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Monteverdi C. - L'orfeo - Vocal Score
Opera
[Vocal Score]
Barenreiter
Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orp...
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Monteverdi’s opera “L’Orfeo”, based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the “Palazzo Ducale” in Mantua. When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi’s “L’Orfeo”. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi’s “Il ritorno d’Ulisse in patria”. Two contemporary prints of “L’Orfeo” from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary. This edition of “L’Orfeo” offers in addition to Monteverdi’s somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in “chiavetta” have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower. - Detailed introduction by the editor (Ital/Eng/Ger) on the work’s genesis and performance practice - Comprehensive critical commentary (Eng) in the score - Idiomatic piano reduction Edition no.: BA 8793-90 ISMN: 9790006533121 Composer / Author: Monteverdi, Claudio Title: L'Orfeo Favola in musica in one prologue and five acts Detailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, Orchestra Librettist: Striggio, Alessandro (junior) Editor: Alessandrini, Rinaldo Foreword / Introduction: Alessandrini, Rinaldo Product format: Piano reduction, Urtext edition Language(s) of work: Italian Language(s) of text: German, Italian, English Publisher: Bärenreiter Binding: Paperback Print run: 1st printing 2012 Pages / Format: XIV, 143 S. - 27,0 x 19,0 cm Weight: 428 g
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Adams J. - Doctor Atomic - Voix
Opera
Schott
Opera in Two Acts / soloists, mixed choir (SATB) and orchestra
205.70 EUR - Sold by Woodbrass
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Mozart W.a. - La Flute Enchantee Kv 620 - Chant, Piano
Opera
[Reduction]
Barenreiter
A German Opera in Two Acts Urtext - réduction piano-voix Compositeur : Mozart ...
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A German Opera in Two Acts Urtext - réduction piano-voix Compositeur : Mozart Wolfgang Amadeus Instrumentation : 6 Soprano solo, 3 KnaSt, 4 Tenor solo, 5 Bass solo, 4 Speaker, Mixed Choir, 2 Flute/ Piccolo, 2 Oboe, 2 Clarinet (b flat), 2 Basset horn, 2 Bassoon, 2 Horn, 2 Trumpet, 3 Trombone, Kettledrum, Chime-bells, Strings Besetzung / Ensemble Vorwort Preface Verzeichnis der Auftritte / Index of Scenes Ouverture Erster Aufzug Zweiter Aufzug
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Adams J. - A Flowering Tree - Voix
Opera
Schott
An Opera in 2 Acts / soprano, tenor, baritone, mixed choir (SATB) and orchestra
237.40 EUR - Sold by Woodbrass
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Rameau J.p. - Anacreon - Choeur
Opera
Barenreiter
ballet héroique en un acte Series : Opera Omnia OOR IV.25 Edition : Piano Redu...
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ballet héroique en un acte Series : Opera Omnia OOR IV.25 Edition : Piano Reduction/Vocal Score Editor : Williams, Jonathan Huw Binding : paperbound Instrumentation : Bass solo, Soprano solo, Alto solo, Alto solo, Mixed Choir, Piano
32.70 EUR - Sold by Woodbrass
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Faust (GOUNOD CHARLES)
Opera
[Sheet music]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
1794.30 EUR - Sold by LMI-partitions
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The Barber Of Seville (ROSSINI GIOACHINO)
Opera
Soli, mixted choir and piano
[Sheet music]
Peters
Par ROSSINI GIOACHINO. Voice - Piano/ Répertoire / Opéra
52.20 EUR - Sold by LMI-partitions
(Seller in french langage)
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Hindemith Paul - Mathis Der Maler - Mixed Choir
Opera
Schott
Oper in 7 Bildern
66.50 EUR - Sold by Woodbrass
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