SKU: HL.14001859
ISBN 9788759865231. 8.25x11.75x0.07 inches. French.
This piece Hongroises is the last in the set of Andersen's Fantasies Nationales and is arranged for Flute and Piano accompaniment.
SKU: BT.EMBZ12819
The present edition is based on the Second Livre de Sonates pour le Violon et pour la Flute traversiére printed in Paris around 1728. Of the twelve sonatas of that volume the third, fifth and eleventh sonatas are being published here since they bear the remark Cette Sonate peut ce jouer sur la Flute Allemande. Die vorliegende Ausgabe beruht auf der Veröffentlichung Second Livre de Sonates pour le Violon et pour la Flute traversiére, die um 1728 in Paris erschien. Von den zwölf Sonaten jenes Bandes sind hier die dritte, fünfte und elfte Sonaten abgedruckt, die in der ursprünglichen Ausgabe mit dem Vermerk versehen sind: Cette Sonate peut ce jouer sur la Flute Allemande.
SKU: HL.48186403
UPC: 888680828219. 9.0x12.0x0.228 inches.
Contemporary Japanese composer, Yuko Uebayashi moved to Paris in 1998. Uebayashi's works have been met with much success in both Japan and France, Sonata for Flute and Piano being no exception. Flautist Jean Ferrandis described Uebayashi's works as gems that, although they are so different, they yet belong to the same world, a world of vivacity, dreams, tenderness, humour, and one that is subtly contradicted by vehemence, virtuosity, melancholy and sorrow. Sonata for Flute and Piano is made up of four movements with a typical performance lasting around 26 minutes. Sonata for Flute and Piano is modern in style, exploiting tonality, rhythm and the ensemble, making this a sublime addition to the advanced repertoire of the instrument.
SKU: HL.48187329
UPC: 888680829827. 9.0x12.0x0.121 inches. French.
“Philippe Gaubert (1879-1941) was a distinguished performer on the Flute. It comes as no surprise, therefore, that his compositions for the instrument are at the forefront of the Flute's repertoire, Sonata No. 2 being no exception. After a prominent career as a flautist with the Paris Opéra, he was appointed as professor of Flute at the Paris Conservatoire as well as principal conductor of leading orchestras. It was during this time that Gaubert composed, including his Sonata No. 2 which premiered in 1925. Addressing many technical features, including flourishing semiquaver passages, a wide range, emotion, intervals, chromaticism and complex rhythms, Sonata No. 2 is a challenging yet riveting and stirring piece for aspiring flautists.â€.
SKU: M7.BP-1492
ISBN 9790015149207.
SKU: M7.BP-1493
ISBN 9790015149306.
SKU: HL.14015939
ISBN 9788759888469. 9.5x14.25x0.125 inches.
Illuminations - Capriccio For Flute And Orchestra was composed by Erik Norby in 1977. Programme Note: The title should rightly be pronounced in French (same spelling), as the piece was composed for and is dedicated to French flute virtuoso Jean-Pierre Rampal, who premiered ILLUMINATIONS in connection withhimreceiving the Danish Sonnings Musikpris in 1978. The title reflects my endeavour to create different illuminative effects in sound, for which the flute is an excellent medium, with its apparent ability to transform light phenomena into musical shapes. Tue music in ILLUMINATIONS sometimes sounds like glittering reflections, sometimes like a roaring bonfire. The absence of ordinaryflutes in the orchestra further enables the soloist to shine above a darker orchestral background. Several motives and shapes are illuminated along the way, and the music progresses in kaleidoscopic pattems of prismatic refractions. Erik Norby.
SKU: PR.114418900
ISBN 9781491129517. UPC: 680160668632.
A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits.When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling†leads directly to the rapid Mvt. 2 “Sparkling, glistening,†followed by another slow-fast pair: Mvt. 3 “Under Winter†which leads directly into Mvt. 4 “Spring Spirits.†In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist.
SKU: BT.SY-2945
German.
Flöte spielen macht Spaß - und ganz besonders im Zusammenspiel mit anderen. Man kann damit gar nicht früh genug beginnen!Diese Sammlung abwechslungsreicher und motivierender Spielstücke ist auf Flöte spielen Band E abgestimmt, kannaber natürlich auch parallel zu anderen, ähnlich aufgebauten Schulen verwendet werden. Die Klavierbegleitungen sind weitgehend in ähnlichem Schwierigkeitsgrad wie die Flötenstimme gehalten, um das Musizieren Gleichaltriger zu ermöglichen. DieMitspiel-CD enthält die Klavierbegleitungen, teils in langsameren Übungsversionen; zusätzlich stehen die Audiotracks online zur Verfügung und können dort nach Bedarf im Abspieltempo angepasstwerden.
SKU: HL.50510528
ISBN 9790080128190. UPC: 073999548686. 0.115 inches. Cadet) (le Jean-Marie Leclair; Oliver Nagy.
The present edition is based on the Second Livre de Sonates pour le Violon et pour la Flute traversiere printed in Paris around 1728. Of the twelve sonatas of that volume the third, fifth and eleventh sonatas are being published here since they bear the remark Cette Sonate peut ce jouer sur la Flute Allemande.
SKU: BT.SY-2944
A selection of motivating pieces for flute and piano. The book relates to the progression of the popular flute method Flöte spielen (Playing the flute) vol. D, but can be used with any other flute method as well. Piano and flute are at about thesame level. With play-along CD. The faster pieces are recorded in a slower practice version additionally, and the CD contains a software which can play all the tracks at a slower tempoFlöte spielen macht Spaß - und ganz besonders im Zusammenspiel mit anderen. Man kann damit gar nicht früh genug beginnen!
Diese Sammlung abwechslungsreicher und motivierender Spielstücke ist auf Flöte spielen Band D abgestimmt, kann aber natürlich auch parallel zu anderen, ähnlich aufgebauten Schulen verwendet werden. Die Klavierbegleitungen sind weitgehend inähnlichem Schwierigkeitsgrad wie die Flötenstimme gehalten, um das Musizieren Gleichaltriger zu ermöglichen. Die Mitspiel-CD enthält die Klavierbegleitungen und langsamere Übungsversionen.
SKU: HL.49010518
ISBN 9790001094238. UPC: 196288056508.
Wenn von den zu seinen Lebzeiten gedruckten Querflotenkompositionen Richters die Rede ist, so werden neben den erfreulicherweise nur zum geringen Teil neuveroffentlichten Sonaten mit konzertierendem Cembalo (Festival der Sequenzen) und einer Reihe beachtenswerter Duette immer wieder sechs Solosonaten fur Flote oder Violine mit Basso continuo erwahnt, nach denen man aber vergebens suchen wird. Von den bei John Walsh in London unter bewusst irrefuhrendem Titel erschienenen sechs Sonaten stammt tatsachlich nur eine einzige, die erste namlich, von Richter. Dieses schone Werk, ein wahrhaft superbes Flotenstuck, das in Richters fruher Mannheimer Zeit entstanden sein muss, legen wir hier in einer Ausgabe fur den praktischen Gebrauch vor.
SKU: BT.SY-2946
Flöte spielen macht Spaß und ganz besonders im Zusammenspiel mit anderen. Man kann damit gar nicht früh genug beginnen! Diese Sammlung abwechslungsreicher und motivierender Spielstücke ist auf Flöte spielen Band F abgestimmt, kann aber natürlich auch parallel zu anderen, ähnlich aufgebauten Schulen verwendet werden. Die Klavierbegleitungen sind weitgehend in ähnlichem Schwierigkeitsgrad wie die Flötenstimme gehalten, um zum Musizieren mit Gleichgesinnten anzuregen. Sie stehen nicht nur als gedruckte Noten-Beilage, sondern auch als Audiotracks online zur Verfügung und können dort nach Bedarf im Abspieltempo angepasst werden.
SKU: BT.EMBZ14067
English-German-Hungarian.
The present volume in the EMB Urtext series is the first complete practical edition of the set of trio sonatas for two violins or two flutes by the prominent Italian violin player of the late Baroque. The six trio sonatas do not belong to the usual Corellian type but introduce bold novelties with regard to form, harmony and melody alike. The sixth sonata proves to be particularly interesting since each of the solo instruments conducted in canon have their own continuo part.
