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Orchestra
BAGPIPE
Cello, Piano
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Rapport Critique (2)
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Voice Soprano, Cello (2)
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Book (2)
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Cello Concerto Final Movement
Cello, Piano
Novello & Co Ltd.
The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howe...
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The Final Movement of the Concerto For Violoncello And Orchestra by Herbert Howells has been elaborated here by Jonathan Clinch, arranged for Cello and Piano. A full performance lasts around 8 minutes. / Violoncelle Et Piano
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Gabriel Fauré: Sicilienne Op.78: Cello: Instrumental Work
Cello, Piano
Schott
Fauré initially wrote the Sicilienne as indicental music to Molière's 'Bourgeo...
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Fauré initially wrote the Sicilienne as indicental music to Molière's 'Bourgeois gentilhomme' for small-scale string orchestra. In 1898 he wrote an arrangement for violoncello and piano which enjoys great popularity and belongs to the standard Romantic cello repertoire. Our new edition contains fingerings and bowing marks by Maria Kliegel.
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Sadie Harrison: After Colonna: Cello: Score and Parts
Cello, Piano
[Sheet music]
-
Intermediate/advanced
University Of York Music Press
After Colonna was expertly composed in 2001 by Sadie Harrison. First performed...
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After Colonna was expertly composed in 2001 by Sadie Harrison. First performed at Hampstead Town hall in March 2001 by Miriam Lowbury and David Carhart. AfterColonna later featured on Harrison’s 2002 album No Title Required.Australian born freelance composer and performe Sadie Harrison’s unique fusion of elements fromindigenous Lithuanian music and poetry with her own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working alongside a long list of well accomplished musicians; Paul Carey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had the privilege to work with Harrison sofar. Performances of Harrison's works have been given across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus ChamberOrchestra and many others.
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Carl Vine: Concerto for Cello: Cello: Score and Parts
Cello, Piano
Faber Music Limited
Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an ex...
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Composed for Steven Isserlis in 2004 Carl Vine’s Cello Concerto is an exhilarating 20-minute work that traverses a vast emotional palette. The Concerto begins arrestingly with soloist pitted against orchestra though as it develops the two factions move towards union. A slow chorale led by the cellist frames the central section whilst relentless motor rhythms drive the work to its close.
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Parabola concertante (SHCHEDRIN RODION)
Cello, Piano
Schott
piano reduction with solo part. Par SHCHEDRIN RODION. Shchedrin’s œuvre spans...
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piano reduction with solo part. Par SHCHEDRIN RODION. Shchedrin’s œuvre spans nearly every musical genre, and it is hardly surprising that an output of such versatility contains some rather remarkable instrumental combinations, for example “Music from afar” for 2 bass recorders, or “Balalaika” for a solo violin playing pizzicato throughout. This predilection for the unusual leads the composer in “Parabola concertante” with its basically subdued and contemplative mood to add a charcteristic counterpoint by contrasting the accompanying string orchestra with timpani. The piece was composed for master virtuoso Mstislav Rostropovitch, who played the solo part in the first performance at the International Cello Festival in Kronberg./ Répertoire / Violoncelle et Piano
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Ernest Chausson: Pièce Op.39: Cello: Instrumental Work
English
Cello, Piano
Faber Music Limited
Chausson's 'Piece Op.39' the composer's only work for solo cello was written d...
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Chausson's 'Piece Op.39' the composer's only work for solo cello was written during his final years and belongs with the intensity lyrical Poeme for violin and orchestra (1896) and the two quartets (1897 and 1899). Like these more 'classical' late works 'Piece' derives potency from its restrained lyricism but is rhythmically unusual with 5/4 and 7/4 the predominant time signatures. Neil Heyde's new edition the first authoritative one of the work is based on the composer's autograph manuscript and will be welcomed by cellists seeking fresh first-rate repertoire by major French composers. The edition includes an informative introduction and critical commentary.
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Franz Joseph Haydn: Concerto In C Hob VIIb 1: Cello: Instrumental Work
Cello, Piano
[Reduction]
Peters
Joseph Haydn's Concerto In C HobVIIb: 1 for Cello and Orchestra.
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Frank Bridge: Oration: Cello: Instrumental Work
Cello, Piano
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Intermediate/advanced
Faber Music Limited
Originally composed in 1930 for Cello and Orchestra this is a chamber arrangeme...
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Originally composed in 1930 for Cello and Orchestra this is a chamber arrangement of a sombre and poignant war requiem by Frank Bridge.
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Prelude, Fantasy andamp; Chaconne (DYSON GEORGE)
Cello, Piano
Novello & Co Ltd.
Par DYSON GEORGE. First performed at the 1936 Three Choirs Festival in Hereford ...
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Par DYSON GEORGE. First performed at the 1936 Three Choirs Festival in Hereford by Thelma Reiss (cello) and the London Symphony Orchestra, conducted by the composer. / Date parution : 2022-09-07/ Répertoire / Violoncelle (ou Alto) et Piano
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Buxton Orr Georges Bizet: A Carmen Fantasy: Cello: Score and Parts
Cello, Piano
[Sheet music]
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Intermediate
Novello & Co Ltd.
Buxton Orr’s fantasies on famous themes are expert explorations of their ...
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Buxton Orr’s fantasies on famous themes are expert explorations of their source work rendered as brilliant new composition as is the virtuoso A Carmen Fantasy. It is equally demanding and rewarding in both parts. The composer also arranged it for Orchestra.British composer Buxton Orr was best known for his film and television scores particularly for the Hammer horror films and for a successful one-act opera The Wager. Upon becoming a professor at the Guildhall School of Music he founded their Contemporary Music Ensemble and was later conductor of the London Jazz Composer’s Orchestra.
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Poème Op. 39
Cello, Piano
Schott
La réputation du compositeur Bohême Zdenek Fibich (1850-1900) a toujours été...
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La réputation du compositeur Bohême Zdenek Fibich (1850-1900) a toujours été quelque peu éclipsée par celle de Bedrich Smetana et Antonín Dvorák. C'est fort dommage, pour Fibich, bien qu'il est mort jeune, apporté une contribution tout aussi importante à l'émergent styl national tchèque avec son large éventail de compositions. Après le début des leçons de piano avec sa mère comme son premier maître, le garçon ensuite à l'école de musique à Prague, puis au Conservatoire de Leipzig, où il apprend son métier comme compositeur. Il passe quelques mois enseignement de piano à Paris et poursuit ses études avec Vinzenz Lachner à Mannheim. Prague a finalement pour devenir le centre d'activités musicales du Fibich : comme son rêve d'un poste au Conservatoire est resté déçus, son emploi principal était donner des leçons de musique privée et comme un compositeur Zdenek Fibich a écrit des oeuvres de nombreux genres musicaux : chant et musique de chambre, pièces pour piano et oeuvres orchestrales, opéras, musique de scène et mélodrames, récitals littéraires avec orc... / Violoncelle Et Piano
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Advaya (2 Audio Cds) (HARVEY JONATHAN)
Cello, Piano
[Sheet music]
Faber Music Limited
Par HARVEY JONATHAN. l'interaction entre le violoncelle et la voix supplémentai...
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Par HARVEY JONATHAN. l'interaction entre le violoncelle et la voix supplémentaires électroniques et sons sont extraordinairement efficace et parfois construire prosternation massives sur une échelle près-orchestrale. Il a fait une expérience unique, une saisie par main force à l'imagination. Ingéniosité sauvage de Harvey nous a laissé awestricken. ' David Murray, Financial Times, 22 novembre 1994/ Répertoire / Violoncelle et Piano
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2 Vocalises
Cello, Piano
Schott
Il s'agit de la plus récente exemple des pièces peu Turnage a toujours compos...
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Il s'agit de la plus récente exemple des pièces peu Turnage a toujours composé pour les amis et les reprises de personnels. Plus intime et plus tendre que ses déclarations orchestrales, ces petits ouvrages sont immédiatement accessibles et enrichissante à jouer pour les musiciens à de nombreux niveaux. / Violoncelle Et Piano
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Introduction Et Rondo Capriccioso Op. 28 For Violin And Orchestra (SAINT-SAENS CAMILLE)
Cello, Piano
G. Henle
Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / ...
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Par SAINT-SAENS CAMILLE. with marked and unmarked string parts / Jost, Peter / Répertoire / Violon et Piano
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Honor Song
Cello, Piano
Peters
Also available for Violoncello and Orchestra (EP 66955) / Violoncelle Et Piano
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Lord Of The Rings Instrumental Solos (Le seigneur des anneaux)
Cello, Piano
[Sheet music + CD]
Alfred Publishing
Ce livre fait partie d'une série cordes arrangées pour violon, alto et violonc...
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Ce livre fait partie d'une série cordes arrangées pour violon, alto et violoncelle. Les arrangements sont complètement compatibles les uns avec les autres et peut être joué ensemble ou en solo. Chaque livre propose un accompagnement au piano spécialement conçu qui peut être facilement joué par un professeur ou un étudiant de piano intermédiaire et une partie amovible conçu avec soin complet avec coups d'archet, les articulations, et les touches bien adapté pour le joueur de niveau 2-3. Un CD entièrement orchestrées accompagnement est inclus. Chaque chanson sur le CD comprend une piste de DEMO, qui dispose d'une chaîne de performances live, suivie par la piste Play-Along par lui-même.Ce livre est aussi le cadre d'un Lord Of The Rings séries instrumentales écrites pour flûte, clarinette, sax alto, sax ténor, trompette, cor en fa et le trombone. / Violoncelle Et Piano
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Pop And Rock Hits Instrumental Solos For Strings
Cello, Piano
[Sheet music + CD]
Alfred Publishing
Ce livre fait partie d'une série instrumentale arrangé pour violon, alto et vi...
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Ce livre fait partie d'une série instrumentale arrangé pour violon, alto et violoncelle. Les arrangements sont entièrement compatibles entre eux et peuvent être jouées ensemble ou solos. Chaque livre contient une partie soigneusement édité qui est approprié pour le Niveau 2-3 joueur, ainsi que d'un accompagnement orchestré CD entièrement. Le CD comprend une piste DEMO de chaque chanson, qui propose un concert instrumental live, suivi d'un play-along piste. / Violoncelle Et Piano
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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John Williams: Elegy for Cello and Orchestra: Orchestra and Solo: Score
Cello, Piano
Hal Leonard
Cello with Piano Reduction
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Edward Elgar: Concerto For Cello And Orchestra In E Minor Op.85: Cello:
Cello, Piano
[Sheet music]
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Intermediate/advanced
Novello & Co Ltd.
Recognised as one of the most important works of the Cello repertoire Elgar's C...
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Recognised as one of the most important works of the Cello repertoire Elgar's Conerto Op.85 was completed in 1919 and stands as his final major completed work. This new edition edited by John Pickard of the Elgar Society uses for the first time the composer's original sketches to piece together an authoritative and definitive arrangement for Cello and Piano. A wonderful new edition of one of the most frequently performed works for the Cello.
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Herbert Howells: Fantasia For Cello & Orchestra (VC/PF): Cello: Instrumental
Cello, Piano
[Sheet music]
Novello & Co Ltd.
Cello Part with Piano Reduction.
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Arnold Schönberg: Concerto for Violoncello and Orchestra: Cello and Accomp.:
Cello, Piano
Schirmer
Piano reduction of the Cello Concerto after the concerto for clavicembalo compo...
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Piano reduction of the Cello Concerto after the concerto for clavicembalo composed in 1746 for Georg Matthias Moon. Includes score and part.
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Richard Danielpour: Concerto for Cello and Orchestra: Cello and Accomp.:
Cello, Piano
[Sheet music]
Associated
Danielpour's Cello Concerto was premiered by Yo-Yo Ma and the San Francisco Symp...
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Danielpour's Cello Concerto was premiered by Yo-Yo Ma and the San Francisco Symphony in 1994. In four movements: Invocation Profanation Soliloquy Prayer and Lamentation.
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Max Bruch: Kol Nidrei Opus 47 for Violoncello and Orchestra: Cello: Instrumental
Cello, Piano
G. Henle
Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bru...
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Aside from his popular Violin Concerto no. 1 ?Kol Nidrei? numbers among Max Bruch?s most famous compositions. The melancholy ?Adagio after Hebrew melodies? was written in 1880 for the cellist Robert Hausmann. It treats two old Jewish songs whose extraordinary beauty proved deeply moving to the Protestant Bruch by his own admission. The tenor Cello sound is the ideal medium for the voice of a Jewish cantor and thus to this day ?Kol Nidrei? offers every cellist a wonderful opportunity to make the instrument ?sing?. In this text based on the first edition of 1881 ?Kol Nidrei? appears for the first time in an Urtextedition substantiated by scholarly research for which not just the musical sources but also numerous letters and documents from the Max Bruch Archive were consulted. Christian Poltéra was able to be procured for the markings in the solo part.
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Johann Nepomuk Hummel: Potpourri (Fantasie) op. 95: Orchestra: Instrumental Work
Cello, Piano
G. Henle
für Violoncello und Orchester-For Cello with Piano accompaniment.
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Jacques Ibert: Concerto For Cello And Wind Orchestra: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Heugel
De Chambre
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Concerto For Cello And Orchestra.Op. 66. Piano Score.
Cello, Piano
[Sheet music]
Muzyka
/ Violoncelle Et Piano / 56 pages / Partition
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Rozsa Miklos - Violoncellokonzert Op. 32 - Cello, Orchestra
Cello, Piano
Breitkopf & Härtel
Composer : Rozsa, Miklos Instrumentation : Vc,Klav Edition : Piano and solo
52.60 EUR - Sold by Woodbrass
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Casals Song Of The Birds (Cant Dell Ocells) For Cello And String Orchestra
Cello, Piano
Elkin Music
/ Violoncelle Et Piano
23.40 EUR - Sold by LMI-partitions
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