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Orchanics 2: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
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Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 2 contains:-Marching through Mud (Richard Ling); When I was a lad (from HMS Pinafore); Ghost Ride (Richard Ling); Largo (Dvorak); Battle Zone (Richard Ling); Persian March (J Strauss II); Lazy Horse (Richard Ling); Good King Wenceslas.
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Orchanics 3: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orc...
(+)
Eight Varied Pieces For Orchestra-Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 3 contains:-Hallelujah + Ode to joy (Handel/Beethoven); Mairi's Wedding (Roberton); Ragtime Roundup (Richard Ling); Samborina (Richard Ling); Spring from Four Seasons (Vivaldi); Danserie (Susato); Yellow Bird (arr Ling); Silent Night.
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Incantation. Concerto for Piano and Orchestra No. 4 H 358 / Fantasia Concertante. Concerto for Piano and Orchestra No. 5 in B-flat major H 366 (MARTINU BOHUSLAV)
Orchestra
[Sheet music]
Barenreiter
The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnat...
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The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre
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Orchanics 1: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Three new collections of varied pieces for orchestra for players from beginner t...
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Three new collections of varied pieces for orchestra for players from beginner to grade 3 standard.This collection of three books each containing eight varied pieces has been compiled to capture the imagination of young players and to introduce them to a wide range of musical styles.Special effects appropriate to each instrument provide additional learning points and great entertainment both in rehearsal and performance. There are glissandos for strings and trombone flutter tonguing for flute and trumpets (for those able to) and a range of vocal sounds for all!The scoring allows these pieces to be played by variouscombinations of instruments. Ideally your orchestra should have some instruments from each section but if not (for example no brass) then the supplementary piano part (available separately) can be used to fill the gaps. It can also be used to provide extra support in rehearsals.As well as the normal percussion parts some of the pieces make use of a drum kit. For orchestras without a drum kit player a drum kit and bass backing track is available to download free of charge either as MP3 or WAV files.OrchestrationDescant recorder Treble recorder Flute 1 Flute 2 or Oboe Clarinet 1 Clarinet 2 Alto Sax Bassoon Horn in F Horn in Eb Trumpet 1 Trumpet 2 Trombone (Bass clef) Trombone (Treble clef) Timpani Drum Kit Percussion 1 Percuission 2 Percussion 3.Strings (Violin 1 Violin 2 Violin 3 Viola Cello Bass)Orchanics 1 contains:-Playing Tag (Richard Ling); Eastern March (Richard Ling); Autumn from Four Seasons (Vivaldi); Entertainer (Joplin); St.Anthony Chorale (Brahms/Haydn); Jazz Train (Richard Ling); Caribbean Carnival (Richard Ling); Hark the herald angels sing.
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Eric Coates: Dambusters March: Orchestra: Score and Parts
Orchestra
[Sheet music]
Goodmusic Publishing
This popular march was written for the film 'The Dam Busters' about the wartime ...
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This popular march was written for the film 'The Dam Busters' about the wartime exploits of the R.A.F.'s 617 squadron and their attempts to destroy the dams in Germany's industrial heartland using the 'bouncing bomb' a secret weapon invented by Barnes-Wallis. No secret weapons are required to perform this arrangement just a reasonably able orchestra! Saxophone parts are provided as alternatives (or additions) to the horn parts. The 3rd violin doubles the viola (where necessary at the octave) and either may be omitted.Duration: 4 minutes Orchestration2 Flutes 2 Oboes 3 Clarinets in Bb 2 Bassoons 2 Horns in F (or Alto saxes in Eb or Tenorsaxes in Bb) 3 Trumpets in Bb 2 Trombones Tuba Timpani Percussion (Triangle Cymbals Side Drum Bass drum) Strings (Violin 1 Violin 2 Viola or Violin 3 Cello Bass)
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Titanic: Orchestra: Score and Parts
Orchestra
[Score and Parts]
Hal Leonard
Music by James Horner from the motion picture Titanic arranged by John Moss for ...
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Music by James Horner from the motion picture Titanic arranged by John Moss for full orchestra. Conductor Flute 1 Flute 2 Oboe 1 Oboe2 Bb Clarinet 1 Bb Clarinet 2 Bb Bass Clarinet Bassoon Bb Trumpet 1 Bb Trumpet 2 Bb Trumpet 3 F Horn 1 F Horn 2 F Horn 3 F Horn 4 Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Percussion 1 Percussion 2 Piano Violin 1 (8) Violin 2 (8) Viola (8) Cello (4) String Bass (4)
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John Williams: Harry Potter Symphonic Suite: Orchestra: Instrumental Work
Orchestra
[Score and Parts]
Alfred Publishing
The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. ...
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The Harry Potter Symphonic Suite arranged for full orchestra by Jerry Brubaker. This medley based on the endearing themes from the box office smash hit Harry Potter and the Sorcerer's Stone weaves the vivid imagery of the film with varied textures to produce a work that will be loved by all. Wonderful symphonic literature certain to be a hit on any concert program. Duration 7:20. Score and all parts. 1 Conductor 1 1st C Flute/C Piccolo (Alto Flute Opt. Recorder) 1 2nd C Flute (Opt. Recorder) 2 Oboe (English Horn) 1 1st Bb Clarinet 1 2nd Bb Clarinet 1 Bb Bass Clarinet 2 Bassoons 1 1st Horn In F 1 2ndHorn In F 1 3rd Horn In F 1 4th Horn In F 1 1st Bb Trumpet 1 2nd Bb Trumpet 1 3rd Bb Trumpet 1 1st Trombone 1 2nd Trombone 1 3rd Trombone 1 Tuba 4 Percussion 1 (Orchestra Bells Xylophone Antique Bells Marimba Glockenspiel) 1 Percussion 2 (Hand Drums Antique Bells Timpani) 4 Percussion 3 (Vibraphone Chimes Small Tuned Drums Tambourine Snare Drum Suspended Cymbal) 4 Percussion 4 (Suspended Cymbal Small Tambourine Small Triangle Tam-Tam Bass Drum Crash Cymbals) 1 Celeste 1 Harp 8 1st Violin 8 2nd Violin 5 Viola 5 Cello 5 String Bass
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Silvestre Revueltas: Sensemay? (1938): Orchestra: Score
Orchestra
Schirmer
Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for cham...
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Score-Silvestre Revueltas' ‘Sensemaya’ was written in 1937 for chamber orchestra; one year later the composer transcribed it for a huge orchestra of twenty-seven wind instruments fourteen percussion instruments and strings. The rhythms are laid out precisely and have considerable visceral impact very much in a manner that recalls Igor Stravinsky's The Rite of Spring. However Revueltas' masterful orchestration and ability to evoke the ancient Maya civilization with decidedly modern music are uniquely his own. It is a unique orchestral spectacle something only Revueltas could have written and in its way it is one of the most brutal works of its time. The workbegins with a low note in the bassoon as the percussion plays the sinuous syncopated rhythm that drives the work. Soon a solo horn enters playing the first of this work's two major themes a muscular ominous motif. Other horns join the first one to play the theme growing louder and more emphatic but rigorously yoked to the underlying rhythm. Eventually the horns blast as loudly as they can with obsessive trills on the bassoon far underneath and the violins enter with the slashing second theme. The horns take up this new theme and bring it to a climax after which the music returns to its opening texture. This recapitulation brings with it a mood of foreboding. The rhythm becomes even more obsessive and finally the music reaches a massive climax during which both themes are played overlapping sometimes in part and sometimes in whole by woodwinds brass and violins in what sounds like a musical riot. The coda feels like the final dropping of a knife.
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Peter Maxwell Davies: Horn Concerto: French Horn: Score
Orchestra
[Study Score / Miniature]
Chester
This work was commissioned by the Royal Philharmonic Orchestra. It was first per...
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This work was commissioned by the Royal Philharmonic Orchestra. It was first performed on 2nd May 2000 at the Barbican Centre London conducted by Peter Maxwell Davies. Duration c.23 minutes. Peter Maxwell Davies: The hornwriting is extremely virtuoso throughout not least in exploring the full range of the horn from the deepest notes in the bass normally exclusive to an orchestral fourth horn player to the highest most exposed sostenuto of afirst horn soloist presenting here challenges of embouchure and sheer stamina I should think fairly unprecedented.Solo part and piano reduction on sale (CH61758) Conductor's score and orchestral parts available for hire.
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Poul Ruders: Final Nightshade - An Adagio Of The Night: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fish...
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Premiered by The New York Philharmonic conducted by Lorin Maazel at Avery Fisher Hall Lincoln Center New York City 10th June 2004. Orchestration 3 Flutes 3rd dbl. Piccolo2 Oboes1 English Horn in F3 Clarinets in Bb 3rd dbl. Bas Clarinet in Bb2 Bassoons1 Contra Bassoon4 Horns in F3 Trumpets in Bb3 Trombones1 Tuba1 (set of) Timpani2 Percussion (two players)1: Bass Drum (large) Chinese Cymbal Mark Tree2: TamTam (large) Vibraphone Antique Cymbal1 Harp1 Piano dbl. CelestaStringsAll non-octave transposing instruments are notated in their relevanttranspositions.Horns notated in bass clef sound a fourth above the notated pitch.All accidentals apply to each single note only except tied notes. Naturals for 'safety'. Programme Note This piece marks the conclusion of what could now be called 'The Nightshade Trilogy' three pieces which explore the contrasting worlds of Light and Darkness. As opposed to the earlier chamber work Nightshade which dealt with extremes of high and low pitches and the chamber orchestra composition Second Nightshade a two-fold piece contrasting darkness/anxiety and light/calm Final Nightshade for full symphony orchestra takes us on a journey in which the forces of dark and light struggle - and co-exist - in a predominantly polyphonic web with brooding undertones. The melodic point-of-departure is not surprisingly to be found in either of the two preceding pieces of the Trilogy but in an older piece Corpus Cum Figuris from 1985. Over the ensuing years I've dreamt on and off of 'doing something' with the opening measures of this older work perhaps even building a new composition on that very simple inward-looking time was ripe and there's a nice nostalgia angle to the idea: Corpus Cum Figuris was the first piece of mine to be
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Edward Elgar: Pomp And Circumstance March No.1 - Score/Parts: Orchestra: Score
Orchestra
[Sheet music]
Goodmusic Publishing
Of Elgar's five Pomp and Circumstance Marches the first in D is the best known ...
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Of Elgar's five Pomp and Circumstance Marches the first in D is the best known as it includes Land of Hope and Glory. The origin of the title of these marches is a speech in Shakespeare's 'Othello':O now for ever/ Farewell the tranquil mind! farewell content!/ Farewell the plumed troops and the big wars/ That makes ambition virtue!/ O farewell!/ Farewell the neighing steed and the shrill trump / The spirit-stirring drum th' ear-piercing fife / The royal banner and all quality / Pride pomp and circumstance of glorious war!This arrangement has been made to make it more accessible to the average orchestra; the instruments marked with an asterisk in the orchestrationlist above may be omitted if necessary.Duration: 6 minutes OrchestrationPiccolo 2 Flutes 2 Oboes 2 Clarinets in A or Bb Bass clarinet* 2 Bassoons 2 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Snare drum Triangle Bass drum Cymbals) Strings (Violin 1 Violin 2 Viola Cello Bass) (* = instruments optional)
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Haendel Georg Friedrich - Water Music Hwv 348-350 - Orchestra
Orchestra
[Study Score / Miniature + CD]
Eulenburg
Instrument : orchestra Type : study score + CD Series : Eulenburg Audio+Score No...
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Instrument : orchestra Type : study score + CD Series : Eulenburg Audio+Score Nombre de Pages : 88 Wer liest, hört mehr. Wer eine Komposition wirklich begreifen will, greift zur Studienpartitur. Die Feinheiten einer Komposition erschließen sich erst über den Notentext. Die Reihe Eulenburg Audio+Score zeichnet sich durch lesefreundliches Format und ausgezeichnetes Druckbild, hochwertiges Papier und ein zweisprachiges Vorwort in Deutsch und Englisch aus. Wir liefern Ihnen nicht nur eine Partitur, sondern gleichzeitig die Musik dazu. Alle Bände enthalten eine CD von Naxos mit hervorragenden Einspielungen der Werke. Content : Preface - Vorwort - Horn Suite in F: 1. Ouverture. Largo-Allegro - 2. Adagio e staccato - 3. Allegro-Andante - 4. Presto - 5. Air - 6. Minuet for the French Horn - 7. Bourée. Presto - 8. Hornpipe - 9. ... - 10F. ... - 11F. Alla Hornpipe - . - Trumpet Suite in D: 10D. Allegro - 11D. ... - 12. Trumpet Minuet - 13. Lentement - 14. ... - . - Flute Suite in G - 15. ... - 16. Presto - 17. Menuet - 18. ... - 19. Country Dance
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Stephen Hartke: A Brandenburg Autumn: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
Chamber orchestra 16'. Instrumentation: 3 Oboes (all double English Horn) Bass...
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Chamber orchestra 16'. Instrumentation: 3 Oboes (all double English Horn) Bassoon 2 Horns Harpsichord Strings.
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Gustav Mahler: The Ruckert Lieder And Other Orchestral Songs: Orchestra: Score
Orchestra
Dover Publications
This volume comprises some of Gustav Mahler?s most significant and intimate work...
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This volume comprises some of Gustav Mahler?s most significant and intimate work featuring authoritative editions of his orchestral settings of five poems by Friedrich Rückert and two songs to texts from Des Knaben Wunderhorn (The Boy?s Miraculous Horn). Contents include songs to Rückert?s ?Blicke mir nicht in die Lieder? (Look not love on my work unended!); ?Ich atmet? einen linden Duft? (I breathed the breath of blossoms red); ?Ich bin der Welt abhanden gekommen? (O garish world long since thou hast lost me); ?Liebst du um Schönheit? (Lovst thou but beauty); and ?Um Mitternacht? (At midnighthour). From the Wunderhorn texts a rich source of poetic materials that occupied Mahler for fourteen years- come ?Der Tamboursg?sell? (The drummer-boy) and ?Revelge? (The dead drummer). English versions of all seven songs by John Bernhoff are included in the front matter of this publication. Original Dover (2002) compilation of seven songs published separately in authoritative early editions.
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Jacques Ibert: Concertino Da Camera: Orchestra: Study Score
Orchestra
[Score]
Leduc, Alphonse
Concertino Da Camera written in 1935 by Jacques Ibert (1890-1962) is a small co...
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Concertino Da Camera written in 1935 by Jacques Ibert (1890-1962) is a small concerto for Alto Saxophone and eleven instruments: Flute Bassoon Oboe Horn Trumpet and Strings. This concertino in two movements Allegro con moto and Larghetto – Animato Molto is dedicated to the saxophonist Sigurd Rascher and stands out for its large use of the Alto Saxophone. It can be technically challenging and has a strong lyrical part. This volume is the pocket version of the score. Its author Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonicsuites operas and seven orchestras including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera. This concerto has some similarities with is Flute Concerto (1934) also published by Alphonse Leduc.
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Joseph M. Martin: Appalachian Winter: Orchestra: Parts
Orchestra
Shawnee Press
From the composer of Festival of Carols and The Winter Rose comes a cantata that...
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From the composer of Festival of Carols and The Winter Rose comes a cantata that celebrates the legacy of early American carols and hymnody. Composed in the spirit of folk music the cantata combines traditionalsounds with more rustic elements creating a blend that is fresh and pleasing. Popular American carols like Away In a Manger and O Little Town of Bethlehem dance with traditional spirituals such as Children GoWhere I Send Thee and Go Tell It on the Mountain. Sacred Harp tunes are re-tooled for Advent and stand alongside new versions of Shaker hymns and Appalachian melodies. Thoughtful narration weaves the movements togetherin a meaningful tapestry of song and Scripture. Two orchestral options are available allowing maximum flexibility in performance. A full line of support products is also available. Available separately: SATB CD-ROM FullOrchestration (Score
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Gustav Mahler: Scherzo From Symphony No.1: Orchestra: Score and Parts
Orchestra
[Sheet music]
Goodmusic Publishing
Gustav Mahler's symphonies tend to be scored for a large orchestra putting this ...
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Gustav Mahler's symphonies tend to be scored for a large orchestra putting this wonderful music out of reach of many smaller orchestras. This arrangement whilst not simplifying the music attempts to remedy this by reducing the orchestral requirements. The original orchestration requires 3 flutes 3 oboes 3 clarinets 3 bassoons 7 horns 4 trumpets 3 trombones tuba timpani percussion and strings. Although in many of Mahler's symphonies each movement seems to be an integral part of the larger work we feel that this movement can stand alone quite happily and offers a good entry to the symphonic world of Gustav Mahler.
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William Walton: Crown Imperial - Score/Parts: Orchestra: Score and Parts
Orchestra
[Sheet music]
Goodmusic Publishing
This arrangement has been made from the original orchestration for full orchestr...
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This arrangement has been made from the original orchestration for full orchestra and incorporates the cuts authorized by the composer in 1963. The piano duet part is optional unless no wind is available. The brass parts are fully cued in both string and woodwind parts. The minimum wind required is 1 flute 1 oboe and 2 clarinets. This has recently been re-typeset by Goodmusic so is clearer than the original OUP printing but no musical changes have been made and the new edition is fully compaible with the old one.Duration: 7 minutes Orchestration2 Flutes 2 Oboes 2 Clarinets in Bb Bassoon 2 Horns in F 2 Trumpets in Bb 3 Trombones Timpani Percussion (3 players - Cymbals Triangle Bass drum Tenor drum Glockenspiel Tubular bell in C Side drum Large gong) Strings (Violin 1 Violin 2 Viola Cello Bass) Piano duet (optional) (Part included in Pack)
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Walter Piston: Three New England Sketches: Orchestra: Study Score
Orchestra
[Sheet music]
Associated
Score-Walter Piston's Three New England Sketches for Symphony Orchestra.Commissi...
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Score-Walter Piston's Three New England Sketches for Symphony Orchestra.Commissioned by the Worcester County Musical Association. First performed on October 23 1959 by Detroit Symphony Orchestra atthe Worcester (Mass.) Music Festival Paul Paray Conducting.Instrumentation:Piccolo2 Flutes2 OboesEnglish Horn2 Clarinets In BbBass Clarinet2 BassoonsContrabassoon4 Horns In F3Trumpets In C (Parts in Bb)3 TrombonesTubaTimpaniPercussion (Snare Drum Bass Drum Cymbals Susp. Cymbal Triangle Tam-tam Glockenspiel Tambourine Wood Block)2 HarpsStrings
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William Schuman: Prayer in Time of War: Orchestra: Study Score
Orchestra
[Sheet music]
Schirmer
Score-William Schuman's Prayer In Time Of War for Orchestra. Study score.This wo...
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Score-William Schuman's Prayer In Time Of War for Orchestra. Study score.This work was first performed under the title 'Prayer-1943' by the Pittsburg Symphony Orchestra under the direction of Fritz Reiner on February 26 1943.Duration: approx 15 minutes.Instrumentation:3 Flutes (3rd Flute interchangeable with Piccolo)2 OboesEnglish Horn2 Clarinets in B-flat2 Bassoons4 Horns in F3 Trumpets in C3 TrombonesTubaTimpaniPercussion (Bass Drum Cymbals Gong Snare Drum)Violin IViolin IIViolaVioloncelloBass
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Josef Suk: Symphony Asrael Op. 27: Orchestra: Score
Orchestra
[Sheet music]
Barenreiter
Roughly eight months after the death of Anton n Dvorák (1 May 1904) his son-in...
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Roughly eight months after the death of Anton n Dvorák (1 May 1904) his son-in-law Josef Suk began to compose a funeral symphony. While he was working on it fate struck a second time with the death of his beloved wife Otilie. He dedicated the five-movement symphony to Dvorák and his daughter Otilie and named it after the Angel of Death ?Asrael?.The principal source for our edition is the first edition of the score (1907) supplemented by the corrections Suk entered at the suggestion of conductor Václav Talich (1921). The most significant change was the expansion of the orchestra to include ad libitum parts for the fifth and sixth horns.Firstscholarly-critical editionIncludes Suk?s later corrections including ad libitum parts for the fifth and sixth hornsDetailed Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editorPerformance material (BA9532-72) available for hire
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I Was Glad (Orch Lawson) Pack: Orchestra: Score and Parts
Orchestra
Goodmusic Publishing
Parry wrote 'I was glad' for chorus with an organ accompaniment. There have been...
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Parry wrote 'I was glad' for chorus with an organ accompaniment. There have been various orchestral arrangements but here Peter Lawson has endeavoured to produce an orchestration in the style that Parry himself might have employed. The Organ part is optional and serves to add depth at appropriate moments. Whilst a chorus part is published in this edition this orchestration is compatible with the original choral copy as published by Novello.Duration: 7 minutes Orchestration2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 4 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Percussion (Cymbals) Strings (Violin 1 Violin 2 Viola Cello Bass) Organ (optional)
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Kaija Saariaho: Lumière et Pesanteur: Orchestra: Score
Orchestra
[Sheet music]
Chester
Orchestral Score. Instrumentation. 3 Flutes (3=Piccolo) 2 Oboes 2 Cla...
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Orchestral Score. Instrumentation. 3 Flutes (3=Piccolo) 2 Oboes 2 Clarinets in B - 2 Bassoons(2=Contrabassoon) 4 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani (1 set) Percussion (3 players) TamtamCrotales Vibraphone Glass Chimes Bass Drum Tamtam Bass Drum Marimba 3 Gongs (G+ A B) Harp Celesta Strings The score is transposed.Crotales sound two octaves higher than writtenDuration: c. 6 minutesOrchestral parts areavailable on hire from the publisher
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Edward Elgar: Nimrod: Orchestra: Score and Parts
Orchestra
[Sheet music]
Goodmusic Publishing
What can you say about this piece? It is probably Elgar's best known work. Not a...
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What can you say about this piece? It is probably Elgar's best known work. Not a simplified arrangement just 2 Trumpet parts transposed into Bb (originally 3 in F) and the contra bassoon omitted.Duration: 2½ minutesOrchestration2 Flutes 2 Oboes 2 Clarinets in Bb 2 Bassoons 4 Horns in F 2 Trumpets in Bb 3 Trombones Tuba Timpani Strings (Violin 1 Violin 2 Viola Cello Bass)
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Walter Piston: Variations on a Theme by Edward Burlingame Hill: Orchestra: Score
Orchestra
[Sheet music]
Associated
Score-Walter Piston's Variations On A Theme By Edward Burlingame Hill (1963). Fu...
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Score-Walter Piston's Variations On A Theme By Edward Burlingame Hill (1963). Full score.Instrumentation:2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet2Bassoons4 Horns In F2 Trumpets In C3 TrombonesTubaPercussion (Triangle Tambourine Bass Drum)Harp
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Leonard Bernstein: West Side Story - Selections For Orchestra: Orchestra: Score
Orchestra
Boosey and Hawkes
Jack Mason's showcase features six songs skillfully scored for school orchestra....
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Jack Mason's showcase features six songs skillfully scored for school orchestra. This set from Bernstein's timeless West Side Story contains score and seperate parts for Flute I Flute II Piccolo Oboe I Oboe II English Horn Clarinet in B I Clarinet in B II Bassoon I Bassoon II Alto-Sax I Alto-Sax II Tenor-Sax. Baritone-Sax F-Horn I-IV Trompete I-III Posaune I-III Tuba 3 Timpani-Percussion Harp 8 Violin I 8 Violin II 4 Viola 4 Cello and 4 Double Bass.
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James MacMillan: Sinfonietta: Orchestra: Study Score
Orchestra
[Sheet music]
Boosey and Hawkes
Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commissio...
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Hawkes Pocket Scores HPS 1512-Composed in 1991 this London Sinfonietta commission was first performed by them in May 1992 at the Queen Elizabeth Hall London. Scored for Orchestra or chamber Orchestra the instrumentation comprises alto Flute/Piccolo cor anglais E flat Clarinet/bass Clarinet soprano Saxophone Contrabassoon Horn Piccolo Trumpet Trombone Tuba Percussion Harp Piano and Strings. Recorded on BIS CD 1119 by the Scottish Chamber Orchestra conducted by the composer.
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Ottorino Respighi: The Pines of Rome (Finale): Orchestra: Score & Parts
Orchestra
[Score and Parts]
Hal Leonard
Full Orchestra-Long considered to be one of the most dramatic symphonic movement...
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Full Orchestra-Long considered to be one of the most dramatic symphonic movements of all time Respighi's finale is arranged to make it accessible and effective for intermediate-level groups. The tension-building final section of this monumentalwork has been carefully scored by Stephen Bulla to give your orchestra the opportunity to perform the triumphant ?ending of all endings.? (English Horn cross-cued)
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Carson Cooman: Concerto Grosso: Orchestra: Score
Orchestra
Lauren Keiser Music Publishing
for Solo Group (fl clar hrn vl and vc) and Orchestra-For solo group (flute c...
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for Solo Group (fl clar hrn vl and vc) and Orchestra-For solo group (flute clarinet horn violin and cello) and orchestra.
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Poul Ruders: Listening Earth - A Symphonic Drama for Orchestra: Orchestra: Score
Orchestra
[Sheet music]
Wilhelm Hansen
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchest...
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Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra conducted by David Robertson 29th November 2002.3 Flutes 1st and 2nd also Alto Flutes in G 3rd also Piccolo3 Oboes 3rd also Cor Anglais in F3 Clarinets in Bb 3rd also Bass Clarinet in Bb3 Bassoons 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion four playersPlayer 1 - Vibraphone Glockenspiel Water Chime Bell Tree Japanese Wood Blocks Cymbal (Suspended) TamTam (Medium)Player 2 - Triangle Tubular Bells Crotales Marimba Chinese CymbalPlayer 3 - TamTam (Large) Java Gong(Large very low) Bell Lyra (Handheld) Sizzle CymbalPlayer 4 - Bass Drum Glockenspiel Xylophone1 Harp1 Piano also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama a one- movement composition in four parts based on the work by two writers Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English a classical scholar essayist poet and politician but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems nature paintings I was immediately convinced when I carne across the Addison hymn that here was exactly what I wanted to use as my major source of inspiration for this piece commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety but have chosen the following 3 excerpts all acting as mottos for the first three sections of the piece thus turning the piece into a straightforward tonepoem in the classical
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