SKU: BP.HB267

Arranged for 3-5 octave handbell choir. Based on FAITHFULNESS by William R. Runyan and PROMISES by R. Kelso Carter. Level 4-.

SKU: BP.HB557

Arranged for 3 to 5 octave handbell choir with optional 3 to 5 octaves of handchimes and optional flute or C-instrument. Level 3. Linda Lamb's hauntingly beautiful arrangement of the Welsh hymn tune ABERYSTWYTH is sure to find ample use with your ensemble throughout the church year. Flowing arpeggios underscore the opening verse of the melody while the optional flute soars above with a delicate counter-melody line. The melody returns in bass handchimes for a glorious, sonorous effect. A key change at the end paints the now-familiar melody in an entirely new light. A gorgeous masterpiece!

SKU: LO.20-2059L

ISBN 9780787763015.

Linda R. Lamb brings us a fun and energetic arrangement of this traditional French carol. Great for introducing 3/8 time to your handbell ensemble, this short piece incorporates various stopped techniques, ring touch, LV, and chimes, as well as a statement of the melody in the relative minor key. Available in compatible versions for 2 or 3 octaves and 3, 4, or 5 octaves.

SKU: HP.2661

UPC: 763628126612. By Donna Adkins.

Popular worship song by Donna Adkins Linda Lambs gentle, reverent reflection on Donna Adkins' popular worship song is enhanced by the inclusion of the praise chorus, He Is Lord. Legato ringing of handbells and optional handchimes generates a sense of awe before the Father, the Son, and. . . Linda Lambs gentle, reverent reflection on Donna Adkins' popular worship song is enhanced by the inclusion of the praise chorus, He Is Lord. Legato ringing of handbells and optional handchimes generates a sense of awe before the Father, the Son, and the Holy Spirit.

SKU: HP.2347

UPC: 763628123475. Psalms 28:2, Psalms 41:4, Psalms 51:1, Psalms 86:3, Psalms 95:6, Psalms 138:2, Luke 22:14-20, Acts 2:42, 1 Corinthians 11:26-28.

Traditional Spiritual This arrangement of the traditional spiritual begins with the optional handchimes playing quietly, as befits a communion hymn. The second stanza on handbells has more movement, leading to the triumphant third stanza, Let us praise God together . . . Following this, the piece settles back into a peaceful ending with a return to the handchimes, accompanied by suspended malleted bells.