This wonderful collection brings together seven well-loved carols all newly arranged by Mack Wilberg for low voice and piano. Featuring a range of Christmas texts including 'Bring a torch Jeannette Isabella' 'Deck the hall' and 'The Twelve Days of Christmas' it also offers two carols with alternative original foreign-language options (French and Catalan). With a delightful variety of musical styles and moods this volume is perfect for recitals services and concerts at Christmas time.Also available in a volume for high voice.

Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ? A un dottor della mia sorte (Il Barbiere di Siviglia) ? Cornelius: Mein Sohn (Der Barbier von Bagdad) ? Smetana: Kezal's Aria (The Bartered Bride) ? Puccini: Vecchia zimarra (La Boheme) ? Mussorgsky: I have attained to power (Boris Godunov) ? Varlaam's Song (Boris Godunov) ? Pimen's Tale (Boris Godunov) ? Verdi: Dormiro sol nel manto mio regal (Don Carlo) ? Infelice! e tuo credevi (Ernani) ? Infin che un brando vindice (Ernani) ? Come dal ciel precipita (Macbeth) ? Il lacerato spirito (Simon Boccanegra) ? Di due figli vivea, padre beato (Il Trovatore) ? Mozart: Madamina! il catalogo e questo (Don Giovanni) ? Wer ein Liebchen hat gefunden (Die Entführung aus dem Serail) ? Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) ? Se vuol ballare, signor Contino (Le Nozze di Figaro) ? Non piu andrai (Le Nozze di Figaro) ? In diesen heil'gen Hallen (Die Zauberflöte) ? O Isis und Osiris (Die Zauberflöte) ? Donizetti: Ah, un foco insolito (Don Pasquale) ? A tanto amor (La Favorita) ? Dalle stanze, ove Lucia (Lucia di Lammermoor) ? Tchaikovsky: Gremin's Aria (Eugene Onegin) ? Gounod: Vous qui faites l'endormie (Faust) ? Le veau d'or (Faust) ? Beethoven: Hat man nicht auch Gold daneben (Fidelio) ? Wagner: Mogst du, mein Kind (Der Fliegende Hollander) ? Mein Herr und Gott (Lohengrin) ? Nun hort und versteht (Pogner's Address) (Die Meistersinger) ? Tatest du's wirklich? (Tristan und Isolde) ? Ponchielli: Ombre die mia prosapia (La Gioconda) ? Meyerbeer: Piff, Paff (Les Heugenots) ? Gluck: De noirs pressentiments (Iphigenie en Tauride) ? Halvey: Si la rigueur (La Juive) ? Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) ? Massenet: Epouse quelque brave fille (Manon) ? Flotow: Lasst mich euch fragen (Porter Song) (Martha) ? Thomas: De son coeur j'ai calme la fievre (Mignon) ? Dargomyzhsky: The Miller's Song (Rusalka).

Volume 9 of the new Urtext edition of Schubert???s lieder contains lieder composed during the spring and summer of 1816 some of which follow upon series started in 1815. They are available in separate books for high medium and low voice. The volume was completed by the eminent Schubert scholar Walter D?rr who passed away at the beginning of 2018.It was in 1816 that Schubert completed his settings of Ossian's songs and added lieder on texts by Johann Georg Jacobi Johann Peter Uz and Matthias Claudius. Also included are the lieder from the Grob family songbook. In the summer 1816 Schubert produced his first settings of poems by Christian Friedrich Daniel Schubart(???Grablied auf einen Soldaten??? and 'An mein Klavier???) the author of the words to one of his most famous songs ???Die Forelle???/ 'The Trout??? (see Volume 2).Based on the Urtext of the ???New Schubert Edition???Clear and uncluttered engravingForeword by Walther D?rr on the genesis and history of the work as well as an explanation of the sources for each individual lied (Ger/Eng)Includes English translations of the lieder texts by Richard Wigmore

The definitive collection of 10 classical and traditional favourites for the wedding service. Accompanying CD features complete performances as well as accompaniments only. Includes 'Ave Maria' 'Where E'er You Walk' and 'I Love You Truly'.

Description G. Schirmer Opera Anthology - Arias For Bass Carefully chosen arias to anticipate the needs of singers, teachers and coaches for years to come. Songlist Ah,Un Foco Insolito (Don Pasquale) [Donizetti, Gaetano] Als Bublein Klein (Die Lustigen Weiber Von Windsor) [Nicolai, Otto] Aprite Un Po' Quegl'occhi (Le Nozze Di Figaro) Come Dal Ciel Precipita (Macbeth) [Verdi, Giuseppe] Dalle Stanze Ove Lucia (Lucia Di Lammermoor) [Donizetti, Gaetano] Epouse Quelque Brave Fille (Manon) [Massenet, Jules] Gremin's Aria (Eugene Onegin) [Tchaikovsky, Pyotr Ilyich] Il Lacerato Spirito (Simone Boccanegra) [Verdi, Guiseppe] In Diesen Heil'gen Hallen (Die Zauberflöte) [Mozart, Wolfgang Amadeus] Infelice! E Tuo Credevi (Ernani) [Verdi, Giuseppe] La Calunnia (The Barber Of Seville) [Rossini, Gioacchino] La Vendetta (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Le Veau D'or (Faust) [Gounod, Charles] Let Things Be Like They Always Was (Street Scene) [Weill, Kurt] Madamina! Il Catalogo E Questo (Don Giovanni) [Mozart, Wolfgang Amadeus] Miei Rampolli Femminini (La Cenerentola) [Rossini, Gioacchino] Non Piu Andrai (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] O Isis Und Osiris (The Magic Flute) [Mozart, Wolfgang Amadeus] O Tu, Palermo (I Vespri Siciliani) [Verdi, Giuseppe] O Wie Will Ich Triumphir (Die Entfuhrung Aus Dem Serail) [Mozart, Wolfgang Amadeus] Pour Les Couvents C'est Fini (Les Hugenots) [Meyerbeer, Giacomo] Quand La Flamme De L'amour (La Jolie Fille De Perth) [Bizet, Georges] Schweig' Schweig'! Damit Dich Niemand Warnt (Der Freischutz) [Weber, Carl Maria Von] Se Vuol Ballare (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Vecchia Zimarra (La Boheme) [Puccini, Giacomo] Vi Ravviso (La Sonnambula) [Bellini, Vincenzo] Vous Qui Faites L'endormie (Faust) [Gounod, Charles] What What Is It (The Mother Of Us All) [Thomson, Virgil]

This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition

Schubert's Lieder provide a wealth of German songs which are regularly performed by many vocalists across the world. Volume one of Schubert's Lieder contains Die Schone Mullerin D.795 Die Winterreise D.911 and Schwanengesang D.957. This highly authoritative Urtext edition of Schubert's Lieder has been edited by Dietrich Fischer-Dieskau and revised by Elmar Budde. For Low Voice with Piano accompaniment.

This is a collection of the most famous songs of Faur?. Diction lessons were recorded by coach conductor and diction specialist Pierre Vallet. The diction for each song is recorded twice: first recited as an actor would speak it showing flow of the language and mood followed by a slow deliberate lesson allowing time for the student to repeat each line. This experienced language coach adapts the ???R??? in French in the slow versions as recommended for classical singers. He is also very sensitive to liaisons between word sounds in musical settings.

Op. 55-Dvorák’s song cycle Gypsy Songs Op.55 on words by the Czech poet Adolf Heyduk were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter a member of the Vienna Court Opera and the work’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes one for high voice and another for low voice. Third volume from the new five-volume Urtext edition of Dvorák’s complete songs One of the most popular and best-known song cycles of the romantic repertoire Extensive Foreword (Cz/Eng/Ger) andCritical Commentary (Eng) by the editor Vocal texts in three languages (Cz/Eng/Ger)

Roger Quilter is one of England's finest art song composers and his songs have remained firmly in the vocal repertoire since their appearance early in the 20th century. In these songs he demonstrates an extraordinary skill in setting English poetry and shows what can be achieved in the miniature form. Specially compiled to mark the 50th anniversary of the composer's death this new collection includes well-known favourites alongside works which have been unavailable for many years and three previously unpublished songs. This is the low Voice edition containing arrangements for Low and Mens? voices.

Includes versions for High Medium or Low Voice (D minor C minor and Bb minor). Edited by Roger Nichols.The text for Après un Rêve is by a friend of Fauré Romain Bussine a professor of singing at the Paris Conservatoire. It is loosely based on an anonymous Tuscan poem and both texts were included when the song was published in 1878. The original key was C minor but Fauré authorised a D minor transposition shortly afterwards.

Singing in French-French is a language beset with problems especially for non-native speakers. Where should there be a liaison between one word and the next? What mouth shape is needed to produce a tricky vowel sound? What about nasal vowels - or all those silent consonants? This book contains all the tricks of the trade: the singer need never fear singing in French again.The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself.Each volume is devoted to singing in one particularlanguage. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.

- Im wunderschönen Monat Mai - Aus meinen Tränen - Die Rose, die Lilie, die Taube - Wenn ich in deine Augen seh' - Ich will meine Seele - Im Rhein, im heiligen Strome - Ich grolle nicht - Und wüssten's die Blumen - Das ist ein Flöten und Geigen - Hör ich das Liedchen klingen - Ein Jüngling liebt Mädchen - Am leuchtenden Sommermorgen - Ich hab'im Traum geweinet - Allnächtlich im Traume - Aus alten Märchen - Die alten, bösen Lieder