Showcase your vocal jazz group at its best with this standard recorded by all the jazz greats! Set in an easy swing you'll love the great craftsmanship and style. Available for SATB Instrumental Pak (parts for Piano Bass and Drums) and ShowTrax CD. Performance Time: Approx. 3:10.

Par WEILL KURT. Ces arrangements de chansons de l'opéra de quat seront accueillis par les directeurs chorals, cherchant quelque chose de tout à fait différente pour leur choeur. Hormis l'a cappella dispositions prévues, ils pourraient également être effectuées avec l'accompagnement au piano dans la partition vocale (UE 31544). Les instruments de la version originale pourraient également être ajoutés. Quoi qu'il en soit, ces chansons ferait un ajout intéressant à tout programme de concert. Chansons comprennent : la ballade de Mack the Knife, appel de la tombe Morning Hymn de Peachum, deuxième Finale quat et la chanson de l'insuffisance de l'activité humaine./ Répertoire / Choeur SATB

Bob Dylan called Smokey Robinson America's greatest living poet and his legacy as one of the giants of Motown is clearly evident in this 1967 hit.Available separately: SATB SAB SSA Instrumental Pak (includes parts for Trumpet I and II Tenor Sax Trombone Guitar Bass and Drums) and ShowTrax CD. Performance Time: Approx. 2:40.

Except Sometimes-The great Hoagy Carmichael penned this 1938 standard inspired by a J.B. Thompson poem offered here in an easy accompanied ballad for jazz choirs. Available: SATB Instrumental Pak ShowTrax CD. Performance Time: Approx. 3:00.

This ballad marked Diahann Carroll's 1954 debut on Broadway in House of Flowers and was further made famous in a recording by Barbra Streisand. This setting by Paris Rutherford is a delightful change of pace for both jazz and pop ensembles with its witty text and infectious tune.Available separately: SATB ShowTrax CD and Instrumental Pak (Parts for Bass and Drums). Performance Time: Approx. 3:25.

This rich ballad from the musical Children of Eden by Stephen Schwartz is an uplifting selection for graduation or other programs.Available separately: SATB SAB SSA Instrumental ePak (parts for Flute Harp Sus. Cymbal Timpani Violin 1 & 2 Viola Cello and String Bass) and ShowTrax CD. Performance Time: Approx. 3:20

for SATB and organ or accompanied by chamber orchestra (oboe harp strings) or by small ensemble (oboe harp and organ) The instrumental material is available on hire.

Celtiques est un ensemble de dix arrangements de mélodies traditionnelles bretonnes ou irlandaises pour choeur mixte et piano,L'écriture varie les orchestrations (voix solistes, double choeur, choeur de femmes) et mêle les langages jazz et traditionnel dans un kaleïdoscope de couleurs musicales,Il existe une version pour choeur et orchestre de cette oeuvre rassemblant trio jazz (contrebasse, batterie, piano) et instruments traditionnels : uillean pipe, violon, whistle, flüte, guitare DADGAD 1, An hini a garan (5') : Complainte : celui que j'aime, je l'ai perdu à jamais,2, Ar Baradoz (3') : Cantique : le bonheur du Paradis,3, Believe me if all those endearing young charms (4'30'') Rien n'altère les sentiments du poète Thomas Moore envers sa femme atteinte d'une maladie de peau,4, Fiddlers green (5') : Le paradis des marins,5, Finnigan's wake (2'30'') : Réveil du défunt lors d'une veillée funèbre bien arrosée,6, Johnny I hardly knew ye (3') : La bien-aimée est fâchée de constater que son homme perd à la guerre son bras, son oeil, sa jambe,,,7, Me zo ur Serjant Major (2'30) : Kan a diskan (Chant à danser) pour le retour de l'armée du sergeant-Major,8, My singing bird (3') : Elle aimerait bien tenir un petit oiseau entre ses deux seins,9, The Kerry dances (4'30'') : Dans le bon temps jadis, c'était mieux,10, Tri martolod (3'50'') : Après la mer, nous nous marierons et vivrons d'amour / Jazz

All the power of rock & roll explodes in this John Mellencamp powerhouse salute to the music of an earlier time. A great concert theme and dance showcase. Performance Time: Approx. 2:20.Available separately: SATB 3-Part Mixed SSA ShowTrax CD and Instrumental ePak (Parts for Trumpet I & II Tenor Sax Trombone Guitar Bass and Drums).

Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin an advantage reinforced by its diatonic melodic writing and constantly slow tempos.The present edition reproduces the Urtext from the New Schubert Edition and presents the definitive second version for chorus and wind instruments. Since the piano reduction basically follows the choral lines and Schubert’s original organ part however the Mass can also be performedwith organ accompaniment.- Urtext from the New Schubert Edition- Standard work in the church music repertoire- Can be accompanied by organ or wind instruments- No vocal soloists necessary

Create a special moment in your concert with this smooth well-crafted Stevie Wonder ballad (#1 1973). Arranged by Mac Huff for SATB choir also available: SAB SSA Instrumental Pak ShowTrax CD. Performance Time: Approx. 3:30.

Oh I love you more today than yesterday But not as much as tomorrow. Easily-learned in a short amount of time your group will shine with this nostalgic pop ballad.Available separately: SATB SAB SSA Instrumental ePak and ShowTrax CD. Duration: ca. 3:10

Polynesian Folk Song-Here's a traditional canoe song from Polynesia that sounds quite impressive with a cappella voices handclaps and percussion instruments. The call-and-response format of Greg's well-designed arrangement suggest people communicating from canoe to canoe as they travel between islands.

Doug Wagner has created a setting of an inspired John Parker text that is triumphant and full of rhythmic vitality. Ideal as a stirring Easter call to worship it includes optional brass and percussion for an even more majesticproclamation of praise. BonusTrax CD available 08745129. Instrumental ePak contains score and parts for Brass and Percussion.

Stevie Wonder made it to number one with this song in 1973 and it's ranked as No. 74 on Rolling Stone's 500 Greatest Songs of All Time. Paul Langford has turned this tune on its head with a fabulous a cappella version for mixed voices imitating the original recording's instrumental and vocal style. A programming dream for a cappella singing.