Tenor/Bass Edition. Par EMERSON ROGER. Hal Leonard Vocal Method est conçue pour toute personne souhaitant apprendre les bases du chant, à l'aide d'exercices vocaux et de chansons populaires. Ce guide du débutant, facile à utiliser, sert d'introduction pour commencer à chanter avec une bonne technique. Les sujets abordés sont les suivants : posture, respiration, échauffements, consonnes, voyelles, phrasé, vibrato et extension de la gamme. Le prix de ce recueil comprend l'accès à l'audio et aux vidéos en ligne, à télécharger ou à visionner en streaming, en utilisant le code unique qui se trouve à l'intérieur. L'audio comprend une piste de démonstration professionnelle ainsi qu'une piste d'accompagnement pour la performance. Des instructions vidéo étape par étape sont incluses pour chaque sujet. Les chansons de cette édition pour les chanteurs ténor et basse comprennent : Can't Help Falling in Love - Fire and Rain - Hallelujah - Mad World - Stand by Me - Take Me Home, Country Roads - Yesterday - et bien d'autres. / Date parution : 2021-12-09/ Méthode / Voix Ténor ou Basse

Oliver Gies (Maybebop) et Bertrand Groeger (Jazz Choir Freiburg): Ce duo ensemble pour la première fois trouveront une publication conjointe, est synonyme de créativité et de perfection, qui se traduit par 33 flambant neuf, allemand-canon. Que ce soit comme un échauffement, ajoutant choeur vocal etude virtuose ou de l'exercice - ces 33 miniatures sont un atout pour n'importe quel répertoire de la chorale, pour chaque classe, chaque formation de voyelle, qui est à la recherche de nouveaux défis et d'expériences sonores. / Voix

High Voice Compiled by Joan Frey Boytim-Sacred Solos For All Ages for High Voice compiled by Joan Frey Boytim. Boytim who compiled the widely-used series The First Book of Solos is the most respected name in publications for the developing singer. She brings her expertise and vast knowledge of vocal literature into the sacred genre with these collections which present traditional sacred solos for classical Voice and Piano. Ranging from classics by Bach and Mozart to early 20th century favorites and rarities the 43 songs - some long out of print - span from easy to more challenging but all are within the realm of a reasonable classical solo for a church service.

Now in its second edition A Handbook of Diction for Singers is a complete guide to achieving professional levels of diction in Italian German and French the three major languages of the classical vocal repertory. Written for English-speaking singers and offering thorough consistent explanations it is an ideal tool for students and an invaluable reference for voice teachers vocal coaches and conductors. The book combines traditional approaches proven successful in the teaching of diction with important new material not readily available elsewhere presenting the sounds of each language in logical order along with essential information on matters such as diacriticalmarks syllabification word stress and effective use of the variety of foreign-language dictionaries. Presented in an attractively concise format the book goes into greater detail than comparable texts providing specific information to clarify concepts typically difficult for English-speaking singers. Particular emphasis is placed on the characteristics of vowel length the sequencing of sounds between words as well as the differences between spoken and sung sounds in all three languages. Featuring significantly expanded coverage of each of the three languages and illustrated with numerous examples this second edition of A Handbook of Diction for Singers is an exceptional text for courses in diction and a valuable reference source for all vocalists. Attractively concise format Provides specific information to clarify concepts typically difficult for English-speaking singers

Women's Edition-30 song collection for voice and Piano with special attention paid to singer-friendly keys.Ideal for tuition concerts auditions and fun!Includes All I Ask Of You Don't Cry For Me Argentina Memory Think Of Me Unexpected Song and You Must Love Me.

A new collection to complement ABRSM?s bestselling Songbooks the Songbook Plus series features a wealth of material from ABRSM?s 2018 Singing syllabus at Grades 1 to 5. The unrivalled choice of repertoire in a huge variety of styles will inspire singers of all ages. The books include a diverse range of pieces from core classics to songs from stage and screen as well as fresh new arrangements newly commissioned editions and English singing translations. They also include notes on the songs to aid practice and performance. The books feature:  Three pieces from each of Lists A and B and six from List C for Grades 1 and 2  Four pieces from each of Lists A and B and six from List C for Grades 3 4 and 5

Great singers whose compositions also won the respect of their contemporaries: Rossini's favorite tenor, Manuel Garci; his daughter, Maria Malibran, the most brilliant diva of her age; and the younger daughter, Pauline Viardot, famous opera singer and voice teacher. All three used profound knowledge of music and of bel canto to create songs in French, Spanish, and Italian.

The fun-filled story of Pinocchio suitable for any time of the year. Contains nine new songs which children will find easy to learn and fun to sing. Also some pecussion with improvised storm music. Duration: 40 mins.Script available in student book.You will require a license to perform this work at your school/youth theatre; please click here for more information andour application form.Professionally recorded demonstration and backing tracks are available to purchase and download here .

The Vocal Library Low Voice-The Vocal Library Low Voice. Concert arrangements for voice and piano in an art song style of 35 great folksongs from the American heritage. These interesting and expressive settings are appropriate for collegiate recitals or advanced high school singers as contest solos. The songs range from comic to sad from rowdy to inspirational and there are selections appropriate for women and men singers. The collection is primarily comprised of secular folksongs with a few sacred American folk tunes. The same songs appear transposed in the editions for High Voice and Low Voice. There are three bonus duets included. Includes fresh arrangements of Amazing Grace Black Is theColor of My True Love's Hair The Cruel War Is Raging How Can I Keep from Singing? I Gave My Love a Cherry Johnny Has Gone for a Soldier Shenandoah Soldier Soldier Will You Marry Me The Streets of Laredo Wayfaring Stranger Wondrous Love and more.

Rural Roots of Bluegrass is a songbook and history book that takes a deep at the roots of bluegrass music: ballads and fiddle tunes of Scots-Irish pioneers black spirituals plantation melodies blues murder ballads sentimental parlor songs from Tin Pan Alley North Carolina banjo styles and gospel songs. This book is richly illustrated with 107 vintage photos and includes history lyrics to 94 songs musical notation chords playing tips and historical sources for each song. Includes profiles on the Bill Clifton Bill Monroe the Blue Sky Boys Bradley Kincaid the Callahan Brothers Carolina Tar Heels the Carter Family Charlie Poole and the North CarolinaRamblers the Coon Creek Girls Earl Scruggs Eck Robertson Ernest V. 'Pop' Stoneman Fiddlin’ Arthur Smith Fiddlin’ John Carson G. B. Grayson & Henry Whitter Jimmie Rodgers Karl and Harty the Lilly Brothers MonroeBrothers the Morris Brothers Riley Puckett Samantha Bumgarner Vernon Dalhart Snuffy Jenkins and Wade & J. E. Mainer. 6' x 9' 180 pages. The perfect companion to the CD 'Rural Roots of Bluegrass.'

Par MC NEFF STEPHEN. My research for Banished began with a small group of students during a Trinity Laban co-lab period in 2013, though the idea goes back over 30 years when I first saw Steve Gooch’s Female Transport and stored the idea of adapting it as an opera until the right opportunity arose. I have been involved in opera for a long time and it has always been a frustration for me that while there is an abundance of female talent (particularly so in conservatories and colleges) there is a noticeable lack of challenging roles available for young women. The roles most often undertaken are maids or innocent girls, compliant wives or tomboys. Not that the problem is necessarily confined exclusively to young women, but where good roles exist, the women are all too often merely passive or victims. Things happen to them rather than them making things happen. They are unable to influence their circumstances and are usually resigned to their fate. Worse still, they are often judged in some way responsible for what happens to them, culpable even because of their looks, their way of life or a streak of independence. Just think about Mimi, Carmen and Violetta (to name only three on a long list). All these characters die, and their attempts at individuality contribute to their demise in some way that they have no control over. With some exceptions female characters in opera are too often sad, mad or bad. Redressing this balance and taking advantage of the richness in vocal talent is only one reason to write an opera reflecting the reality of a group of strong women who work things out for themselves. The transportation of people to Australia at the beginning of the nineteenth century is not a particularly well understood part of history beyond a sort of folk myth. What were the circumstances, who were the people and what happened to them? Opera does not exist to completely answer these questions, but it can focus on the women as individuals and help tell their story. (All the women named in the opera actually existed.) My approach has to been to put the women’s narrative centre stage and, in the confines of an oppressive, dangerous environment go with them on their journey as they survive or sink. The demands on the women are huge. At every turn they are oppressed by their jailers, the system that brought them here and their own low expectations. They have to work out ways to overcome these odds. We discover them through their music in solos and ensembles, sometimes reflective, at other times boasting about their lives a petty criminals and trying to establish status and pecking order. Alongside this I have used references to music of the time to create another reality built on larger ensembles and choruses. This is a sort of collective consciousness aware of loss, longing and context – even of a broad political dimension to the realities of Transportation. Despite the acute awareness of their circumstances in these ensembles, there is also a resilience and strength that transcends the individual stories. Stephen McNeff / Instrumental Music / Répertoire / Voix

A practical guide to the benefits of singing. Explore the physical, emotional, mental, spiritual and ultimately life-changing benefits that singing can bring. Eat Sleep Sing takes you on a fun and informative journey as you uncover the secrets of singing. This inspiring workbook will help you get the best out of your voice and encourage everyone to sing. Written by professional singer, teacher and composer, Stacey DeLooze, Eat Sleep Sing features easy-to-follow practical exercises, a step-by-step warm-up guide and expert advice, and is suitable for non-singers, beginners, trained musicians and teachers alike. Discover the chemical responses to singing that reduce stress and encourage a good night?s sleep. Master exercises to gain stronger breath control and a happier mind. Explore the myriad ways singing connects us to each other and the world around us. Unlock tips to boost your confidence and keep your memory sharp and agile. Featuring beautiful illustrations which can be coloured-in to support mindfulness, tongue-twisters to practise, as well as a mood-tracker to help monitor your progress, there is no requirement to read music.

Singer's Choice - Professional Tracks for Serious Singers-Eight Gershwin songs are presented in this package which is designed to provide the at-home singer with an actual professional setting.Sing The Songs Of George

Oratorio in three acts-Composed in 1748 Handel?s oratorio on the wise and righteous King Solomon is one of the most lavish works he created in this genre.He attached special importance to the choir: rarely does Handel?s music have such extended choral numbers ranging from homophonic settings to choruses of jubilation in eight contrapuntal parts.This Urtext Edition Vocal Score is based on the ?Halle Handel Edition? volume BA 10709 and features a bilingual foreword (Ger/Eng).

Learn the art of jazz vocal improvisation! This book will help you hear, understand and apply jazz theory so that you can solo as a complete musician?in the same way that instrumentalists do. Each lesson offers a core musical concept related to harmony, melody, and rhythm, integrating skills such as conducting and analysis. All concepts are reinforced with practical exercises. The accompanying audio tracks demonstrate techniques and let you practice improvising along with a piano accompaniment.
You will learn to:
Develop your sense of timing and swing
Understand jazz harmony, such as tensions and non-diatonic chords, as well as chord progressions such as II V and cycle V progressions, and use harmony as your basis for creating expressive solos
Navigate song forms, such as AABA, blues forms, turnarounds, and other common jazz structures
Improve your ear for jazz harmony through studying intervals and chord progressions, and by memorizing emblematic jazz melodic patterns
Create expressive vocal lines that work well over jazz chords and integrate well within the context of a jazz ensemble
?Mili Bermejo?s Vocal Jazz Improvisation is the most comprehensive vocal book I have ever seen on improvisation. Her years of research and her wisdom and artistry leave no stones unturned. I would recommend this book to instrumentalists as well, to develop their ears and breadth of expression.?
?Jerry Bergonzi, Jazz Saxophonist, Composer, Author, Educator

?I have been a huge fan of Mili as an artist for many years now, and have admired her impeccable skills as a teacher for just as long. Seeing Mili perform in duo with Dan Greenspan is one of the great wonders of the world. They make voice and bass seem like an orchestra, harmonically rich and complete, and emotionally compelling. How lucky for us that Mili has written a book on improvisation from her own assured and gracious vantage point. Her approach is accessible, organic, personal, and best of all, inspiring! She takes the fear factor out and provides tools to make improvisation a truly creative and joyful experience.?
?Peter Eldridge, Jazz Singer, Pianist, Composer (New York Voices)

?Creating awareness is at the core of this beautiful material that was very much needed in the vocal jazz field. Here is a book with clever, effectively organized information for all vocalists to develop a practical framework that covers the foundation to find confidence, strength and ultimately freedom as a vocal improviser.
Mili?s music speaks to the heart, overflowing with humanity, joy, and compassion, and this book does the same. Mili traces a clear path, guiding us step by step along the way. She draws on her own experience, which I must say reflects all vocalists? experience, as we walk this fascinating journey of jazz singing.?
?Magos Herrera, GRAMMY-nominated Jazz Singer

?How lucky for all of us that Mili Bermejo put her decades of experience and skill as both performer and teacher into this book. What a gift! Thank you, Mili.?
?Tierney Sutton, Multi-GRAMMY Nominated Jazz Singer
/ Méthodes et pédagogie / Chant / / BERKLEE