De la phrase d'ouverture poignante l'unisson grâce à la superbe déroulement de la chaleur à couper le souffle choral, ce paramètre est une ballade a cappella à ne pas manquer! Harmonies romantiques Lushly va créer une vague musicale inoubliable. Disponible: SATB a cappella, SSAA a cappella. Temps de Performance: Env. 03:00. / Choeur (Unisson), Voix Hautes Et Voix Egales

Par SCHALLEHN HILGER. Durée: 3' 15'', Langue: English, Format: ETP large/ Feuillet / Choeur de Femmes (SSAA)

Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum? in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum?. Here it is called 'Te Deum for Cannons? after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea?, the masque which was composed at almost the same time. Though in many respects this 'Te Deum? is reminiscent of the 'Utrecht Te Deum?, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition? (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum?./ Répertoire / SSATB et Orchestre

Whether in the church or in the concert hall, the motets in Heinrich Schütz's 'Geistliche Chor-Music? have long maintained a firm place in the choral repertoire.Now, following upon the two-volume new edition (BA 5901 and 5902), Bärenreiter are publishing selected motets in revised separate editions. Based on BA 5901, these editions will present the motets in their original key with an integrated continuo realization - all with modern engraving and spacious layout. / Choeur Mixte (SSATB) Et Basse Continue

Par BRAHMS JOHANNES. Chaleur et lyrisme caractérisent la sortie distingué de Brahm pour les plus petits chorales. Cette sélection présente ses paramètres enrichissantes plus accessibles pour les chorales de voix supérieure. / Date parution : 1995-11-15/ Répertoire / SSAA

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament. / Mottet / Répertoire / Choeur SSATB

Aus: Israelsbrünnlein. Geistliche Madrigale. Par SCHEIN JOHANN HERMANN. Johann Hermann Schein’s Israelsbrünnlein, published in Leipzig in 1623, is a supreme achievement not only among the works of this composer, who had been Thomaskantor in Leipzig since 1616, but also for the entire body of German music written during the first half of the 17th century. Among the 26 motets written “in the Italian madrigal manner” 23 are settings of Old Testament texts, a fact to which the collection owes its title. The source for the text of this collection is the “inexhaustible fountain” of the Psalms, the books of Moses, the Prophets, the Songs of Solomon, and other books of the Old Testament./ Répertoire / Choeur SSATB

Par MCCARTHY JAMES. The words of Peaceful was the Night are taken from John Milton?s ode On the Morning of Christ?s Nativity, written in 1629. Milton describes the universe halting in utter stillness at the moment of Christ?s appearing on the earth. (As the poet wrote: ?His reign of peace upon the Earth began. ?) In James McCarthy?s carol, the voices play a dual role, as narrator, and by evoking the atmosphere of a singular moment of frozen time. Although commissioned by Sonoro for performance during the Christmas period, this singable, lyrical setting would fit well into a programme of music suitable for any time of the year. / Date parution : 1905-07-10/ Feuillet / SSAA a Cappella

Le classique de Irving Berlin disposée en quatre parties à haute-voix par le spécialiste américain de choral Kirby Shaw. / Choeur (Unisson), Voix Hautes Et Voix Egales

Scènes de Gjeilo du majestueux Norvège natale inspiré ce poème contemporain. Paroles et musique sont fusionnés dans un poignant, encore du travail lyrique avec une impulsion de son propre. Un choix excellent festival des chorales de femmes matures femmes. / SSAA Et Piano

Avec un son à la fois moderne et médiéval, ce remarquable arrangement réalisé à partir du texte latin Ubi Caritas s'ouvre à l´unisson en évoquant un thème en plain-chant. Peu à peu, ce dernier s'enrichit d'harmonies plus amples et d'un langage musical résolument contemporain. Pas forcément difficile quant à la tessiture vocale exploitée, l'arrangement de Ola Gjeilo est accessible à bon nombre de choeurs mixtes. Absolument fascinant en toute occasion ! / Choeur SSAA A Cappella

Walt Whitman's unabashed optimism, exuberance and unwavering confidence in our deeper humanity is beautifully portrayed through music in Gjeilo's setting of excerpts of the 'Song of the Universal? poem. For string orchestra, piano and choir, this work will be a grand addition to your women's choir repertoire. Duration: ca. 11:30 / Choeur SSAA

One of the most poignant and beautiful songs of the '90s, now in an a cappella setting. This Billy Joel ballad is simply stunning. / Voix Mixtes

Le thème de l'amour populaire dans le film Titanic, enregistré à l'origine par Céline Dion, est maintenant disponible dans un cadre exquis de Kirby Shaw. L'essence de cette ballade très émouvante, émotionnelle, avec ses obsédante mélodie et les paroles d'appel d'offres, est magnifiquement capturé avec la peinture de mot et harmonies luxuriantes. Garantie de créer un moment de pure magie dans votre concert. / Choeur (Unisson), Voix Hautes Et Voix Egales

Le hit classique, rendu célèbre par Emmylou Harris qui fut plus tard vedette dans le film de bolckbuster retour vers le futur ! / Choeur (Unisson), Voix Hautes Et Voix Egales