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BAGPIPE
Double bass, Piano (duet)
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Gabriel Fauré: Apres Un Reve: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Sheet music]
IMC (International Music Co.)
Gabriel Faure: Apres Un Reve (Double Bass & Piano Score)
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Sweet Bass Ballad (SCREVE ERIC)
Français
Double bass, Piano (duet)
[Score and Parts]
-
Easy
Combre
Par SCREVE ERIC. / Niveau : 2ème Cycle / classique / Répertoire / Contreba...
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Par SCREVE ERIC. / Niveau : 2ème Cycle / classique / Répertoire / Contrebasse et Piano
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Gajdos M. - Concerto N°2 Haydn - Contrebasse Et Piano
Double bass, Piano (duet)
Recital Music
Concerto No.2 'Haydn' A series of works based on the surviving two bars of Hayd...
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Concerto No.2 'Haydn' A series of works based on the surviving two bars of Haydn's 'lost' Double Bass Concerto. Based on the two surviving bars of Haydn's 'lost' Double Bass Concerto and dedicated to David Heyes, this magnificent new concerto is a tour-de-force from a respected and leading Czech bassist-composer. In a tonal and accessible style, there are musical and technical challenges for the advanced bassist and this edition is only available in solo tuning. Influenced by the late 18th-century style, but imbued with Czech lyricism and influences, this new three-movement concerto is a major addition to the repertoire and utilises the entire range of the double bass. The concerto has been performed throughout Europe many times, most recently in Macedonia and Serbia by the composer. Miloslav Gajdos has composed and transcribed many works for double bass in a 40 year career and is Professor of Double Bass at the Vejvenovsky Conservatoire in Kromeriz (Czech Republic) alongside many international recitals and masterclasses. Concerto No.2 'Haydn' is available in three orchestrations alongside the published edition with piano. Please contact the publishers for more information about the various orchestrations. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.
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Gajdos M. - Zingaresca - Contrebasse Et Piano
Double bass, Piano (duet)
Recital Music
Zingaresca A czardas-influenced work which is full of the fire and passion of t...
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Zingaresca A czardas-influenced work which is full of the fire and passion of the typical Gipsy idiom. Zingaresca offers much for the advanced bassist and would be ideal for conservatoire or university students who are confident playing throughout the solo range of the instrument. A slow and lyrical introduction leads into a rhythmic and lively czardas these with opportunities to demonstrate both musical and technical prowess in equal measure. Ideal as the final work in a recital and performed many times by the composer. The edition includes piano accompaniments for both solo and orchestral tunings. Performance Level: Advanced Miloslav Gajdos is one of Europe's most active and inventive bassist-composers. He was born in northern Moravia in 1948 and initially learned violin before transferring to the double bass, studying with Alois Kriz, Jiri Bortlicek and Ludwig Streicher. He has been Professor of Double Bass at the Vejvenovsky Conseravtoire in Kromeriz (Czech Republic) since 1971, and was a member of the Olomouc Symphony Orchestra for a number of years. He is Director of the Gregora International Double Bass Competition, founded in 1979 and held every two years in Kromeriz, and has been a juror at many competitions in Hungary, Germany and the Czech Republic. Miloslav Gajdos is a prolific composer and arranger and, for almost 40 years, has produced a vast body of original works and transcriptions for double bass which are performed worldwide. His original works combine Czech lyricism and melody with brilliant technical demands, and music from one to sixteen double basses. He writes in a traditional and accessible style, producing music for every level of performer, particularly for the advanced bassist, and his many works for unaccompanied double bass are frequently chosen as international competition repertoire. Miloslav Gajdos was Recital Music's Featured Composer in 2007 and has recently revised a number of earlier works for the intermediate bassist which will be published by Recital Music.intermediate bassist which will be published by Recital Music.
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Four Pieces for Double Bass and Piano (HERTL FRANTISEK)
Double bass, Piano (duet)
[Sheet music]
Barenreiter
Par HERTL FRANTISEK. The renowned Czech double bass player, composer, conductor ...
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Par HERTL FRANTISEK. The renowned Czech double bass player, composer, conductor and teacher František Hertl (1906–1973) wrote many concert and teaching pieces for his instrument. An outstanding virtuoso, he had a consummate mastery of his instrument’s expressive potential and sound qualities. These four pieces for double bass comprising a Prelude, Burlesque, Nocturne and Tarantella were composed in 1968. They have remained very popular among double bass players to the present day while being extremely challenging to play. Our edition adopts the musical text from the Supraphon edition of 1969. The double bass part and the Foreword have been revised by Stefan Schäfer, the solo double bassist of the Hamburg Philharmonic State Orchestra./ Répertoire / Contrebasse et Piano
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Dragonetti / Nanny - Concerto A Major (solo Tuning) - Contrebasse and Piano
Double bass, Piano (duet)
Recital Music
SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first...
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SOLO TUNING See RM722 for Orchestral Tuning The 'Dragonetti Concerto' was first published in 1925 by Alphonse Leduc in Paris as No.23 of Edouard Nanny's 'Les Classiques de la Contrebasse'. For many years no one questioned its authenticity, but as more research into Dragonetti's original works for double bass was made, concerns began to arise. Many of Dragonetti manuscripts survive in the British Library, thanks to Vincent Novello who donated them in 1849, three years after Dragonetti's death and on Novello's retirement to Italy, but there is no original manuscript for this work. As bassists began to edit and perform a wide range of Dragonetti's works it became clear that this concerto bore little resemblance to any of his other pieces. The work does, however, have many similarities to Nanny's Concerto for double bass, also to his other solo works and even studies from his Method. Eventually most people came to the conclusion that this work is not an original work by the great Venetian bassist but is by Edouard Nanny, and in the style of the late 18th-century. Having said that, this is still a charming and evocative work which has much player and audience appeal and is very easy on the ears. Many of the challenges for the soloist are technical and, almost a century after its first publication, it is still as popular as ever. Published in 1925, the first movement was performed at London's Wigmore Hall on 15 April the following year by Victor Watson (double bass) and Sidney Crooke (piano), and was described a 'Contrabass Concerto by Dragonetti-Nanny. ERRATA: Piano part: page 8 (1st movement), bar 87 - final chord of bar in right hand should be D/E/G# - a dominant 7th chord in A major Edouard Nanny was an important French double bassist and teacher, also composing and transcribing many works for double bass. He was born in Saint-Germain-en-Laye on 24 March 1872 and he studied at the Paris Conservatoire with Professor Verrimst, also teaching there from 1920-1940. He performed often as a soloist, also working as an orchestral bassist with many orchestras such as the Paris Symphony Orchestra, Concerts Lamoureux and the Orchestra de l'Opera Comique, and in 1901 he founded the Henry Casadeus Society of Old Instruments, chaired by Camille Saint-Saens, and intended to revive the works from the past centuries. Nanny's Method for double bass is still in print, over 90 years since its first publication and both volumes contain a wealth of excellent technical studies and exercises which are as relevant today as they were in the 1920s. His other volumes of studies are mostly out of print and Recital Music plan to reprint some of his orginal works for double bass, transcriptions and educational music to keep alive the name of Edouard Nanny into the 21st-century. Edouard Nanny died in Paris in 1942.
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Giovannino: Sonate A: Double Bass: Instrumental Work
Double bass, Piano (duet)
[Score and Parts]
Yorke Edition
Very little is known about the two sonatas which appear here in their original k...
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Very little is known about the two sonatas which appear here in their original keys. They were placed in the library of the Music School in Oxford at the end of the seventeenth century in a form convenient for playing (i.e. unbound). The library was catalogued by Hake between 1850 and 1855 and the sonatas were eventually bound in 1855 with other instrumental and vocal manuscripts of the same period some of which are dated 1698.The sonatas are both inscribed on the title page Sonata à Violone Solo. Col Basso per l'Organo o Cembalo. A third sonata bears the words Sonata à Violino e Violoncino … di Giovannino del Violone. Giovannino(=Little or Young John) must have been a performer and although the third sonata has been copied by a different hand it is conceivable that Giovannino is a connecting link between the three. He cannot however be assumed to be their author.The Violone was a six-stringed instrument with frets and there is evidence to suggest that the Contrabasso of the same period was similar but probably a little larger; the Violoncino (=Little Violone or Violoncello) must have been smaller. The word 'Violone' was also used as a collective term embracing all members of the Viol family which means that the sonatas might well have been written for a tenor or a bass Viol and not necessarily a Violone as such. Indeed when they are played on a Violone or Double Bass the continuo bass line must be played at a lower pitch than the solo instrument to prevent inversion of the intended harmony. (The use of a Violone/Double Bass continuo or 16' organ tone would overcome this problem.)The editor has added no ornaments or embellishments to the solo part as it appears in the original manuscript. It is open to debate whether a Violone player owing to the very nature of his instrument would have used any but the simplest melodic decorations. Nevertheless the performer should acquaint himself thoroughly with those seventeenth century traditions that
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Romance Op. 85 Pour Contrebasse Et Piano/ Transcription De Daniel Marillier Op. 85 En Fa Majeur
Français
Double bass, Piano (duet)
Delatour France
La Romance pour alto et orchestre opus 85 de Max Bruch (1838-1920) est une des p...
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La Romance pour alto et orchestre opus 85 de Max Bruch (1838-1920) est une des principales oeuvres de style romantique écrite pour cet instrument. Composée en 1910 elle est créée en 1911 par Willy Hesse, violoniste concertiste proche du compositeur. La romance est toutefois dédiée à Maurice Vieux, figure éminente de la vie musicale parisienne et fondateur de l'école française d'alto. Nous proposons ici une adaptation originale pour piano et contrebasse d'après la partition orchestrale. La partie soliste est spécialement revue et annotée par Daniel Marillier. / Contrebasse Et Piano
25.40 EUR - Sold by LMI-partitions
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Tarantella
Français
Double bass, Piano (duet)
Billaudot
Révision et coups d'archet (d'après l'édition revue par M. Fleschig) : Richar...
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Révision et coups d'archet (d'après l'édition revue par M. Fleschig) : Richard Dubugnon. / Contrebasse Et Piano
18.00 EUR - Sold by LMI-partitions
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Suzuki Bass School Piano Acc. Volume 3 (Revised): Double Bass: Instrumental
Double bass, Piano (duet)
Alfred Publishing
This Piano accompaniment book ideally compliments the Suzuki Bass School Volume ...
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This Piano accompaniment book ideally compliments the Suzuki Bass School Volume 3 Bass Part book catalogue number 0874873762.The Suzuki Method® of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability and that man is the son of his environment. According to Dr. Suzuki a world-renowned violinist and teacher the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the 'mother-tongue' approach.
8.95 GBP - Sold by Musicroom UK
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Suzuki Bass School Piano Acc. Volume 2 (Revised): Double Bass: Instrumental
Double bass, Piano (duet)
Alfred Publishing
The Suzuki philosophy is based upon the idea that children can learn music in th...
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The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language through repetitive listening. This listening is then followed up with 1) Individual instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3) Parent Involvement 4) Encouragement. Students begin lessons as early as two years old and through repetition of small and enjoyable steps begin building a music vocabulary.
7.95 GBP - Sold by Musicroom UK
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Bottesini G. - Reverie - Contrebasse Et Piano
Double bass, Piano (duet)
IMC (International Music Co.)
11.10 EUR - Sold by Woodbrass
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Soulage - Reverie & Danse - Contrebasse Et Piano
Français
Double bass, Piano (duet)
Eschig
Musical Category : contrabbasso
23.99 EUR - Sold by Woodbrass
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Breval - Sonata A Major - Contrebasse and Piano
Double bass, Piano (duet)
IMC (International Music Co.)
16.60 EUR - Sold by Woodbrass
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