Love-Promise?is the third movement of Czech composer Antonin Dvorak?s cycle?Five Choruses For Male Voice?.The cycle of five choruses is set to Lithuanianfolk texts translated by Frantisek Ladislav Celakovsky and is written for unaccompanied male choir (TTBB Voices). The title page of the autograph score bears the note: ?Composed on the journey from Prague to Vienna 12th ofDecember 1878?.The individual parts of the cycle present a vibrant palette of moods from the balladic ?Dwellers by the Sea? to the final light-hearted ?The Sparrow?s Feast?. The songs? melodies echo thespirit of folk songs and the composer used simple but colourful harmonies and chose a strophic form.

The Lost Lamb?is the fourth movement of Czech composer Antonin Dvorak's cycle ?Five Choruses For Male Voice?.The cycle of five choruses is set toLithuanian folk texts translated by Frantisek Ladislav Celakovsky and is written for unaccompanied male choir (TTBB Voices). The title page of the autograph score bears the note: ?Composed on the journey from Prague to Vienna 12thof December 1878?.The individual parts of the cycle present a vibrant palette of moods from the balladic ?Dwellers by the Sea? to the final light-hearted ?The Sparrow?s Feast?. The songs? melodies echothe spirit of folk songs and the composer used simple but colourful harmonies and chose a strophic form.

The Randy Stenson Male Chorus Series-Performed at the ACDA National Convention in Oklahoma City 2009 this folksong will take you to Ireland through music! The voice parts create a distinctive palette of true Celtic timbre!

The TTBB edition of African Processional was commissioned by Charles Bruffy and the Phoenix Bach Choir for the educational outreach program. This welcome song uses African Percussion and provides a plethora of creative staging ideas.

Turtle Creek Series-You've not heard Jingle Bells until you've heard this showstopper by arranger Mark Hayes. Perfect for school choirs community choruses or church Christmas pageants the energy in this piece never stops. The openingfeatures mixed meters and a driving orchestral track with bells everywhere! Next Hayes sets this favorite holiday tune in waltz style with comical lyrics a big-band jazz chorus and a tongue-in-cheek classical sectioncomplete with an operatic soprano solo fit for the most demanding diva! The final chorus showcases the men on the melody with the women jingle-jangling in the treble register all at a presto tempo. AVAILABLE: SATB; SAB;TTBB; Orchestration; Handbell Part; Accomp/Perf CD.

Inspirational lyrics, a lush accompaniment, and well-crafted vocal harmonies. What more could you ask from this thrilling new arrangement by Mark Hayes? A real tour de force that is equally moving with either the full piano accompaniment or the complete orchestration. / Choeur TTBB

Many famous composers have set the heart-wrenching text of King David's weeping over the death of his son Absalom. Burchard's setting is powerful and stirring and will not disappoint singer or listener. Originally released in SATB divisi and selected for the Bruce Rogers Choral Series the brilliance of this composition is in the musical suspensions that capture the emotions so completely. Appropriate for college and advanced male choirs.

from Te Deum (Verba Domini cum verbis populi)-The anonymous Middle English text is a beautiful poignant contemplation of mortality and Argento's setting of it casts a quiet haunting spell. The men's chorus is occasionally joined by an insistent single chime note. The complete major work Te Deum (979-0-051-32380-7) was performed at the 2017 National ACDA Conference in Minneapolis.

This is the exact arrangement from the chart-topping album Christmas Cheers by a cappella powerhouse Straight No Chaser. Wild and fun complete with elements of Mission Impossible Boys II Men and Reggae. 2 tenor and 1 bass solo.

Ma collection de laude a ses origines dans le monde de la musique ancienne, est basé dans l'esprit et le sentiment de la non accompagné vocal 'laude' trouvé dans une collection de Cortona 13ème siècle. Les personnes qui ont chanté à l'origine de telles choses - la 'laudesi' - se sont regroupés en confréries, mais ne sont généralement pas associés à une église particulière et cette musique ne faisait pas partie de toute liturgie. La première fois que je laude écrit étaient, comme les originaux du Moyen Age, pour voix non accompagnés - pour la soprano Anna Maria Friman. J'ai ensuite écrit une à deux voix, en ajoutant le ténor John Potter, et d'autres pour trois sopranos, le Trio Mediaeval. Peu à peu, j'ai ajouté plus pour d'autres combinaisons vocales ainsi que certaines avec accompagnement instrumental. Mais je reviens de temps en temps à la plus 'pure' en solo ou en duo lauda. En 2006, j'ai écrit un certain nombre de pièces pour choeur d'hommes estoniens nationale (RAM) principalement grâce à mon amitié et la collaboration avec Kaspars conducteurs ses Putnins qui, ainsi que la conduite de l'Choeur de la Radio lettone, était le directeur de RAM. J'ai écrit deux laude pour eux. Lauda 31 était tout à fait nouveau, tandis que Lauda 32 est une nouvelle version de Lauda 19 'homo Omne'. Tant tirer pleinement parti de la qualité particulière du choeur estonien et Lauda 32 en particulier vise délibérément à avoir le son de chanteurs dans une tradition orthodoxe russe. Quelle que soit l'approche vocale je utiliser pour mettre les textes Lauda, je les traite avec beaucoup de respect par rapport à l'original lauda. Je conformer autant que possible au même nombre de notes à une syllabe qui se trouvent dans les versions médiévales, souvent en suivant les contours mélodiques et parfois citant des phrases individuelles. J'ai encore savourer le défi d'écrire la musique vocale qui est très exposée, et qui conserve quelque chose de l'austérité de l'original. Gavin Bryars (2012) / Choeur D'Hommes

Jack Halloran's arrangement of Witness is a bestseller! Dick Bolks has revoiced it for every other possibility so it was high time the male chorus edition completes the options. Great for high school college or community choirs.

A great piece for a moderately advanced men's choir in the barbershop style. Fun and lively melody carried by Tenor II part. The composer invites you to use creativity with this piece.