Par BACH JOHANN-SEBASTIAN. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument./ Répertoire / Clarinette Basse Solo

Par SCIORTINO PATRICE. Clarinette BASSE/VIBRA/MARIMBA / Niveau : Confirmé / CONTEMPORAIN / Répertoire / Clarinette Basse

Par SCIORTINO PATRICE. CONDUCTEUR SEUL FORMAT 225 X 305 MM / Niveau : Confirmé / CONTEMPORAIN / Répertoire / Clarinette Basse

Tunes for Beginning Improvisers. The easiest tunes from Horace Silver, Eddie Harris, Freddie Hubbard, Red Garland, Cannonball Adderley, Sonny Rollins, Cedar Walton, Wes Montgomery, etc. Get yourself---or your beginning jazz combo --- sounding good right away with the first fake book ever designed for the beginning improviser. Easy, but classic jazz tunes give the student a good start in learning the jazz repertoire.Sample piano voicings, guitar chord diagrams, sample bass lines and useful scales for improvisation are included with each tune, for easy reference. Developed and road-tested for years at the Stanford Jazz Workshop's summer jazz camps. It works! Each song will sound good played in rock, funk or Latin styles, as well as swing. Perfect for individual students of all ages, as well as jazz combos. A great resource for music teachers and band directors. / Instruments En Bb

Description Bb Edition. The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed without any copyrights or royalties paid to the master composers who created these musical canons. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You and your customers won't even notice the difference...the covers look the same, the engravings look the same, the songlist is nearly identical, and the price remains fair even on a musician's salary! But every conscientious musician and music store owner will appreciate that these books are now produced legally and ethically, benefitting the songwriters that we owe for some of the greatest music ever written! 400 songs (All Of A Sudden) My Heart Sings 52nd Street Theme A Ballad A Flower Is A Lovesome Thing A Lovely Way To Spend An Evening A Portrait Of Jenny A Walkin' Thing A Weaver Of Dreams A Wonderful Day Like Today Ablution Adam's Apple Affirmation Air Mail Special Alfie's Theme All Alone (Left Alone) Alto Itis Another Star April Skies Are You Havin' Any Fun? Ask Me Now At The Mambo Inn Avalon Azure Baby, It's Cold Outside Bags And Trane Bags' Groove Bali Ha'i Baltimore Oriole Ba-lue Bolivar Ba-lues-are (Bolivar Blues) Barbados Barbara Basin Street Blues Be-bop Better Leave It Alone Beyond The Sea Big P Billie's Blues (I Love My Man) Billie's Bounce (Bill's Bounce) Bill's Hit Tune Bird Feathers Birdland Birk's Works Black And Tan Fantasy Blame It On My Youth Bloomdido Blow Mr. Dexter Blue 'N Boogie Blue Serge Blue Seven Blue Silver Blue Skies Blues By Five Blues For Wood Blues In The Closet Blues March Bohemia After Dark Booker's Waltz Bouncing With Bud Brian's Song Bright Boy Brilliant Corners Budo Bunko Buster Rides Again Bye Bye Blackbird Cantelope Island Caravan Cast Your Fate To The Wind Chameleon Chasin' The Trane Cheesecake Circle C-jam Blues Close Your Eyes Cold Duck Time Come Rain Or Come Shine Comin' Home Baby Cool Blues Cousin Mary Crazeology Crepuscule Criss Cross Crosscurrent Dance Of The Infidels Dat Dere Day By Day Dewey Square Dexter Rides Again Didn't We Dinah Dindi Do I Love You Because You're Beautiful? Do Nothin' Till You Hear From Me Do You Know What It Means To Miss New Orleans Don't Explain Down For Double Doxy Duff Early Autumn Eclypso Einbahnstrasse Elora Emancipation Blues Epilogue Estate Everything I Have Is Yours Eye Of The Hurricane Ezz-thetic Farmer's Trust Feels So Good Fever Filthy Mcnasty First Trip Five Brothers Five Spot After Dark Fly Me To The Moon (In Other Words) Flying Home Four Brothers Fox Hunt Freight Trane Frenesí Funky Georgia On My Mind Get Me To The Church On Time Get Out Of Town Gettin' It Togetha Girl Talk Gravy Waltz Gregory Is Here Grooveyard Hackensack Hallucinations Happy Little Sunbeam Havona Head And Shoulders Hi Beck High Fly Ho-ba-la-la Hocus-pocus Holy Land Honeysuckle Rose Horace Scope Hummin' Humpty Dumpty I Believe In You I Don't Stand A Ghost Of A Chance I Get Along Without You Very Well (Except Sometimes) I Have Dreamed I Hear A Rhapsody I Remember Bird I Thought About You I Will Wait For You I Wish I Didn't Love You So Ice Cream Konitz Idol Gossip If I Loved You If I Should Lose You If I Were A Bell I'll Know I'm A Fool To Want You I'm Confessin' (That I Love You) I'm Just A Lucky So And So Imagination In Case You Haven't Heard In Pursuit Of The 27th Man In The Still Of The Night In Walked Bud Indiana (Back Home Again In Indiana) Infant Eyes Island Birdie It Could Happen To You It Might As Well Be Spring It Will Have To Do Until The Real Thing Comes Along It's A Blue World It's All Right With Me It's Only A Paper Moon It's So Peaceful In The Country I've Found A New Baby (I Found A New Baby) I've Told Ev'ry Little Star Jackie Jeannine Jingles Jitterbug Waltz Joyce's Samba Jump, Jive An' Wail Jumpin' With Symphony Sid June Is Bustin' Out All Over Just A Few Just A Settin' And A Rockin' Just In Time Just The Way You Are Kary's Trance Katrina Ballerina Kids Are Pretty People Killer Joe Lady Day Lakes Last Night When We Were Young Leila Lennie's Pennies Let's Cool One Let's Fall In Love Let's Get Lost Like Sonny (Simple Like) Like Young Limbo Little Chicago Fire Little Rootie Tootie Little Sunflower Locomotion Lone Jack Lonely Dreams Look For The Silver Lining Lotus Blossom Love Is Just Around The Corner Love Vibrations Love, Look Away Lover Lover Man (Oh, Where Can You Be?) Make Someone Happy Manteca Memories Of You Menina Flor Mercy, Mercy, Mercy Miles Ahead Minor Mishap Minor Mood Moanin' Monk's Mood Monk's Shop Moon Rays Moon River Moonglow Moose The Mooche More Than You Know Morning Dance Moten Swing Move Mr. Magic My Attorney Bernie My Little Suede Shoes My Old Flame Nature Boy Night Song No Moe No Splice North Atlantic Run Now See How You Are Now's The Time Nutville Off Minor Oh, What A Beautiful Mornin' Old Devil Moon On The Sunny Side Of The Street One By One One Foot In The Gutter One Morning In May Our Language Of Love Out Back Of The Barn Oye Como Va Pannonica Parisian Thoroughfare Peel Me A Grape Pennies From Heaven People Will Say We're In Love Perdido Petite Fleur (Little Flower) Petits Machins Phase Dance Picadillo (A La Puente) Pick Yourself Up Polka Dots And Moonbeams Pursuance (Part III) Question

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

Par HERZOG EDGAR. This arrangement has an immediate soothing effect on anyone suffering from Christmas. Saint Nicolas wishes all a relaxed and swinging Christmas season with Rudolph, his reindeer, swaying his antlers to the rhythm of the samba./ Recueil / Flûte Traversière Hautbois, Clarinette, Cor en Fa/

Par DAVID FERDINAND. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet. Although Ferdinand David is mostly known as a composer for a couple of his instrumental works, namely a Concertino for Trombone, and this Concertino, Op. 12 for bassoon, perhaps he should be most well-known as the violinist who premiered the Violin Concerto of Felix Mendelssohn in 1845. He was appointed as concertmaster of the Gewandhaus Orchestra in Leipzig when Mendelssohn, a childhood friend, became the principal conductor in 1835. This Concertino for bassoon also exists in a version for viola, and now subsequently this edition for bass clarinet. It is a fun solo in two parts, first an aria-like melody, followed by a technical 'Presto agitato.' The key has been kept the same asthe original version, and although it is preferred to perform with an extended range instrument, indications are made for adapting it to a standard range bass clarinet./ Répertoire / Clarinette Basse et Piano

Volume 3 is perfect for jazz ensemble directors looking for one book to keep their students engaged and progressing all year long, as well as any musician interested in Sher Music's series of world-famous fake books. At over 200 pages, THE REAL EASY BOOK - VOL.3 comes in C, Bb, Eb and bass clef versions. It features 5-10 tunes from each historical era of jazz: Trad Jazz, The Swing Era, Classic Bebop, West Coast Jazz, The Blue Note Era, Contemporary Jazz, ''Groove'' Jazz, Brazilian Jazz and Afro-Cuban Jazz. The wide variety of styles included means that every jazz combo will be able to find exactly the material that fits their needs.Difficulty ranges from very simple blues, like Charlie Parker's ''Now's The Time'' to deep, but still playable, contemporary tunes, like Mike Stern's ''These Times.'' Also featured are some great beginning trad jazz arrangements of ''Bill Bailey'' and ''Alexander's Ragtime Band'', including separate clarinet and trombone obligato parts to get that authentic Dixieland feeling!In addition to the tunes and educational material, there are also fun and informative introductory texts for each section. These short histories of each era of jazz introduce both the flavor of the era, and a discussion of the musical innovations that each one brought to the evolution of jazz.The end result is a multi-dimensional teaching tool that will keep band directors and their students smiling all year long! / Instruments En Bb

Arr. Philip Sparke. Par SOUSA JOHN PHILIP. This collection provides a practical edition that can be used for marching as well as in the concert hall for 15 Sousa classics: The Beau Ideal - The Black Horse Troop - El Capitan - The Fairest of the Fair - Hands Across the Sea - The High School Cadets - The Invincible Eagle - King Cotton - The Liberty Bell - Manhattan Beach - Nobles of the Mystic Shrine - Semper Fidelis - The Stars and Stripes Forever - The Thunderer - and The Washington Post / Niveau : 3 / Marche / Répertoire / Clarinette Basse

Par BOURDEAU EUGENE. Eugene Bourdeau came from a family of bassoonists and eventually became the professor of bassoon at the Paris Conservatory from 1891 to 1922. Though not well-known as a composer, he composed three solos for bassoon, consisting of a a variety of styles. The Deuxieme (Second) Solo, composed for the 1907 concours of the Paris Conservatory, is in three sections: a stately introduction, a slow middle section, and a brisk allegretto. Originally in the key of B minor/D major, the entire piece has been transposed up one half-step, to better accommodate the range of the bass clarinet, as well as to make it a more comfortable key.Eugene Bourdeau came from a family of bassoonists and eventually became the professor of bassoon at the Paris Conservatory from 1891 to 1922. Though not well-known as a composer, he composed three solos for bassoon, consisting of a a variety of styles. The Deuxieme (Second) Solo, composed for the 1907 concours of the Paris Conservatory, is in three sections: a stately introduction, a slow middle section, and a brisk allegretto. Originally in the key of B minor/D major, the entire piece has been transposed up one half-step, to better accommodate the range of the bass clarinet, as well as to make it a more comfortable key./ Répertoire / Clarinette Basse et Piano

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

Par BACH JOHANN SEBASTIAN. 'Après mon travail de retranscription pour le cor de basset, j’ai décidé de faire une version pour clarinette. Celle-ci peut bien sûr se jouer à la clarinette basse ! Cette transcription a été faite d’après le manuscrit original, ma source étant la version copiée par Anna Magdalena Bach. Les nuances et articulations proposées sont fidèles au manuscrit, autant que possible. Je n’en ai ajouté aucune, afin de donner toute la liberté nécessaire à l’interprétation de cette musique si riche. Les articulations du manuscrit guident les violonistes dans le choix des coups d’archet, à vous de vous en inspirer ou de les modifier à votre guise. Les double-cordes, de même que les accords (joués ‘en arpèges’ par les violonistes), sont reproduites avec des notes en appoggiature ou en arpèges. Je suis conscient que, pour la plupart des clarinettistes, le fait de jouer sur une partition exempte d’indication de tempi, nuances, articulations, respirations, est quelque peu déroutant. C’est justement, selon moi, toute la richesse de cette version proche de l’original. Vous pourrez explorer cette œuvre fabuleuse, affiner votre technique de jeu (certains passages sont particulièrement difficiles) et développer votre propre interprétation. Je vous encourage à écouter des violoncellistes virtuoses interpréter ces fantastiques pièces, vous trouverez l’inspiration et quantité d’idées. J’espère que vous prendrez autant de plaisir que moi à les jouer !' Frédéric Matagne Collection Anachronismes/ Répertoire / Clarinette Basse

Sound Innovations: Ensemble Development for Young Concert Band is a complete curriculum for beginning band students to help them grow as ensemble musicians. The series complements any band method and supplements any performance music. It contains 167 exercises, including more than 100 chorales by some of today's most renowned young band composers. Various exercises at the grade 1/2, 1, and 1 1/2 levels are grouped by key, including: * Long Tones* Passing the Tonic* Pitch Matching* Scale Builders* Interval Builders* Expanding Intervals* Chord Builders* Moving Chord Tones* Diatonic Harmony* Rhythmic Subdivision* 5-Note Scales* Scale Canons (5-, 6-, or 8-Note Scales)* Scale Chorales (5-, 6-, and 8-Note Scales) * ChoralesThe compositions were written by Roland Barrett, Chris Bernotas, Jodie Blackshaw, Matt Conaway, Ralph Ford, Tyler S. Grant, Rob Grice, John O'Reilly, Robert Sheldon, Todd Stalter, Randall Standridge, Michael Story, and Scott Watson. Whether your students are progressing through exercises to better their technical facility, or improving their musicianship with beautiful chorales, we are confident your performers will be excited, motivated, and inspired by using Sound Innovations: Ensemble Development for Young Concert Band. / Clarinette Basse