Voice and piano (classical)-A program of entertaining and highly varied pieces for High Voice and Piano written to correspond with the Trinity College London examinations. The songs are carefully graded and intended to fully explore the range of techniques and abilities required.

Selection of Songs within Comfortable Range for older Singers-Compiled and edited by Veronica Veysey Campbell & Liza Hobbs Increasing numbers of people are taking to singing in later life driven in part by increasing medical evidence of of the health benefits it brings. Singing aids physical and neurological well-being but above all it brings enjoyment not only to those who have a lifetime experience of singing (both in choirs and solo) but also for those to whom it comes as an entirely new activity. Everlasting Voices compiled specifically for the older singer contains: 24 songs with a modest vocal range in a wide range of styles; backgrouned notes about the songs and their composers; prononciation guides forsinging in Italian German Spanish and French; a guide to keping your voice healthy; performing advice and technical guidance.

Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart.Preface:The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of seven lines in 1872. His deep religious feelings fashioned a memorable melody one which is within the scope of all singers - its range is only a seventh and if you follow the word patterns the breathing sits comfortably. It is in its way simple and direct but with the chance to use the voice to its full. The Latin words are not hard to sing but if you prefer to perform it in English the translation conveys the essential meaning. Franck originally wrote Panis Angelicus for Tenor Cello Harp Organ and Double Bass but it slips easily into the Keyboard arrangement. The colours of the original scoring are evident the Organ's sustained chords the semi-staccato notes for the Harp and the Cello's countermelody beginning in bar 38 (which could be transferred to another melodic instrument if that suits the occasion). Some discreet repetition of the long tied notes and doubling of the bass at the octave can give the Piano more resonance. The accompaniment probably works best with a minimum pedalling and an Organist's style of fingering. The dynamics ask for a triumphant final statement of the words 'pauper servus' in bar 53. It makes complete musical sense to make a diminuendo for the word 'humilis' in bar 56 leading to a thoughtful postlude.

This edition is suitable for lessons and for preparing for entrance exams in the subsidiary subject of singing for school or church music as well as for concert performances. The pieces impart the specific techniques of gospel singing. / Voix Haute Et Piano

A collection of the most popular and most important sacred songs. Sacred Classics contains twelve essential sacred favourites for classical singers including Panis Angelicus Ave Maria and Crucifixus. All arranged for High Voices and Piano with a CD featuring all the songs with and without piano accompaniment.

L'édition fait partie du programme ABRSM (grades 4-6). / Voix Elevée(s) Et Piano

High Voice (24 Songs)-This is the first substantial collection ever published of songs by Virgil Thomson (1896-1989) composer of the operas The Mother of Us All and Four Saints in Three Acts. Thomson's musical style was based inAmericana but he was attracted to abstract poetry. The unique result is traditionalism turned on its ear. The songs date from 1926 until 1974.

A superb collection of vocal music for high voice with piano accompaniment by celebrated Spanish composers. A brief introduction to the composers and their personal style is also included in English and Spanish.

Op. 55-Dvorák’s song cycle Gypsy Songs Op.55 on words by the Czech poet Adolf Heyduk were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter a member of the Vienna Court Opera and the work’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes one for high voice and another for low voice. Third volume from the new five-volume Urtext edition of Dvorák’s complete songs One of the most popular and best-known song cycles of the romantic repertoire Extensive Foreword (Cz/Eng/Ger) andCritical Commentary (Eng) by the editor Vocal texts in three languages (Cz/Eng/Ger)

Pieces for Trinity College London Exams from 2023. Par . Graded books for Singing exams from 2023. Each book contains a selection of 12 accompanied songs for the grade as well as downloadable demo and accompaniment audio. The repertoire covers a varied range of styles and periods including musical theatre. Performance notes are included for all pieces in the book giving valuable insights, tips, and suggestions. / Date parution : 2023-03-11/ Recueil / Voix Haute et Piano

Pieces for Trinity College London Exams from 2023. Par . Graded books for Singing exams from 2023. Each book contains a selection of 12 accompanied songs for the grade as well as downloadable demo and accompaniment audio. The repertoire covers a varied range of styles and periods including musical theatre. Performance notes are included for all pieces in the book giving valuable insights, tips, and suggestions. / Date parution : 2023-03-11/ Recueil / Voix Haute et Piano

Simon Laks (Varsovie 1901 - Paris 1983), connu avant tout des historiens et des musicologues pour son témoignage sur la survie en tant que musicien au camp d'extermination de Birkenau ('Mélodies d'Auschwitz'), connait depuis quelques années une renaissanc / Voix Hautes Et Piano / 20 pages / niveau : Intermédiaire / Partition

The Vocal Library-This collection is a follow-up to Favorite German Art Songs. As before 12 of the most often sung lieder are included here in clean engravings. Each book comes with a CD with piano accompaniments recorded by Laura Ward andinstructive pronunciation lessons recorded by a native German speaker. The CD also contains computer software that allows for transposition and tempo adjustment. This collection is sure to be used by singers at all levels fromhigh school contest soloists to collegiate singers and professionals.

Hohe Stimme / High Voice-Based on the New Schubert Edition.Newly engraved clearly presented musical layout.Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger).Includes English translations of lieder texts by Richard Wigmore.The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe.Schubert during this period an assistant teacherat his father?s school orientated himself towards the so-called Berliner Liederschule particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.Also available:Medium Voice & Piano BA 9126Low Voice & Piano BA 9146

Ernest J Moeran (1894-1950) was an English composer who followed the tradition of R. Vaughan Williams and John Ireland by collecting preserving and using many folk songs mainly from Norfolk Suffolk and Ireland.First published in 1924 Two Songs are both set for High Voice with Piano accompaniment. The first The Bean-Flower is a setting of a poem by Dorothy L. Sayers (1893-1957) which recallsthe scent of the Hawthorn which made the writer fall in love. The second is called Impromptu In March and is a setting of a poem by Doreen A. E. Wallace (1897-1989) a more cheery affair which looks forward tothe coming of Spring.