Par ALLERME JEAN-MARC. Des pièces originales dans les styles jazzy, classique et variété. Une version flûte et guitare est enregistrée sur le CD, mais aussi une version guitare seule pour jouer en playback. / Niveau : Assez Facile / variété - jazz / Recueil / Flûte Traversière et Guitare

With Online Audio-This volume contains some of the most popular traditional carols arranged for Flute and Guitar. Most of these duet arrangements allow as much dialogue and interplay between the two instruments as possible whilemaintaining each carol's character and spirit. While the Flute often carries the melody the Guitar has frequent solo passages of its own to help break the 'melody with chords' monotony found in many arrangements of this kind.Modulations imitative counterpoint and quotations from works by well-known composers will hopefully make these little pieces enjoyable for performers as well as listeners. For intermediate level Flutists and Guitarists.Standard notation only. Includes access to online audio and downloadable PDF of the Flute part.

Celtic Music For Flute And Guitar by Allan Alexander and Jessica Walsh contains 20 pieces transcribed for flute and guitar most of them originating from Ireland and Scotland. Five of them are charming original pieces written in the Celtic style by Allan and Jessica. The music is presented in both music notation and guitar tablature for people who do not read music.Take a musical journey with dances that were written more than 400 years ago and experience Celtic traditional music that is the mainstay of modern players. If you are learning and looking for great music this is one book that you will not be able to put down. If you are a performer looking for highquality material these great pieces expertly arranged will become part of your permanent repertoire.The accompanying CD gives the musician the advantage of being able to hear how these pieces should be played by experts in this genre of music and will make the learning process easier. Some of the pieces were written for the Lute; however Allan Alexander has found that they work very well on the guitar. Being an accomplished player of both lute and guitar he has the knowledge to make accurate musical transcriptions. Other pieces in this book are traditional tunes that have been arranged specifically for guitar. Many of the selections have variations on the original melodies. This adds another dimension to the music and enhances the performance.

100 Hymns for Flute and Guitar is a collection of all-time favorite hymns arranged for flute solo with suggested written chordal accompaniment.Fingerstyle guitar and strum styles are indicatedon each solo and capo chords are shown where appropriate. Other chordal instrumentalists can also use the written material. The repertoire spans centuries and represents a wonderful assortment of solos which may be used aspreludes or offertories throughout the various seasons in the church year.

Par SAUMELL MANUEL. Select 'Contradanzas Habaneras' by 19th century Cuban composer Manuel Saumell (1817-1870). Saumell is known as the 'Father of nationalism in Cuban music'. In more than 50 Contradanzas Habaneras, Saumell never repeated himself, for within those 8 or 16-bar phrases, he was capable of astounding rhythmic and melodic invention. This group of contradanzas were originally written for the piano and arranged here for flute and guitar by Elias Barreiro. Presented in standard notation only with separate pull-out sections for guitar and flute. / Niveau : Intermédiaire à Avancé / Latin American - Duets / Recueil / Guitare et Flûte Traversière

Par BAY WILLIAM. Through the centuries, the Christmas season has inspired composers, poets, lyricists and hymn writers to apply their craft in devotion to this event.This book presents 100 arrangements of favorite Christmas carols and advent hymns for violin solo with guitar accompaniment. Suggested chordal accompaniment is included for each solo so that any chordal instrument can accompany the violin. The author has also indicated whether the guitarist should use fingerstyle or strum accompaniment. The music in this book spans centuries and represents a wonderful assortment of solos which may be used as preludes or offertories throughout the various seasons in the church year. / Niveau : Intermédiaire / Musique religieuse / Recueil / Flûte Traversière et Guitare

Ce 3ème volume des Classiques pour flûte et guitare présente aux intéressés une évolution sensible quant à la difficulté du répertoire proposé. Les jeunes musiciens ayant suivi la progression des précédents volumes trouveront dans celui-ci matière à travailler sur un répertoire varié, adapté techniquement et musicalement à leurs compétences de duettistes.
Nous avons apporté, dans cet ouvrage, un soin tout particulier à l'élaboration du phrasé de la flûte afin de guider l'étudiant dans une meilleure assimilation de ces oeuvres. A de rares exceptions près, les tournes de pages sont évitées. Comme dans les volumes précédents, les musiciens seront solidaires, c'est-à-dire que, tout en jouant la partie qui leur correspond, flûtiste et guitariste liront la portée de l'autre... Il leur est vivement conseillé d'acquérir cette double lecture.
La majorité des pièces proposées dans ce volume pourront être interprétées par tout instrument mélodique dont la sonorité se marie avec celle de la guitare.
Contenu
MERANGER P. : Un chant, un soir (extrait des ''Tableaux de voyage'') - CHOPIN Fr. : Thème - HAYDN J. : Sérénade - REID J. : Allegretto - BOCCHERINI L. : Menuet - GOSSEC Fr.J. : Gavotte en ré - HAENDEL G.Fr. : Aria - BEETHOVEN L. van : Bagatelle - VALENTINE R. : Adagio - VALENTINE R. : Courante - GRIEG E. : Chanson de Solveig (extrait de ''Peer Gynt'') - RAMEAU J.Ph. : Menuet - MARCELLO B. : Adagio - FAURE G. : Berceuse - MOURAT J.M. : Rêverie mélancolique - MOURAT J.M. : Valse romantique - FURSTENAU K. : Andante - BACH J.S. : Gavotte et Musette - CIMAROSA D. : Larghetto - BIZET G. : Menuet (extrait de ''l'Arlésienne'') - VIVALDI A. : Prélude - VIVALDI A. : Courante - MATIEGKA W. : Menuet - MOURAT J.M. : Para dos amigos - TELEMANN G.Ph. : Sicilienne - ALBENIZ I. : Tango - GOUNOD Ch. : Ave Maria - PAGANINI N. : La Campanella - TORELLI G. : Allegretto - SATIE A.E. : 1ère Gymnopédie
/ Partitions classique / Bois / Flûte traversière / COMBRE