Score and Parts.Commissioned by the Chamber Music Society of Lincoln Centre. First performance 19 May 1998 Merkin Concert Hall New York City.Quoting Weir: 'In my previous work I have often enjoyed inventing titles whichattempt to encapsulate the particular world of each composition but this fifteen minutes piece for violin cello and piano is simply entitled Piano Trio . What is the reason for this unusually abstract description? I thinkperhaps that in this piece the many external impressions which habitually make up my musical world have become too numerous and too personal to be pinned down in the space of few words that a composition title allows.The firstmovement began in my mind with impressions of Venice as relayed in Schubert's song Gondelfahrer; the crisp midnight air the dark choppy water the bells tolling the gondolier alone in emotional turmoil. Schubert's world is aplace where I can find constant inspiration and strength.The second movement recalls a time when I was called from a phone box in Africa. At one moment I was alone in my room the next (or so it seemed in my imagination)surrounded by light heat and sudden energy and activity. The movement is not however an evocation of African music; it takes the form of a scherzo and trio which collide with each other at the movement's conclusion.Thethird movement formed in my mind whilst I was reading some Gaelic poetry from the Hebridean island of Lewis on Scotland 's far flung Atlantic fringe. I was thinking of the bleached white beaches in that part of the world whereevery object lying on the sand - a washed-up bottle or a bird's skeleton - is a major event in a deserted landscape. The same might be said of this short set of musical variations where melodic fragments are laid out with plentyof space around them clear and plain for everyone to hear.

Fragments K. 442-Mozart often began work on a composition only to put it aside unfinished. Some of these fragments contain wonderful music as is proved by these three Piano trio fragments. Mozart composed them at different times as individual movements though the posthumous first edition brought them together as a supposedly new and unknown Piano trio by the composer and on this basis they were given the number ?442? in Köchel?s catalogue. The first edition used completions by Mozart?s friend Abbé Maximilian Stadler that were stylistically correct but possessed little originality. This Henle Urtext edition offers both these versions andnewly-composed highly rewarding completions by Robert D. Levin.

Par WENNAKOSKI LOTTA. Lotta Wennäkoski tells about her 10 minute long work Päärme (Hem) for piano trio: 'We often speak in music of crafting in a figurative sense, and craftsmanship is, for the composer particularly, a traditional professional virtue. I personally have from time to time nevertheless been interested in the concrete images aroused by handicrafts, the way fabrics feel, and sewing. The pi-ano trio Päärme/Hem has a pulsative character, especially in the outer sections, and the idea of steady but erratically colourful stitching prompted the amusing and highly unusual word I chose for the title of the piece. The hemming in this trio is cheerfully brisk, though the result is not al-ways even intended to be over-neat or regular. For noise sounds are also an intrinsic feature of a hand-made texture. As is often the case with me, my source of inspiration in composing was the fact that the Sibelius Piano Trio would be giving the first performance. The slow, melodic material of the static middle section is to a great extent indebted to the knowledge of just how succulently such delicate, inten-sive lines can sound in the hands of ace players.' This product includes the score (=piano part) and parts for violin and violoncello, all in B4 size. / Date parution : 2022-05-31/ Répertoire / Trio avec Piano

9 facili melodie da 3 a 6 note di autori classici (pianoforte - violino -violoncello). Par . The volumes of the ?Play Happy? series contain pieces from the classical repertoire arranged for beginners at their first steps in playing an instrument. This volume is designed to promote the practice of ensemble music, with 9 melodies from 3 to 6 notes. The edition includes: - complete score for the teacher - piano violin cello parts for the students / Date parution : 2022-04-26/ Recueil / Piano, Violon et Violoncelle

Schumann s?intéressa relativement tardivement à la musique de chambre.

En 1842 virent alors simultanément le jour six pièces de même importance, parmi lesquelles également son premier Trio avec piano, qu?il fit publier en 1850 seulement sous le titre Vier Phantasiestücke, lui attribuant le numéro d?opus 88.

Entre-temps, il avait déjà composé le Trio en ré mineur op. 63 (1847) et celui en Fa majeur op. 80 (1847/1849). En 1851, alors qu?il vivait à Düsseldorf, il composa encore le Trio en sol mineur op. 110.

Les quatre trios de Schumann figurent, avec les trios de Mendelssohn et de Brahms, parmi les oeuvres les plus importantes du genre au XIXe siècle.? / [Oeuvres pour trio avec Piano] / Classique / Partition / Cartonné / Plats de carton /

Piano Trios-Les deux trios avec piano de Schubert peuvent indubitablement être comptés au nombre de ses ?uvres les meilleures. Composés tous les deux en 1827 c?est-à-dire un an avant sa mort ce sont des ?uvres caractéristiques de sa maturité riches d?une grande invention mélodique alliée à une forte puissance créatrice formelle et une profonde expressivité. Si le trio en Mi bé-mol majeur op. 100 D 929 fut vendu à l?éditeur de Leipzig Probst (il ne parut cependant que juste après la mort de Schubert) le trio en Si bémol majeur op. 99 D 898 ne fut pas imprimé du vivant du compositeur. L?adagio en Mi bémol majeur op. post. 148 D 897 reproduit en annexe et connu plus tard sous letitre de Notturno fut conçu à l?origine comme mouvement lent du trio en Si bémol majeur. Schubert pourrait l?avoir considéré comme impropre à la publication du fait de son caractère sombre et expressif jusqu?au désespoir. Il ne parut d?ailleurs qu?en 1846. En annexe de ce recueil figure également le premier essai dans le genre du trio composé par Schubert à l?été 1812 alors qu?il était âgé de 15 ans.