SKU: JK.01548
John 13:34-35, 1 John 4:11.
Hymn arranged for men's chorus (TTBB) and piano, as recorded by Eclipse, with scriptural text taken from John 13:34-35 and music by Luacine Clark Fox. Composer: Luacine Clark Fox Arranger: Derek Furch Text: John 13:34-35 Difficulty: Easy Performance time: 2:20References: John 13:34-35, 1 John 4:11.
SKU: JK.01705
Doctrine and Covenants 121:34-46, Doctrine and Covenants 107:1-4.
Written for mens chorus (TTBB) and piano, this Priesthood anthem boldly proclaims: But the power above all others is the priesthood of our Lord.Composer: John Craven Arranger: John Longhurst Lyricist: John Craven Difficulty: Medium-easy Performance time: 1:20Reference: Doctrine and Covenants 121:34-46, Doctrine and Covenants 107:1-4.
SKU: SU.YR5401V1
TTBB, a cappella Arranged by John Kuzma Composed: 1994 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: BT.HU-2601-250
English.
Ce célèbre chant de Noël anglo-saxon (dont la mélodie est également connue sous le nom d’Humility) a été composé, en 1771, par John Goss (1800-1880), sur un texte d’Edward Caswall (1841-1878). John Goss est né Fareham dans le Comté du Hampshire, en Angleterre. En 1811, il est admis comme choriste la Chapelle Royale, où il étudie auprès de John Stafford Smith et de Thomas Attwood, organiste la cathédrale Saint-Paul de Londres. En 1824, il est nommé organiste l’église Saint-Luc de Chelsea. la mort de Thomas Attwood, en 1838, John Goss lui succède comme organiste la cathédrale Saint-Paul. Il compose de nombreux motets et odes pour divers services religieuxexceptionnels célébrés en la cathédrale. En 1872, il quitte son poste Saint-Paul et est fait chevalier par la reine Victoria. Parallèlement ses fonctions d’organiste l’église Saint-Luc et la cathédrale Saint-Paul, John Goss a enseigné l’harmonie l’Académie Royale de Musique de Londres pendant quarante-sept ans. Parmi ses nombreuses odes encore chantées, on peut citer Infant Holy, Infant Lowly, Praise My Soul et See Amid the Winter's Snow.
SKU: GI.WW1707
UPC: 785147020660. English. Text source: Traditional spiritual. Traditional Spiritual.
Composer John Wykoff has set the familiar spiritual Soon I Will Be Done in a completely new way. While other settings exist, none treat the source material with deadly seriousness, as a personal requiem. With an incredibly beautiful and virtuosic piano accompaniment, this work will make an excellent concert centerpiece.
SKU: CF.CM9635
ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).
Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.†The singer should make a motion as if they have a paintbrush in their hand and “paint†the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
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