A fantastic collection of familiar and favourite Disney Classic Songs set here for High Voice with Piano accompaniment. Includes a CD of Full performances and accompaniment tracks sung by experienced Broadway and musical artists.

The most useful collection of Schubert songs available! Unlike international editions these new songbooks contain only a few favourite songs from Die Schöne Müllerin and Die Wintereisse rather than the rarely-used entire song cycles; this leaves room for many more wonderful individual songs not normally found in Schubert collections.As in the other volumes in The Vocal Library each song features introductory notes including information about the composition the song's biographical context in Schubert's life early performances and comments about poets. The contents for the High Voice and Low Voice editions are almost the same: theHigh Voice volume uniquely includes Der Hirt auf dem Felsen (with removable clarinet part) and Auf dem Strom (with removable horn part); the Low Voice volume uniquely includes Das Abendrot and Romanze. The cover is adorned with a charming 1821 watercolour depicting Schubert and friends at a summer gathering in Atzenbrugg.All songs have been newly edited and researched based on the most current historical material available. German singing text.

21 art songs, plus 4 arias in the High Voice volume, or 3 arias in the Medium/Low Voice volume. Art song contents for both High and Medium/Low Voice: Dirge in Woods ? Old Poel ? Pastorale ? Poet\'s Song ? Vocalise ? Four Early Songs; Night ? A Summer Vacation ? My Heart Is in the East ? Alone ? Twelve Poems of Emily Dickinson (complete; original keys retained for both High and Medium/Low). Arias in the High Voice edition: Laurie\'s Song (The Tender Land) ? Martin\'s Song (The Tender Land) ? The sun is coming up (The Tender Land) ? Queenie\'s Song (The Second Hurricane) ? Arias in the Medium/Low edition: Ma\'s Song (The Tender Land) ? Fat\'s Song (The Second Hurricane) ? Gyp\'s Song (The Second Hurricane).
A Summer Vacation
Alone
Dear March, come in!
Dirge in Woods
Going to Heaven!
Heart, we will forget him
I felt a funeral in my brain
I\'ve heard an organ talk sometimes
Laurie\'s Song from The Tender Land
Martin\'s Song from The Tender Land
My Heart Is in the East
Nature, the gentlest mother
Night
Old Poem
Pastorale
Poet\'s Song
Queenie\'s Song from The Second Hurricane
Sleep is supposed to be
The Chariot
The sun is coming up from The Tender Land
The world feels dusty
There came a wind like a bugle
Vocalise
When they come back
Why do they shut me out of Heaven?
/ Partitions classique / Vocale - chorale / Voix solo - piano / BOOSEY

Revised & Expanded Edition-Revised and expanded edition of Edition Peters Art Of Song Grade 7 for High Voice and Piano. This revised and expanded edition of the long-established The Art of Song series includes all the songs in the original edition together with a considerable amount of new material all presented in a new larger format. Drawing on the comprehensive Edition Peters vocal catalogue and incorporating new editions of many songs The Art of Song series provides: an extensive selection of songs and arias from the new ABRSM singing syllabus (valid from 2009). new editions of a wide-ranging repertoire covering composers from Purcell andByrd through Brahms and Schubert to Verdi and Sullivan. New versions of songs in different keys to suit different voice-types.

High voice book downloadable backing tracks. Par . for high voice and piano This beautiful collection of 14 songs for high voice offers secular pieces by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Lily and the Rose' and John Rutter's 'A flower remembered', this is the perfect collection for use in recitals or for enjoying at home. Also available in a volume for low voice and piano. / Date parution : 2021-11-03/ Recueil / Voix Haute et Piano

Volume I - Songs 1911-1919-The Peter Warlock Critical Edition series represents a treasure trove of English song.This the first volume focuses upon songs for the High Voice from the period 1911-1919. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With thirteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.

Volume Iii - Songs 1921-1922-The Peter Warlock Critical Edition series represents a treasure trove of English song.This the third volume focuses upon songs for the High Voice from the period 1921-1922. The songs of Peter Warlock are inspiring and intriguing pieces that rank him with the greatest English composers of all time. This is truly a superb collection of some of the best of his work painstakingly and meticulously edited by Michael Pilkington. This revised Critical Edition is an accurate faithful and exhaustive volume that maintains Warlock’s original keys and intentions. With fifteen songs each featuring an in-depth commentary this is a tremendousacquisition for any enthusiasts of English song.

50 Songs by 21 American and British Composers-This unique compilation is a wonderful substantial sampling of art song in the English language with composers from both sides of the Atlantic. The publication includes many first-time transpositions as the song list is the same for the High Voice and Medium/Low Voice editions.

of the 17th & 18th Centuries-28 Italian Songs and Arias of the Seventeenth and Eighteenth centuries for Medium High Voice and Piano accompaniment.Most Voice teachers and singers still prefer the pianistic wonderfully gratifying arrangements of thisearly Italian material made by Alessandro Parisotti in the 1880s. This new edition newly researched and engraved includes the original Schirmer 24 plus four additional songs: Sento nel core (A. Scarlatti) Oleggiadri occhi belli (Anonymous) Intorno all'idol mio (Cesti) Delizie contente che l'alma beate (Cavalli). With IPA word for word translations and historical information on each song andcomposer. A version with accompaniment CD is also available: HL50485630.

Instrumentation : High voice - Pf (Fr.) Those interested in French music have often had reason to be grateful to Roger Nichols; his writings on Debussy, Ravel, Messiaen and Poulenc are indispensable to the music lover. Nichols now turns his attentions to the mélodie, where it is his mission to encourage singers to explore beyond the well-trodden paths of French song. In these two anthologies he does not ignore masterpieces by composers of the stature of Fauré and Duparc, but sets them alongside music - almost impossible to find elsewhere in print - by such under-estimated figures as Reber, Viardot, Massé and Paladilhe. Even the more celebrated songs are often not easily found in practical editions, which makes this selection an ideal starting point for wider exploration. In each of these volumes the songs appear in the chronological order of their composer's birth, but Nichols somehow contrives a line-up of music which seems delightfully arbitrary at the same time as carefully designed to enrich everyone's understanding of the mélodie. The books also contain a remarkable amount of scholarship, lightly worn and pithily expressed. As well as complete translations of the songs, there is a useful and concise introduction on singing in French, together with an illuminating historical note and critical commentary; and Nichols gives full due to the poets who were of crucial importance in the development of the mélodie tradition. Graham Johnson Content : Niedermeyer:Le Lac (Meditation poétique);Berlioz:Absence;Gounod:Ô ma belle rebelle;Viardot: Fleur desséchée; Franck: S'il est un charmant gazon; Massé: Consolation;Lalo: Ballade à la lune; Saint-Saëns: La sérénité;Delibes: Chanson espagnole; Bizet: Pastorale; Massenet: Nuit d'Espagne; Chabrier: L'île heureuse; Paladilhe: Sérénité de la nuit; Fauré: Lydia; Fauré: Après un rêve; Duparc: Extase; Chausson: Le colibri; Debussy: Mandoline; Debussy: C'est l'extase langoureuse; Satie: Daphénéo; Satie: Spleen; Séverac: Ma poupée chérie; Dupont: Chanson des noisettes; Poulenc: La Grenouillère Editor :Nichols

At the turn of the 20th century Vienna was the centre of a surge in artistic creativity that enveloped all the arts and continued for two decades. A celebration of Song showcases songs written by composers of this period well- and lesser-known and explores the diverse musical styles of these Viennese musical elite as well as offering short biographical information on each individual. Thus this album will appeal to any high voice singer wishing to become better acquainted with this vibrant period and will hopefully serve as an introduction to more in-depth study of the featured composers whose vast works can only be touched on here. For English speakingsingers separate literal translations of the songs are provided for the purpose of aiding interpretation.

33 Songs for Voice and Piano - Critical edition-Numbering more than 100 in total and composed across a 60-year period Gabriel Fauré's songs form the single most influential contribution to the field of French art song.Despite their importance the songs have long been riddled with misprints and inconsistencies. This first complete critical edition is based on study of hundreds of manuscript and printed sources along with evidence and interpretative advice from artists who worked with Fauré;. Above all it is a practical edition informed by extensive work with musicians in performances masterclasses and workshops.This second volume comprises the songs of Fauré's creative maturity including popular favourites (Les Roses d'Ispahan Clair de lune) alongside some lesser-known gems together with his three vocal duets and the delightful four-voice Madrigal.

The Complete Verlaine Settings (1887–1894) Critical edition-Gabriel Fauré’s seventeen settings of the poetry of Paul Verlaine mark the biggest single stylistic leap of his compositional career and arguably one of the high points of the entire art song repertoire. The present edition contains the three individual settings Claire de lune Spleen and Prison together with the Op. 58 “Venetian” Songs and the magnificient cycle La Bonne Chanson. With its focus both practical and scholarly this new Complete Edition of songs aims to encourage creative confident and well informed performance. Founded on study of hundreds of manuscripts and printedsources it has been tested internationally in masterclasses workshops seminars concerts and recordings. In this it takes a lead from the composer who prepared his own editions on the basis fo performing experience. The edition also assimilates interpretative insights from musicians who worked with Fauré as well as from his documented performing preferences.