As a prestigious composer of the early 20th century Maurice Ravel's Pièce En Forme De Habanera transcribed for Flute and Guitar by Janet Ketchum and Peter Segal contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies  Pièce En Forme De Habaneraclearly exemplifies these qualities through flourishing Flute lines and evocative chordal and rhythmic Guitar accompaniments. Moreover Habanera rhythms heard throughout the piece create further excitement. All of these musical elements combined create ahighly enjoyable piece for the Flute and Guitar repertoire. In addition the clear print of separate solo and accompaniment parts in this edition ofPièce En Forme De Habanera add to an irresistible purchase for aspiring Flute players.

Select 'Contradanzas Habaneras' by 19th century Cuban composer Manuel Saumell (1817-1870). Saumell is known as the 'Father of nationalism in Cuban music'. In more than 50 Contradanzas Habaneras Saumell never repeated himself forwithin those 8 or 16-bar phrases he was capable of astounding rhythmic and melodic invention. This group of contradanzas were originally written for the piano and arranged here for flute and guitar by Elias Barreiro. Presented instandard notation only with separate pull-out sections for guitar and flute.

John W. Duarte (1919-2004) was a British guitarist composer and music journalist. Having received a degree in Chemistry his fascination with the endless possibilities of the Guitar caused him to abandon science infavour of music. Despite having never formally studied music he is regarded as one of the foremost composers for Guitar of the 20th century. His English Suite No. 4 was composed for Flute (orRecorder) and Guitar and published in 1979 as his opus 82. Scored in three movements it makes use of traditional English folksongs: All in a Garden Green/The Rambling Sailor - Scarborough Fair - The Two Magicians.

Score and Parts-Il Lamento di Tristano a work for Flute and Guitar is a set of variations on two themes that are highly contrasting in styles juxtaposing fragments from Wagner's Opera Tristan and Isolde with a 14th Centurymonophonic dance Lamento di Tristano.