from Encanto. Par MIRANDA LIN-MANUEL. Avec les compositions de Lin-Manuel Miranda du dernier Disney arrangées pour ch?urs SSA, SAB, SATB, à deux et trois voix, retrouvez les airs les plus populaires du grand succès Disney célébrant la culture colombienne à travers des thèmes tels que l'amour, la famille, le pardon et la nourriture. Vous ferez chanter les ch?urs pendant des jours avec le tube We don't talk about Bruno et les chansons tout aussi populaires The Family Madrigal, Two Oruguitas, Surface Pressure et Colombia, Mi Encanto. / Date parution : 2022-04-26/ Répertoire / Choeur SATB

Written for the 30th anniversary of Kent Island United Methodist Church in Chester Maryland Don Besig and Nancy Price have quoted “The Church's One Foundation” in the accompaniment as well as in the narrator's partread during the introduction. A theme of unity runs throughout which emphasizes that the church is made up of the people in it. “Let this fellowship which unites us be a gift for all to share.” But we are also calledto go forth and proclaim God's love. Using their creative gifts and vast experience Don Besig and Nancy Price have once again penned an outstanding choral composition which is full of conviction and one that can be taughtquickly. Its presentation will fill congregations with pride in their church and its mission. Stirring.

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)

Par KALLIWODA JOHANN WENZEL. Der böhmische Komponist Johann Wenzel Kalliwoda (1801-1866) spielte im deutschen Musikleben des zweiten Viertels des 19. Jahrhunderts eine bedeutende Rolle. Robert Schumann lobte seinen Kollegen, der von 1822 an bis zu seinem Tod als Hofkapellmeister in Donaueschingen wirkte, als einen 'grünen lebensfrischen Stamm im deutschen Musiker-Dichterwald'. Kalliwoda, der hauptsächlich symphonische und Kammermusik komponierte, schrieb auch zehn Messen. In der Messe für gemischten Chor a cappella in a-Moll zeigt sich Kalliwoda der Tradition katholischer Kirchenmusik verpflichtet und bedient sich gleichzeitig einer romantisch-gefühlvollen Musiksprache. / Messe / Répertoire / Choeur SATB

Don Besig and Nancy Price have woven the traditional songs “Lonesome Valley ” and “Nobody Knows the Trouble I've Seen ” with adapted and new words into an ethereal Lent and Holy Week meditation. The useof optional flute (part provided in the octavo) enhances the airy quality of the piece. There's also an opportunity for an optional solo and a cappella portions. First telling of Jesus and his pending fate in the lonesome valley the message moves on to remind us that “nobody knows the trouble and pain like Jesus.” Finally we all have our “lonesome valleys” to walk but He will not let us walk alone. This easy-to-learn anthem willprove to be very effective.

Don and Nancy have penned a real winner with Filled with the Glory! This gospel-style anthem celebrates the visitation of the Holy Spirit on the apostles and the continuing joy it brings to our lives. Reminiscent of the oldhymns this southern-gospel swing choral is happy and joyful and filled with “Pentecostal power!” Everyone who hears this piece will be “filled with the glory” and anxious to share it with others! You won'tbe able to sit still and your congregation will still be humming this memorable tune for weeks to come.

Quodlibet arranged by William Llewellyn. Words by G.R. Woodward. For SSAATTBB Choir A Cappella.

Master of the Queen’s Music Judith Weir was commissioned by St Paul’s Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen’s 90th birthday in 2016.The piece is now available from Chester Music so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include thisapproachable setting of Robert Bridges’ poem.Directed by Andrew Carwood the St Paul’s Cathedral Choir performed I love all beauteous things as part of the National Service of Thanksgiving whichtook place on at 11am on 10 June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury gave the address and the Prime Minister read a lesson.  Judith Weircomments:'It is a particular honour to contribute new music for this great occasion and a pleasure to write a choral version of Robert Bridges’ beautiful verse.'COMPOSER’S NOTEAt the suggestion of Michael Hampel Precentor of St Paul’s Cathedral I have set words by Robert Bridges who was Poet Laureate from 1913–1930. Bridges was an outstanding humanitarian and writer whose poetry hasinspired me before in The Voice of Desire a song-cycle for mezzo-soprano and piano. This short fast-tempo setting aims to emulate the swift fleet-footed rhyme and metre of the two-verse poem with its unobtrusive but tellingreference to ‘man in his hasty days’.J.W.Commissioned by the Chapter of St Paul’s Cathedral to mark the 90th birthday of HM The Queen generously supported by the Boltini Trust. Performed at theNational Service of Thanksgiving for HM The Queen’s birthday at St Paul’s Cathedral London on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh.Music by Judith Weir Master of

This team's original spirituals have long been a staple for church choirs across the country. They are always accessible to both larger and smaller choirs. They are always quite memorable and are always fun to sing. “SendDown Your Spirit Lord” is the newest addition to that stellar collection and is definitely not to be missed. For general worship or Pentecost this upbeat prayer asks for God's presence in all that we do; in good times andin bad. A new favorite!

Everyone needs good benedictions and parting blessings and no one does them better than Don Besig. He features a new version of the classic “God Be with You Till We Meet Again” as well as several other originalblessings (“Go Now in Peace” and “A Closing Prayer”) to round out this useful grouping. The writing is well-suited to choirs of every level of achievement.

Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Judith Weir's special new choral piece I Love All Beauteous Things Master of the Queen's Music, Judith Weir, has been commissioned by St Paul's Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen's 90th birthday in 2016. The piece is now available from Chester Music, so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include this approachable setting of Robert Bridges' poem. Directed by Andrew Carwood, the St Paul's Cathedral Choir will perform I love all beauteous things as part of the National Service of Thanksgiving which will take place on at 11am on 10 June in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury will give the address and the Prime Minister will read a lesson. The event will be televised live on BBC1. Judith Weir comments: 'It is a particular honour to contribute new music for this great occasion, and a pleasure to write a choral version of Robert Bridges' beautiful verse.' Preview the score here Download the digital sheet music here COMPOSER'S NOTE At the suggestion of Michael Hampel, Precentor of St Paul's Cathedral, I have set words by Robert Bridges, who was Poet Laureate from 1913-1930. Bridges was an outstanding humanitarian and writer, whose poetry has inspired me before in The Voice of Desire, a song-cycle for mezzo-soprano and piano. This short, fast-tempo setting aims to emulate the swift, fleet-footed rhyme and metre of the two-verse poem, with its unobtrusive but telling reference to 'man in his hasty days'. J.W. Commissioned by the Chapter of St Paul's Cathedral to mark the 90th birthday of HM The Queen, generously supported by the Boltini Trust. Performed at the National Service of Thanksgiving for HM The Queen's birthday at St Paul's Cathedral, London, on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. Music by Judith Weir, Master of the Queen's Music, words by Robert Bridges, Poet Laureate in the year HM The Queen was born. Duration c. 3½ minutes I LOVE ALL BEAUTEOUS THINGS words by Robert Bridges OM (1844-1930) Poet Laureate 1913-30 I love all beauteous things, I seek and adore them - God hath no better praise, And man in his hasty days Is honoured for them. I too will something make And joy in the making - Altho' to-morrow it seem Like the empty words of a dream Remembered on waking. (I love all beauteous things, etc…)/ Feuillet / Choeur Mixte (SATB) et Orgue

Mozarts Reich Mir Die Hand Mein Leben-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier Reich mir die Hand mein Leben (Duettino aus Don Giovanni) von W.A. Mozart. Die Bearbeitung für Chor SATB mit Klavierbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Orgelbegleitung unter der Bestellnummer PMV16158O. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).

Sweet is the Memory is a setting of a quotation from Cicero the great Roman orator and writer. 'Sweet is the memory of troubles past of trials o'er of sorrow gone'. The words would make this suitable for any reflective occasion or as a concert piece. Ken Burton is the Director of the London Adventist Choir. The setting is for unaccompanied mixed voices and has solo lines for a treble (or a few trebles) and tenor voice.The Faber Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challengingcontemporary works offering a thrilling array of varied styles.

Announcing a new revoicing of an old favorite! “We Thank You Lord” may very well be the consummate Thanksgiving anthem and it is now accessible to smaller choirs in this new SAB setting. Incorporating two familiarhymn tunes “Nun Danket” and “Tallis' Canon ” this wonderful prayer of gratitude boasts a vivid text and flowing music. A must for your choral library you will want to use it year after year.

From Four English Lyrics sweet and serene from anon. 16th century text original music by Donald Fraser.Also available:HMC1113 Oft In The Stilly NightHMC1114 The Lark And The OwlHMC1124 Weep You No More