Specifically designed for singers this book offers 8 songs from the show in their original keys. The sheet music includes the vocal line and lyrics along with a Piano accompaniment that's a reduction of the original orchestral score. Singers can have a live pianist accompany them using the music in the book or use the CD which features a full performance of each Piano accompaniment. Songs: In His Eyes • It's a Dangerous Game • A New Life • No One Knows Who I Am • Once upon a Dream • Someone like You • Take Me as I Am • This Is the Moment.

It's Never Too Late To Sing Christmas brings together 12 festive favourites in an array of styles all specially selected and arranged for adult beginners. Building on the techniques introduced in It’s Never Too Late To Sing tutor this unique collection provides everything you need to take the next step of your singing journey. 12 carefully selected songs to help you develop your technique across a range of styles. Wide range of styles from traditional carols to Christmas No. 1’s. Helpful background notes and practice tips for each song. CD containing piano accompaniments for everysong.

Passionnant répertoire contemporain nivelé spécifiquement pour des performances GCSE!Accompagné par des commentaires d'experts pour aider vos élèves à se préparer, cette série permettra aux artistes GCSE à réaliser leur potentiel avec le matériel qu'ils veulent vraiment jouer:Couvrant une gamme d'instruments populaires, la série a été compilé par des enseignants instrumentale et pour les instruments rock par les examinateurs de pas de l'Europe. 1 planche d'examen rock, Rockschool, et tous ont été approuvés par notre éditeur de la série, une personne âgée GCSE examinateur.Convient pour tous les conseils d'examen, chaque livre contient dix chansons et couvre une gamme de difficulté approprié pour le niveau du GCSE.Chaque livre est accompagné d'un CD de morceaux d'accompagnement professionnels, et les chansons ont été soigneusement choisis pour fournir aux étudiants la meilleure occasion de montrer leur instrument et de compétences, avec un large éventail d'artistes et de styles allant des charts actuels comme Take That , Coldplay, Cee-Lo Green et Adele aux grands classiques comme les Beatles, Bon Jovi, Oasis et Led Zeppelin. / Voix Et Piano

Repertoire For Young Singers and Pianists. Par ESKELINEN MARJUKKA. Children's Lied 2 is a collection of repertoire for young singers and pianists with songs from a wide range of countries and cultures. There are songs in eight languages, all of them with sung English translations. Text interpretation and storytelling, social and musical interaction skills together with instrument and performance skills are activated when children themselves take the active role in devising interpretations. A thorough pedagogical introduction and a large collection of downloadable versions of the songs in various keys make this collection a valuable tool for all educators willing to open the door to the world of Lied for kids and teens./ Recueil / Chant et Piano

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano

Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.But before that great work in his use of Englsh folksongs Gnostic texts and these Vedic hymns one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. Some see composition of the Vedic Hymns as a turning point in Holst’scompositional life. The quality is not completely consistent and Holst remained true to his Western musical inheritance for the most part in setting them but as art songs they are deeply felt and moving to hear.The nine songsare scored for mezzo-Soprano or baritone Voice. The texts are taken from the Rigveda one of the four sacred texts of Hinduism and the oldest religious text in the world.The first set of three comprises Ushas Varuna and Maruts or Dawn Sky and Stormclouds respectively. The second includes Indra (God of Storm and Battle) Varuna II (the Waters) and Song of the Frogs. The third group moves into the human sphere with Vac (Speech) Creation and Faith.

Hvil (Eng.: rest) is an imperative and a plea: the earth’s plea to humankind. This plea consists of words and music which have taken shape at the same time in a close collaboration between composer and the author Aasne Linnestå. 'Hvil' was commissioned by the Nordland Musikkfestuke festival Bodø in 2008 and received its premier performance there by Marianne Beate Kielland and Nils Anders Mortensen. The piece is released on the album 'Come Away Death' by Kielland and Sergej Osadchuk (piano) on the Norwegian label 2L in 2010.Hvil (Eng.: rest) is an imperative and a plea: the earth’s plea to humankind. This plea consists of words and music which have taken shape at the same time in a close collaboration between composer and the author Aasne Linnestå. 'Hvil' was commissioned by the Nordland Musikkfestuke festival Bodø in 2008 and received its premier performance there by Marianne Beate Kielland and Nils Anders Mortensen. The piece is released on the album 'Come Away Death' by Kielland and Sergej Osadchuk (piano) on the Norwegian label 2L in 2010.

Francais/Anglais-Don Quichotte is a comedy in five acts by Henri Cain after “Le Lorrain” with a music by J. Massenet. This special edition features pictures of the Monte Carlo theatre in 1910 texts in French and music for Piano and Voice with French lyrics. The comedy lasts approximately 1 hour 10 minutes in total. The five acts depict the heroic story of Don Quixote de la Mancha: Act 1: A public square (Une place publique) Act 2: The windmills (Les moulins) Act 3: In the Sierra (Dans la Sierra) Act 4: The patio of the beautiful lady (Le patio de la belle Dulcinée) Act 5: DonQuixote’s Death (La mort de Don Quichotte) This comedy was well-acclaimed when first played in Monte Carlo. It was then taken to Paris to be played at the Theatre of the Gaîeté Lyrique. J. Massenet wrote thirty famous operas which include 'Werther' and 'Thais' also edited as special collection by Alphonse Leduc.

Young Men's Edition Book with Recorded Accompaniments Online-10 songs from 9 musicals since the turn of the century many of which have limited availability in a collection. Includes: All That's Known from Spring Awakening ? Everything to Win from Anastasia ? For Forever from Dear Evan Hansen ? I Believe from The Book of Mormon ? One Step Closer from The Little Mermaid ? Proud of Your Boy from Aladdin ? Santa Fe from Newsies the Musical ? Take a Chance on Me from Little Women ? Waving Through a Window from Dear EvanHansen ? What Do I Need with Love from Thoroughly Modern Millie.

Vocal Score-Bizet died on 3rd June 1875 exactly three months after the first performance of his Carmen which had met with a cool reception. This caused the already undermined composer to fall into a depression which most probably led him to take his own life. The following October Carmen was a triumph in Vienna and ever since this opera has been considered an all-time classic. Inspired by the tale of the same name by Prosper Mérimée (1845) the opera tells the story of the gypsy girl Carmen: a free passionate spirit she generously gives herself in love yet fights off all attempts to tie her down. Bizet invented music to suit her character: impetuous and passionate. Andhe turns Spain (a country he never actually visited) into a land of violent passion. Speaking of this opera the philosopher Nietzsche said 'When we listen to Carmen we too become a masterpiece'.

Testo Cantato In Italiano-Inglese-The Vocal Score for Giacomo Puccini's wonderful opera Manon Lescaut. With this work Puccini confirmed his reputation and novel conception of melodrama. Puccini was set to be the successor in fame and renown to Verdi and with Manon Lescaut he rocketed to equal levels of success. To produce this level of attention the opera was staged in Turin rather than Milan and was staged just before Verdi's own opera ensuring all attention fell on Manon Lescaut instead. The theme and the melody take precedence over the lyrics inthis tragic drama of love between two humans.