2nd Movement-Transcription of the slow movement of Rachmaninov's First Piano Concerto op 1. Programme note by Murray McLachlan: Rachmaninov's first concerto in F sharp minor op 1 was composed in 1891 and dedicated to Alexander Siloti. The work was substantially revised in 1917 with textures made much lighter. The revised version is also more concentrated and disciplined with the material eliminating some of the earlier episodic sections entirely from the score. The second movement is an exquisite 74 bar miniature a nostalgic nocturne that is contrapuntally rich. In this soloversion the use of all three pedals and the middle pedal in particular make it possible to project the multifaceted textures the 'colour counter-point' that along with Rachmaninov's chromaticism enhances his considerable melodic gifts. Was Rachmaninov the 'Russian Bach?' Certainly his genius for 'inner voices' 'inner melodies' and counter-melodies make his music an inexhaustible treasure house of possibility for the creatively charged solo pianist. In Rachmaninov's piano writing there is simply no such thing as 'padding' or anonymous accompaniments- every line can be vocally or orchestrally charged making the music glow with richness and inspiration. This transcription was given its world premiere on April 1- Rachmaninov's birthday- in 2017 in New York as part of a recital for the Lezetizky society. Further performances were given on what was an intense US Easter tour in Washington Texas Boston and Vermont. I've also performed the transcription in Canada and the UK.

Detailed trilingual preface (Fr/Eng/Ger) and Critical Commentary (Eng).Optimum page turns.Includes a glossary (Fr/Ger/Eng).Ravel?s Valses Nobles Et Sentimentales created a stir when they were anonymously premiered in Paris?s Société nationale indépendante in 1911: many listeners thought they were by Satie or even Kodály!For our new Urtext edition of this work the famed musicologist Nicolas Southon a co-editor of the ?uvres Complètes de Gabriel Fauré has examined a large body of sources to present a musical text with many new readings.The edition contains fingering and performance notes by the French pianistAlexandre Tharaud one of today?s leading interpreters of Ravel?s music. Commentaries by pianists closely associated with Ravel such as Lucian Garban Vlado Perlemuter Robert Casadesus and Jacques Février are also included.

The New International Edition of Suzuki Piano School Volume 4 includes French German and Spanish translations as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed to include a new piece Tcherepnin's 'Bagatelle.' Mozart's 'Minuet III' and 'Minuet VIII ' from 8 Minuets have been removed and Bürgmuller's 'Arabesque' and 'By the Limpid Stream' have been moved here from Book 5. Titles: Rondo from Divertimento in D Major K. 334 (W. A. Mozart) * Minuet I from 8 Minuets K. 315g (W. A. Mozart) * Arabesque from 25 ProgressivePieces Op. 100 No. 2 (Burgmüller) * By the Limpid Stream from 25 Progressive Pieces Op. 100 No. 7 (Burgmüller) * Musette in D Major from J. S. Bach s Notebook for Anna Magdalena Bach (Anonymous) * Sonata in G Major Op. 49 No. 2 (Allegro ma non troppo; Tempo di minuetto) (Beethoven) * Bagatelle Op. 5 No. 9 (Tcherepnin) * Gavotte from Suite in G Minor (J. S. Bach) * Minuets I and II from Partita in B-flat Major (J. S. Bach) * Gigue from Partita in B-flat Major (J. S. Bach).

The New International Edition of Suzuki Piano School, Volume 2 includes French, German and Spanish translations, new Romantic and 20th-century pieces, as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed slightly with minimal reordering of the music. The Mozart Minuet and Bach Musette from the earlier edition were eliminated and replaced with two new 20th-century pieces by Bartók (noted below), and the Bach Minuet in G Minor (from J. S. Bach?s Notebook for Anna Magdalena Bach) has been moved to Volume 3. Other improvements include a cleaner appearance with less editing and spacious new engravings, as well as more detailed titles that include the keys, sources, composer dates, and catalog numbers. Titles: Écossaise (J. N. Hummel) * A Short Story (H. Lichner) * The Happy Farmer, from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in G Major, BWV 822 (J. S. Bach) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (Anonymous) * Minuet in G Minor, BWV 822 (J. S. Bach) * Cradle Song, Op. 13, No. 2 (C. M. von Weber) * Arietta (W. A. Mozart) * Hungarian Folk Song, from For Children, Sz. 42 (Béla Bartók) * Melody, from Album for the Young, Op. 68, No. 1 (R. Schumann) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (C. Petzold) * Sonatina in G Major, Anh. 5 (Moderato, Romance) (L. van Beethoven) * Children at Play, from For Children, Sz. 42 (Béla Bartók).

Edited by Thurston Dart. 24 pieces selected and edited from the ms. in the Fitzwilliam Museum Cambridge copied by Francis Tregian between 1609 and 1619.CONTENTS ANONYMOUS (Almain in G; Alman in G minor; Corranto in A minor; Corranto in D minor; Corranto in F; Corranto in G;

Twelve pieces by John Bull Giles and Richard Farnaby Orlando Gibbons Leonhard Woodson and others are here collected to make an attractive anthology of English keyboard music found in the precious Lynar A manuscripts which also contain primary sources for the keyboard music of Sweelinck Peter Philips and Tarquinio Merula. Edited by Pieter Dirksen.CONTENTSANONYMOUS: (A toij; Courant; Courant; Masque; O neijbour Robert; Robin)BULL John: (Bonni swet Robin; My Grief)FARNABY Giles: (Kempes Moris)FARNABY Richard: (Flet Stret)GIBBONS Orlando: (The Queenes Command)WOODSON Leonhard: (Malle Siemon)

Edited by Alan Brown. 21 pieces by Byrd Dowland and others transcribed and edited from the so-called 'John Bull' ms. in the Fitzwilliam Museum Cambridge probably in the hand of William Tisdale c.1600.CONTENTSANONYMOUSJohn Holmes' Pavan; My Desire; Passamezzo Galliard; Passamezzo Pavan; Paul's Wharf; PavanBYRD WilliamHunt's Up; PavanDOWLAND JohnGalliard: Can she Excuse; Lachrymae Pavan (2); Lachrymae Pavan (9) (set by William Randall)JOHNSON EdwardMedley (set by William Randall)JOHNSON Robert

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant la Renaissance Française.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - quatre volumes.Anonyme (4-5-6) - Anthoine de BERTRAND (1-2-3) - Corneille BLOCKLAND de MONTFORT - Fabrice Marin - CAIETAIN - Guillaume COSTELEY - Pierre GREGOIRE - Cécile LE JEUNE - Claude LE JEUNE- Benedic MACE et Laurens DANDIN - PLUTARQUE - Pierre de RONSARD - Jean YSSANDONTable des matières :Costeley Guillaume : Musique (pièces liminaires) - 1570Anonyme : De horis canonicis et De musica (concile de Besançon) - 1571Plutarque : De la musique (traduit par J. Amyot) - 1572Ronsard Pierre de : Préface au Roy Charles IX - 1572Grégoire Pierre : De musica - 1576Bertrand Anthoine de : Au lecteur debonaire (preface au premier livre des amours) - 1578Bertrand Anthoine de : Advertissement au Lecteur (second livre des amours) - 1578Bertrand Anthoine de : Advertissement au Lecteur (troisiesme livre de chansons) - 1578Caïetain Fabrice Marin : Second livre d'airs (dédicace) - 1578 Macé Benedic et Dandin Laurens : Instruction pour apprendre à chanter - 1582Yssandon Jean : Traité de la musique pratique - 1582Anonyme : Traicte de musique - 1583Blockland de Montfort Corneille : Instruction méthodique - 1587Le Jeune Claude : Dodecacorde contenant douze pseaumes (dédicaces) - 1598Le Jeune Cécile et anonymes : Préface sur la musique mesurée et pièces liminaires du Printemps de Claude Le Jeune - 1603Anonyme (ms.) - : Regle Generalle, Et fort familière - Reigle des Douzes Modes - c.1598Téléchargez le catalogue Anne Fuzeau Classique / Méthodes Et Traîtés / 336 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

The New International Edition of Suzuki Piano School, Volume 1 includes French, German and Spanish translations as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. While the music selections in Volume 1 remain the same as the earlier edition, the spacious new engraving with minimal editing generally keeps only one piece per page. Instruction material in many pieces from Volume 1 has been removed in lieu of right-hand studies at the top of the page and left-hand studies at the bottom. Tempo markings are now included on many pieces. Titles: Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * Lightly Row (German Folk Song) * The Honeybee (Bohemian Folk Song) * Cuckoo (German Folk Song) * Lightly Row (German Folk Song) * French Children's Song (French Folk Song) * London Bridge (English Folk Song) * Mary Had a Little Lamb (American Nursery Song) * Go Tell Aunt Rhody (Folk Song) * Au Clair de la Lune (J. B. Lully) * Long, Long Ago (T. H. Bayly) * Little Playmates (F. X. Chwatal) * Chant Arabe (Anonymous) * Allegretto 1 (C. Czerny) * Goodbye to Winter (Folk Song) * Allegretto 2 (C. Czerny) * Christmas-Day Secrets (T. Dutton) * Allegro (S. Suzuki) * Musette (Anonymous).

Composé de trois volumes, Classics répertoire pour piano est une collection complète et progressive classés de solos classiques pour piano. Le volume 2 contient 55 pièces récital.Chaque livre comprend un CD de données contient les informations suivantes pour chaque solo: pistes de performance ainsi que les leçons de la classe de maître offrant des performances techniques et la pratique du piano pédagogues Sheftel Paul et Phyllis Lehrer pour chaque pièce. Ecoutez les performances d'un piano à queue de concert réel et obtenir le bénéfice et la perspicacité de formateurs maîtres comme ils enseignent les subtilités de la performance, de la technique et même d'offrir un contexte historique.Ces livres contiennent un mélange raffiné de facile à jouer, en version intégrale, des solos de piano originales écrites par 'les maîtres' pour les pianistes débutants. Il ya une grande variété de musique de toutes les époques de style et par certains des plus grands compositeurs de tous les temps. Biographies de chaque compositeur sont également inclus. Ces collections sont un must pour les étudiants et les professeurs de piano. / Piano

The early music specialist and harpsichordist, Robin Bigwood presents the first in a series of four volumes dedicated to keyboard music from the Baroque period. Featuring a variety of interesting solo pieces, this collection includes works by well-known figures as well as lesser-known and rarely available pieces from a range of composers.Suitable for students of ca.2-3 years of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Robin Bigwood. / Piano