Das ist mir lieb. Par SCHEIN JOHANN HERMANN / DEMANTIUS CHRISTOPH / ADRI. Das Ist Mir Lieb/ Répertoire / Choeur Mixte (SSATB)

Par GESUALDO DI VENOSA DON CARLO. Langue : Italiental/ Répertoire / Choeur SSATB

Music runs through the story of Arion which begins with a singing competition in Sicily. Arion wins the prize and this puts his life in danger: his newfound wealth excites the greed of the sailors who are supposed to be bringing him back to Corinth and they threaten to kill him. They allow Arion to sing one last song and the power of his singing attracts dolphins to the ship.  At the end of his song he jumps overboard and one of the dolphins carries him to safety.  So Arion’s musical gift gets him into trouble but it is also his salvation.   The idea of being rescued by a music-loving dolphin is very appealing. In Robert Graves’account of the myth the dolphin could not bear to be parted from Arion and accompanied him back to court where “it soon succumbed to a life of luxury.”  However Herodotus says that after his rescue and return to Corinth Arion failed to return the dolphin to the sea and it died there.  Apollo placed the dolphin among the stars and next to it Arion’s lyre in recognition of his musical skill.  This is one of the mythical explanations of the origins of the constellations Delphinus and Lyra. It seems natural to sing a story that has singing at its heart. When I was asked by the Nicholas Berwin Charitable Trust to write a choral work for Making Music something that would be within reach of many choirs and involve children this story struck me as ideal: the men of the chorus could be the bloodthirsty sailors and the women could create an atmosphere of mystery for the arrival of the dolphins represented by children’s voices. There would be one solo voice: Arion the marvellous singer. Andrew Fardell the conductor who was advisor to this commission had suggested that I might use the same instrumentation as a popular arrangement of Orff’s Carmina Burana a work that as well as using children’s chorus features a solo countertenor. I thought the magical otherworldly quality of this

Puer Pacis. Puer Pacis (The Dulwich Peace Carol) was jointly commissioned by Dulwich College and Dulwich College International, with the generous support of the Alvarez Family. First performed by the Choir of Dulwich College, directed by Richard Mayo, on 6 December 2019 at Southwark Cathedral. Scored for unaccompanied divisi choir, the text asks what can we offer to the baby in the manger when it is Mary's gift to humanity that is the greatest of all.

Sleepsong is a rich, Celtic-inspired song for choirs looking to test their abilities with a new and exciting challenge. Released by Secret Garden in 2005, the song was written by Brendan Graham and Rolf Løvland who also penned the Westlife hit, You Raise Me Up . This beautiful and peaceful choral version has been arranged by Desmond Earley for six part chorus with Soprano solo. It was first performed by UCD Choral Scholars on April 19 2012. The piece is perfect for choruses looking to take their singing forward, with specific directions for staggered breathing throughout offering an added challenge for ensembles. Although designed to be sung A Cappella, the arrangement includes a piano reduction for easy rehearsal. / Choeur SSATBB

In this setting which includes salient fragments for St Luke's gospel (in Greek) alongside the customary text from the Book of Common Prayer Finnissy renders this excitement joy awe and trepidation in music.

This gospel-flavored work is a setting of lyrics by famed Harlem Renaissance composer/poet James Rosamund Johnson depicting the power of music to change darkness to light and sadness to joy. A wonderful selection for combined choirs and festival performances!

Arrangé pour chorale SSATBB A Cappella par Gene Puerling. / Voix / niveau : Intermédiaire / Partition Séparée

Written for the King's Singers, A Hymn To The Virgin won the 'A Carol for Christmas' competition run by the vocal sextet and Classic FM.Re-edited for SSATBB, the two languages of the text are set in contrasting styles of solo lines and chordal harmony, coming together at the end of each verse.A meditative work that would make an excellent concert ending. / Choeur SSATBB

Glorieux écriture chorale est la clé de cette conduite, décor contemporain. La sélection du festival parfait ou pour toute ouverture de concert, à l'école ou à l'église, en général ou un jour férié (offre paroles de rechange pour l'utilisation de Noël). / Choeur SSATBB

Setting the text of Richardâ??s brother Thomas Music scored for unaccompanied SSATBB choir was commissioned by Judith Godsland for Commotioâ??s 20th Anniversary Concert in September 2019.