Bubbert takes a road trip and finds himself in the land of the lope-along Western style blues. This fun chart features a catchy riff a question and answer stop-time section plus a flexible solo section with unison background figures. A great way to teach the blues.

Arranged in a medium up-tempo swing style and featuring an alto sax soloist at the top here is a fabulous setting of this jazz standard for mature bands. Also featured is an extended sax soli with flugelhorn doubling the lead aswell as answers from the brass and shout sections for the entire band. Destined to become a staple in the repertoire.

Approved and endorsed by the band these authentic editions of Tower of Power's biggest hits feature scores and parts transcribed exactly as played by the band. They include parts for a ten-piece band with optional parts for alto sax and trombone so band directors can match their own instrumentation.Both lead and background vocal parts are also included as are rhythm parts in two formats: a master rhythm part plus the ?essence of the groove ? featuring drum parts transcribed by master funk drummer David Garibaldi! Watch for more titles coming soon!

John Claytons fierce swinging arrangement of this familiar standard (recorded by the Clayton-Hamilton Jazz Orchestra CD Shout Me Out) is written as a solo vehicle for tenor sax. Marvelously crafted in a kind of“call and response”form between tenor and band.

Big Band-Written in a medium swing style this arrangement features each section as well as the ensemble as a whole. There is also plenty of solo space with comfortable chord changes and a variety of ensemble backgrounds. This is aterrific sounding chart that is not that technically demanding.

Par MONTGOMERY WES / WHITE TERRY (Arr.). Naptown Blues arranged by Terry White is an accessible straight-ahead swinger played around 150 BPM, with a nice sax soli, written-out solos for alto 1, tenor 1, trumpet 1, and trombone 1. Trumpet 1 range is to written E top space with optional G, plus check out the hot shout chorus. Plenty of optional instruments plus vibes. Everything you need to succeed! (3:16) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Jazz Ensemble

Even before the TV series Glee this Neil Diamond classic first recorded in 1969 had proven its popularity and staying power.Here is a solid yet easy treatment for jazz ensemble that requires no solos. Sure to be a favorite with students and parents alike.

Using a combination of hip-hop and uptempo swing here's a marvelous take on Bud Powell's bebop classic. A front line of alto tenor and trumpet are featured off the top followed by an extended soli for the entire trumpet section. Solo space is provided for tenor sax then a sax soli and ensemble shout round things out in this impressive chart!

Keeps raining all the time-Written as a feature for alto sax this bluesy standard comes with a comfortably slow and sensuous swing style and plenty of solid playing for the full ensemble as well. Great change-of-pace programming!