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CLARINET
Violin and Piano
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Duos (51)
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Flûte Traversière, Cordes Et… (51)
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2 Trompettes, Cor et 2 Trombon… (40)
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2 Recorders, Basso continuo (t… (39)
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Harpsichord and Strings (39)
Lyrics only (39)
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Chanson (38)
4 Violons, Cordes et Basse Con… (37)
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4 Violons, 2 Altos, Violoncell… (36)
Violon Solo, Violoncelle Solo,… (36)
2 Hautbois, 2 Cors, 2 Clarinet… (36)
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Bugle (34)
Saxophone Quintet: 5 Saxophone… (34)
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String trio (33)
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Solistes SAT, Choeur SATB, 2 F… (32)
Hautbois et Quatuor à Cordes (32)
2 Flûtes Traversières ou 2 F… (32)
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Flûte Traversièreou Piccolo,… (32)
Choeur en 8 Parties (SATB-SATB… (32)
Hautbois, Clarinette et Basson… (32)
Batterie Fanfare En Sib (32)
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Flûte Traversière et Piccolo… (32)
Fac-similé (32)
Clarinette, Cor Et Piano (31)
2 Violas, Piano (31)
Clavier Ou Piano (31)
Ensemble De Cuivres Et Percuss… (31)
Xylophone, Piano (31)
Choeur De Femmes (31)
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Cornet et Brass Band (30)
Cor en Mib et Brass Band (30)
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Batterie Fanfare En Mib (30)
Trumpet ensemble (30)
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Flute, Oboe, Clarinet (trio) (29)
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Flûte Traversière et Trio à… (29)
Violon 2 (29)
Voix Et Instruments Divers (29)
Violon 1 (29)
2 Percussions (29)
2 Violons Et Orchestre (29)
Solo Flûte à Bec F1, 2 Violo… (28)
2 Clarinettes, 2 Violons, Orgu… (28)
Flûte à Bec F1, Violon et Ba… (28)
Flûte 1 Hautbois 1 Clarinette… (28)
Flûte, Hautbois, Clarinette, … (28)
Flûte Traversière Violon et … (28)
Musique de chambre (28)
Cor, Euphonium et Piano ou Org… (28)
Flûte à Bec Alto et Basse Co… (28)
Alto, Cordes Et Basse Continue… (28)
Madrigaux (28)
2 Hautbois, 2 Clarinettes, 2 B… (28)
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C Trumpetor et Trompette Sib/C… (28)
Cor et Orgue (28)
Trombone and Orchestra (28)
Guitare (Fingerpick) (28)
2 Bassoons (duet) (28)
3 French horns (trio) (28)
2 Violons, Violoncelle Et Orch… (28)
Accordion - Piano, Voice, Guit… (28)
2 Cornets (27)
Solistes SATB, Choeur SATB, 2 … (27)
Cornet ou Trompette et Brass B… (27)
3 Percussions (27)
Concert Band ou Harmonie et Cl… (27)
Autoharp (27)
Flûte Et Instruments Divers (27)
Choeur a Cappella (27)
Clarinette (2 Clarinettes) Et … (27)
Saxophone Alto et Concert Band… (27)
Clarinet and Strings (27)
Instruments Acoustiques (27)
Bassoon, Orchestra (27)
Trompette, Cor Et Piano (27)
Solo et Accompagnement de Cord… (27)
2 Flûtes Traversières Et Bas… (27)
Clarinette, Alto et Piano (26)
2 Flûtes Traversières, Corde… (26)
2 Violons, 2 Altos et 2 Violon… (26)
2 Violons, Alto, Violoncelle (26)
Flûte Traversière Hautbois, … (26)
Violin, Viola and Orchestra (26)
Violoncelle, Cordes et Basse C… (26)
Orchestres à Vent (26)
Trompette en Do ou et Trompett… (26)
Oboe, Basso continuo (26)
Tambour (26)
Flûte à Bec et Piano (26)
2 Saxophones, Piano (26)
3 Tubas (26)
Trompette en Sib, Cor, Trombon… (25)
Choeur SATB/SATB, (8 Instrumen… (25)
Soprano, Choeur Mixte (SATB), … (25)
Choeur Mixte (SATTB/SATTB), So… (25)
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Guitar Tab, Voice, Bass, Drum (25)
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Ukulélé Soprano (25)
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Balalaïka Et Piano (24)
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Latin-American Fiddler
Violin and Piano
[Sheet music + Audio access]
Boosey and Hawkes
Traditional fiddle music from around the world. Par . Le répertoire complet de ...
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Traditional fiddle music from around the world. Par . Le répertoire complet de musique traditionnelle pour violon est maintenant à votre portée ! Avec ce grand choix de recueils vous pourrez recréer l'ambiance de votre propre 'ceilidh' des danses folkloriques du club de jazz des cafés concerts comme à Sarajevo. Certains de ces morceaux de musiques sont connus d'autres sont plus exotiques mais tous sont absolument authentiques et leurs arrangements sont faits sans compromis mais ce qu?il y a de plus important c'est qu'ils vous donneront énormément de plaisir. Chaque titre de la série est disponible en deux versions : la Violin Edition (avec en option une partie violon simplifiée et des accords de guitare) ou la Complete Edition qui comprend des accompagnements pour clavier et pour violon. Chaque version permet de jouer la musique en solo en duo ou en trio aussi bien que dans des ensembles plus importants. Edward Huws Jones a beaucoup voyagé lors de sa recherche de styles traditionnels pour violon. Dans chaque livre il explique l'histoire d'un style particulier offrant ses propres suggestions pour obtenir une exécution vivante. / Date parution : 2023-05-06/ Recueil / Violon (ou 2 Violons) et Piano
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Easy Concert Pieces 3
Violin and Piano
[Sheet music + Audio access]
Schott
16 Famous Pieces from 4 Centuries. Par . La série « Easy Concert Pieces » con...
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16 Famous Pieces from 4 Centuries. Par . La série « Easy Concert Pieces » contient des pièces d?un niveau facile à moyennement difficile issues d?époques musicales variées du baroque à la musique moderne et ordonnées soigneusement suivant des aspects techniques et musicaux. Les pièces sont conçues pour les cours et sont particulièrement adaptées à des auditions dans des écoles de musiques des concours et des examens mais elles se prêtent également à la pratique à la maison. Toutes les pièces sont sur le Download y compris en play-back. Le volume 3 (moyennement difficile) nécessite de pouvoir jouer sur les quatre premières positions. Les exigences en matière d?aisance de technique d?archet et de musicalité sont plus hautes. En plus d??uvres connues comme le célèbre Air de Bach et le largo de l?opéra « Serse » de Haendel ainsi qu?un mouvement des « Quatre Saisons » de Vivaldi on y trouve aussi des mouvements de concertos et de sonates de Küchler et Fiocco de même que des compositions romantiques peu connues de Rieding et Trowell. L?époque moderne est représentée par deux très beaux mouvements d?Hermann Schroeder sur le thème des « Quatre Saisons ». Les jeunes violonistes auront particulièrement de plaisir à jouer ces quatre pièces dans un style pop qui clôturent le volume. / Date parution : 2023-01-24/ Recueil / Violon et Piano
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Wieniawski H. - 2eme Polonaise Brillante Op. 21 - Violon Et Piano
Violin and Piano
PWM (Polskie Wydawnictwo Muzyczne)
2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wi...
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2me Polonaise brillante pour violon avec acompagnement de piano op.21 Henryk Wieniawski wrote only two polonaises. The first one, op. 4 in D minor, is one of his youthful works; the other, op. 21 in A major, is one of the last works he composed. Moreover, H. Wieniawski is the co-author of another polonaise, op. 8, for violin and piano, which he wrote with his brother Józef Wieniawski, a pianist. The latter polonaise, like the Polonaise in D minor op. 4, is also a youthful composition (1852). The polonaise as a genre, therefore, does not occupy much space in Wieniawskis heritage. Nonetheless, both polonaises, in D minor and A major, constitute an essential part of his artistic inheritance. Likewise, both polonaises had been composed in two versions: for violin and orchestra, and for violin and piano. The Polonaise in A major was completed in 1870. It is not known precisely which of the versions, the one with the piano, or the one with the orchestra first came into being. It was the version with orchestra that the composer performed for the first time on 17 March 1870, in the Grand Theatre in St. Petersburg. But merely two months later he performed the Polonaise in Warsaw, accompanied by his brother Józef at the piano. It is quite possible that Wieniawski had already performed this version of the Polonaise. It is certain, nonetheless, that both versions either appeared simultaneously, or one was composed shortly after the other. From its first public performance until the end of his concert career, Wieniawski often included this Polonaise in his concert repertoire, playing one version or another, the choice depending on the needs and circumstances. Just to mention one occasion, he played the orchestral version during a concert tour of Sweden in 1870, when he dedicated and presented a manuscript of this piece to King Charles XV of Sweden. The dedication, however, was changed in print, and both versions were eventually dedicated to François van Hal. Both versions were published simultaneously, by Schott Publishers in Mainz, with the same plate number, though the orchestral version appeared only in parts, which was a common practice in those days. The piece was most probably not published earlier than 18751. The Polonaise was praised by the critics. The reviews reported that it was a magnificent piece2, and this opinion was shared by later critical reviews, both Russian and West European. The Polonaise remained popular after the composer had died, which is evident from the number of later editions of the piece (more than ten) issued by different publishers, mostly German, and prepared by different editors. In Poland, the Polonaise was published twice after the Second World War. All the editions introduced some more or less significant changes into the text, mostly concerning performance indications, but in a sense blurring the composers intentions. All those changes were pertinent to the violin and piano version, and it was mostly in this form that the piece appeared in concert and teaching repertoires. The performances with an orchestra were much more seldom which was, among other factors, due to limited availability of the orchestral version, as it had never been published again after the first edition, until now. The Polonaise in A major was composed approximately at the same time as the Violin Concerto No. 2 in D minor3. This convergence in time had influenced a certain similarity with regard to both composition and technical means, and also to the themes. In particular, the similarity becomes quite obvious in the second theme of the Allegro in the Concerto, and in the theme of the Polonaise. The Polonaise in A major is also in a certain way similar to the first Polonaise (in D minor), the motifs of the themes in both polonaises are alike. However, both pieces differ in style. The Polonaise in D minor shows the composers fascination with technical writing. Wieniawski makes the most of double-stops, chords, and all other sophisticated virtuoso techniques. The Polonaise in A major, written 18 years later, is much more mature. Although it is a virtuosic piece as well, the techniques used are somewhat more limited and subordinated to the expression. The virtuoso character of this piece is more fragile, much closer to the brillant style. At the same time, the Polonaise is typical of Wieniawskis violin playing technique. Here the composer uses the means regarded by his contemporaries to be typical of him, e.g., long staccato fragments played with one bow. The Polonaise is a concert piece in one movement extended form with a considerably abbreviated return of the first section at the end. The middle section is contrasting in character, due to the modulation to F major, change of tempo (meno mosso) and the reduction in the number of instruments (in the orchestral version). All the sections show thematic similarity. The first section, too, consists of three subsections, including a contrasting middle subsection (in E major). Zofia Chechlińska Footnotes 1. See The Critical Commentary, p. ? and onward. 2. See V. Grigoriev, Henryk Wieniawski. Życie i twórczość. [Life and Work] Warszawa - Poznań 1986, p. 184. 3. The first version of the Concerto No. 2 in D minor was completed in 1862, but in 1870, i.e., not until the Polonaise in A major was completed, Wieniawski had been working on the Concerto and implemented quite a few changes. Publisher: PWM/Towarzystwo Muzyczne im. Henryka Wieniawskiego w Poznaniu Series: Henryk Wieniawski - Complete Works Cover: softback Nr ISMN: 979-0-2740-0753-9 Number of pages: 34+8 Format: N4 stoj. 235x305 Language version of text: pol., Eng.
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Johannes Brahms: Sonata Movement in C minor from the FAE-Sonata: Violin:
Violin and Piano
Barenreiter
Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da C...
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Sonata WoO postum for Violin and Piano-Edited by Clive Brown and Neal Peres Da Costa with an Urtext solo part as well as a second part with performance markings.Johannes Brahms The Works for one Instrument and Piano:Johannes Brahms? compositions for one instrument and Piano have been standards in chamber music literature ever since their inception. These works were written with specific performers in mind and Brahms worked closely with them when refining the final texts. Nevertheless we rarely approach the music taking into consideration the possibilities of the instruments for which Brahms wrote or the performing practices of the individual playerswho first performed these compositions including Brahms himself.The New Urtext Editions:Bärenreiter?s pioneering new scholarly-critical editions of Brahms? works for one instrument and Piano are edited by a team of musicologists who are also performers. They offer today?s musicians not just a reliable musical text based on all known sources but also a comprehensive approach to the works which aims to place them in their historical context and to elucidate the complex of meanings that the composer wished his notation to convey to performers.In addition to the musical text these editions offer an informative Introduction laying out the genesis publication history and reception of the works. At the same time there is a complete list of the sources an explanation of the editorial procedures and a Critical Commentary. Also each volume contains a detailed discussion of specific performing practice issues raised by individual works.An integral part of Bärenreiter?s Brahms publication complex is a text booklet which approaches general performance practice issues of the 19th century with regard to e.g. tempo rubato rhythmic flexibility and articulation. Furthermore musicians will find valuable information concerning vibrato portamento and bowing. Last but not least characteristics of Brahms? own Piano playing as well as that of his circle and contemporaries are discussed.The Violin and Viola sonata editions come not only with an Urtext part freed from all editorial emendations but also with an
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Indra - Hommage A Lili Boulanger (PEPIN CAMILLE)
Violin and Piano
Jobert
Par PEPIN CAMILLE. Lorsque Claire Bodin [1] m'a proposé d'écrire une pièce en...
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Par PEPIN CAMILLE. Lorsque Claire Bodin [1] m'a proposé d'écrire une pièce en hommage à une compositrice du passé, j'ai choisi de rendre hommage à Lili Boulanger (1893-1918). Compositrice et orchestratrice hors-pair, elle était également une très belle femme, généreuse et courageuse, oeuvrant à l'arrière du front pour les civils et soldats mobilisés durant la Première Guerre Mondiale - et cela malgré la maladie et sans jamais cesser d'écrire. Première compositrice à remporter le Grand Prix de Rome en 1913, elle ouvre une voie jusqu'alors non reconnue aux femmes. Son succès éclaire la présence féminine dans un domaine jusque là 'réservé' exclusivement aux hommes. Rendre hommage à Lili Boulanger, c'est non seulement rendre hommage à l'incroyable femme et musicienne qu'elle était, mais aussi à cette voie qu'elle a ouverte aux compositrices des générations futures. J'ai choisi d'écrire une pièce inspirée de la mythologie hindoue, en hommage à sa Vieille Prière Bouddhique achevée en mars 1917. Indra sera ainsi créée en mars 2017 - soit cent ans après la conception de l'oeuvre de Lili Boulanger ! Indra est le dieu de la guerre et de l'orage. Ses attributs sont l'éclair et l'arc-en-ciel. Doté de pouvoirs magiques, Indra affronte le serpent Vrtra qui retient les eaux célestes, faisant ainsi souffrir le monde d'une grande sécheresse. Indra le combat et délivre les eaux du ciel en transperçant les nuages. Tel est le mythe qui m'a inspiré. J'ai eu envie d'écrire une pièce rythmique, puissante et énergique, pour rendre hommage à la force et au courage de Lili Boulanger en tant que femme artiste. Lui rendre hommage aujourd'hui sans prendre en compte sa condition de femme est un luxe que l'on ne peut pas encore se permettre. Qui plus est, il m'a semblé tout naturel de choisir ce thème plein de vigueur pour cette oeuvre dédiée à la pianiste Célia Oneto Bensaïd et la violoniste Raphaëlle Moreau qui en feront la création. Tout l'enjeu de cette oeuvre était de représenter cette force et cette volonté : comment rendre cette vivacité et cette fougue de l'orage - de ce combat - avec seulement deux instruments ? J'ai ainsi conçu une pièce alternant des épisodes nerveux et pulsés - guerrier - à des épisodes plus légers et dansants - vif, aérien. J'ai recherché des sonorités martiales en pensant véritablement l'oeuvre d'une façon 'orchestrale' avec des appels de cors ou encore des coups de grosse caisse. Un bref épisode aux couleurs flûtées sur un tapis scintillant de harpe - magique et incantatoire - rappelle les pouvoirs magiques d'Indra avant de retrouver la nervosité et la pulse initiales. / Contemporain / Répertoire / Violon et Piano
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Easy Concert Pieces
Violin and Piano
[Sheet music + CD]
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Easy
Schott
16 Famous Pieces From 4 Centuries. La série \' Easy Concert Pieces \' contient ...
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16 Famous Pieces From 4 Centuries. La série \' Easy Concert Pieces \' contient des pièces d\'un niveau facile à moyennement difficile issues d\'époques musicales variées, du baroque à la musique moderne, et ordonnées soigneusement suivant des aspects techniques et musicaux. Les pièces sont conçues pour les cours et sont particulièrement adaptées à des auditions dans des écoles de musiques, des concours et des examens, mais elles se prêtent également à la pratique à la maison. L\'étude des pièces est facilitée par le CD joint. Le volume 3 (moyennement difficile) nécessite de pouvoir jouer sur les quatre premières positions. Les exigences en matière d\'aisance, de technique d\'archet et de musicalité sont plus hautes. En plus d\'oeuvres connues comme le célèbre Air de Bach et le largo de l\'opéra \' Serse \' de Haendel, ainsi qu\'un mouvement des \' Quatre Saisons \' de Vivaldi, on y trouve aussi des mouvements de concertos et de sonates de Küchler et Fiocco, de même que des compositions romantiques peu connues de Rieding et Trowell. L\'époque moderne est représentée par deux très beaux mouvements d\'Hermann Schroeder sur le thème des \' Quatre Saisons \'. Les jeunes violonistes auront particulièrement de plaisir à jouer ces quatre pièces dans un style pop qui clôturent le volume. / Niveau : Facile / Recueil / Violon et Piano
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Violin Sonatas Op. 5 Bd. 1+2 Kplt.
Violin and Piano
Wiener Urtext
Ces sonates sont parmi les oeuvres epoch-making du répertoire pour violon et au...
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Ces sonates sont parmi les oeuvres epoch-making du répertoire pour violon et aujourd'hui figure dans le répertoire standard de tous les violonistes. Il est d'autant plus surprenant, donc, que jusqu'à présent il n'y a pas eu édition Urtext de ces travaux importants.Le score est basé sur une première édition supervisée par Corelli lui-même. D'après ce que nous savons de la performance en temps de Corelli, cependant, était plusattend de la violoniste qu'une lecture musicale de la partition imprimée: il était d'usage d'ajouter des ornements à la limite de l'improvisation, avec l'embellissement et 'variations' comme vous le souhaitez. La partition originale est doncprésenté ici avec le plus documenté l'ornementation d'une réimpression publiée par Roger à Amsterdam en 1708. Cette ornementation n'est pas destiné à être servilement imité, mais de stimuler le lecteur à trouver leur propre interprétation créative et stylistiquement confiant de la partition. Comme Roger n'a pas précisé les ornements pour les sonates dans le deuxième volume, les 'variations que désiré' utilisé par l'élève de Corelli Geminiani ont été reproduites avec la Sonate neuvième exemple. Conseils sur les performances est donnée par la Cologne baroque spécialiste Reinhard Goebel. Ce conseil ne s'applique pas seulement à l'ornementation, mais aussi de l'articulation, coups d'archet et d'autres choses encore, appelant à des marquages ??spécifiques dans la partie de violon séparée.La réalisation de la partie de continuo fait écho à la mode de l'époque. Ici aussi, des conseils sur la performance vise à stimuler la libre interprétation par le joueur de continuo. Une partie basse chiffrée est inclus pour le joueur qui préfère lire l'accompagnement des chiffres. / Violon Et Piano
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Cyril Scott: Lotus Land for Violin And Piano: Violin: Instrumental Work
Violin and Piano
[Sheet music]
Novello & Co Ltd.
Lotus Land was undoubtedly the work for which Scott is best known. Written in 1...
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Lotus Land was undoubtedly the work for which Scott is best known. Written in 1905 Lotus Land achieved great popularity and was arranged for a vast array of instruments. It is a dreamy impressionistic piece and extremely innovative for its era. Cyril Scott was a British composer active from the very late 19th century and through the 20th whose work could be termed late Romantic with elements of impressionism with free use of exotic harmonies. Scott was an extremely prolific composer who left more than four hundred works ranging from symphonies operas and concertos to many works for smaller ensembles solo instruments and short songs.Virtuoso Violinist Fritz Kreislerwas the premier Violinist of his day and some believe the greatest Violinist of all time. In addition to his original compositions Kreisler often transcribed or arranged the work of other composers.
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Lili Boulanger: 2 Morceaux: Nocturne and Cortège: Violin: Instrumental Album
Violin and Piano
Hal Leonard
Lili Boulanger was the sister of the famous teacher Nadia Boulanger who taught A...
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Lili Boulanger was the sister of the famous teacher Nadia Boulanger who taught Aaron Copland Elliott Carter and Philip Glass amongst others. She was a composer for the last 10 years of her tragically short life - she died at 25 - and her music stands in the main line of French music exemplified by Faure somewhat tinged with the influence of Debussy's Impressionism. It is generally beautiful delicately coloured and touching. These challenging 'Two Pieces for Violin and Piano' exemplify these qualities. The Nocturne begins sparsely with bare octave figures wound about with a theme built from a repetitive rise-and-fall figure. As the texture become thickerthe violin becomes more virtuosic and begins to climb. There is no harmonic resolution until the final ppp note in the top register which is answered by an low octave from the piano. The Cortege is more lively without being fast. Shifting rhythmic accents tricky runs and contrasting dynamics make this an exciting piece.
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Easy Concert Pieces Band 2
Violin and Piano
[Sheet music + CD]
Schott
Que ce soit pour l'enseignement ou les premiers petits concerts Facile Concert P...
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Que ce soit pour l'enseignement ou les premiers petits concerts Facile Concert Pieces pour violon et piano morceaux légers et bien connu de la Renaissance à l'époque moderne, qui sont soigneusement sélectionnés en fonction des exigences techniques et musicales incluses: Volume 1 facile, moyen ceinture 2. Toutes les pièces sont dans les quatre premiers types de manche 1 Lieu jouable. En plus des compositions originales de Milan, Purcell, Corelli, Duval ou Telemann sont faciles à jouer arrangements de musique classique comme 'Quatre Saisons' de Vivaldi, 'Fireworks Musique' de Haendel et 'La Flûte enchantée' de Mozart et des compositions modernes dans les domaines de la pop, jazz, spirituel, bossa nova et tango. Tous les morceaux sont inclus sur le CD d'accompagnement que la lecture complète et demi. / Violon Et Piano
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Piccolo Paganini Vol. 2
Violin and Piano
[Sheet music]
Peters
30 intermediate recital pieces for violin and piano. Par . Following the success...
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30 intermediate recital pieces for violin and piano. Par . Following the successful first volume, Piccolo Paganini Vol. 2 contains 30 original intermediate-level pieces for violin and piano. Violin experts Christiane Schmidt and Gudrun Jeggle focus on musically sophisticated and rarely-heard concert pieces by composers ranging from Handel and Elgar to Pauline Viardot García and Grazyna Bacewicz. This appealing and attractive repertoire will help every little Paganini shine ? a real treasure trove for teaching, performance, and competitions. 30 intermediate-level compositions for violin and piano (mainly 1st and 3rd positions, but going up to 5th position) Appealing and musically rewarding repertoire pieces Ideal for developing fluency, bowing technique and basic double-stop playing With performance notes and short biographies For teaching, performance, and competitions / Date parution : 2023-06-01/ Recueil / Violon et Piano
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William Bolcom: Second Sonata: Violin and Accomp.: Instrumental Album
Violin and Piano
[Sheet music]
Edward B. Marks Music Company
Violin and Piano. First performed in 1979 at the Library of Congress in Washingt...
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Violin and Piano. First performed in 1979 at the Library of Congress in Washington D.C. by Jazz Violinist Sergiu Luca and the composer at piano. The Sonata is in four movements: Summer Dreams Brutal-fast Adagio and In Memory of Joe Venuti. Duration ca. 16 minutes.
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Cyril Scott: Violin Sonata No.3 (Violin And Piano): Violin: Score and Parts
Violin and Piano
[Sheet music]
Novello & Co Ltd.
Merseyside composer writer and poet Cyril Scott composed this work in 1955. Ove...
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Merseyside composer writer and poet Cyril Scott composed this work in 1955. Over 30 years after his death his music is coming into favour and this along with many others are finally being put to wax by Naxos/Chandros.
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Easy Concert Pieces Vol. 1
Violin and Piano
[Sheet music + Audio access]
Schott
Conçus pour l'enseignement ou les tous premiers concerts, les albums 'Easy Conc...
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Conçus pour l'enseignement ou les tous premiers concerts, les albums 'Easy Concert Pieces' pour violon et piano contiennent des pièces faciles et connues, allant de la Renaissance à l'époque moderne, soigneusement choisies en accord avec leurs exigences techniques et musicales : volume 1 facile, volume 2 intermédiaire. Toutes les pièces sont jouables dans la première position. À côté de pièces originales de Milán, Purcell, Corelli, Duval ou Telemann, figurent des arrangements faciles de classiques célèbres, comme 'Les Quatre saisons' de Vivaldi, 'Fireworks Music' (Musique pour les feux d'artifice royaux) de Haendel ou encore 'La Flûte enchantée' de Mozart, ainsi que des compositions modernes de pop, jazz, spiritual, bossa nova et tango. Toutes les pièces sur le CD existent en version complète et en play-back./ Recueil / Violon et Piano
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Diverse: Celtic Play-Along Violin: Violin: Play-Along
Violin and Piano
[Sheet music + CD]
Universal Edition
Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und De...
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Play-Alongs Bekannter Stücke Aus Irland Schottland Wales Dem Cornwall und Der Bretagne-Martin Tourish is an accordionist composer and musicologist from Co. Donegal now based in Dublin. Celtic music is in his blood for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. ?World Music Celtic? presents material from the Irish Scottish Welsh Cornish and Breton traditions. It makes no great technical demands on the players but Tourish points out that notation of this music is often ?skeletal? hence it is important to gain a knowledge of theindividual traditions in question and naturally he offers plenty of information on performance practice. The collection spans three centuries from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings festivals and the very communities whence this music comes. ?World Music Celtic? is available in four formats each with complete recordings and backing tracks on CD: as solo versions for violin flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C Bb or Eb) piano guitar bass and bodhrán.
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Einstein's Light: Violin and Accomp.: Score
Violin and Piano
Lauren Keiser Music Publishing
Violin and Piano-Einstein was a violinist all his life. In the motion picture Ei...
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Violin and Piano-Einstein was a violinist all his life. In the motion picture Einstein's Light filmmaker Nickolas Barris and composer Bruce Adolphe set out to communicate Einstein's dedication to the Violin and his particular love for the music of Mozart and Bach. This collection of music composed for the soundtrack is based on phrases from those two great masters that spin off into physics-inspired dreams and thoughts. It contains a poignant solo Violin piece based on music by Bach and four pieces for Violin and Piano that are based on phrases from Mozart's music. The composer includes one work in particular the Mozart Violin Sonata No. 34 notable because the only extant recording of Einsteinplaying the Violin contains the slow movement from this sonata. The soundtrack to Einstein's Light was recorded by Joshua Bell and Marija Stroke on Sony Classical Records. This edition contains bowings and fingerings by Joshua Bell. Movement Titles: 1. Einstein's Light: Theme (1:44 ) 2. Struggle and Breakthrough (4:34) 3. Einstein's Sarabande: The Loneliness of Genius (4:03) 4. Bending of Space-Time (3:03) 5. Einstein's Harmonic Mind (6:45)
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Nigel Goldberg: Concertinio No1 In A Minor: Violin: Instrumental Work
Violin and Piano
[Sheet music]
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Easy
Spartan Press
The violin pupil can be accompanied either by the violin teacher (as a violin du...
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The violin pupil can be accompanied either by the violin teacher (as a violin duet) or with piano. The optional alternative piano accompaniments are by Heidi Rolfe.'I can still remember the thrill I felt as a child of 8 when my violin teacher introduced me to my first concertino. Learning playing and eventually mastering the famous Küchler Concertino in D major made me feel privileged and grown-up as if I were joining a very special club.That was a long time ago yet for me concertinos still hold a distinctive place in the teaching repertoire. Having now taught the violin for the last thirty years and seen how happily my pupils respond to learningduets - that distinctive sense of enjoyment at playing with an adult the improvement of intonation and tone production the liveliness of the lesson - I have composed three new concertinos inspired by the duet form.Taking three great keys for the violin - G D and A minor I have endeavoured to combine emotionally engaging and technically educational music in the 'Olden Style'. Uniquely I have written a second violin part for the teacher to play alongside their pupil's part and there is also a piano accompaniment for use alternatively in concert settings.I very much hope that these concertinos prove as popular and as helpful as the series of duets in my previously published books Sounds of a Rainbow and that they ignite that sense of wonderment and purpose I experienced while playing the Kuchler all those years ago.'Nigel Goldberg
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Mario Castelnuovo-Tedesco: Chant Hébraïque For Violin And Piano. Sheet Music for Violin Piano Accompaniment
Violin and Piano
[Sheet music]
Leduc, Alphonse
Born into a family that had lived in Florence since the expulsion of the Jews fr...
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Born into a family that had lived in Florence since the expulsion of the Jews from Spain in 1492 Mario Castelnuovo-Tedesco (1895-1968) entertained only a distant relationship with the music he heard at synagogue: a Renaissance church held more appeal for the Florentine artist than the Oriental décor of his forefathers’ place of worship. It was only when he discovered Schelemo a rhapsody for cello and orchestra written in 1916 by Ernest Bloch that he began to understand what “Jewish music” could be. It would take until the death of his maternal grandfather and the discovery of a collection of prayers set to music among his papers for the youngCastelnuovo-Tedesco to begin to explore Jewish music. In 1928 two years after publishing the Dances of King David he wrote this Vocalise-Étude for medium voice and piano at the request of vocal teacher Amédée-Landély Hettich who wanted to include it in the Répertoire moderne de Vocalises-Études published by Leduc. The piece became so popular that it led to several adaptations and the composer asked his close friend Gioacchino Maglioni (1891-1966) to transcribe it for violin and piano. Divided into three sections the work opens with a poignant lamento that grieves the tragic fate of the Jewish people. Countering what he felt to be a tendency of Jewish music to transform into a “Wailing Wall” Castelnuovo-Tedesco follows the lamento with a folk dance whose brisk “lively and stubborn” movement has great panache. The third section returns to the initial poignant theme before briefly reiterating the dance motif allowing the piece to conclude on a hopeful note.
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Coffee And Violin
Violin and Piano
[Sheet music + CD]
Schott
Close your eyes and relax: these pieces are as pleasant and evocative for the li...
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Close your eyes and relax: these pieces are as pleasant and evocative for the listener as a cup of coffee, and they're charming to play too! Together with the CD and the piano accompaniment, the pieces are suitable for lessons, concerts or just music-making at home. Chord symbols facilitate accompaniment with guitar, accordion, or other instruments.Other editions: My Blue Violin (ED 21767) and The Merry Fiddler (ED 21768). / Violon Et Piano Accords
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American Fiddler
Violin and Piano
[Sheet music + Audio access]
Boosey and Hawkes
Traditional fiddle music from around the world. Par . Le répertoire complet de ...
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Traditional fiddle music from around the world. Par . Le répertoire complet de musique traditionnelle pour violon est maintenant à votre portée ! Avec ce grand choix de recueils vous pourrez recréer l'ambiance de votre propre 'ceilidh', des danses folkloriques, du club de jazz, des cafés concerts comme à Sarajevo. Certains de ces morceaux de musiques sont connus, d'autres sont plus exotiques, mais tous sont absolument authentiques et leurs arrangements sont faits sans compromis, mais ce qu?il y a de plus important, c'est qu'ils vous donneront énormément de plaisir. Chaque titre de la série est disponible en deux versions : la Violin Edition (avec en option une partie violon simplifiée et des accords de guitare), ou la Complete Edition qui comprend des accompagnements pour clavier et pour violon. Chaque version permet de jouer la musique en solo, en duo ou en trio aussi bien que dans des ensembles plus importants. Edward Huws Jones a beaucoup voyagé lors de sa recherche de styles traditionnels pour violon. Dans chaque livre il explique l'histoire d'un style particulier, offrant ses propres suggestions pour obtenir une exécution vivante. / Date parution : 2022-06-21/ Recueil / Violon
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