with all the rides attractions and adventures the theme park has to offer. Which ride shall we do first?! There is so much to do and experience on this day in the park! Aparade of colorful floats and park figures is passing by.Let the fun begin!Part 2: The Haunted House [with animation]The only ride in the park that is not related to fun is the Haunted House. Here visitors will be challengedto visit a house full of ghosts creepy figures and other ominous things. The clock strikes twelve there is no turning back. Ghosts are whispering yelling screaming... Fortunately it is almost one oclock so we can leave this creepy placequickly.Part 3: The Swinging Galleon [with illustrations]What a huge pirate ship! Each time you swing back and forth you will feel that weird feeling in your stomach. When you are thrown completely into the top you will have afantastic view over the park but you can not enjoy it for long. Before you know the ship swings back the other way.Part 4: The Fairy Tale Ride [with illustrations]After all those exciting and spectacular rides and attractions it is time for a peaceful tour in The Fairy Tale Ride. Surrounded by a fairytale setting you will discover fable figures talking animals and colorful designs. Such a beauty and tranquility. Having had this experience we are ready again for thebig rides in the park!Part 5: The Bumper Cars [with illustrations]Now its time to crawl behind the wheel of the Bumper Cars! Shall we all chase the conductor?! Before you know you are hit by another visitor or you will bumpagainst someone else. In this tough ride you can prove yourself as a real driver or perhaps as a really bad one.Part 6: The Roller Coaster [with illustrations]The largest fastest and scariest ride in the park ... we shoulddefinitely do the Roller Coaster! All together in the train the over-the-shoulder restraints are lowering... be ready to ride. The train leaves the station and is heading for the big lift hill. It will be very scary when the train reaches the topand the train will be plunged down the first drop! Loops corkscrews and other spectacular coaster elements will follow... Before you know it the ride of your life is over. Shall we ride it again?!Part 7: Leaving the Park [withanimation]Unfortunately everything comes to an end.

The atmosphere of the Wild West is caught in a striking and most imaginative way by young composer Andreas Schulte in this work. A caravan of gold- and fortuneseekers launch themselves into a big adventure and begin their rush westward. The first movement desciribes these first days of buoyancy and optimism in a crisp march. Near the campfire the pioneers rest themselves and the music expresses feelings of romance nostalgia for the past and hopes for the future. A wistful melody very characteristically communicates these feelings. Relaxation takes place in the third movement which is a musical characterization of a rodeo and its attendant festivities.It is obvious that sometimes something goes wrong and this aspect can also be heard. Nevertheless the valiant rider wins in the end. With a flashback to the beginning the journey is completed musically thus giving the composition a dignified finale. Let the mystic Wild West entrance you. (Wagons ho ....!!) De sfeer van het Wilde Westen wordt door de jonge componist Andreas Ludwig Schulte op een uiterst treffende en beeldende wijze geschetst. Een karavaan van goud- en gelukzoekers stort zich in het grote avontuur en begint de grote reis naar het westen. Het eerste gedeelte beschrijft de eerste dagen van opgewektheid en optimisme in een vlotte mars. Bij het kampvuur komen de pioniers tot rust en worden gevoelens van romantiek heimwee (verleden) en hoop (toekomst) muzikaal weergegeven. Een weemoedige melodie verwoordt die gevoelens op een zeer kenmerkende wijze. De ontspanning vindt plaats in het derde deel waarin een rodeofeest muzikaal wordt verklankt. Met een flashback van het begin wordt de tocht voltooid en de compositie waardig afgesloten. Raak in de ban van het wilde westen!

‘Panem et Circenses’ Bread and Games were essential for keeping the citizens of ancient Rome in check. While the bread was meant for the poorest among the Romans the Games were Popular Pastime Number One for everybody.There were different kinds of games such as chariot races (especially popular with female spectators) or wild-beast fights where lions tigers bulls or bears were set on one another or even on human beings. Most popular however were the Gladiator fights. In ‘Bread and Games’ William Vean depicts one of the many fights in the antique Colosseum. 1. Entrance of the Gladiators: By powerful bugle-calls the attention of the peoplewas asked for after which the Gladiators entered the Arena at the sound of heroic marching-music.2.Swordfight: We can hear that the fights were not mere child’s play in this part.On the contrary they were a matter of life and death and were fought accordingly.3.Mercy of the Emperor: Sometimes a wounded gladiator could be fortunate depending on the mercy of the audience. Waving one’s handkerchief meant mercy a turned-down thumb meant no pardon. The Emperor had the right to take the final decision but he usually complied with the wish of the majority of the public. 4.Lap of Honour: Gladiators were mainly selected among slaves convicted criminals or prisoners of war. Consequently winning was very important as it would mean fame honour and sometimes even wealth. A lap of honour therefore was the winner’s due reward.

As he did before in the often played and commonly appreciated ‘Lord Tullamore’ in which he poetically depicted the landscape and the cultural elements of a small Irish village in his composition ‘The Road to the West’ Carl Wittrock has sketched pioneer existence in America in a cinematic manner.In ‘The Road to the West’ the composer has tried to capture images of pioneer life during the period dating from 1850 to 1890 the days of the so-called Wild West.In those days the Wild West used to be the territory west of civilization the domain of cowboys trappers and other fortune hunters. In short ample ingredients for a captivating story.In the firstscene a lonely adventurer struggles against nature and the elements. After an exciting adventure he passes through ‘the Plains’ where majestic views alternated by colossal mountain ranges display an almost unimaginable beauty.After weeks of isolation civilization is reached again. ‘The Saloon’ is the perfect meeting place – here news is exchanged and hilarious scenes regularly take place.

Concerto for Brass Band-Perihelion was commissioned by the Cory Band as their own-choice piece for the 2013 European Brass Band Championships held in Oslo Norway. Winning the set piece section of the contest and coming second to Eikanger-Bjorsvik Musikklag with their own choice selection Cory went on to become European Champions for the fifth time.Cory MD Philip Harper had asked for a ‘Concerto for Band’ to fully exploit his outstanding band of virtuosi and composer Philip Sparke created a one-movement work with contiguous sections first featuring horns and flugel then trombones followed by cornets and a slower central section for percussion and baritones euphonium andbasses.The piece is abstract in nature without a specific programme and the title merely reflects the fact that the piece was begun on January 2nd 2013 the day of Earth’s perihelion - the point in its orbit when it is closest to the sun. It could also be argued that the piece weaves between moments of brilliant optimism and dark shadow both of which can be the result of bright sunshine.

Sergio Leone a renouvelé les codes du western en lui redonnant un souffle épique et moderne. C?est ainsi qu?est né le western italien. The Italian Western est un arrangement qui rassemble trois thèmes (Santa Fe Express Funerale Nero et Marcia dei MacGregor) composés par Ennio Morricone pour deux westerns ?made in Cinecittà?.

David Well composed ?X-mas for Three? for three young pupils of his who wished to give a Christmas concert. He arranged six well-known Christmas songs for them and their first performance was a great success. This was reason for the composer to adapt the piece for ?orchestra? by adding percussion. The title has stayed the same and the work can still be played by as few as three musicians but as the saying goes: ?The more the merrier?! ?X-mas for Three? consists of the following parts : 1. Oh du fröhliche 2. Kling Glöckchen kling 3. Gloria in excelsis deo 4. Joy to the world! 5. The first Noel 6. We wish you a MerryChristmas

...some moments for Ludwig van...-Sweet echoes of Beethoven’s Moonlight Sonata in the introduction bring a gentle slumber. Breathing is calm and sleep holds the promise of rest and relaxation.With the onset of the REM sleep phase however in which most dreams take place and where the day’s events are worked through we hear other sounds played.With distorted sounds reminiscent of an old gramophone the music pulls the listener inevitably ever deeper into the dreamscape in a very realistic dangerous situation that comes to a dramatic head. It triggers a desperate struggle between theimpulse to awaken and the exhausting urge to flee. For a short moment it seems as if the wakeful urge has won out before dream’s powerful spell is again cast and there’s no escape…