All 5 sonatas for cello and piano, and 3 sets of variations on themes by Mozart and Handel. Basic works of the cello repertoire carefully reproduced from the authoritative complete-works edition published by Breitkopf & Härtel. Inexpensive source for studying 8 major works of the chamber music repertoire. Cello Sonata No. 1 in F Major, Op. 5, No. 1 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto-Allegro II: Allegro vivace Cello Sonata No. 2 in G Minor, Op. 5, No. 2 (dedicated to King Friedrich Wilhelm II) I: Adagio sostenuto ed espressivo-Allegro molto più tosto presto II: Rondo Cello Sonata No. 3 in A Major, Op. 69 (dedicated to Baron Ignaz von Gleichenstein) I: Allegro, ma non tanto II: Scherzo III: Adagio cantabile-Allegro vivace Cello Sonata No. 4 in C Major, Op. 102, No. 1 (dedicated to Countess Marie von Erdödy) I: Andante-Allegro vivace II: Adagio-Tempo d'Andante-Allegro vivace Cello Sonata No. 5 in D Major, Op. 102, No. 2 (dedicated to Countess Marie von Erdödy) I: Allegro con brio II: Adagio con molto sentimento d'affetto-Allegro-Allegro fugato Twelve Variations on See, the Conqu'ring Hero Comes, from Handel's Judas Maccabaeus, WoO 45 (dedicated to Princess Christiane von Lichnowsky) Twelve Variations on Ein Mädchen oder Weibchen, from Mozart's Die Zauberflöte, Op. 66 Seven Variations on Bei Männern, welche Liebe fühlen, from Mozart's Die Zauberflöte, WoO 46 (dedicated to Count Johann Georg von Browne)

Etudes à jouer un rôle important dans la formation un instrument de musique. La pratique du violoncelle pratique Etudes 'nouvelle Mantel Gerhard édition' [La pratique des études] (3 volumes) complète son livre précédent succès (ED 8714). Les bases de la technique du violoncelle sont travaillées dans les études sélectionnées, l'accent étant mis non seulement sur la capacité d'apprendre un texte techniquement et musicalement orientée dans un délai raisonnable, mais aussi sur la solution de certains problèmes typiques du violoncelle. Le volume 1 couvre les aspects allant de l'orientation sur le plateau le doigt à travers les changements de position, de vibrato et de trilles aux changements de cordes et de doubles cordes. Tome 2 traite des doigtés, tout arc-en-course, la dynamique, l'articulation et les types de saluer, entre autres. Le volume final contient des études sur le legato, arpèges, accords, martellato, staccato, spiccato et les changements de rythme. Le volume qui accompagne de commentaires (pour les trois volumes) décrivent en détail les processus méthodologique pratique. / Violoncelle / 100 pages / niveau : Intermédiaire / Partition

Thea Musgrave's D.E.S. - In Celebration was composed in 2016 and is arranged for solo Cello. Duration approximately 3 minutes.

Aaron Minsky composed this set of ten cello pieces based on musical styles from places around the world such as Mexico Ireland Asia Israel Africa the Caribbean and America. Ten International Cello Encores is perfect for students and recitalists who are looking for fresh new music for solo cello. Though made up of encores it is excellently suited for performance as a concert suite.

Music Minus One Cello-The Zinn String Quartet accompany you in this great collection of Joplin Ragtime Quartets. Don't miss it! Includes a high-quality printed music score and a compact disc containing a complete performance with soloist then a second version with the accompaniment minus you the soloist. Accompaniment: Zinn's Ragtime String Quartet

Un ouvrage de plus concernant les gammes ? Tout d'abord et pour les gammes simples, nous avons délibérémenl adopté des doigtés pouvant être utilisés dans tous les styles. Il en existe d'autres bien sûr mais nous avons privilégié l'efficacité. Ensuite, rendons à César ce qui lui revíent : le travail des doubles cordes en quartes nous avait été suggéré à l'époque de nos études par Anner Bijlsma ; il forme remarquablemenl l'oreille. Certains doigtés de tierces ont été empruntés à Paul Tortelier car épargnant beaucoup les tendons, particulièrement ceux des petites mains. Nous avons quant à nous, mené une réflexion sur les arpèges en utilisant au maximum les positions hautes sur chacune des cordes et pas seulemenl sur la chanterelle comme habituellement. ll nous semble que cela complète à la fois les concertos de Romberg et les études de Popper et que cela développe une aisance appréciable. Nous n'avons en revanche pas voulu une approche systématiquement exhaustive ole toutes les tonalilés car, pour certaines, les arpèges auraient comportés trop de bb ou ##. Vous ne trouverez pas la gamme de Dob maieur par exemple ! Aussi, pour plus de lisibililé, lorsque la tonalité apporte trop de bécarres dans l'écriture, nous avons préféré supprimer l'armure et noter les altérations nécessaires. Enfin, nous laissons le soin à nos collègues de faire travailler ces gammes comme ils l'entendent : coups d'archet, rylhmes... Laissons-nous, à chacun, un peu de fantaisie et d'imagination ! Odile Bourin

Score Part and CD. The ABRSM Cello syllabus for 2020-2023 offers teachers and students more choice than ever before, with new features that will appeal to learners at all grades. The repertoire lists have been refreshed and are organised in a revised structure which moves away from lists devised solely by period of composition and instead concentrates more on the style of the music. There is also a focus on cross-string teaching at the lower grades, with some of the same pieces being set for multiple instruments. The Cello Exam Pieces books bring together, for the first time, a selection of nine pieces from the syllabus at Grades 1-5, covering lists A, B and C. Meticulously edited and presented, these volumes comprise rich and varied repertoire from which to create an exciting programme for an exam or concert. Each volume also includes helpful footnotes and syllabus information. Audio recordings of the nine pieces in each book are available for Grades 1-5 on CD as part of the Score, Part

Score And Part. The ABRSM Cello syllabus for 2020-2023 offers teachers and students more choice than ever before, with new features that will appeal to learners at all grades. The repertoire lists have been refreshed and are organised in a revised structure which moves away from lists devised solely by period of composition and instead concentrates more on the style of the music. There is also a focus on cross-string teaching at the lower grades, with some of the same pieces being set for multiple instruments. The Cello Exam Pieces books bring together, for the first time, a selection of nine pieces from the syllabus at Grades 1-5, covering lists A, B and C. Meticulously edited and presented, these volumes comprise rich and varied repertoire from which to create an exciting programme for an exam or concert. Each volume also includes helpful footnotes and syllabus information. Audio recordings of the nine pieces in each book are available for Grades 1-5 on CD as part of the Score, Part

Score Part and CD. The ABRSM Cello syllabus for 2020-2023 offers teachers and students more choice than ever before, with new features that will appeal to learners at all grades. The repertoire lists have been refreshed and are organised in a revised structure which moves away from lists devised solely by period of composition and instead concentrates more on the style of the music. There is also a focus on cross-string teaching at the lower grades, with some of the same pieces being set for multiple instruments. The Cello Exam Pieces books bring together, for the first time, a selection of nine pieces from the syllabus at Grades 1-5, covering lists A, B and C. Meticulously edited and presented, these volumes comprise rich and varied repertoire from which to create an exciting programme for an exam or concert. Each volume also includes helpful footnotes and syllabus information. Audio recordings of the nine pieces in each book are available for Grades 1-5 on CD as part of the Score, Part

Score Part and CD. The ABRSM Cello syllabus for 2020-2023 offers teachers and students more choice than ever before, with new features that will appeal to learners at all grades. The repertoire lists have been refreshed and are organised in a revised structure which moves away from lists devised solely by period of composition and instead concentrates more on the style of the music. There is also a focus on cross-string teaching at the lower grades, with some of the same pieces being set for multiple instruments. The Cello Exam Pieces books bring together, for the first time, a selection of nine pieces from the syllabus at Grades 1-5, covering lists A, B and C. Meticulously edited and presented, these volumes comprise rich and varied repertoire from which to create an exciting programme for an exam or concert. Each volume also includes helpful footnotes and syllabus information. Audio recordings of the nine pieces in each book are available for Grades 1-5 on CD as part of the Score, Part

Score And Part. The ABRSM Cello syllabus for 2020-2023 offers teachers and students more choice than ever before, with new features that will appeal to learners at all grades. The repertoire lists have been refreshed and are organised in a revised structure which moves away from lists devised solely by period of composition and instead concentrates more on the style of the music. There is also a focus on cross-string teaching at the lower grades, with some of the same pieces being set for multiple instruments. The Cello Exam Pieces books bring together, for the first time, a selection of nine pieces from the syllabus at Grades 1-5, covering lists A, B and C. Meticulously edited and presented, these volumes comprise rich and varied repertoire from which to create an exciting programme for an exam or concert. Each volume also includes helpful footnotes and syllabus information. Audio recordings of the nine pieces in each book are available for Grades 1-5 on CD as part of the Score, Part

Instrument : cello Series : Cello Library Nombre de Pages : 16 'The idea of writing a 'Jazz Suite for cello solo' came out when I tried to imagine how it would have sounded like if one of the baroque masters (Gabrielli, Buxtehude, Bach) had lived in our time and wanted to write a suite of dances. I thought it would probably still keep some of the conventions of the traditional form, like maybe the use of a Prelude to establish the key and the alternation of slow with fast movements. But some things would have definitely been different: the harmonies, for example would probably have been more complex and not always tonal. Also the popular dances used as a workbench for the suite would have been not gigues or Bourees but perhaps latin american or Jazz standards. Well, since the great masters are unfortunately not able at the moment to accept my challenge, I had to write it myself. I hope you will enjoy it. The famous cello player Janos Starker says: Lucio Amanti is a very fine cellist and imaginative composer. His Jazz Suite is an enjoyable mix of jazz and classicism. I much appreciate his work.' (Janos Starker) Content : Prelude - Allemande - Courante - Sarabande Portrait of Resi - Grove I/II - Finale: Latin moto perpetuo

The most important source for Bach’s Cello Suites is a copy made by his wife Anna Magdalena because the autograph is no longer extant. As further copies show the actual musical text is scarcely problematic. However the slurs which are particularly important for string instruments are very inexact and compel the editor to make difficult decisions.Henle's practical edition HN666 is in two parts. It not only offers the Urtext edition withpreface and critical commentary but also a part for playing. The new study edition contains the Urtext part but in addition offers a reproduction of Anna Magdalena’s copy. This means that both cellists and music lovers alikeare able to form their own opinion about the much discussed problems.

Nouvelle collection play-along disponible ! 15 tubes presentes avec une demo professionnelle et des pistes d'accompagnement pour que vous puissiez jouer et sonner comme un pro ! Titres inclus : Evermore - Into the Unknown - It's All Right - Remember Me (Ernesto de la Cruz) - Speechless - Try Everything - You're Welcome - et bien d'autres. L'acces aux fichiers audio se fait en ligne a l'aide du code qui se trouve a l'interieur du recueil et peut tre ecoute ou telecharge. Les fichiers audio comprennent un PLAYBACK , un lecteur audio multifonctionnel qui vous permet de ralentir l'audio, de definir des boucles, de changer de tonalite et de faire un panoramique a gauche ou a droite.
1. It's All Right
2. Speechless
3. Never Too Late
4. Touch The Sky
5. Lava
6. Try Everything
7. How Far I'll Go
8. You're Welcome
9. Evermore
10. How Does a Moment Last Forever
11. Remember Me (Ernesto de la Cruz)
12. The Place Where Lost Things Go
13. The Ballad Of The Lonesome Cowboy
14. Into the Unknown
15. Lead The Way
/ Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

(Four Cities)-Faz?l Say?s ?Four Cities? Sonata can be considered as a journey through four cities of Anatolia. This work has taken its inspiration from Faz?l Say?s memories and events of his life. Bodrum is well known as a city greatly frequented by tourists which sets it apart from the other three locations. These four very different cities with their individual cultures have been selected from the nearly 2000-km wide expanse of Anatolia. SivasSivas is a conservative city located in Eastern Anatolia which is known for its large Alevi population. As¸?k Veysel is an Alevi Ozan (poet) and Faz?l Say has been inspired by his song ?Saz?m? (my saz/myinstrument) in the first part of this work. The movement is concluded on a melancholy tone in imitation of this ethnic instrument. HopaA traditional wedding provided Faz?l Say with his inspiration for this second movement which embraces Eastern Black Sea culture. Horon is a very fast folk dance in 7/16 time which is played on the kemence a typical instrument of the Eastern Black Sea region. The music also touches on Caucasian Georgian and Laz dances anonymous songs ?Laz women? and ?Cilveloy nanayda? (a Turkish song). AnkaraAnkara was declared the capital city of Turkey by Atatürk in 1923. This city with its population of four million was where the composer was born and also spent his childhood. ?Ankara?n?n Tas¸?na Bak? a rebellious song dating back to the First World War can be discerned in the mournful middle section. The movement with its atmosphere of tragedy evokes the republican spirit and the ambience of former times. BodrumBodrum is universally known as the Saint-Tropez of Turkey. A famous street in the city is fringed with countless bars and pubs from which a cacophony of different music can be heard ranging from jazz pop and rock to folk songs. Faz?l Say blends the sounds from these pubs in this movement which includes a walking theme in a swinging jazz tempo. The movement makes a