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Piano, Clarinet (or Violin), and Cello
CLARINET
Clarinet, Violin, Cello, Piano
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Per Nørgård: Out Of The Cradle Endlessly Rocking: Chamber Ensemble: Score
Clarinet, Violin, Cello, Piano
[Score]
-
Intermediate/advanced
Wilhelm Hansen
Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Sco...
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Out Of The Cradle Endlessly Rocking 'Wave Music' (2007-08) by Per Nørgård. Scored for Clarinet Violin Cello and Piano. Parts available: WH30883A Programme note The work was commissioned by the Ebb and Flow Ensemble for premiere at the Maui Arts and Cultural Center Kahului Hawaii 23 November 2008. The premiere performers will be (as of 241108: were) Scott Anderson clarinet Ignace Jang violin Mark Votapek cello and Robert Pollock piano.The title is borrowed from the first line of American poet Walt Whitman’s magnificent poem SEADRIFT a tribute to the sea. The poem forms part of Whitman’s magnum opus LEAVES OF GRASS which he revised extended and worked on practically all his writing life.I had previously drawn some lines from the poem SEADRIFT for another work of mine a work likewise entitled SEADRIFT (1978) for soprano and ensemble.In this present new piece I did not set out to depict in music ‘the soul of the sea’ or anything like that. I did however have an intention of making the piece a sort of outstretched hand from one small country with a multitude of islands and – necessarily – a lot of water around it (I am referring of course to my native Denmark) to another country with many islands: Hawaii with its far-away exotic appeal (at least for a Scandinavian) and its remoteness thousands and thousands of nautical miles away. Folkloristic Hawaiian chant (alluring samples of which were kindly forwarded to me from the commissioner of the work) fascinated and impressed me so much that my melodic repertoire in the new piece sometimes echo a Hawaiian Melodybrother.A latent wave-character is characteristic of the piece. You will hear a simultaneity of different ‘wavelengths’ and often a dense and complex melodic and rhythmic
32.50 GBP - Sold by Musicroom UK
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Judith Weir: Blue-Green Hill: Ensemble: Score
Clarinet, Violin, Cello, Piano
Chester
Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard P...
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Blue-Green Hill by Judith Weir was commissioned by Boston Musica Viva (Richard Pittman Music Director) with support from the Ernst von Siemens Foundation for Music and members of the Boston Musica VivaCommission Circle:Ridgely DuvallMarilyn Bone KlossJohn and Elizabeth LoderFirst performance on 24th March 2013 at the Tsai Performance Center Boston Massachusetts by Boston Musica Viva conducted byRichard Pittman.Scoring:Flute (doubling alto flute in G)Clarinet in B flatViolinCelloPianoTransposed score
22.99 GBP - Sold by Musicroom UK
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Ludwig van Beethoven: Clarinet Trios B flat major op. 11 & E flat major:
Clarinet, Violin, Cello, Piano
[Sheet music]
G. Henle
Les trios avec clarinette op. 11 et 38 de Beethoven furent compos?s au cours des...
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Les trios avec clarinette op. 11 et 38 de Beethoven furent compos?s au cours des ann?es 1798 et 1802/1803. Le trio op. 11 fut surnomm? ?Trio Gassenhauer? ? cause de son 3e mouvement dans lequel un th?me de l?op?ra de Joseph Weigl ?L?amor marinaro? fait l?objet de neuf variations. Beethoven y explore toutes sortes de possibilit?s: le piano joue parfois seul d?autres fois pas du tout on peut y entendre une sorte de marche fun?bre et de nombreuses surprises harmoniques et rythmiques. L?op. 38 (Grand Trio) qui est aussi le plus tardif des deux trios avec clarinette est une transformation par Beethoven de son propre septuor op. 20 qu?il dota tout comme l?op. 11 d?une partie de violonalternative afin que l??uvre puisse ?tre plus facilement diffus?e et devienne plus populaire. Les parties de violon figurent ?galement dans la pr?sente ?dition urtext donnant ainsi ? comme autrefois ? davantage de prix ? cette ?dition.
38.25 GBP - Sold by Musicroom UK
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Mulsant F. - In Jubilo Quatuor Op.22
Clarinet, Violin, Cello, Piano
Furore Verlag
Instrumentation: clarinet, violin, violoncello and piano Edition: score and part...
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Instrumentation: clarinet, violin, violoncello and piano Edition: score and parts Item no.: fue 4450 Year: (1999/2002) Duration: (19') Difficulty: medium ISMN: 979-0-50012-945-5
41.30 EUR - Sold by Woodbrass
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Confluences
Clarinet, Violin, Cello, Piano
Bote and Bock
Confluences est une oeuvre en trois mouvements pour clarinette, violon, violonce...
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Confluences est une oeuvre en trois mouvements pour clarinette, violon, violoncelle et piano qui a été composée pour le Continuum Ensemble de New York en 2001. Dans le mouvement premier court métrage, un motif de deux notes erre dans les cordes tandis que le piano joue chiffres délicats dans le déchant. Le deuxième mouvement, Grazioso, est le plus élaboré parmi les trois, en commençant par un jeûne en forme d'arche thème joué par la clarinette. De ce thème émergent arpèges oscillants qui se dissolvent dans plusieurs motifs de tournage. Le mouvement final, intitulé 'pacifique, flottant', contient un dialogue transparent entre tous les membres de l'ensemble. Confluences a été créée à la Knitting Factory à New York en 2001. / Clarinette, Violon, Violoncelle Et Piano
24.42 EUR - Sold by LMI-partitions
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Britta Byström: Letter In April: Chamber Ensemble: Parts
Clarinet, Violin, Cello, Piano
Wilhelm Hansen
Set of parts for Letter in April by Britta Byström for Clarinet Violin and Ce...
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Set of parts for Letter in April by Britta Byström for Clarinet Violin and Cello. Piano part is included with Full Score (WH31345) Score: WH31345
28.99 GBP - Sold by Musicroom UK
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Mark David Boden: Between Waking And Dreams: Clarinet: Score and Parts
Clarinet, Violin, Cello, Piano
[Sheet music]
Cadenza Music
Mark David Boden's Between Waking and Dreams for Clarinet and Piano Trio.
29.99 GBP - Sold by Musicroom UK
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Niels Rosing-Schow: Voix Interieures: Chamber Ensemble: Score
Clarinet, Violin, Cello, Piano
[Sheet music]
Wilhelm Hansen
Work for Clarinet Violin Cello and Piano. The composer writes: VOIX INTERIEURE...
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Work for Clarinet Violin Cello and Piano. The composer writes: VOIX INTERIEURES (1990-92). The title has a double reference: to the ’inner voices’ of the mind expressing our (hardly conscious) impulses feelings dreams and to the ’inner voices’ of the music in the sense of internal parts and relations. Thus the title points to the obscure reflections of the ones in the others. During the piece there is a gradual transformation of the internal parts such as interval patterns sonorities and dynamics - running alongside the easily perceptible expansion of register. The music is so to say ’turned inside out’.
29.99 GBP - Sold by Musicroom UK
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