'Three Scherzi for violin and piano follow closely the Minuet and Trio form used so often for lighter movements in eighteenth and early nineteenth century sonatas and symphonies. In each piece the Minuet isdivided into two sections and each section is repeated; similarly the Trio section is also divided into two repeated sections in which the music is generally more gently paced. After the Trio the minuet is played againimmediately this time without repeats. In these Scherzi I have chosen to use variants of the original of each section in most instances rather than make exact repetitions. The first Scherzo lasts approximately 3 minutes thesecond 6 minutes and the third 2 minutes. Part of my interest and purpose in writing these pieces was to use an identical but highly elastic form for three pieces of different durations. I was also intrigued by the form’shistorical development and evolution into the Scherzo and I hope this explains the atmosphere and style of the music.The material for each of the three pieces is different although the harmonic and rhythmic worlds ofeach one are similar and as a result they do form a complete work in three movements. However each of the three Scherzi may be played separately. These three pieces were written between September 2004 and August2007.'Brian Elias

The Violin Lesson offers players of all standards the opportunity to immediately ? and dramatically ? improve their technique and understanding of violin playing. Presented in twelve comprehensive and highly accessiblelessons filled with more than 500 music examples and over 350 photographs, it provides fresh approaches to neglected aspects of playing whilst covering all the major areas of violin technique, including: toneproduction intonation avoiding aches and pains changing position improving bow strokes vibratoWhether outlining a basic concept or anadvancedtechnique, each topic is handled with the clarity and attention to detail for which Simon Fischer is so highly regarded. Fundamental exercises, principles and practice methods sit alongside case studies and practicalquestion-and-answer sections to present a truly rounded volume ? essential reading for both students and teachers alike. / Violon / Edition Peters

Finally a method that teaches violinists how to improvise! Plug in and take your violin on a journey beyond the world of classical music with Mark Wood and Electrify Your Strings. With instruction right out of Mark's famous music education program you'll learn about improvising solo and rhythm parts modern string techniques playing in a band buying electric gear and much much more! Plus there's valuable information not just for students but for string teachers and school musical directors alike so they can rock their orchestras! A CD is included with recorded examples plus jam tracks in different styles and previously unreleased material.

Cheryl Frances-Hoad's Suite No. 1 for solo Violin.Commissioned by Fenella Humphreys as part of her Bach to the Future project. Premiered by Fenella at the Peter Pears Recital Room Snap Maltings on the 10th September 2014.

Par HARRIS PAUL / O'LEARY JESSICA. Violin Basics is a landmark method by two of the leading figures in music education. Comprising pupil’s tutor book, teacher’s accompaniment book, and online audio, Violin Basics provides everything you need to get playing. This Teacher’s Book supports the pupil from absolute beginner level, progressing to Grade 1 level. It contains piano and violin accompaniments for the pieces in Violin Basics, along with general guidance for teachers. Audio of all the accompaniments is available online.   / Methods & Tutors / Méthode / 2 Violons et Piano

Johannes Brahms' Scherzo For Violin And Piano In C Minor edited by Ulrich Mahlert. It is the 3rd Movement of the F-A-E sonata composed by Schumann Dietrich and Brahms for Violinist Joseph Joachim. Breitkopf Urtext Edition.

Par AUER LEOPOLD. From the master teacher of the Masters comes the most comprehensive and valuable method written. This book is suitable for the quick and dedicated, or older student. Also highly recommended for the advancing Suzuki player for introduction to note reading. / Date parution : 2023-05-06/ Méthode / Violon

play violin duets-Teacher And I Play Violin Duets contains a selection of pieces providing a wide variety of interesting tunes in many differing styles spanning from the 12th to the 19th centuries. The aim of the collection is to provide plenty of easy tunes to enjoy during and between lessons. The 19 tunes have been arranged for Violin duet by Cecilia Weston an internationally renowned violinist conductor arranger and educator who has studied at Edinburgh Cambridge and the Royal Academy of Music.

Les éditions Carl Fischer Music ont édité sous la référence CF_1006159 cette partition musicale pour satisfaire au maximum les amateurs de musique Classique et plus particulièrement les pratiquant de Violon. Cette partition a pour titre Graded Course of Violin Playing Vol. 2 et pour compositeur Auer Leopold. / Violon

Available in print for the first time since the 19th century this delightful Scherzo (Op. 135 No. 2) forms a worthy companion piece to Barcarole (Op. 135 No. 1) currently published by Schott (VLB129).

Two fantasies on the thematic fragments from the string quartets.-'- Two fantasies on the thematic fragments from the 9th & 3rd string quartets of Paisiello.Matthias Pintscher was born in Marl in North Rhine-Westphalia Germany in 1971 and studied composition with Giselher Klebe and Manfred Trojahn. Formative influences were his encounters with Hans Werner Henze who invited him to Montepulciano in 1991 and 1992 and with Helmut Lachenmann Pierre Boulez and Peter Eötvös. Awards include first prize in the Hitzacker Composition Competition (1992) the Rolf Liebermann Prize and the Opera Prize from the Körber Foundation Hamburg (1993 and 1996) the Prince Pierre de Monaco Prize (1999) Composition Prize from the Salzburg EasterFestival and the Hindemith Prize from the Schleswig Holstein Music Festival (2000). In 2002 he was awarded the Hans Werner Henze Prize (Westphalian Music Prize). Pintscher first came to international attention with the opera Thomas Chatterton at the Semper Opera Dresden (1998) and later with his second opera L'espace dernier at the Opéra National de Paris (2004). He was composer-in-residence with the Cleveland Orchestra in 2002 the following seasons at the Konzerthaus Dortmund Lucerne Festival with the Radio Symphony Orchestra Saarbrücken at the Philharmonie Cologne and at the RSO Stuttgart . From 2010 onwards Pintscher is ?Artist-in-Association? at the BBC Scottish Symphony Orchestra since 2014 Artist-in-residence at the Danish Radio Orchestra. As a conductor Matthias Pintscher works regularly with leading orchestras and ensembles in Europe and the USA. From 2007 to 2009 he was Professor of Composition at the University of Music and Performing Arts Munich and 2010 to 2011 at the New York University. He is Music Director of the Ensemble intercontemporain and since the 2013 14 season. As of September 2014 he is Professor for composition at the Juilliard School of Music New York.