SKU: BT.DHP-1135507-070
ISBN 9789043138734. 9x12 inches.
Nstrumentation 1 - Conductor 1 - Eb Clarinet 1 - Bb Clarinet 1 1 - Bb Clarinet 2 1 - Bb Clarinet 3 1 - Eb Alto Clarinet 1 - Bb Bass Clarinet 1 - Eb Contralto Clarinet 1 - Bb Contrabass Clarinet Bohemian Rhapsody was een wereldwijde hit voor Queen in 1975/1976, en de heruitgave in 1991 werd ook een groot hitsucces. Het wordt algemeen beschouwd als één van de succesrijkste popnummers aller tijden. Met pop-, opera-, klassieke rapsodie-en rockelementen, is dit nummer een hele uitdaging voor klarinetensemble en saxofoonkwartet! Diesen Popsong der Gruppe QUEEN kennt eigentlich jeder - er zählt zu den wohl erfolgreichsten Hits aller Zeiten. Abwechslungsreich und voller Ãœberraschungen springt die Melodie zwischen verschiedenen Stilen hin- und her. Ein Crossover mit vielenHerausforderung für alle Mitglieder des Ensembles.Lors de sa sortie dans les bacs, Bohemian Rhapsody, immense succès du groupe Queen, bouleversait les conventions : une chanson sans refrain, une ballade, des passages de hard rock, des traits d´opéra... Un concentré de bonheur musical pourEnsemble vent ! Instrumentation : ChÅ“ur de Clarinettes : Clar. Mi / Clar. Si / Clar. Alto / Clar. Basse / Cla. Contralto Mi / Cla. Contrebasse Si. Bohemian Rhapsody, celebre per la sua struttura musicale con un´introduzione a cappella, un segmento in stile ballata che termina con un assolo di chitarra, un passaggio d´opera e una sezione rock, conobbe un enorme successo per il suoapproccio totalmente innovativo. L´immenso successo della band Queen è un vero concentrato di piacere musicale! Strumentazione: Coro di Clarinetti : Clar. Mi♭ / Clar. Si♭ / Clar. contralto / Clar. basso / Cla. Contralto Mi♭ /Cla. contrabasso Si♭.
SKU: RM.BEET05856
ISBN 9790231058567.
SKU: IS.CC6294EM
ISBN 9790365062942.
A 'hayashi' is a group of performers who provide musical accompaniment for Japanese Noh or kabuki theatre. In Noh, they are purely instrumentalists; the type of instruments featured and the order in which they sit on stage follow established practices. The leftmost performer plays a small taiko, set on a stand before him, with two drumsticks. To his right is the Åtsuzumi hip drum, followed by the kotsuzumi shoulder drum, and the Noh flute. In kabuki, a number of shamisen players are added, along with, depending on the play, taiko drums of various sizes, various types of flutes, and other instruments, including a myriad of devices for sound effects. This composition for clarinet choir includes Eb clarinet, 3 Bb clarinets, alto clarinet, bass clarinet, contra alto and contrabass clarinets and optional percussion.
SKU: AY.CC3681PM
ISBN 9790543578050.
Giovanni Gabrieli - Canzon Septimi et Octave Toni a 12 from 'Sacrae Symphoniae', Book 1, for Clarinet Choir, arranged by Andrew Seigel. Giovanni Gabrieli was an Italian composer and organist of the late Renaissance and early Baroque periods. He was born in Venice, where he trained as a musician and composer, initially studying with his uncle, Andrea Gabrieli, who was a prominent musician and composer in the city. Gabrieli eventually succeeded his uncle as the organist and composer at St. Mark's Basilica in Venice, where he worked for most of his career. Gabrieli's Sacrae Symphoniae is a collection of sacred instrumental music that was published in Venice in 1597 which includes canzonas, sonatas, and motets, all of which were composed for the unique acoustics of St. Mark's Basilica in Venice. The Sacrae Symphoniae is an important work in the development of instrumental music, as it represents a shift away from vocal music and towards the use of instruments in sacred music. The collection features a range of different instrumental combinations, including brass, strings, and organ, and often employs multiple choirs or groups of instruments to create a rich, complex sound.
SKU: AY.CC3674PM
ISBN 9790543574212.
Giovanni Gabrieli - Maria Virgo from 'Sacrae Symphoniae', Book 1, for Clarinet Choir, arranged by Matt Johnston. Giovanni Gabrieli was an Italian composer and organist of the late Renaissance and early Baroque periods. He was born in Venice, where he trained as a musician and composer, initially studying with his uncle, Andrea Gabrieli, who was a prominent musician and composer in the city. Gabrieli eventually succeeded his uncle as the organist and composer at St. Mark's Basilica in Venice, where he worked for most of his career. Gabrieli's Sacrae Symphoniae is a collection of sacred instrumental music that was published in Venice in 1597 which includes canzonas, sonatas, and motets, all of which were composed for the unique acoustics of St. Mark's Basilica in Venice. The Sacrae Symphoniae is an important work in the development of instrumental music, as it represents a shift away from vocal music and towards the use of instruments in sacred music. The collection features a range of different instrumental combinations, including brass, strings, and organ, and often employs multiple choirs or groups of instruments to create a rich, complex sound.
SKU: P2.30089
Composer Arthur Gottschalk says, Suite Nothings was commissioned by Houston Symphony clarinetist Richard Nunemaker for his Effortless Clarinet Studio. It is dedicated to Michael Perricone, a talented amateur clarinetists and member of Nunemaker's studio, who was diagnosed with Stage 4 cancer just prior to rehearsals for the seventh annual studio recital. Movement 1 ('The March of the Licorice Stick Figures') is a strange little march, at times duple and others compound. Movement 2 ('Weird Harold's Stomp') is a touch more funky, albeit in 13 beat groupings, and owes a partial debt and perhaps apology to jazz legend Herbie Hancock. The final movement is an all-out atonal yet swinging romp, whose theme was originally written for the Band of the First Battalion, Royal Australian Regiment, based in Townsville, Queensland. These guys march into battle with full field packs, their weapons, AND their instruments! Hence the title, 'The Royal Australian Regiment Rondo'..
SKU: IS.CC6317EM
ISBN 9790365063178.
Hans Aerts (°1958) studied at the conservatory of Antwerp (clarinet), the conservatory of Brussels (counterpoint and fugue) and the Lemmens Institute in Leuven (composition). His oeuvre consists of over 100 pieces for just about any instrumental line up. Many of these pieces are specifically written to be used in music education. In his work Hans Aerts seeks to create a clear form and an alluring melodical and harmonical style. Hans Aerts lives and works in Turnhout (Belgium), where he is associated with the city’s musical academy.
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