Description Includes music from 'Mitridate, Re Di Ponto', 'Le Nozze Di Figaro', 'Cosi Fan Tutte' and 'La Clemenza Di Tito'. Some songs in this book are travesti roles - male characters played by females. Edited by Robert L. Larson & Richard Walters, and including an accompaniment CD performed by Robert L. Larson. Songlist Deh Per Questo Istante Solo (From La Clemenza Di Tito) E Amore Un Ladroncello (Cosi Fan Tutte) Il Capro E La Capretta (From Le Nozze Di Figaro) Non So Piu Cosa Son (From Le Nozze Di Figaro) Parto, Parto (From La Clemenza Di Tito) Smanie Implacabili (From Cosi Fan Tutte) Son Reo L'error Confesso (From Mitridate, Re Di Ponto) Torna Di Tito A Lato (From La Clemenza Di Tito) Va, L'error Mio Palesa (From Mitridate, Re Di Ponto) Voi Che Sapete (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus]

Mezzo-Soprano-This new volume presents the best of Spanish Zarzuelas in brand new thoroughly researched editions with accompanying text in Spanish and English.These beautiful books also include a specially-recorded CD featuring piano accompaniments to each piece.

Par CONNOLLY JUSTIN. A setting of five late poems by Friedrich Hölderlin written under his pseudonym Scardanelli. Described by the composer as Cantata for mezzo soprano and piano, the 20-minute piece explores the full range of Hölderlin's poetry from the religious to the comic, as well as themes of nature and Classical mythology. The vocal and piano parts are largely independent throughout and only occasionally coordinate, with the piano providing a continuous commentary on the texts. / Date parution : 2023-10-31/ Répertoire / Mezzo-Soprano et Piano

Contains three arias 'Habanera' and 'Seguidilla' from Carmen and 'Mon Coeur S'oeur A Ta Voix' from Samson Et Dailila. Includes notes on each aria plus English translations of the lyrics. Companion CD includes full orchestra accompaniments plus performances by professional singers.

74 Solo Cantatas for Voice Melodic Instrument and Basso continuo.Cantatas For The Sundays After Trinity - Medium Voice.When Telemann issued his first annual cycle of printed cantatas Der Harmonische Gottesdienst (Hamburg 1725-6) he was already one the leading cantata composers of his time. Thanks to their brevity and their simple scoring the 72 solo cantatas have remained very popular to the present day.These editions (BA 5891 through to BA 5896) divide the annual cycle into cantatas for high voice and cantatas for medium voice.Each series spreads the works over three volumes accompanied by separateparts for solo instrument and continuo. The cantatas follow the order of the liturgical year beginning with the Christmas season and continuing with Easter and Trinity.Being practically minded Telemann arranged the ambitus of the vocal parts so that the cantatas for medium voice are ???also suitable for an ordinary alto or bass???.Similarly the solo instruments are suitable for Violin Oboe Recorder or Flute.- Interesting solo cantatas for use in church services.- Urtext from the Telemann Edition.- Separate parts for instrument and continuo.

Mezzo-Soprano/Alto Edition-First Book Of Broadway Solos is the perfect first collection for many Voice students whether they are teens or college singers or adults. Joan Boytim has selected songs appropriate for each Voice type and has chosen keys that suit the Vocal needs of novice singers studying in traditional generally classical lyric singing.The editions of the songs in these collections are short and straight forward. Teachers have found these books invaluable. To make the collections even more useful each volume is offered in a book/online audio edition with Piano accompaniments recorded by pianist Laura Ward.

Mezzo-Soprano Book/2-CDs Pack-For aspiring and professional singers who love Broadway Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-barcut suggestions for each song make it the most useful and relevant song library of its kind. Titles include: And All That Jazz · Another Op'nin' Another Show · Anything Goes · Beauty and the Beast · Don't Rain on My Parade · Everything's Coming up Roses · Hernando's Hideaway · I Get a Kick Out of You · I Got Rhythm · I Love Paris · Miss Byrd · My Funny Valentine · People · Rose's Turn · Send in the Clowns · Sunday in the Park with George · Whatever Lola Wants (Lola Gets) · When You're Good to Mama · and more.

Opern-Arien-An essential new edition for every singer and voice studio! This is the most comprehensive multi-volume collection of Mozart opera arias ever published with editions for Soprano Mezzo-Soprano Tenor and Bass/Baritone with 31 to 41 arias per volume. Includes historical and plot notes about each opera and aria and English translations for study.The most familiar arias of course are found in the collections along with many masterful vocally gratifying but less familiar selections.Operas represented: Apollo et Hyacinthus; Ascanio in Alba; Bastien und Bastienne; La Clemenza di Tito; Così fan tutte; Don Giovanni; Die Entführung aus dem Serail; Lafinta giardiniera; La finta semplice; Idomeneo; Lucio Silla; Mitridate rè di Ponto; Le nozze di Figaro; L'oca del cairo; Il rè pastore; Der Schauspieldirektor; Il sogno di Scipione Zaide Die Zauberflöte.

The sheet music for contemporary virtuoso composer Nico Muhly's So Many Things arranged for Mezzo-Soprano and Piano Accompaniment. So Many Things was commissioned by a number of institutions including The Los Angeles Philharmonic Association UC Berkeley and Carnegie Hall. Lasting around 15 minutes Muhly has set three poems to this wonderful music including a lengthy narrative poem by Joyce Carol Oates and two translations of C.F. Cavafy by Daniel Mendelsohn. Muhly has brilliantly managed to take the emotion of the words and replicate them through music creating an astonishingly movingaccompaniment that not only reflects the lyrical sentiment but complements it. He states that the Piano moves between skittish and ostinato relentless but often pausing for an effective break in the musical narrative. With drones and palindromes from the Piano the Voice leaps between intervals creating a dynamism that creates uncertainty rather than resolve much like the poetry.