/ Ensemble de guitare classique. Du Cordero ' Concierto Festivo 'pour orchestre de guitare et de la chaîne est son plus récent ouvrage, écrit en 2003. Il a été commandé par l'Université de Porto Rico pour célébrer le 100e anniversaire de sa fondation et la réouverture de son théâtre. Le concerto comporte trois mouvements, écrits dans un style modal et neo-romantique dans lequel les éléments contrapuntiques de la Renaissance espagnole combinent avec les harmonies contemporains, lui donnant une saveur distinctive qui est présente dans la plupart des oeuvres de Cordero. Comme dans ses précédents concertos, influences Afro-Antillais apparaissent parfois dans cette composition, avec leurs riches, rythmes somptueuses. Ernesto Cordero explore créative les ressources sonores de la guitare, il offre une fonctionnalité solo virtuose enrichie par les dialogues avec les autres instruments. Dans plusieurs sections lyriques de la pièce, les projets et brille de guitare romantique spirit, par le biais de belles phrases qui reflètent la passion du Cordero pour la vie et pour sa bien-aimée de Porto Rico. / Guitare Classique / 56 pages / niveau : Intermédiaire/Avancé / Partition - Format: 11 X 8,5

The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.

Opus 30-Performed by Christian Reichert guitarAccompaniment: Plovdiv Philharmonic OrchestraConductor: Nayden TodorovMMO is pleased to bring you one of the all-time classics for the guitar Mauro Giuliani'sGuitar Concerto No. 1 in A major. This familiar and ever-so-beautiful piece has been a success since its premiere in the early nineteenth century. Listen to stunning virtuoso Christian Reichert perform the concerto with thePlovdiv Philharmonic and then you take his place with that same magnificent orchestra! Includes an authoritative newly engraved solo part printed on high-quality ivory paper containing the solo guitar part; a digital stereocompact disc featuring a complete performance of the concerto with orchestra and soloist and a second performance minus you the soloist; and a second compact disc containing a full-speed version of the complete version as wellas a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience.

Reduction Of Score-Classic Guitar/Ensemble. Cordero's 'Concierto Festivo' for Guitar and String Orchestra is his most recent work written in 2003. It was commissioned by the University of Puerto Rico to celebrate the 100th Anniversaryof its foundation and the re-opening of its Theater.The concerto has three movements written in a modal and neo-Romantic style in which the contrapuntal elements of the Spanish Renaissance combine with contemporaryharmonies giving it a distinctive flavor which is present in most of Cordero’s works.As in his previous concerti Afro-Antillean influences occasionally appear in this composition with their rich sumptuousrhythms. Ernesto Cordero explores creatively the sonorous resources of the guitar offering it a virtuoso solo feature enriched by dialogues with the other instruments. In many lyrical sections of the piece the guitarshines and projects a romantic spirit through beautiful phrases that reflect Cordero’s passion for life and for his beloved Puerto Rico.

C Major RV425 and D Major RV93-Performed by Christian Reichert guitar Accompaniment: Taunus String Orchestra These two concerti are amongst the most requested in the MMO catalogue. Finally available in spectacular digitally recorded sound with master guitarist Christian Reichert delivering an interpretation that will give you much to study and marvel at. Then it's your turn to step in and play with the full orchestra! Includes a slow-tempo version of the accompaniments (in the same key) for practice purposes. This newly engraved authoritative printed music score features the solo guitar part with orchestral reduction presented beneath in reduced-size for ease of learning and study; historical notesand performance suggestions printed on high-quality acid-free ivory paper. Also includes a compact disc containing a complete version with soloist in digitally recorded stereo; then a digital stereo version of the orchestral accompaniment minus the soloist; and a second compact disc containing the complete version of the concerto followed by a -20% slow-tempo version of the accompaniments for practice purposes.

Critical Edition by Frederic Zigante-Les Ã?ditions Max Eschig présentent le quatrième volume de lâ??édition critique des oeuvres pour guitare du compositeur brésilien Heitor Villa-Lobos dirigée par Frédéric Zigante. Les oeuvres proposées sont le célèbre Chôros n° 1 pour guitar et engrande première deux oeuvres de jeunesse inédites Simples (1911) et Valsa Concerto n° 2 op. 8 (1904).Cette édition est le fruit dâ??une étude de lâ??ensemble des sources disponibles et est enrichie dâ??une longue préface au caractère historiqueet musicologique (en français en anglais et en italien) accompagnée dâ??un commentaire qui propose toutes les autres versions existantes du Chôros n° 1.

Par VILLA-LOBOS HEITOR. Les Éditions Max Eschig présentent le quatrième volume de l?édition critique des oeuvres pour guitare du compositeur brésilien Heitor Villa-Lobos, dirigée par Frédéric Zigante. Les oeuvres proposées sont le célèbre Chôros n° 1 pour guitar et, engrande première, deux oeuvres de jeunesse inédites, Simples (1911) et Valsa Concerto n° 2 op. 8 (1904). Cette édition est le fruit d?une étude de l?ensemble des sources disponibles et est enrichie d?une longue préface au caractère historiqueet musicologique (en français, en anglais et en italien) accompagnée d?un commentaire qui propose toutes les autres versions existantes du Chôros n° 1. / Date parution : 2022-02-26/ Recueil / Guitare Classique

Voici une partition musicale pour Guitare que vous pouvez acquérir pour moins de 10C. Classée dans la catégorie Classique cette partition a pour titre CONCERTO GUITARE. C'est l'éditeur Billaudot sous la référence MRB1454 qui a les droits pour éditer cette partition. / Guitare / Partition

Transcrizione del Concerto in fa maggiore. Par KREBS / CHIESA. / Répertoire / Guitare