From the rock group Queen here is their popular swing tune in a fast-paced chart for young jazz ensemble. Sure to be a fun one to rehearse and perform!

Here is a striking and well-scored arrangement of Jobim's well-known standard. Presented here as part of Hal Leonard's Little Big Band series Mike's smooth Latin arrangement provides plenty of variety and a great sounding groove. (Grade 5)

Even though the TV show is for little tikes the familiar theme song is very popular with jazz players. (Go figure!) The saxes are featured on the head and the trumpets take the melody on the bridge. This easy chart also includeswritten or ad lib solos for Trumpet and/or Tenor and a full ensemble shout chorus at the end. You'll have fun with this one!

One of the most famous jazz waltzes ever written this Little Big Band setting of Miles Davis' classic skillfully uses the six-horn format to create an incredibly full sound. A flexible solo section is also featured. (Grade 4)

Unusual and distinctive harmonies and a contemporary rock groove combine in this effective and creative original. A brief muted trumpet solo is featured over “mysterious” sounding chords and later solos for altoand/or trombone are featured. If you are looking for something that has a great groove but is a little out of the box this one is definitely for you.

Here's one of the classic bebop tunes of all time. Sonny Rollins' famous melody is expertly arranged here in the little big band format. Great sounds for small groups!

Initialement intitulé ' Threes ', son intrigue tourne autour de Bobby (un seul homme incapable de s'engager pleinement à une relation stable, sans parler de mariage), les cinq couples qui sont ses meilleurs amis et ses trois amies mariés. Contrairement à la plupart comédies musicales livre, qui suivent une intrigue claire, Company est un composé de vignettes courts, présentés sans ordre chronologique particulier, lié par une célébration pour le 35e anniversaire de Bobby. Compagnie était parmi les comédies musicales de premières pour traiter des problèmes adultes par le biais de sa musique. Comme Sondheim, ' ce sont des gens de classe moyenne avec la classe moyenne-problèmes '. C'est aussi un des comédies musicales des premières où les chansons a commenté les personnages de la pièce au lieu de favoriser l'intrigue, un dispositif qui est devenu un standard Sondheim. / Chant/Vocal/Choeur