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Rockschool Vocals For Male Singers - Level 3
Melody line, (Lyrics) and Chords
[Sheet music + CD]
Rock School Limited (RSL)
Rockschool is about playing the styles of music you love.This pack contains the ...
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Rockschool is about playing the styles of music you love.This pack contains the songs for Level 3, covering grades 6, 7 and 8. This level is tailored to those of you who are looking to develop advanced skills and techniques as a vocalist. Each book is a standalone resource that features sound-alike backing tracks with top line melody featuring a wide range of artists including Robbie Williams, Coldplay and The Beatles.The level 3 book features:Aural testsRhythm examples and exercisesQuick study piecesBacking vocals techniqueFull mixes and backing tracks over 2CD'sDuel key backing tracksRockschool students are always encouraged to be creative with the Rockschool tunes so feel free to improvise and adapt them to suit your own vocal style. / Ligne Mélodique, Paroles Et Accords
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Holst Songs Of Land Sea And Air Voix / Po
Voice solo
Novello & Co Ltd.
A collection of part-songs and canons for equal voices with piano accompaniment....
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A collection of part-songs and canons for equal voices with piano accompaniment. / Voix
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Gordon Lightfoot: Best of Gordon Lightfoot: Vocal and Guitar: Instrumental Album
Lyrics and Chords
Hal Leonard
Guitar chords and lyrics for 18 songs from the Canadian folk troubadour includi...
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Guitar chords and lyrics for 18 songs from the Canadian folk troubadour including: Beautiful · Bitter Green · Carefree Highway · Early Mornin' Rain · (That's What You Get) For Lovin' Me · I'm Not Sayin' · If You Could Read My Mind · Rainy Day People · Song for a Winter's Night · Sundown · Talking in Your Sleep · The Wreck of the Edmund Fitzgerald · and more.
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Samuel Barber: Knoxville: Summer Of 1915 - Full Score: Concert Band: Score
Concert band
Schirmer
Score-Samuel Barber's landmark 1948 piece for soprano and orchestra a setting o...
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Score-Samuel Barber's landmark 1948 piece for soprano and orchestra a setting of poetic nostalgic prose by James Agee has been transcribed for soprano and concert band in this new edition making it accessible to many more performers. This lyrical warm music is Samuel Barber at his best evoking the highest aspects of Americana. The soprano part is for an accomplished performer. (Grade 5) (15:00)
16.99 GBP - Sold by Musicroom UK
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Summer of '69 - Three Days That Rocked the World: Mixed Choir a Cappella: Vocal
Choral SATB
[Vocal Score]
Hal Leonard
(Songs of Woodstock Medley)-In 1969 the legendary 3-day music festival Woodstoc...
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(Songs of Woodstock Medley)-In 1969 the legendary 3-day music festival Woodstock defined a generation and gave us unforgettable musical performances from groups like The Who; Crosby Stills and Nash; Jefferson Airplane; Blood Sweat and Tears and more. This powerful 16-minute medley is divided into four flexible sections and includes programming suggestions by John Jacobson. It's just like being there - without the mud! I. The Innovators - Suite: Judy Blue Eyes Somebody To Love Spinning Wheel My Generation II. The Rock & Rollers - Bad Moon Rising Evil Ways Proud Mary III. The Balladiers - Helplessly Hoping If I Were a Carpenter Find the Cost of Freedom IV. The Entertainers - Silhouettes Get a Job At the Hop. Available separately: SATB SAB 2-Part ShowTrax CD. Combo parts available digitally (tpt 1-2 asx tbn syn gtr 1-2 b dm perc). Duration: ca. 16:00.
19.95 GBP - Sold by Musicroom UK
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Dave Brubeck: Genius Of 1: Piano: Instrumental Work
Piano solo
Alfred Publishing
Dave Brubeck has been described as a 'musician who always crossed generational b...
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Dave Brubeck has been described as a 'musician who always crossed generational boundaries'. He has been and will continue to be one of the great geniuses of American music. Book 1 contains Piano solos.
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More Easy Pop Melodies
Guitar
[Sheet music + Audio access]
-
Easy
Hal Leonard
A unique pop supplement to any guitar method book 2. Cross-referenced with Hal L...
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A unique pop supplement to any guitar method book 2. Cross-referenced with Hal Leonard Guitar Method Book 2 pages for easy student and teacher use. 18 songs, including: All Shook Up - Jailhouse Rock - Ticket to Ride - King of Pain - and more. / Guitare
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Summer of '69 - Three Days That Rocked the World: Mixed Choir a Cappella: Vocal
Choral 3-part
SAB
[Vocal Score]
Hal Leonard
(Songs of Woodstock Medley)-In 1969 the legendary 3-day music festival Woodstoc...
(+)
(Songs of Woodstock Medley)-In 1969 the legendary 3-day music festival Woodstock defined a generation and gave us unforgettable musical performances from groups like The Who; Crosby Stills and Nash; Jefferson Airplane; Blood Sweat and Tears and more. This powerful 16-minute medley is divided into four flexible sections and includes programming suggestions by John Jacobson. It's just like being there - without the mud! I. The Innovators - Suite: Judy Blue Eyes Somebody To Love Spinning Wheel My Generation II. The Rock & Rollers - Bad Moon Rising Evil Ways Proud Mary III. The Balladiers - Helplessly Hoping If I Were a Carpenter Find the Cost of Freedom IV. The Entertainers - Silhouettes Get a Job At the Hop. Available separately: SATB SAB 2-Part ShowTrax CD. Combo parts available digitally (tpt 1-2 asx tbn syn gtr 1-2 b dm perc). Duration: ca. 16:00.
19.95 GBP - Sold by Musicroom UK
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Play It Right - All-Time Hits
Guitar notes and tablatures
[Sheet music + DVD]
-
Easy
Amsco Wise Publications
The Play It Right series is for beginner - intermediate guitarists who want to m...
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The Play It Right series is for beginner - intermediate guitarists who want to master their favourite classic rock and pop songs. The All-Time Hits book includes: A book of nine songs each with the guitar part shown in simple diagrams and pictures, plus a matching tutorial. A DVD showing you exactly how to play the pieces, plus an audio track for each to demonstrate how they should sound. / Guitare
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Best Of
Français
Guitar notes and tablatures
[Sheet music]
ID Music
Seule partition au monde à porter le numéro ISBN 3553300031818 cette partition...
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Seule partition au monde à porter le numéro ISBN 3553300031818 cette partition dont le titre est Satriani Joe Best Of Tab comporte des morceaux regroupés et composés par le compositeur Satriani Joe.Son instrumentation exacte est Guitare. Amateur ou passionné de Variété Internationale Et Divers vous trouverez inévitablement votre bonheur dans la version papier de cette oeuvre. / Guitare / Partition
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Jonathan Bridcut: Why O Lord Do You Stand Far Off?: SATB: Vocal Score
Choral SATB
SATB
[Vocal Score]
Novello & Co Ltd.
Novello New Choral Series-Why O Lord do you stand far off? was written in memo...
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Novello New Choral Series-Why O Lord do you stand far off? was written in memory of the victims of the London bombings on 7 July 2005 questions the presence of God in times of human disaster particularly when committed by man upon his fellow man. The piece's focus lies in the two rhetorical questions first sung by the female voices at the beginning. This opening three note motif returns frequently throughout the work forever challenging the whereabouts of God's watchful eye. This commemorative setting of Psalm 10 was recorded by the Exeter College Chapel Choir in 2006.The Novello New Choral Series is an inspiring selection of new works from a range of contemporarycomposers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around.Jonathan bridcut (b.1984) has written a broad range of works for choir and orchestra that have been performed throughout the UK and europe. Jonathan was a treble at Winchester College where he was head Quirister in 1998 before Moving on to Radley College as top music scholar. He developed his interest in composition at Oxford University while studying at Exeter College as both an academic and choral Scholar. His first set of Evening Canticles was premiered in 2004 and a year later a second was performed in St Paul’s Cathedral. Recent highlights include performances at Oxford’s Sheldonian Theatre Tewkesbury Abbey St James’s Piccadilly and at the Lausanne Summer Festival by choirs and orchestras including Schola Cantorum of Oxford Commotio and The Oxford Spezzati. Future engagements include performances by the Oxford Spezzati and Laudate in London Lyon and Chester (where his latest choral commission will be premiered in September 2011). Jonathan graduated from Oxford in 2006 with a BA in Modern
2.99 GBP - Sold by Musicroom UK
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Johannes Brahms: Sonatas In F Minor And E-Flat For Viola: Viola: Instrumental
Viola, Piano
Barenreiter
for Viola and Piano-Brahms had already announced his 'retirement' from compositi...
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for Viola and Piano-Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld?s much admired playing and inspired him to write two Clarinet sonatas in the summer of the same year. It remains unclear when exactly Brahms drafted Viola parts to his two sonatas. In any case the Viola and Clarinet versions of the works were first published by Simrock at the same time in 1895. Today there is no doubt about Brahms? authorship of the Viola parts. They include important differences fromthe Clarinet original in order to do justice to this string instrument.An important part of this edition is the extensive preface. Firstly it informs about the sonatas? origins their compositional process pre-publication performances their publication history as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors start from the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. By a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato the editors provide an indispensable assistance for a historically informed interpretation of the works.At the same time the edition offers an exciting and often surprising insight into musical interpretation of the German Romantic Era in general.A pioneering Urtext editionWith an unmarked Urtext partWith a second part including fingering and bowing based on the practices of contemporaries of BrahmsWith an extensive Performance Practice
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Sonata in F major for Violoncello and Piano op. 99: Cello: Instrumental Work
Cello, Piano
Barenreiter
Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. Th...
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Brahms completed his Cello Sonata Op.99 during the productive summer of 1886. The first public performance took place in Vienna on 24 November of the same year. Robert Hausmann played the Cello part and the composer himself was his partner at the Piano. Even though the work was generally received positively it took some years until it was fully appreciated and gained its irrevocable place in the Cello repertoire.Of particular value to the editors were the two early performance editions of the Cello Sonata Op.99 by Hugo Becker and Carl Friedberg as well as by Julius Klengel. Both cellists Becker and Klengel had aconnection to Brahms who very much admired and trusted Becker's playing and who performed together with Klengel. This edition not only incorporates Becker's and Klengel's performance markings but also Hausmann's for whom the piece was written. As such the Barenreiter edition comes with a Cello part marked with fingering and bowing by the editors which are based on the practices of Brahms' contemporaries. We also provide an unmarked Urtext part.An important part of this edition is the extensive Preface. Firstly it informs about the work's origin early performances its publication as well as early reception. Truly remarkable is the unique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms' death a widening gulf developed between the composer's expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms' notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation String Instrument fingering String Instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight into Romantic musical interpretation.- A pioneering Urtext edition.- With an unmarked Urtext part.- With a second part including fingering and bowing based on the practices of contemporaries of Brahms.- With
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Sonata in D minor for Violin and Piano op. 108: Violin: Instrumental Work
Violin and Piano
Barenreiter
Brahms composed his ?Violin Sonata In D Minor? during the summer of 1886. The wo...
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Brahms composed his ?Violin Sonata In D Minor? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.
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Johannes Brahms: Sonata in A major for Violin and Piano op. 100: Violin:
Violin and Piano
Barenreiter
Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The wo...
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Brahms composed his ?Violin Sonata In A Major? during the summer of 1886. The work quickly became part of the standard repertoire and has remained so until today. It is presented here in a fine Bärenreiter Urtext edition and comes with an unmarked Urtext part as well as a second part marked with fingering and bowing by Clive Brown which are based on the practices of Brahms? contemporaries.An important part of this edition is the extensive preface. Firstly it informs about the works? origins its compositional process pre-publication performances its publication history as well as early reception. Truly remarkable is theunique Performance Practice Commentary. Here the editors take the premise that already a few decades after Brahms? death a widening gulf developed between the composer?s expectations and the performance practices of the early 20th century. In a very concrete and practical way the editors summarize some of the key issues in understanding Brahms? notation with regard to rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation string instrument fingering string instrument harmonics and vibrato. In this way the edition offers an exciting and often surprising insight in Romantic musical interpretation.A pioneering Urtext edition.With an unmarked Urtext part.With a second part including fingering and bowing based on the practices of Joseph Joachim and other contemporaries of Brahms.With an extensive Performance Practice Commentary.For further information on Romantic performance practice we recommend: ?Performance Practices in Johannes Brahms? Chamber Music? text booklet BA 9600.
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Sonatas for Clarinet and Piano op. 120: Clarinet: Instrumental Work
Clarinet and Piano
Barenreiter
Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for C...
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Barenreiter Urtext Edition of Brahms' Sonatas In F Minor And E-Flat Op.120 for Clarinet and Piano.Features:A pioneering Urtext edition with an extensive Performance Practice CommentaryFor further information on Romantic performance practice we recommend the text booklet: ?Performance Practices in Johannes Brahms? Chamber Music? BA 9600Brahms had already announced his 'retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter renewed Brahms' enthusiasm for Mühlfeld?s muchadmired playing and inspired him to write two new Clarinet sonatas in the summer of the same year. Brahms and Mühlfeld premiered the works and played them in several performances until the Sonatas Op.120 were first published in June 1895. These two works remain pivotal in the Clarinet?s recital repertoire establishing the Clarinet sonata as a distinct and viable chamber music genre.This edition features an extensive preface that informs about the sonatas? origins their compositional process pre-publication performances and their publication history as well as their early reception. Another truly remarkable aspect of this publication is the unique Performance Practice Commentary. Here the editors start from the premise that only a few decades after Brahms' death a widening gulf was already developing between the composer's expectations and the performance practices of the early 20th century. On the basis of manifold sources which include memoirs by pupils and chamber music partners treatises and essays early instructive editions and historical recordings the editors deal with key issues in understanding Brahms' notation. The editors provide an indispensable assistance for a historically informed interpretation of the work through a section-by-section analysis of rhythm and timing dynamics and accentuation dots and strokes slurring and non legato Piano pedalling and overholding Piano arpeggiation and dislocation Clarinet vibrato and portamento. At the same time the edition offers an exciting and often surprising
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Michael Nyman: String Quartet No.3: String Orchestra: Score
String Quartet: 2 violins, viola, cello
[Sheet music]
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Intermediate/advanced
Chester
The composer made this arrangement of the Third String Quartet for string orches...
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The composer made this arrangement of the Third String Quartet for string orchestra in March 2003. The first performance was given by the Eos Orchestra New York conducted by Ken Selden in the Concert Hall Ethical CulturalSociety New York City on 24 April 2003.Quoting composer: In the summer of 1989 I composed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responsesof some of the inhabitants of Leninakhan to the earthquake which devastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of KhorenMeykhanejian Alex Balanescu suggested turning Out of the Ruins into a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no lessprofound experience of witnessing the images of the Romanian revolution on television during the latter part of December 1989.Just as the structure of my Third String Quartet (1990) may connect it with the First so they alsoshare a debt to Thurston Dart (my professor at King’s College London between 1961 and 1965). It was Dart who had the inspiration to send me to Romania in 1965 ostensibly to study folk music. The volumes of transcriptions that Ibrought back with me had remained unopened until with this proposed ‘celebratory’ string quartet (though at the time it was difficult to know quite what to celebrate in postrevolutionary Romania) an occasion arose where I coulduse this material in what seemed to me was a non-exploitative manner. The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would besuperimposed quite often stretched into new intervallic shapes through the demands of the completely pre-formed harmonic structure.
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Das Lied von der Erde (MAHLER GUSTAV)
Soli [AT] et Orchestre
[Score and Parts]
Breitkopf & Härtel
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Ma...
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Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore all the more regrettable that he was neither able to perform his “Symphony in Songs” himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Füssl, many questions remained unanswered, while other were answered in a dubious way. The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner – in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler’s conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/E b clarinet, bass clarinet/3rd clarinet in places where the latter plays E b clarinet) to allow performances with only four clarinets. The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler’s piano autograph and the piano reduction by Wöss, which was commissioned by the composer himself, served as an inspiration for this. / Date parution : 2022-07-23/ Répertoire / Soli [AT] et Orchestre
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Das Lied von der Erde (MAHLER GUSTAV)
Soli [AT] et Orchestre
Breitkopf & Härtel
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Ma...
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Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore all the more regrettable that he was neither able to perform his “Symphony in Songs” himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Füssl, many questions remained unanswered, while other were answered in a dubious way. The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner – in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler’s conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/E b clarinet, bass clarinet/3rd clarinet in places where the latter plays E b clarinet) to allow performances with only four clarinets. The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler’s piano autograph and the piano reduction by Wöss, which was commissioned by the composer himself, served as an inspiration for this. / Date parution : 2022-07-23/ Répertoire / Soli [AT] et Orchestre
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Das Lied von der Erde (MAHLER GUSTAV)
Soli [AT] et Orchestre
Breitkopf & Härtel
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Ma...
(+)
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore all the more regrettable that he was neither able to perform his “Symphony in Songs” himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Füssl, many questions remained unanswered, while other were answered in a dubious way. The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner – in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler’s conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/E b clarinet, bass clarinet/3rd clarinet in places where the latter plays E b clarinet) to allow performances with only four clarinets. The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler’s piano autograph and the piano reduction by Wöss, which was commissioned by the composer himself, served as an inspiration for this. / Date parution : 2022-07-23/ Répertoire / Soli [AT] et Orchestre
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Das Lied von der Erde (MAHLER GUSTAV)
Soli [AT] et Orchestre
[Score]
Breitkopf & Härtel
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Ma...
(+)
Par MAHLER GUSTAV. The Song of the Earth , composed in the summer of 1908, is Mahler’s best-known and most personal work. Reflecting drastic changes in his life, its immense emotional density is very moving. Until the very end, Mahler continued to refine the extremely differentiated instrumentation, as is evident in numerous retouchings in the autograph score and engraver’s model. It is therefore all the more regrettable that he was neither able to perform his “Symphony in Songs” himself nor that he was involved in its printing. Unfortunately, in the posthumously published first edition of 1912 and the subsequent editions edited by Erwin Ratz and Karl Heinz Füssl, many questions remained unanswered, while other were answered in a dubious way. The edition is the first text-critical one of the work on a scientifically sound basis. It offers not only a more reliable musical text, but also systematically and lucidly prepared information on the sources, their transmission and evaluation. All editorial decisions have been documented in a transparently comprehensible manner – in particular those leading to new audible results. Work-related notes on performance practice, which for the first time include Mahler’s conducting indications, offer valuable, indispensable interpretive aids. In addition to the regular five clarinet parts, the set of parts includes two additional parts (3rd clarinet/E b clarinet, bass clarinet/3rd clarinet in places where the latter plays E b clarinet) to allow performances with only four clarinets. The completely revised piano reduction reproduces the orchestral texture true to the score without losing sight of playability. Both Mahler’s piano autograph and the piano reduction by Wöss, which was commissioned by the composer himself, served as an inspiration for this. / Date parution : 2022-07-23/ Répertoire / Soli [AT] et Orchestre
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The Oxford Book of Christmas Music for Organ, Bk 2
Organ
Oxford University Press
The Oxford Book of Christmas Music for Organ, Bk 2. The second Oxford Book of Ch...
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The Oxford Book of Christmas Music for Organ, Bk 2. The second Oxford Book of Christmas Organ Music comprises a diverse collection of seasonal organ music, covering the Church's year from Advent to Epiphany. The music is stylistically varied, and the pieces are drawn internationally from across the centuries with a mixture of established repertoire set alongside newly commissioned works.
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A Fishsummer Night's Dream (IGUDESMAN ALEKSEY)
2 Violins (duet)
Universal Edition
Easy Violin Duets. Par IGUDESMAN ALEKSEY. Sir Roger Moore's drawings together wi...
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Easy Violin Duets. Par IGUDESMAN ALEKSEY. Sir Roger Moore's drawings together with Aleksey Igudesman's music and poems make a wonderful package - all about fish. Written for two violins, these easy pieces would be great fun for developing players. The enclosed CD provides inspiring demonstration performances and play-along tracks for each part. The pieces could be performed with or without the relevant poem, either way, they are sure to be appreciated! Proceeds from the sale of each book are donated to UNICEF. • Easy violin duets with humorous poems by Aleksey Igudesman and amusing fish drawings by Sir Roger Moore • Incl. CD recorded live with full performances and play-alongs for the first and second parts • All duets are suitable as performance pieces • Proceeds from the sale of this book are donated to UNICEF/ Recueil / 2 Violons
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Sadie Harrison: With What Do Winter's Summers Sing?: High Voice: Vocal Work
::
[Vocal Score]
University Of York Music Press
Winner of the Edvard Grieg Memorial Competition for Composers 2005.
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The Boosey Woodwind Method Vol.1+2
Saxophone and Piano
[Sheet music + CD]
Boosey and Hawkes
Le bois Boosey et la méthode de laiton répond aux exigences nouvelles et chang...
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Le bois Boosey et la méthode de laiton répond aux exigences nouvelles et changeantes dans l'enseignement, conçu pour aider à faire de la personne et l'enseignement de groupe plus facile, plus intégrée et plus efficace. Le bois Boosey et la méthode de laiton fournit tout ce dont vous avez besoin pour l'enseignement de la musique par le biais de l'instrument. Son approche unique développe des compétences générales musicales grâce à un programme de qualité solo et ensemble de musique, des activités supplémentaires et un CD audio y compris les activités de l'écoute. Parce que la méthode est basée sur un programme clair, elle fournit un système facile à utiliser pour l'enseignement et toutes les ressources souples, que vous avez besoin pour chaque situation, si individuel, groupe ou mixte d'enseignement de l'instrument. Cette série offre un programme d'enseignement instrumental tandis que le développement technique et musicalité. / Saxophone Et Piano
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101 Movie Hits for Alto Sax: Alto Saxophone: Instrumental Album
Alto Saxophone
[Sheet music]
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Intermediate
Hal Leonard
This eclectic collection for solo Alto Saxophone will delight film fans of all a...
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This eclectic collection for solo Alto Saxophone will delight film fans of all ages! 101 Movie Hits contains a dazzling selection of favourites from the silver screen including Diamonds Are A Girl\'s Best Friend (Gentlemen Prefer Blondes) Eye Of The Tiger (Rocky III) Hallelujah (Shrek) Happy (Despicable Me 2) Mrs. Robinson (The Graduate) The Dreame (Sense And Sensibility) Let It Go (Frozen) Summer Nights (Grease) The Music Of Goodbye (Out Of Africa) and more.
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Mein erstes Konzert
Flûte à Bec et Piano
[Sheet music + CD]
Schott
Leichte Vortragsstucke. To every pupil, the first concert is a special experienc...
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Leichte Vortragsstucke. To every pupil, the first concert is a special experience. The period of intensive preparation, the mixture of trepidation and joyful anticipation, the concentration during the performance, the applause of the audience and the pride after the successful performance. Such impressions will all stick in the pupil's mind and quite often influence his or her entire future development. The choice of the 'right' performance piece is of vital importance: It should be neither too long nor too short, make a strong impression and give great pleasure in practising. The edition My First Concert includes 25 easy and appealing pieces for descant recorder and piano ranging across five centuries; most of these are original recorder pieces, along with a few arrangements. The collection includes not only Renaissance, Baroque and early Classical works, but more recent compositions too, notably various genres from the field of popular music. Pieces range from little dance movements first published by Attaingnant and Susato, with sonata movements by Telemann and Loeillet through to jazzy tunes. Some of these easy pieces will suit players who have had two years of tuition. Slightly more demanding pieces can then be tackled in later lessons. This book offers a wide selection of repertoire for auditions, concert performances and youth music competitions; it offers an ideal complement to any recorder tutorial method. The accompanying CD will give an impression of how the music can sound, making it easier to start practice. With the separately recorded piano accompaniment, pieces can be played even when no pianist is available./ Recueil / Flûte à Bec et Piano
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