Cello Play-Along Volume 8-The Cello Play-Along Series will help you play your favorite songs quickly and easily. Just follow the printed music and play along using the original backing tracks available online for download or streaming.This volume includes Another One Bites the Dust ? Bohemian Rhapsody ? Crazy Little Thing Called Love ? Don't Stop Me Now ? Killer Queen ? Somebody to Love ? We Are the Champions and Who Wants to Live Forever.

This is a deeply felt concerted work for cello and orchestra. It is in a moderate twentieth century style modal rather than chromatic a tonal work with a mood that is elegiac and dramatic. The Kaddish is a prayerordinarily given during Jewish services for the dead though it never mentions Death. There are traditional melodies and Hebrew cantillation associated with the text but Diamond did not use any of these nor indeed anyparticular Jewish music. The themes he says are his own concept. In describing the form and style of the music Diamond relates the Kaddish to others of his compositions that have some connection to ritual neither theater musicnor abstract music.The music is primarily melodic. Its modal quality suggests the work's Jewish connection but the actual mode is not specifically Jewish in sound. The work rises to a serious and affirmative climaxtowards its end then subsides.

'I arrived in New York City from Sweden on a warm September evening to take up my studies with Leonard Rose at the Juilliard School of the Performing Arts. I was 18 years old. The first week I had fish for supper every day thinking mother would approve. During that time leading up to my first lesson I composed the suite presented here as a gift to my new teacher.'The 2004 revision meant some minor changes to the first five movements and the scrapping of the sixth. The sixth the final movement of the suite was initially a prelude and fugue a result of the theory lessons with composer Lawrence Widdoes - and in C minor at that. I decided to replace it with theAve Maria music written a month after September 11 2001. As a citizen of this world I was desperate to counter inhumanity with positive creativity. The movement was written for the acoustics of a church.

for Cello-Instrumentalists will love this jam-packed collection of 101 timeless pop songs! Songs include Another Brick in the Wall • Billie Jean • Dust in the Wind • Easy • Free Bird • Girls Just Want to Have Fun • Hey Jude • I'm a Believer • Jessie's Girl • Lean on Me • The Lion Sleeps Tonight • Livin' on a Prayer • My Girl • Piano Man • Pour Some Sugar on Me • Reeling in the Years • Stand by Me • Sweet Home Alabama • Take Me Home Country Roads • With or Without You • You Really Got Me and more.

Cello-Movie musical lovers will delight in this songbook chock full of top-notch songs from blockbuster movies.Includes: Another Day of Sun and City of Stars from La La Land Mamma Mia from Mamma Mia: Here We Go Again I Dreamed a Dream from Les Mis?rables A Million Dreams and This Is Me from The Greatest Showman plus 5 songs from the 2018 hit movie A Star is Born featuring Lady Gaga and Bradley Cooper: Always Remember Us This Way I???ll Never Love Again Look What I Found Maybe It???s Time and Shallow.

Solos For Young Cellists is an eight-volume series of music compilations with companion CDs. The series ranges from elementary to advanced levels and represents a truly exciting variety of musical genres and techniques. This collection of wonderful music offers young cellists the opportunity to work in various positions techniques meters keys and musical styles. Many of the works have long been recognized as stepping stones to the major instrumental repertoire while others are newly published pieces and original compositions providing an exciting and diverse choice of study. The collection will become a valuable resource for teachers and studentsof all ages and levels. The Piano track recorded on the second half of each CD (available seperately) gives the cellist the chance to practice performing with accompaniments. The companion CD to Volume 5 is 00-24482.

from 'The Dolly Suite'-A delightful arrangement of this piece which achieved its fame through its use as the theme tune to 'Listen With Mother' on the radio.

Instrumentalists will love these collections of 130 popular solos including: Another One Bites the Dust Any Dream Will Do Bad Day Beauty and the Beast Breaking Free Clocks Edelweiss God Bless the U.S.A. Heart and Soul I Will Remember You Imagine Na Na Hey Hey Kiss Him Goodbye Satin Doll United We Stand You Raise Me Up and more.

Bruch's Kol Nidrei subtitled Adagio on Hebraic themes for Violincello and Piano is another wonderful display of Bruch's mastery at transforming his 'folk tunes' into art music whilst still retaining their folk elements. Composed in 1881 the work is based on two Jewish themes the first an old Hebrew song of atonement and the second is the middle section of the song O Weep for Those That Wept on Babel's Stream. Two beautiful songs made truly magnificent.

Although Schumann’s style suits the clarinet extremely well he did not write a great deal for the instrument The Three Romances Op.94 were written for oboe with clarinet and violin as suggested alternatives. The Three Romances contrast strongly with one another and this is important to bring out when interpreting these delightful miniatures. This version is for Clarinet with Piano Accompaniment and has been edited by Yona Ettlinger.The solo Clarinet in A and Clarinet in B flat parts are also included on separate inserts.

Book 3. Par SEVCIK OTAKAR. Otakar ?evcík's op. 2 is a fundamental tutor for teaching the violin. It focuses on the elementary problems of right-hand technique which ?evcík practises in 4,000 variants of systematically organized exercises for all bowings. This famous tutor has remained in use to the present day and is equally valued by players of other string instruments. The distinguished cellist Tomá? Jamník has arranged the 'School of Bowing Technique? for the violoncello, taking into account its differences from the violin. He has transcribed individual exercises for the violoncello without neglecting ?evcík's original pedagogical aims. As a result, this edition differs fundamentally from the only known cello arrangement of this opus by Louis R. Feuillard./ Etude / Violoncelle

Book 2. Par SEVCIK OTAKAR. Otakar ?evcík's op. 2 is a fundamental tutor for teaching the violin. It focuses on the elementary problems of right-hand technique which ?evcík practises in 4,000 variants of systematically organized exercises for all bowings. This famous tutor has remained in use to the present day and is equally valued by players of other string instruments. The distinguished cellist Tomá? Jamník has arranged the 'School of Bowing Technique? for the violoncello, taking into account its differences from the violin. He has transcribed individual exercises for the violoncello without neglecting ?evcík's original pedagogical aims. As a result, this edition differs fundamentally from the only known cello arrangement of this opus by Louis R. Feuillard./ Etude / Violoncelle

Per Violoncello Solo. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-13/ Répertoire / Violoncelle

Bring the excitement of traditional Latin dance to the string orchestra with this collection. Explore the 'clave,' or rhythmic groove styles, such as the Merengue, Tango, Mambo, and others in a flexible format. All instruments have the melody, a harmony part, and an accompaniment/bass line. Easy hand percussion parts are included for the string players to perform or the optional drumset part can be used. The use of piano and guitar is recommended for authenticity but not necessary. All text appears in both English and Spanish. / Violoncelle Et Contrebasse