Les étudiants aiment jouer ces 16 chansons de l'Aladdin de Disney favoris, La Belle et la Bête et La Petite Sirène. Songs include: Beauty and the Beast - Friend like Me - Kiss the Girl - Something There - Under the Sea - A Whole New World - and more. / Rép International / Recueil / Clarinette

With online audio of piano accompaniments-Intermediate level arrangements for solo instruments and piano accompaniment in a range flattering to each instrument. The music has been edited with added dynamics articulations and phrasing making it appropriate for lessons or performances. The accompaniments have been recorded on an acoustic grand piano and are available online for download or streaming. Includes: All I Ask of You (from The Phantom of the Opera) · Bring Him Home (from Les Misérables) · Memory (from Cats) · Some Enchanted Evening (from South Pacific) · The Sound of Music · Till There Was You (from The Music Man) · Tonight (from West Side Story) · and more. Audio is accessed online using the uniquecode inside the book and can be streamed or downloaded. The audio files include PLAYBACK a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.

Programme Note WHIRLS´ WORLD (1970) for wind quintet. 'Whirl´s World' was composed in 1970 as one of a series of works which explored the so-called musical ´difference-phenomenon´. This term (which I coined in connection with a series of lectures in California that year) indicates a motivic duplicity in which two - often very simple - melodic ideas come ´out of phrase´ with each other giving rise to a course of constantly changing conditions. In Whirl´s World the difference phenomenon is heard from the beginning where a three-note motif and a four-note motif are set against each other. It all proceeds lake a lightning-fast series of chess moves; first notenumber 1 of the three-note motif is moved then note number 1 of the four-note motif thereafter note number 2 of the three-note motif - and so on. This fast opening flows into a slow section in which the differences now appear as ´fluctuations´ between very closely related tones (of which one is sung by the musician). There is only one movement built up as an organic growth from slow to furiously fast whirling and back again to slow which can be heard as ´slow-motion whirls´ as a water-world of ripples and bubbles. All this is framed by the introduction described above and a corresponding conclusion in which the movement is now descending ending in the resolute bass full-stop. Per Norgård

Restart Clarinet guides returning players through 12 specially selected pieces to bring them successfully back up to speed with the Clarinet at their own enjoyable pace.With additional exercises tips andtheory reminders lapsed clarinettists will find the learning curve engaging and rewarding yet flexible with special focus paid to common issues such as tone voicing techniques and remastering the embouchure.TheRestart series of books are written by specialist practising teachers for people rediscovering the joy of playing music again. Each title comes complete with an accompanying CD of popular and classical backing tracks andonline support materials.

Par SAINT-SAENS CAMILLE. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary. Camille Saint-Saëns composed this Romance, Op. 51, in 1877, originally in the key of D major for cello and piano. The form of the piece is relatively simple, opening with a lyrical melody over a repetitive and somewhat rhythmic accompaniment. The middle section modulates to the key of the flattened 6th scale degree (B-flat major), using this to arrive at the dominant chord, in which there are some pseudo cadenza-like moments. Following this, a return to the opening melody with a slightly modified accompaniment, and subsequently a brief coda. To better accommodate the bass clarinet, the entire piece has been transposed up a half-step from the original version into a morecomfortable key of E-flat major. Additionally, for much of the piece, the solo part has been lowered by an octave, as to make the piece generally more accessible to students. Should there be a desire to hear the piece more in the range of the original version, one could simply play it on a standard B-flat clarinet to achieve this effect. Though only about four minutes in length, this relatively short vignette captures much of the true essence of Saint-Saëns, not only through the harmonic progressions and accompanimental figures used, but also demonstrating his gift of turning a 'simple' melody into something extraordinary./ Répertoire / Clarinette Basse et Piano

Par WEISSENBORN JULIUS. German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including this Capriccio, Op. 14. Not only is the piece educational to the player, but it is also quite entertaining to the audience. Similar to the Premier Solo of Eugene Bourdeau, the Capriccio is often regarded as somewhat of a secondary solo, good for students before they move on to the 'real' repertoire. However, it is a well thought-out and fun piece, and is perfectly suited for the bass clarinet. In this edition, the piano part has been transposed down a whole-step (toB-flat major), to better accommodate the bass clarinet. In addition, there are two solo parts included, one for extended range bass clarinet (to low C), and for standard range bass clarinet (to low E). German bassoonist and pedagogue Julius Weissenborn is known primarily as an author and composer of method and etude books familiar to all bassoonists. However, he also composed a number of solo works, including this Capriccio, Op. 14. Not only is the piece educational to the player, but it is also quite entertaining to the audience. Similar to the Premier Solo of Eugene Bourdeau, the Capriccio is often regarded as somewhat of a secondary solo, good for students before they move on to the 'real' repertoire. However, it is a well thought-out and fun piece, and is perfectly suited for the bass clarinet. In this edition, the piano part has been transposed down a whole-step (toB-flat major), to better accommodate the bass clarinet. In addition, there are two solo parts included, one for extended range bass clarinet (to low C), and for standard range bass clarinet (to low E)./ Répertoire / Clarinette Basse et Piano

20 progressive studies for Bb Clarinet-This collection by Jayson Mackie contains 20 solo compositions in a Latin style for the Clarinet. Latin music has been a particular favourite genre of mine to write in having grown up listening to jazz bands and playing in them as a teenager. Most people can name a handful of the more well-known dances (thanks to the popularity of Strictly Come Dancing!) but I knew there were many more lesser-known Latin styles out there. So in August 2015 I decided to research some of the many dance forms of the Caribbean and South America. After listening to these and discovering a little of their history and musical characteristics I decided to write myown versions. Latin Lovelies is the result. - Jayson Mackie

Performed by Tim Laughlin clarinet Accompaniment: Tim Laughlin's New Orleans All-Stars. Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a child of the Crescent City as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades and steamboat gigs andasked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans. Includes newly engraved solo charts printed on acid-free ivory paper; and two compact discs featuring complete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes.

Par DAVIES JOHN. The 15 little pieces in the Really Easy C Clarinet Book have been written and selected with beginners in mind, but within the technical limitations this imposes there is plenty of scope for musical interest. The pieces are arranged progressively, so as well as musical satisfaction there's the pleasure of step-by-step improvement. The piano accompaniments have been kept as simple as possible.  / Instrumental Music, Methods

Herbert Howells (1892-1983) was an English composer and teacher who is perhaps best known for his choral music in the Anglican tradition.A Near Minuet however was written for Clarinet and Piano and is one of Howells’ most charming small-scale works. It was composed in 1946 while Howells was Director of Music at St Paul’s Girls’ School for one of his pupils there.

Bb Clarinet - Grade 0.5 to 1. Par . There are two things that beginners really want to do: play songs they recognize and play the TUNE. In Tons of Tunes for the Beginner, many of the easiest of familiar songs are gathered together so that young musicians can do just that ? play the tunes to familiar music! Most of the songs can be performed by players who have learned only a few notes. Play along with the accompaniment tracks or with any combination of solo instruments for tons of practice fun! 32 favorite tunes, including: Bingo, I've Been Working on the Railroad, Ode to Joy, Take Me Out to the Ball Game, Yankee Doodle and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-05-31/ Recueil / Clarinette en Bb

16 contemporary pieces-Spectrum for Clarinet is an inspiring collection of specially commissioned pieces by sixteen contemporary composers. An introduction to music of today it reflects compositional trends from the millennium so far while containing technically accessible material for players of all ages. There is at least one piece at each of the ABRSM grades 1-8 ensuring the collection will be revisited time and again. Also included is an exciting recording of all sixteen pieces featuring Ian Mitchell himself on Clarinet with pianist Thalia Myers.

This 1963 setting of three well-known folksongs honours the melody line in the Soprano while adding brilliant texture and accompaniment in the clarinet and Piano. In Johnny Has Gone For A Soldier McCabe moves his harmonies away from the certainty of the minor tune for an intriguing dislocation that reflects the loss in the lyrics. In the lullabye Hush-A-Ba Birdie Croon Croon the clarinet provides a rippling undertone to the singer while D’Ye Ken John Peel carries as much musical acknowledgement of the ‘death in the morning’ as it does the romping ‘hounds and Horn’.Contemporary British musician John McCabe has been a prolific composer since his earliest years and an activepianist recording extensively and performing across the globe. His compositions tend toward large scale works there are seven symphonies so far but he has composed for every size and type of ensemble. He is particularly well known for his concerti.