Haydns Symphony in C major Hob. I: 90, dated 1788 in the autograph, belongs to a group of works that he composed between the Paris symphonies (Hob. I: 82-87) and the London symphonies (Hob. I: 93-104). It thus belongs to the last symphonies he wrote before his journeys to England in 1791-92 and 1794-95. Continuing the collaboration between Barenreiter and the G. Henle publishing company regarding Haydns large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. With Symphony No. 90, Barenreiter has now published the complete performance material for all the symphonies from Nos. 82 to 104 as well as several Sturm und Drang symphonies. / Orchestre

This four-movement work with a slow introduction is Haydn's last symphony for 'small' orchestra, i.e. without trumpets and timpani.However it has long passages for solo violoncello and is also scored for two bassoons.The editor of this edition recommends a performance with low horns (additionally included in the wind set) to prevent the musical character of the 'Andante? from being compromised by the predominantly high registers.Continuing the collaboration between Bärenreiter and the Henle publishing company in the areas of large choral works, operas and symphonies, this edition is appearing, based on the Henle Complete Edition of the 'Works of Joseph Haydn?.The complete performance material for several of Haydn's 'Sturm und Drang? symphonies and all the London and Paris symphonies has already been published.- Based on the Henle Complete Edition of the 'Works of Joseph Haydn?- Orchestral parts in a large format (25.5 × 32.5 cm) / Conducteur

Par HAYDN JOSEPH. Haydn Symphony No.69 in C major (Laudon) (Hob.I:69) (Full Score) Letters of the composer have come down to us only on a few of Haydn’s symphonies, amongst them the “Laudon” Symphony Hob. I:69. In one of these letters, Haydn agrees to the publisher’s suggestion to name the symphony after the widely known and favoured general Gideon Ernst von Laudon (1717-1790). By using this name, both composer and publisher hoped to increase the commercial success of the work which possibly deserved a military eponym considering its instrumentation with timpani and trumpets. Also, the symphony requires two bassoons, but no flutes, corresponding with the available musicians at the court of Esterházy between 1775 and 1776. In continuation of the collaboration between Bärenreiter and G. Henle Verlag, this edition is based on the Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag. - First performing Urtext edition - Urtext of the Complete Edition “Joseph Haydn Works” published by G. Henle Verlag - Orchestral parts in the format 25.5 cm x 32.5 cm / Date parution : 2022-07-20/ Répertoire / Orchestre

Hob I:81. Par HAYDN FRANZ JOSEF. Haydn' s Symphony in G major Hob. I:81 comes from a series of three symphonies completed in late 1784 (nos. 81, 80 and 79, presumably in that order). No autograph score survives for Hob. I:81, thus our Urtext edition is based on copyists' manuscripts and first editions. As with so many of his symphonies, Haydn wrote this one to provide new music for his employer, Prince Nikolaus Esterházy. Continuing the collaboration between Bärenreiter and the G. Henle publishing company regarding Haydn' s large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the Works of Joseph Haydn. Bärenreiter has now published the complete performance material for several Sturm und Drang symphonies and all the London and Paris symphonies (Nos. 81 to 104). - Based on the G. Henle Complete Edition of the Works of Joseph Haydn - Orchestral parts in a large format (25.5 x 32.5 cm)/ Répertoire / Orchestre

Par HAYDN FRANZ JOSEF. Along with Symphonies Nos. 80 and 81, Haydn's Symphony in F major Hob. I:79 belongs to a group of works that he composed in late 1784. He wrote them for his employer Prince Nikolaus Esterházy who wished to be entertained with new music. The symphonies were tailored for the twenty-five to thirty musicians who were in the prince's court orchestra. Continuing the cooperation between Bärenreiter and the G. Henle publishing company regarding Haydn's large-scale choral works, operas and symphonies, this edition is based on the G. Henle Complete Edition of the 'Works of Joseph Haydn”. Bärenreiter has already published the complete performance material for several 'Sturm und Drang” symphonies and all the Paris and London symphonies. / Date parution : 2019-06-20/ Répertoire / Orchestre

Joseph Haydn Symphonie en Ré majeur Hob. I:104 (Symphonie de Londres) Hubert Unverricht (Editeur) Ulrich Wilker (Préface) Edition Urtext, Studien-Edition (partition de poche), reliure paperback Les douze «Symphonies de Londres» constituent le sublime accord final dans l??uvre symphonique de Haydn. Elles furent composées pour l?impresario londonien Johann Peter Salomon, et Haydn lui-même en dirigea les créations alors qu?il demeurait pour un certain temps dans la métropole anglaise dans les années 1791-92 et 1794-95. La Symphonie n° 96 en Ré majeur de 1791 fait partie des premières symphonies conçues à Londres, pour Londres. Elle a été postérieurement surnommée «Le miracle», mais ce surnom lui a été affecté par erreur car si un miracle a bien eu lieu, épargnant les auditeurs lors de la chute d?un lourd candélabre sans que personne de l?assistance ne fût blessé, ce fut à l?occasion d?un concert où était jouée une autre symphonie de Haydn. Elle n?en reste pas moins un miracle d?esprit musical: du raffinement des rapports harmoniques des motifs en accords parfaits par lesquels commence chacun des quatre mouvements, jusqu?aux changements d?atmosphère virtuoses résultant de surprenantes modulations harmoniques, Haydn livre ici une véritable parade démonstrative du développement de ses idées musicales. L?édition d?étude reprend le texte de l?édition complète des ?uvres de Haydn, garantissant ainsi la plus haute qualité scientifique. Une préface informative et un bref commentaire critique font de cette partition en format maniable un accompagnateur idéal pour tous les fans de Haydn, ainsi que tous ceux qui souhaitent le devenir.

Haydn 'Symphonie des adieux' est une des oeuvres les plus jouées du répertoire symphonique. Le titre populaire ne découle pas de l'auteur, mais se réfère au mouvement final, à l'issue de laquelle (Adagio) les musiciens arrêter de jouer l'un après l'autre, ne laissant que deux violons à la fin des travaux. Selon une anecdote, sortie des musiciens était un moyen de faire référence aux exigences du travail d'orchestre à Esterháza à la fin de la saison.La publication de Haydn 'Sturm und Drang' Symphonies - la symphonie des adieux et la Symphonie #48 (la soi-disant 'Maria Theresia' Symphony) - représente une continuation de la coopération entre Bärenreiter et la maison d'édition Henle pour les éditions des grandes oeuvres chorales , des opéras et des oeuvres symphoniques.Les publications sont basées sur le Henle 'édition complète des oeuvres de Joseph Haydn'.Les deux symphonies (BA BA 10971 et 10972) sera publiée avec une partition et les parties d'orchestre en vente dans un grand format. / Orchestre

La Passione . Par JOSEF STOIBER FRANZ. Haydn’s Sturm und Drang symphonies available in Urtext editionsScore and performance material on sale available in an enlarged formatHaydn’s Sturm und Drang symphonies along with the London symphonies belong to his most popular works today. The Sturm und Drang symphonies contain not only masterpieces like the recently published Farewell Symphony (No. 45, BA 10971) and the Maria Theresia Symphony (No. 48, BA 10972), but also gems such as La passione (No. 49). The publication of this symphony presents a continuation of the collaboration between Bärenreiter and the Henle publishing company in the areas of large vocal compositions, operas and symphonic works. La passione is based onthe Henle Complete Edition of the Works of Joseph Haydn and is published with a full score and performing material on sale in a large format./ Répertoire / Orchestre

Par HAYDN JOSEPH. According to his dating of the autograph, Haydn composed the Symphony no. 89 in F major in 1787, just one year after the six so-called Paris symphonies. It was written, together with its sister work, the G-major Symphony no. 88, for the violinist Johann Tost, who sold it to the Parisian publisher Sieber. In both works, Haydn continues the compositional achievements of the Paris symphonies: mastery of orchestration, richness of musical ideas and details, and an idiosyncratic, multicoloured use of the wind section (which still makes do without Clarinets). In contrast to the buoyant G-major symphony, the F-major symphony possesses a ratherpastoral, sweet character, which in parts can nevertheless soar to dramatic heights. This study edition reproduces the musical text of the Haydn Complete Edition, which is a guarantor of the finest scholarship. An informative preface and a brief critical report make this handy score an ideal companion for all Haydn fans, both present and future. / Friesenhagen, Andreas / Répertoire / Orchestre

Hommage à Joseph Haydn. Par SALBERT DIETER. Hommage À Joseph Haydn/ Répertoire / Orchestre

Par JOSEF STOIBER FRANZ. About London Symphony No. 12Urtext of the Haydn Complete Edition. By Franz Joseph Haydn. Edited by Hubert Unverricht. For Flute (2), Oboe (2), Clarinet (b flat) (2), Bassoon (2), Horn (2), Trumpet (2), Kettledrum. Score; Urtext Edition (paperbound). Hob. I:104. Duration 40'. Published by Baerenreiter-Ausgaben (German import). (BA4668 01) ISBN M006498253./ Répertoire / Orchestre

Par BRAHMS JOHANNES. Academic Festival Overture', 'Tragic Overture' and 'Variations On A Theme By Joseph Haydn'. Breitkopf & Hartel editions./ Répertoire / Orchestre