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CLARINET
Choral SATB
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W. Crotch: Comfort O Lord The Soul Bridge: SATB: Score
Choral SATB
Bosworth
W. Crotch: Comfort O Lord The Soul Bridge
1.99 GBP - Sold by Musicroom UK
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Johann Michael Bach: Unser Leben währet siebenzig Jahr: SATB
Choral SATB
Carus Verlag
Unser Leben währet siebenzig Jahr
4.20 GBP - Sold by Musicroom UK
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Michael W. Smith: Spirit Shine on Us: SATB: Vocal Score
Choral SATB
[Vocal Score]
Daybreak Music
Michael W. Smith's modern worship classic Shine on Us is creatively paired with ...
(+)
Michael W. Smith's modern worship classic Shine on Us is creatively paired with the beloved hymn Spirit of the Living God resulting in a worshipful anthem. The flowing and supportive piano accompaniment really adds to the overall effect while the vocal scoring is smooth. Wonderful!
11.25 GBP - Sold by Musicroom UK
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Reger: Christ Ist Erstanden - Schönster Herr Jesu - Ich Wollt, Daß Ich Daheime Wäre - Mitten Im Leben (REGER MAX)
Choral SATB
[Sheet music]
Carus Verlag
Ich wollt, daß ich daheime wäre - Mitten im Leben. Par REGER MAX. Ostern und n...
(+)
Ich wollt, daß ich daheime wäre - Mitten im Leben. Par REGER MAX. Ostern und nachösterliche Freudenzeit -/ Répertoire / Choeur Mixte
5.80 EUR - Sold by LMI-partitions
(Seller in french langage)
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Ich Steh In Meines Herren Hand - Nun Ruhen Alle Wälder (BACH JOHANN SEBASTIAN)
Choral SATB
[Sheet music]
Carus Verlag
Nun ruhen alle Wälder. Par BACH JOHANN SEBASTIAN. Gattungen: Kirchenlieder, Sä...
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Nun ruhen alle Wälder. Par BACH JOHANN SEBASTIAN. Gattungen: Kirchenlieder, Sätze - Verwendung / Anlässe: Morgen, Mittag, Abend -/ Répertoire / Choeur Mixte
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3 Weihnachtschorsätze Von Herrmann, Mießner Und Thiel (HERRMANN W)
Choral SATB
[Sheet music]
Carus Verlag
Par HERRMANN W. / MIESSNER HANNS / THIEL CARL. Wei cor achten -/ Répertoire / C...
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Par HERRMANN W. / MIESSNER HANNS / THIEL CARL. Wei cor achten -/ Répertoire / Choeur Mixte
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Kappesser: Herr Gott, Nun Schleuß - Ich Wollt, Daß Ich Daheim Wär (KAPPESSER KARL)
Choral SATB
[Sheet music]
Carus Verlag
Ich wollt, daß ich daheim wär. Par KAPPESSER KARL. Gattungen: Motetten - Verwe...
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Ich wollt, daß ich daheim wär. Par KAPPESSER KARL. Gattungen: Motetten - Verwendung / Anlässe: Trauer, Tod - / Mottet / Répertoire / Choeur Mixte
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The Wes Sutton Collection (SUTTON W)
Choral SATB
[Sheet music]
Kevin Mayhew
Par SUTTON W.. / Recueil / Choeur Mixte
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Schein: Die Nacht Ist Kommen - Trubel: Abend Ward - So Wünsch Ich Euch (SCHEIN JOHANN HERMANN / TRUBEL GERHARD)
Choral SATB
[Sheet music]
Carus Verlag
Abend ward- So wünsch ich euch. Par SCHEIN JOHANN HERMANN / TRUBEL GERHARD. Gat...
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Abend ward- So wünsch ich euch. Par SCHEIN JOHANN HERMANN / TRUBEL GERHARD. Gattungen: Kirchenlieder, einstimmig - Verwendung / Anlässe: Morgen, Mittag, Abend -/ Répertoire / Choeur Mixte
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Per Nørgård Adolph Wolfli: D'Monstrantz Vöögeli: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Wilhelm Hansen
The Disturbing Duckling-D'Monstrantz Vöögeli (The Disturbing Duckling) by Per ...
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The Disturbing Duckling-D'Monstrantz Vöögeli (The Disturbing Duckling) by Per Nørgård. Work for bird voices (CD) and human voices (12 SATB soloists) with text (sung in German) by Adolf Wölfli (1864-1930). A CD of Bird Song is available separately - use product code KP00830. Text (sung in German): Adolf Wölfli (1864-1930).Programme note:'D´Monstrantz Vöögeli' is the main (and middle) movement of my three-movement choir suite 'The Alarming Duckling' the title of which is borrowed from a painting from 1959 by the Danish artist Asger Jorn apainting which - as this choral piece - is partly based on 'found objects': Asger Jorn painted on top of an idyllic old fashioned landscape painting with a house and trees - and he painted a very disturbing alarming duckling. It may be ugly the duckling but in any case it is most peculiar in its surroundings with spontaneous colorful wide painted feathers standing and looking dreamy beyond a birch in the golden light of the afternoon (a very big duckling indeed!) In 'D´Monstrantz Vöögeli' the dark nightly visions are unfolding with texts by the Swiss schizophrenic artist Adolf Wölfli (1864-1930). His transcending poems prose paintings and ideas inspired me for many compositions in the 1980s i.e. Symphony nr. 4 ('Indischer Roosen-Gaarten und Chinesischer Hexensee' - Hommage a Wölfli') The opera The Divine Circus and a series of choral works. The piece is written for 12 vocal soloists - singing whistling screaming and whispering. In 'D´Monstrantz Vöögeli' - for a choir of humans and birds - many 'found objects' are used: The tape/cd only contributes with unmanufactured birdsong - even though using full half and fourth speed so it is easier to understand and learn from the brilliant birds (especially the fantastic American Musician Wren
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Niels Wilhelm Gade: Works For Mixed Choir: Mixed Choir: Vocal Score
Choral SATB
[Vocal Score]
Barenreiter
Niels W. Gade. Works Iv-9-Works for Mixed ChoirNiels W. Gade. Werks Volume IV/9 ...
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Niels W. Gade. Works Iv-9-Works for Mixed ChoirNiels W. Gade. Werks Volume IV/9 Niels Wilhelm Gade (1817?1890) Works Edited by the Foundation for the Publication of the Works of Niels W. Gade Copenhagen Niels W. Gade is one of the leading Danish composers of the nineteenth century. However only about half of his prolific ?uvre has appeared in print. Given this fact and the growing current interest in Gade there is an urgent need for a scholarly-critical Urtext edition of his music to meet the demands of both scholars and performers. This edition will contain all of Gade's completed compositions and separate movements as well as the arrangements he madeof his own works and those of other composers. In general the main text presents the ?definitive? version based on Gade's personal copy of the printed work. However all the remaining sources have also been consulted for purposes of comparison. Every editorial decision is mentioned and justified in the critical report (English). Gade's interest in choral music spanned his entire career. This volume presents more than 40 of his shorter works for mixed chorus both without and with accompaniment (piano organ harmonium or in one case brass ensemble). They occupy a no less prominent place in his oeuvre than his large-scale choral works with orchestra. Written between 1839 and 1885 they were intended for many different areas of application: songs for school chorus stand alongside liturgical music pièces d'occasion chorales and freely composed works for amateur choirs. The best-known are his Five Songs (op. 13) on poems by Emmanuel Geibel and Ludwig Tieck and the motet O du der du die Liebe bist both composed in Leipzig in 1846.
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Russell Hepplewhite: The Everlasting Voices: SATB: Vocal Score
Choral SATB
[Vocal Score]
Banks Music Publications
Three W B Yeats Settings-Vocal score for Russell Hepplewhite's The Everlasting ...
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Three W B Yeats Settings-Vocal score for Russell Hepplewhite's The Everlasting Voices (Three W B Yeats Settings) for SATB choir unaccompanied.Russell Hepplewhite is becoming widely known for his operatic musical theatre and choral music. His ground-breaking operas commissioned by 'English Touring Opera' for young audiences have been widely performed and have won him much critical acclaim.
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I Love All Beauteous Things (WEIR JUDITH)
Choral SATB
SATB, Organ
[Sheet music]
Chester
Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Jud...
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Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Judith Weir's special new choral piece I Love All Beauteous Things Master of the Queen's Music, Judith Weir, has been commissioned by St Paul's Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen's 90th birthday in 2016. The piece is now available from Chester Music, so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include this approachable setting of Robert Bridges' poem. Directed by Andrew Carwood, the St Paul's Cathedral Choir will perform I love all beauteous things as part of the National Service of Thanksgiving which will take place on at 11am on 10 June in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury will give the address and the Prime Minister will read a lesson. The event will be televised live on BBC1. Judith Weir comments: 'It is a particular honour to contribute new music for this great occasion, and a pleasure to write a choral version of Robert Bridges' beautiful verse.' Preview the score here Download the digital sheet music here COMPOSER'S NOTE At the suggestion of Michael Hampel, Precentor of St Paul's Cathedral, I have set words by Robert Bridges, who was Poet Laureate from 1913-1930. Bridges was an outstanding humanitarian and writer, whose poetry has inspired me before in The Voice of Desire, a song-cycle for mezzo-soprano and piano. This short, fast-tempo setting aims to emulate the swift, fleet-footed rhyme and metre of the two-verse poem, with its unobtrusive but telling reference to 'man in his hasty days'. J.W. Commissioned by the Chapter of St Paul's Cathedral to mark the 90th birthday of HM The Queen, generously supported by the Boltini Trust. Performed at the National Service of Thanksgiving for HM The Queen's birthday at St Paul's Cathedral, London, on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. Music by Judith Weir, Master of the Queen's Music, words by Robert Bridges, Poet Laureate in the year HM The Queen was born. Duration c. 3½ minutes I LOVE ALL BEAUTEOUS THINGS words by Robert Bridges OM (1844-1930) Poet Laureate 1913-30 I love all beauteous things, I seek and adore them - God hath no better praise, And man in his hasty days Is honoured for them. I too will something make And joy in the making - Altho' to-morrow it seem Like the empty words of a dream Remembered on waking. (I love all beauteous things, etc…)/ Feuillet / Choeur Mixte (SATB) et Orgue
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Linden Lea: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Boosey and Hawkes
Boosey's choral miscellany no.138-Arthur Somervell's arrangement of the Vaughan ...
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Boosey's choral miscellany no.138-Arthur Somervell's arrangement of the Vaughan Williams choral work sets the beautifully descriptive text by W. Barnes for SATB chorus. A Piano accompaniment is priovided for rehearsal purposes.
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Declare His Glory SATB
Choral SATB
Alfred Publishing
A classic choral offering from the venerable John W. Peterson has been given a n...
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A classic choral offering from the venerable John W. Peterson has been given a new setting from the always tasteful Benjamin Harlan. Linear legato choral lines are contrasted with rhythmic and bold choral fanfares in this anthem of pure praise and worship. / Choeur Mixte (SATB)
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Elizabeth Maconchy: Nocturnal for SATB Chorus: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Chester
In this choral nocturne the composer has taken verses by three different poets ...
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In this choral nocturne the composer has taken verses by three different poets which she felt to be linked very closely in the feeling as well as in subject. The phrase ‘‘Will you come?’’ links the first poem by William Barnes tothe Second by Edward Thomas. In the Shelley poem it becomes ‘‘Come soon’’. The approach of night which gives all three poems their nocturnal feeling is gradual; evening begins to approach at the end of the Barns poem; the EdwardThomas is a real twilight poem with flashes of sights and sounds half seen and heard and then night slowly falls in the Shelley poem.To quote the composer ‘‘I have treated these three poems like the three panels of atriptych-three contrasted pieces which are one at the same time linked by the subject matter and by technical means.’’ 'Nocturnal' was commissioned by W D and H O Wills for the Cork International Choral Festival and firstperformed by Morley College Choir conducted by Graham Treacher on 22 May 1966 at the Festival.
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Hans Ole Thers Carina Wohlk: Salmeskat: SATB: Vocal Work
Choral SATB
[Partitions]
-
Intermediate
Wilhelm Hansen
Salmeskat indeholder 30 nye danske salmer udsat for blandet kor a cappella. Komp...
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Salmeskat indeholder 30 nye danske salmer udsat for blandet kor a cappella. Komponeret af Hans Ole Thers med tekster af Carina Wøhlk. Fra forordet - Salmeskat er en samling af 30 nye salmer der reflekterer både kirkeåret og menneskelivet. Indhold og udtryksform spænder vidt - fra legende letsind til knugende tungsind. Digtene har i alle tilfælde været det inspirerende udgangspunkt for musikken. Salmerne er først blevet til i det øjeblik hvor der er pustet musikalsk liv og ånde i poesien. Carina Wøhlk er uddannetsom teolog fra Københavns Universitet i januar 1993. I oktober 1997 blev Carina Wøhlk ansat som sogne- og funktionspræst ved Helligaandskirken i København hvor hun stadig har sit daglige virke. Carina Wøhlk har blandt andet medvirket i programmet 'Ved Dagens Begyndelse' på P1 og bidraget til andagtsbogen 'Lad Livet Leve' (Unitas Forlag). Hans Ole Thers er uddannet på Det Kongelige Danske Musikkonservatorium samt i Paris hos Maire-Claire Alain og André Isoir. Han blev i 1985 ansat som organist og klokkenist ved Helligaandskirken på Strøget i København. Her er han leder af kirkens omfattende musikliv. Endvidere engagerer han sig i undervisning af et stort antal studerende i orgelspillets mange discipliner. Blandt hans specialer må nævnes tysk barok fransk romantik og dansk kirkespiltradition herunder improvisation. Sideløbende hermed har han en udstrakt karriere som orgelsolist i ind- og udland. Hans Ole Thers har indspillet talrige compact discs blandt andet en komplet udgave af Widors 10 orgelsymfonier. Han har modtaget en række legater herunder det franske statslegat.
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Song Of The Grey Seas
Choral SATB
SATB, Piano
Novello & Co Ltd.
The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/B...
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The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/Bass) composed by Percy E. Fletcher with words by W. G. Rothery. Originally published in 1915, Song Of The Grey Seas is one of a number of compositions by English composer Percy E. Fletcher. Fletcher worked as the musical director at a number of theatres around London, all the while writing works for light orchestra, chorus and brass bands. Unfortunately, Fletcher's music has largely been lost to the annals of classical history. However, with this sheet music of Song Of The Grey Seas, your SATB choir can revive the forgotten glory of this piece, something that audiences will surely love. / Choeur Mixte (SATB) Et Piano
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Matthew Emery: Unto Young Eternity: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
Schirmer
Jon Washburn Choral Series-From the pen of rapidly rising young composer Matthew...
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Jon Washburn Choral Series-From the pen of rapidly rising young composer Matthew Emery and winner of the 2013 ACDA Raymond W. Brock Memorial Student Composition Contest this a cappella setting of the Robert Herrick poem is a beautiful additionto the serious choral repertoire. With dramatic use of dynamics a fresh harmonic language and a timeless text this is a wonderful selection for college and community choirs.Includes Piano accompaniment for rehearsalpurpose.
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Carl Rütti: O Little Town Of Bethlehem: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Novello & Co Ltd.
This interesting new take on the classic carol O Little Town Of Bethlehem by Swi...
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This interesting new take on the classic carol O Little Town Of Bethlehem by Swiss composer Carl Rütti formed one-third of a trio of carols that reinvigorated the old favourites with fresh and interesting musical elements. The Three Carols medley was initiated in 1996 with O Little Town Of Bethlehem forming the Adagio section. Carl Rütti's work blends the English choral tradition with other genres such as jazz and blues. His work defies expectations and as such this would make a great piece to perform for choirs who are perhaps tired of the traditional Christmas choral works. In theSeptember 2015 issue of Organists' Review Michael Overbury wrote that this piece is '[w]ell crafter and emotionally engaging...the painfully bittersweet clashes convey the poignancy of the Incarnation superbly well.'
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Josef Rheinberger: Passionsgesang op. 46: SATB
Choral SATB
SATB, Organ
[Sheet music]
Carus Verlag
c-Moll-The not-too-difficult choral setting which nevertheless demands careful ...
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c-Moll-The not-too-difficult choral setting which nevertheless demands careful intonation alternates between simple song-like but harmonically charming sections and a few fugal parts? For lovers of romantic choral music this work for the Passion is an absolute must. The edition is an exemplar and contains a detailed forward which makes the work easily accessible. Württembergische Blätter für Kirchenmusik 3/1999
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Percy E. Fletcher: Song Of The Grey Seas: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate
Novello & Co Ltd.
The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/B...
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The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/Bass) composed by Percy E. Fletcher with words by W. G. Rothery. Originally published in 1915 Song Of The Grey Seas is one of a number of compositions by English composer Percy E. Fletcher. Fletcher worked as the musical director at a number of theatres around London all the while writing works for light orchestra chorus and brass bands. Unfortunately Fletcher's music has largely been lost to the annals of classical history. However with this sheet music ofSong Of The Grey Seas your SATB choir can revive the forgotten glory of this piece something that audiences will surely love.
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Judith Weir: Judith Weir: I Love All Beauteous Things: SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
Chester
Master of the Queen’s Music Judith Weir was commissioned by St Paul&rsqu...
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Master of the Queen’s Music Judith Weir was commissioned by St Paul’s Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen’s 90th birthday in 2016.The piece is now available from Chester Music so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include thisapproachable setting of Robert Bridges’ poem.Directed by Andrew Carwood the St Paul’s Cathedral Choir performed I love all beauteous things as part of the National Service of Thanksgiving whichtook place on at 11am on 10 June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury gave the address and the Prime Minister read a lesson. Judith Weircomments:'It is a particular honour to contribute new music for this great occasion and a pleasure to write a choral version of Robert Bridges’ beautiful verse.'COMPOSER’S NOTEAt the suggestion of Michael Hampel Precentor of St Paul’s Cathedral I have set words by Robert Bridges who was Poet Laureate from 1913–1930. Bridges was an outstanding humanitarian and writer whose poetry hasinspired me before in The Voice of Desire a song-cycle for mezzo-soprano and piano. This short fast-tempo setting aims to emulate the swift fleet-footed rhyme and metre of the two-verse poem with its unobtrusive but tellingreference to ‘man in his hasty days’.J.W.Commissioned by the Chapter of St Paul’s Cathedral to mark the 90th birthday of HM The Queen generously supported by the Boltini Trust. Performed at theNational Service of Thanksgiving for HM The Queen’s birthday at St Paul’s Cathedral London on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh.Music by Judith Weir Master of
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Wolfgang Steffen: Hymne: SATB
Choral SATB
Bote and Bock
SATB (Choral Score). Steffen W
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Arthur Seymour Sullivan: Te Deum (A Thanksgiving For Victory): SATB: Vocal Score
Choral SATB
SATB, Organ
[Vocal Score]
-
Intermediate
Novello & Co Ltd.
The Te Deum Laudamus is a single movement Choral work and was Sullivan’s ...
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The Te Deum Laudamus is a single movement Choral work and was Sullivan’s last completed composition. In one movement the composer moves through all the component parts of the mass drawing them together seamlessly and expressing Sullivan’s own deeply felt faith.Composer Arthur Sullivan is known the world over for his operatic collaborations with W S Gilbert including H M S Pinafore and The Pirates of Penzance among many others. But Sullivan was also a composer of many other works among them operas Orchestral works ballets and hymns and church pieces.Among his church works Sullivan is best known for his hymn Onward Christian Soldiers and the theme of that hymn isincorporated in this Te Deum. Sullivan wrote the work on request for a Thanksgiving Service held in St Paul’s Cathedral at the close of the Boer War in South Africa. It received its first performance in 1902 in the presence of King Edward VII and other members of the royal family. That the song of thanksgiving was composed nearly two years before the end of the war perhaps demonstrated Sullivan’s patriotism.
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Georg Friedrich Händel: Judas Maccabeus (Mozart) Vocal Score: SATB: Vocal Score
Choral SATB
SATB, Piano
[Vocal Score]
-
Intermediate/advanced
Novello & Co Ltd.
This edition with additional orchestrations attributed to W.A. Mozart has been...
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This edition with additional orchestrations attributed to W.A. Mozart has been made possible thanks to the generosity of Halifax plc.The first performance of this edition (sung in English) was given on 23 June 2002 in the Victoria Theatre Halifax by the Halifax Choral Society and the North of England Chamber Orchestra conducted by John Pryce-Jones. The first German performance was given on 11 June 2004 in the Moritzkirche Halle with the MDR Rundfunkchor und Sinfonieorchester conducted by Howard Arman.
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Per Nørgård: Abendlied Und Märchenfarben: SATB: Score
Choral SATB
[Sheet music]
-
Advanced
Wilhelm Hansen
Programme Note ABENDLIED & MÄRCHENFARBEN for accordion ensemble incl. choir a...
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Programme Note ABENDLIED & MÄRCHENFARBEN for accordion ensemble incl. choir and percussion ad lib. (1980).MÄRCHENFARBEN is a virtuoso piece for accordion ensemble based on Nørgård´s ?infinity series? and a special multi-layered rhythm also heard in the composers well known choral work ?Wie ein Kind? (second movement) from the same year 1980.This rhythm with the onomatopoeic nickname ´pischop´ has a swaying and breathing quality which seems well suited for an ensemble of accordions. Two percussion parts to be added ad lib. - are composed into the tone music of the accordions in ?Märchenfarben?.The piece was composed in 1980 for the very talented Det DanskeHarmonika Ensemble and its leader Jeanette Dyremose an ensemble that enlarged the instrumental piece with an introduction (as suggested by the composer) singing and playing Nørgård´s choral song ?Abendlied? (1980) to a sunset idyllic poem by Adolf Wölfli (1864-1930) including here the word ´märchenfarben´ the title of the shimmering and colorful instrumental music to follow with Märchenfarben. The duration of Abendlied & Märchenfarben is around 15-17 minutes (5-6´ + 10-11´).Per Nørgård
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Hans Ole Thers Carina Wohlk: Salmeskat 2: SATB: Vocal Score
Choral SATB
[Vocal Score]
Wilhelm Hansen
Korudgave-Salmeskat 2 - 30 nye danske salmer af Carina Wøhlk og Hans Ole Thers ...
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Korudgave-Salmeskat 2 - 30 nye danske salmer af Carina Wøhlk og Hans Ole Thers (2016). Udgave for blandet kor a cappella. Findes også i udgave for sang med klaver- eller orgelakkompagnement (WH32779). Forord: I 2011 udkom Salmeskat – 30 nye danske salmer (WH31339). Nu følger Salmeskat 2 som føjer endnu 30 dugfriske salmer til produktionen. Nogle af salmerne er skrevet til bestemte søndage i kirkeåret. Andre indfanger særlige stemninger sæsonereller situationer. Musikken til Salmeskat 2 foreliggeri to nodeversioner – som koralsatser og som firstemmige satser for blandet kor. Salmer skal måles på deres brugsværdi og slidstyrke. Vi håber at kirkens syngende menighed vil tage Salmeskat 2 til sig – og at præster organister og korledere i satserne kan finde inspiration til både menigheds- og musikliv. Oktober 2016salmedigter Carina Wøhlk og komponist Hans Ole Thers
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Wilhelm Friedemann Bach: Wohl dem der den Herren fürchtet: SATB
Choral SATB
Carus Verlag
The cantata is one of the few surviving vocal works which Wilhelm Friedemann Bac...
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The cantata is one of the few surviving vocal works which Wilhelm Friedemann Bach composed during the eighteen years which he spent as organist and director of music at the Marktkirche in Halle [1746?1764]. This cantata published here for the first time in more than 250 years was written to introduce the autumn sermons in 1752. A musically and technically demanding composition it consists of two substantial choral movements partly concertante and partly polyphonic based on two biblical utterances. They surround a sensitive while at the same time strictly contrapuntal duet for soprano and alto with basso continuo in which ?God?s sweet teaching for the soul? is described as thetrue ?manna? of the faithful forming a link with the sermons which are to follow. In the compactness of the musical construction and its intensity of expression W. F. Bach was clearly following in the footsteps of his father in this work.
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Pamela Martin: Sing for the Cure: SATB: Vocal Score
Choral SATB
[Vocal Score]
Shawnee Press
A Proclamation of Hope-Featuring music from an all-star cast of composers: Micha...
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A Proclamation of Hope-Featuring music from an all-star cast of composers: Michael Cox Patti Drennan David Friedman Jill Gallina Alice Gomez W.T. Greer Stefania de Kenessey Rosephanye Powell Joseph M. Martin Robert SeeleySingfor the Cure is a 60-minute 11-song choral collection with full orchestration or piano accompaniment. Based on true stories of breast cancer survivors the individual pieces are powerful enough to be used alone or groupedfor a mini-program. October is Breast Cancer Awareness Month; plan now to honor the members of your community whose lives have been touched by this struggle. The work includes promotional ideas to support this life-changing work.Don't miss the opportunity to Sing for the Cure and celebrate the lives of courageous women in your community!Benefitting Komen for the Cure
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